Underneath all the stories there does lie something differ from the tales. How different? In this—that the thing which is invoked is an object of a different nature, however it may put on the appearance of the most beautiful and bizarre mansion in all of the World or indulge in its servants their human appetites. It is cold, it is hungry, it is mysterious, it is illusory. The warm blood of its visitors does not satisfy it. It wants something more and other; it wants “obedience,” it wants “souls,” and yet it pines for matter. The Winchester Mansions cost five million valuable dollars (2022 inflation adjusted $146,685,714.29 USD), with a million ($29,337,142.86) alone spent on materials. It contained 600 rooms with 160 still remaining, and has 10,000 windows, nine kitchens, and 47 fireplaces built of rosewood, cherry, mahogany, Italian marble, oak, teak, and pipestone; all hand-carved, and no two alike. For 38 years, 1884-1922, the sound of saw and hammer never ceased. Commonly, 16 carpenters were employed at one time, some having worked for 20 years without change. They produced the largest, most complicated and exclusively private residence in the United States of America. There are five different heating systems and three elevators. Some of the 13 bathrooms lacked privacy; they have glass doors! One rambling room has four fireplaces and five hot-air registers. A spiral stairway has 42 steps, each two inches high. Other stairways melt into blank walls. A second story door opens into the great outdoors and a 20-foot step. A linen closet has the area of a three-room apartment; a nearby cupboard is less than one-inch deep. A skylight is placed in the middle of a room, in the floor! Another floor is apparently a series of trap-doors. The visitor must stoop through one door to enter, the next gives clearance for an eight-foot giant. Many stairway turnposts are set upside down. Entire walls are built entirely of half-inch, “half-round” strips.

Everywhere prevails that strange deference to the number 13; 13 stairsteps, 13 hangers in closet, 13 wall panels, 13 lights in the chandeliers, 13 windows to a rom and if necessary to make that number, some placed in an inside wall. Perplexity is leavened by extravagant Victorian beauty scattered along each crooked path of exploration, but what else would you expect from the house built by spirits? It was not peaceful, but filled with demons in the shape of succulent young maidens. No casual visitor can see it all. In 1923, occupants gone, it was opened. The Inquisitors were certain that they had uncovered Satan’s lair. The number 13 has undoubtedly possessed great fascination for man throughout his historic and prehistoric past, and has taken on the aspects of a mystical number, embedded in his collective unconscious, just as the number 7 has been for time immemorial a number possessed of magical properties. Since 13 is the number following the perfect cycle of 12, it is symbolic of death or the unknown. It is quite possible that some covens might have been fixed at thirteen members. However, the evidence from the witch trials tends to corroborate the view that the number of members in covens varied, depending on how many members showed up. At night, passers-by heard ghostly music wafting from the dark mansion. Secrecy was imperative, for discovery meant certain death. The Devil himself invariably presided at the important Sabbats, in the personage of the Grand Master of the region. Seated on a black throne, Satan began the meeting by reading the roll call of members from a book he had in his possession. As their names were pronounced, witches reported their activities—their magical success or failure—since the last Sabbat. After the roll call, the Devil admitted new members. The initiate had to enter the cult of one’s own free will. The Devil demanded at the meetings that the witches bring children to the Sabbats for conversion.

The initiation requirement was that the initiate had to make a pact with the Devil, which usually involved signing a contract to do Satan’s work for a specified period of time. This vow of obedience usually employed as a writing fluid the blood of the signer, which was extracted from the arm or the finger. The symbolism behind this part of the ceremony is clear, blood being a traditional symbol for the life force, or the soul. The participants lined up in order to pay homage to Satan. The traditional bowing was followed by the osculum infame, of “Kiss of Shame,” a ritual kiss planted on the Devil where the sun don’t shine. After the black mass, the feast began. Some accounts state that the food was abundant and delicious, consisting of succulent meats, bread, and spirits. Most of the guests gorged themselves with food and drink before leaving the feast to dance. The dancing in the Grand Ball Room was an important part of the ceremony. Whoever stumbled on the occasion of this celebration must have seen something very unbelievable. They saw incoming flights of spirits glowing with sulfurous flames, and the Hand of Glory itself—the human hand with the fingers ignited as candles. They saw even a devil god, monstrously masked, with a candle spluttering between its horns. Then the bell in the belfry high in the gables tolled again to warn these visitors to return to their sepulchres. But once a week these departed ones relaxed and danced in the Great Ball Room. But even after the guests had departed, something it had spawned lived on, and the chanting could still be heard echoing through the caverns of the Winchester mansion. This left many in Santa Clara County bound together by a nihilistic belief that the World was in the throes of a bloody apocalypse, slowly purifying the overpopulated planet. From the mansion, doctrines from the dark undercurrents of the movement had rise to the surface: social Darwinism, the idea that the brutal laws of natural selection applied not just to the natural World but to human society.

There is so much of delicacy in this subject, that the mere resolve to handle it at all might seem to imply a lack of the sensitiveness necessary to its understanding; and it is certain that the more reverent the touch, the more irresistible will figure its opportunity to the common scepticism which is boneslave to its five senses. Mrs. Winchester was an heiress. She managed her considerable estate. She was an opened flower who had been left a green bud—a thing so rare and flawless that it seemed a sacrilege for Earthly passions to converse of her. She loved her husband dearly, wholly, it was plain. And for her part, fearless as nature, she made no secret of her love. She absorbed in, a captive to, William from the movement she met him and forever. What man could have resisted, on first appeal, the attraction of such a beauty, the flower of a radiant soul? The two were betrothed; William’s cup of happiness was brimmed. They were man and wife before God. She never doubted or questioned their mutual bondage, and would have died a maid for his sake. Something of sweet exultation only seemed to quicken the leap in her body, that her faith in her dear love was vindicated. But the joy came to an upset when Mrs. Sarah Winchester lost her daughter only four weeks after her birth. And about a decade later, Mr. William Winchester died in his early 40s. This destroyed Mrs. Winchester utterly. Psychics told her she was cursed by the Winchester fortune. Lonely in her huge mansion, unearthly cries of seabirds answered the questions of her widowed heart. She worked, sweet in charity, among her servants, a beautiful unearthly presence; and was especially to be found where infants and the troubles of child-bearing women called for her help and sympathy. Mrs. Winchester was so sweet a sanity; and indeed, many often noticed that her estate bred the souls of mysticism.

Guest once saw a mermaid bathing in the fountain at the Winchester mansion. At least, that was their instant impression. The creature sat coiled on the strand, combing her hair—that was certain, for they saw gold-green tresses of it whished by her action into rainbow threads. It appeared as certain that her upper half was flesh and her lower fish, and it was only on their nearer approach that this latter resolved itself into a pale green skirt, roped, owing to her posture, about her limbs, and the hem fanned out at her feet into a tail fin. It was plain enough now; yet the illusion for the moment had quite startled onlookers. As they came near, she paused in her strange business to canvass them. It was Mrs. Winchester herself. They guests had never seen so lovely a creature. Her eyes, as they regarded, were something to haunt a dream: so great in tragedy—not fathomless, but all in motion near their surfaces, it seemed, with green and rooted sorrows. They were the eyes of an Undine late-humanized, late awakened to the rapturous and troubled knowledge of the woman’s burden. Her forehead was most fair, and the glistening thatch divided on it like a golden cloud revealing the face of a wondering angel. They passed, and the rose garden stile their vision. The beautiful sight was gone when they returned. The Winchester mansion was full of ancient memories and apparitions. Mrs. Winchester’s manner was still quite youthfully thrilling. One morning succeeding the night after her guests had arrived, after breakfast she invited her guest to a séance in her Blue Séance Room, but even as guests spoke to her, her pretty features wavered and vanished. Where she had been, a gleam of iridescent dust seemed to show one moment before it sank and was extinguished in the falling cloud. Heaping an eternal chaos with nothingness, never to be seen again. But she left the sweetest memory behind her, for human charity, and an elf-like gift of loveliness.

When a family had moved into the Winchester mansion, both the husband and wife heard ghost like phenomena in the house. At night they heard footsteps about the house and at the weekend of Easter they heard such a lot of crashing and knocking that is sounded as if all the furniture was being smashed to pieces. On investigation they found nothing disturbed at all. The noises continued at other times and several guests heard them although they had never been told that the mansion was haunted. The residents prayed continuously about the disturbances and finally they decided to command the invisible powers in the name of Jesus to depart from the mansion. One morning this while it was still dark, they heard a noise as if all the bricks in the basement were being trapped, and this was followed by another noise comparable to hundreds of pigeons flying away. The man was now convinced that the ghosts had left. Later while investigating the possible causes of the ghost, it was discovered that this was the mansion of the spiritist Mrs. Sarah Winchester, who was cursed by the souls taken by the Winchester rifle. When it comes to a genuine haunting, the appearances always have their roots in the occult activity of those ho have previously lived in the house, and, although ghosts associated with particular places are more persistent than ghosts or apparitions associated with particular people. The occurrences are not to be explained away by some scientific explanation or other, but a metaphysical answer has to be sought for to understand the whole truth. The ghosts in the Winchester mansion are so vividly real and yet so fantastically original as to make an impression sometimes exceedingly startling. Some are kind, humorous, some grotesque, and some awe-inspiring even to sublimity, and chief among the last class is the weird-wailing Banshee, that sings by night her mournful cry, giving notice to the people who hear her that one of them will soon to be called to the spirit World.

The Banshee is really a disembodied soul, that of one, who, in life, was strongly attached to the family, or who had good reason to hate all its members. Thus, in different instances, the Banshee’s song may be inspired by opposite motives. When the Banshee loves those who she calls, the song is a low, soft chant, giving notice, indeed, of the close proximity of the angel of death, but with a tenderness of tone that reassures the one destined to die and comforts the survivors; rather a welcome than a warning, and having in its tones a thrill of exultation, as though the messenger spirit were bringing glad tidings to one summoned to join the waiting throng of his ancestors. If, during her lifetime, the Banshee was an enemy of the family, the cry is the scream of a fiend, howling with demoniac delight over the coming death-agony of another of her foes. There exists a belief that the spirits of the dead are not taken from Earth, nor do they lose all their former interest in Earthly affairs, but enjoy the happiness of the saved, or suffer the punishment imposed for their sins, in the neighborhood of the scenes among which they lived while clothed in flesh and blood. At particular crises in the affairs of mortals, these disenthralled spirits sometimes display joy and grief in such a manner as to attract the attention of living men and women. At weddings they are frequently unseen guests; at funerals they are always present; and sometimes, at both weddings and funerals, their presence is recognized by aerial voices or mysterious much know to be of unearthly origin. The spirits of the good wander with the living as guardian angels, but the spirits of the bad are restrained in their actions, and compelled to do penance at or near the places where their crimes where committed. Some are chained at the bottom of lakes, others are buried under ground, others confined in mountain gorges; some hang on the sides of precipices, others are transfixed on the tree-tops, while others haunt the homes of their ancestor, all waiting till the penance has been endured and the hour of release arrives.

The Winchester mansion, in San Jose, California USA is believed to be still inhabited by the spirit of a chief, who there atones for a horrid crime, while the mansion is similarly people by the wicked dead. The ghost of a sinful abbot walks and will continue to do so until his sin has been atoned for by the prayers he unceasingly mutters in his tireless march up and down the halls ways of the labyrinth. The Banshee is of the spirits who look with interested eyes on Earthly doings; and, deeply attached to the old families, or, on the contrary, regarding all their members with a hatred beyond that known to mortals, lingers about their dwellings to soften or to aggravate the sorrow of the approaching death. The Banshee attends only the old families, and though their descendants, through misfortune, may be brought down from high estate to the ranks of peasant-tenants, she never leaves nor forgets them till the last member has been gathered to his fathers in the churchyard. The song of the Banshee is commonly heard a day or two before the death of which it gives notice, though instances are cited that the song at the beginning of a course of conduct or line of undertaking that resulted fatally. Thus, in Winifred, a young servant at the Winchester mansion in the late 1880s, engaged herself to a youth, and at the moment her promise of marriage was given, both heard the low, sad wail above their heads. The young man deserted her, she died of a broken heart, and the night before her death, the Banshee’s song was heard blaring loud and clear, outside the window. The servants marched outside the mansion, and they filed through the gateway, the Banshee was heard high above the observation tower of the mansion. The next night he sang again, and was heard no more for a month, when one of the farmer’s wives heard the wail under her window, and on the following day his coworkers brought back his corpse. One of the farmers heard the Banshee as he started on a journey before daybreak, and was accidentally killed some time after, but while on the same journey.

The wail most frequently comes at night, although causes are cited of Banshees singing during the daytime, and the song is often inaudible to all save the one for whom the warning is intended. This, however, is not general, the death notice being for the family rather than for the doomed individual. The spirit is generally alone, though rarely several are heard singing in chorus. A maid, greatly loved for her social qualities, bebevolence, and piety, was some years ago, taken ill at the Winchester mansion, though no uneasiness was felt on her account, as her ailment seemed nothing more than a slight cold. After she had remained in-doors for a day or two several of her acquaintances came to her room to enliven her imprisonment, and while the little party were merrily chatting, strange sounds were heard, and all trembled and turned pale as they recognized the singing of a chorus of Banshees. The lady’s ailment developed into pleurisy, and she died a few days, the chorus being again heard in a sweet, plaintive requiem as the spirit was leaving her body. The honor of being warned by more than one Banshee is, however, very great, and comes only to the purest of the pure. The “hateful Banshee” is much dreaded by members of a family against which she has enmity. The Winchester mansion was attended by a Banshee of this description. This Banshee is the spirit of a young girl deceived and afterwards murdered by another servant. With her dying breath she cursed her murderer, and promised she would attend him forever. Many years passed, the chieftain reformed his ways, and his youthful crime was almost forgotten even by himself, when, one night, he and his family were seated by the fire of the mansion, and suddenly the most horrid shrieks were heard outside the mansion’s walls. All ran out, but saw nothing. During the night the screams continued as though the mansion was besieged by demons, and the unhappy mand recognized, in the cry of the Banshee, the voice of the young girl he had murdered. The next night he was assassinated by one of the construction workers, when again the wild, unearthly screams of the spirit were heard, exulting over his fate.

Since that night, the “hateful Banshee” has never failed to notify the family, with shrill cries of revengeful gladness, when the time of one of their number had arrived. Banshees are not often seen, but those that have made themselves visible differ as much in personal appearance as in the character of their cries. The “friendly Banshee” is a young and beautiful female spirit, with pale face, regular, well-formed features, hair sometimes coal-black, sometimes golden; eyes blue, brown, or black. Her long, white drapery falls below her feet as she floats in the air, chanting her weird warnings, lifting her hands as if in pitying tenderness bestowing a benediction on the soul she summons to the invisible World. The “hateful Banshee” is a horrible hag, with angry, distorted features: maledictions are written in every line of her wrinkled face, and her outstretched arms call down curses on the doomed member of the hated race. Though generally the only intimation of the presence of the Banshee is her cry, a notable instance of the contrary exists in the family of the Winchester’s, to the doomed member of which the Banshee always appears in the shape of an exceedingly beautiful woman, who sings a song so sweetly solemn as to reconcile him to his approaching fate. The prophetic spirit does not follow members of a family who go to a foreign land, but should death overtake them abroad, she gives notice of the misfortune to those at home. When Mr. Winchester died, the Banshee was heard wailing round the house of his ancestors. In fact, the night before the 1906 Earthquake, several Banshees were heard singing in the air over the Bay Area, the truth of their prophecy being verified by the death-toll and destruction of the next day.  How the Banshee is able to obtain early and accurate information from foreign parts of the death in battles and natural disasters is yet undecided in mystical circles.

Some believe that there are, in addition to the two kinds of already mentioned, “silent Banshees,” who act as attendants to the members of old families, one to each member; that these silent spirits follow and observer, bringing back intelligence to the family Banshee at home, who then, at the proper seasons, sings her dolorous strain. A partial confirmation of this theory is seen in the fact that the Banshee has given notice at the family seat in Ireland of deaths in battles fought in every part of the World. From North America, the West Indies, Africa, Australia, India, China; from every point to which Irish regiments have followed the roll of the British drums, news of the prospective shedding of Irish blood has been brought home, and the slaughter preceded by a Banshee wail outside the ancestral windows. However, it is due to the reader to state, that this silent Banshee theory is by no means well or generally received, the burden of evidence going to show that there are only two kinds of Banshees, and that, in a supernatural way, they know the immediate future of those who they are interested, not being obliged to leave Ireland for the purpose of obtaining their information. Such is the wild Banshee, once to be heard in every part of the World. Now, however, she attends only the old families and does not change to the new. Only a few retired districts in the World are the dreaded spirit still found, while for the most part, she has become only a superstition, and from the majesty of the death-boding angel, is rapidly sinking to a level with other supernatural creatures, who are sought out, but so infrequently seen. The deceptiveness of white magic. White magic is black magic in pious masquerade. It uses, in a magic way, the name of God, Christ, and the Holy Spirit, along with Bible phrases and terminology, but is demonic in character. It is called “white” because it parades under the banner of light, in contrast to “black” magic that openly enlists the assistance of the power of darkness.

White magic furnishes a perfect illustration of the Apostle Paul’s warning: “And no marvel; for Satan himself is transformed into an angel of light. Therefore, it is no great thing if his ministers also be transformed as the ministers of righteousness; whose end shall be according to their works,” 2 Corinthians 11.14-15. White magic comes into play and alien spirits “not of God,” begin to operate when the truth of God is perverted. Many do not understand that utterly sincere believers of the holy Bible can come under the spell of white magic and demonic influence. The spirit realm of good in which the Spirit of God operates is closely related, although distinctly separate, from the spirit realm of evil where Satan and demons operate. Werewolf Order literature states, “Nikolas Schreck teaches that the ancient mythological figures of the werewolf and vampire are actually archetypal role models for the next step in evolution: cruelties of the natural order and man’s animal origins, and yet the master of a new science of pagan technology.” This concept—that the mythical creatures of the night were the most highly-evolved form of humanity—would be combined by Schreck with a revived Germanic racial occultism, inside the broader church of Satanism. His self-styled propaganda unit was tiled Radio Werewolf, after the propaganda stations set after the Second World War: Radio Werewolf stands as the standard-bearer of a new kind of youth…Orderly, disciplined, drug-free, proud and reawakened to their pagan heritage; the cadres of the Werewolf Youth Party. Contemporary youth culture was labelled a sewer of mind-numbing drugs, primitive rhythms, the unbalanced encouragement of androgyny and so forth, and the muddying and blurring of racial cultural boundaries. Performing midnight rituals to send signals to the sleeping masses in furtherance of the demonic revolution, the Werewolf Order were a gothic extreme for modern fascism.

The black-clad warrior priests and priestesses of the order form a lycanthropic legion who are shaking the axis of the World. There are thirteen designated Power stations of the Werewolf movement situated in such cities as San Francisco, London, Berlin, Seattle, Vienna, Brussels, Colorado Springs, with headquarters in Los Angeles overseen by Nikolas Schreck. Not one for half measures, Schreck declared his aim as World domination. Occultist trying to bring about a pagan revival has been going on for a very long time. At least since World War I. Necrophiliacs rub shoulders with advocates of eugenics, racist conspiracy theorists struggle for space against champions of self-castration. The Worlds of science, art, and the occult collide in a bewildering pile-up that leaves few standing. Apocalypse Culture distilled the pre-millennial angst and nihilism of people who grew up under the shadow of a mushroom cloud. The possibility of mass destruction, as imprinted on the subconscious of a generation, had produced a state of amorphous unease. A Malthusian mud flood has already been underway. The end of the World came sages ago, but it is happening slowly over a period of time and nobody has been noticing. It is an ongoing process. The World today is different than it was 30 years ago. Some of it has decayed so much, and it is decaying more and more all the time. The entire World is rotten and corrupt and they are [the masses are] ordaining their own death. To some, they are just dead people who refuse to lie down. It is people who do not see anything out in the World right now, who feel lost, unattached, swirling in a World of despair and boredom, but some glimmer of hope that there are at least some people like-minded. Lilith, a popular Satanic-femme pseudonym, is the archetypal illustration of Satan’s longstanding penchant for powerful women. Created of filth by Jehovah in the Old Testament’s Book of Isaiah, she was the first wife of Adam. Cast out into the wilderness for not submitting to her husband, she hooked up with the Devil and they made lots of little demons together.

The doctrines of the Order of the Nine Angels (ONA) calls for entry into a new aeon of human development, via the overturning of current social dogma. More specifically, individual members are encouraged to evolve personally by overcoming various physical and psychological ideas. The ONA defines itself as more “sinister” than the established Satanic movements—such as the Church of Satan and the Temple of Set—who are dismissed as not “evil” enough. The group’s efforts to establish its philosophical wickedness include, inevitably, flirtation with the Far Right. The purpose of human sacrifice was to release energy and draw down dark forces. There are some people who voluntarily offer themselves up; another is the human carnage that ensues as the result of political or social upheaval, to be brought about by the actions of the Order of the Nine Angels (ONA). In other cases, which give people most pause for thought—the secret murder of individuals considered to be opponents or impediments to the ONA’s goals. The Hard Right is a very dangerous thing to get involved with. Particularly for Satanists—the ONA has received threats from certain national socialists groups who do not like the idea of Satanism being linked with them. ONA claims that the secret of Satanism is that a Satanist restores the balance within society, acting as a counterbalance. For example, if we were in a right-wing situation at this time, there would certainly be a communist Satanic organization. This may all seem rather frivolous and aimless, but what Satanism represents is basically an energy for change. Evolution. An energy which provokes insight and adversity. Satan represents movement. Something which moves and that is not tied down by moral abstracts or ideas. You could remove someone you think is detrimental to your cause, but you could be wrong in in that. It could turn out to be the opposite.  ONA is designed to attract people who can think and judge for themselves.

The work ONA does is very extreme, it has to be that way. The manuscripts are designed to produce certain changes in society, to create certain preconceptions and destroy others. They are very elitist, because very few people ever stay the course. It involves real hardship, a certain way of living which few people are willing to follow. All civilizations start off as a creative minority, a small group of people in certain area who did certain things which drew the masses. People are putty, basically, and it is always going to be a small number of people who can effect changes; the artists or whatever, the people who dare to break out of the constraints of society. They also let people know that they have freedom of will, but they have to take consequences for their actions. The archetypal ONA member is a lone sorcerer, somebody who defies their own limits, defies themselves. They find out their true potential, usual through ordeals. There is one ordeal, for example, which requires living alone for three months, completely alone, bereft of any possessions whatsoever. The actual aim is, on an individual level, finding your god within yourself. What is aims to produce is a unique individual who does not need anything. ONA is a traditional which goes back 7,000 years—that is according to legend. It was born when there was a civilization around here called Albion which had various rites associated with a dark goddess who we know as Baphomet. Baphomet’s been handed down through the ages as a composite figure. The famous goat-headed symbol was actually a distortion, a lie which took away from the real power of the dark goddess, who are actually a dark, menstruating women. It was very much a code of honor centered around war and the brutal realities of life, and actually the original paganism for thousands of years before Christianity arrived. It is basically an oral tradition some received from Anton Long. He received it from a Mistress of the Order and she had it passed on from someone before her.

The term “demon possession” does not appear in the Bible. The New Testament, however, frequently mentions demoniacs. They are said to “have a spirit,” “a demon,” “demons,” or “an unclean spirit.” Usually such unhappy victims of evil personalities are said to be “demonized” (daimonizomenoi) id est, they are subject to period attacks by one or more inhabiting demons, who derange them physically and mentally during the seizure. Rationalistic criticism has persistently denied the reality of demon possession as presented so vividly in the Bible accounts of our Lord’s Earth ministry. The mythical theory, advanced notably by Germany’s David Strauss, views the whole narrative of Jesus’ demon expulsions as purely symbolic, without actual foundation in fact. Demon possession is represented as a vivid symbol of the prevalence of evil in the World, and the expulsion of demons as a corresponding figure of Christ’s triumph over it. Other critics attempt to dismiss demon possession with theories of accommodation or hallucination. The proponents of the first hypothesis declare the Lord simply adapted Himself to popular belief and terminology without committing himself to the existence or nonexistence of the phenomena described or the truth or falsity of currently belief. The proponents of the second theory consider demon possession a pure hallucination or psychological delusion. However, all such views fail to meet the issue. Nor can present-day parapsychologist and psychiatrists, who refuse to recognize evil supernaturalism in the phenomen of demon possession, either explain it or deal adequately with it. Demon possession is a condition in which one or more evil spirits or demons inhabit the body of a human being and can take compete control of their victim at will. By temporarily blotting out one’s consciousness, they can speak through the individual and their complete slave and tool. The inhabiting demon (or demons) comes and goes much like the proprietor of a house who may or may not be “at home.” When the demon is “at home,” one may precipitate an attack. In these attacks the victim passes from one’s normal state, in which one acts like other people to the abnormal state of the possessed. The present generation must weigh and draw its own conclusions about supernatural activity and this valley’s most interesting, most haunted mansion, and surely our most mysterious Frist Lady!

Winchester Mystery House

Happy Day! Who’s visiting the Winchester Mystery House This weekend?

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻

ow.ly/hQMW50IWpfT