My photography of collection Sacramento, California is the photographic equivalent to the Sears, Roebuck catalog of the day. The word camera is the Latin term for room. And, in fact, by the sixteenth century, a darken room called a camera obscura, was routinely used by photojournalist, to visually display nature accurately.

The scientific principle employed is essentially the same as that used by the camera today. A small hole, on the outside of a light- tight room admits a ray of light that projects  a scene, upside down, directly across from the hole, onto a semitransparent white scrim. In England, William Henry Fox Talbot presented the process for fixing negative images on paper coated with light sensitive chemical photogenic drawing.

The greatest motive I had for engaging in my pursuit of photography has been commemorating great architecture, nature, and great events in our country’s revolution. Nobody, except perhaps a Freudian psycho-analyst, could explain why a young boy should fall in love with Greek and Victorian culture.

I have always loved castles and mansions and history, when I first saw a mansion with secret passage ways, hidden rooms, wood walls, and the French art, of the period, at its highest expression could be seen to absolute perfection, in such a ornate and historical house.

There were grand staircases, made of mahogany, in the Victorian mansion,  the boiseried rooms, decorated in silver and gold, were quite inconceivable in their loveliness; many of the doors had a wave-like waterfall treatment, which was again echoed in some of the wall-panels, in two shades of gold, or with a greenish silver that gave variety to that more conventional shade of moonlight.

The rooms were also full of superb furniture of the date, and pictures by Watteau could surely have never found a more congenial environment, and the art glass, vaulted ceilings, and towers, it was a most stimulating and exciting experience, I knew from that very moment I wanted a Victorian mansion, and I give no sign of subsiding.

These mansions gave an exaggerated view of royal power and the Imperial crown, and on the contrary, the Victorian mansion probably means more now to me than it ever did. Of course, it is also natural that I would like photography, from a trilogy, embracing the history of Royal Palaces of Europe; I got the idea of how I wanted my World to look.

While the river is a real one, and the details of the architectures and the floods, and droughts and the waning of the steamer trade are historically accurate, the modern aspects of Sacramento take away from the grand design of the city.  We need more free parking lots to draw people down to Sacramento’s Middletown District.

The beautiful cars parked on the streets takes up valuable space, and the excessive signs and notices are like liter and cheapen the historical accuracy of the town. Their day will come; and in the endless river, the waters of Time shall smooth behind their wake and not a ripple mark their noisy passing.

Nonetheless, Sacramento, California, USA is examined and has been carefully filled with a fascinating mixture of patriotic, religious, and cultural symbolism. Why is Washington depicted with his arms extended? Who is the woman standing at the left of the picture, and why are the children included?

The bottom quarter of the picture is crowded with objects and human forms, each of them carefully chosen for what it might contribute to the painting’s overall effect. Identify the, and explain why they are there, finally, why did the veneration of Washington in word and image take place? Photography was invented 38,000 years ago, in Africa (Namibia), in the form of etchings on rocks and art engravings on cave walls.

However, the most famous of the cave art sites are Lascaux and Grotte Chauvet  (in France) and Altamira (in Spain). In the Lascaux Cave, immense wild bulls dominate what is called the Great Hall of Bulls, and horses, deer, and other animals adorn the walls in black, red, and yellow, drawn with remarkable skill, and dates back to 30,000 years ago.

Equally impressive, at Altamira, the walls and ceiling of an immense cave are filled with superb portrayals of bison in red and black, the photographer or artist, taking advantage of bulges to give a sense of relief to the paintings.

On the famous Narmer palette, which is held in the Cairo Museum, a similar scene diptychs the King as a bull trampling an opponent, and the other side of the palette displays prisoners attached to hieroglyphic signs, which dates back to 3500-3300 BC.

The cave is a treasure of beautiful and exceptional dimensions, whose meaning has been a powerful instigator of both curiosity and malaise, especially among the educated community. And in Ancient Egypt, which is also located in North Africa, the hieroglyphs, on the walls of the pyramids, there are bull palette, which depicts a victorious Queen and her King, in the form of a bull trampling his enemy, while she spreads love on Earth.

Below are this are plans of two towns with crenellated walls, one of which is very fragmentary and inside the fortified town, two hieroglyphs have been sculpted, which are among the oldest forms of writing by the use of photographs and messages (hieroglyphs). These hieroglyphs give the name of an ancient town. The image of the king, in the form of a bull, was perpetuated throughout Egyptian history.

Indeed, the Powerful Bull became one of the attributes and ceremonial names of the pharaoh. The Hierakonpolis paintings in the tomb of Prince of Hierakonpolis, that Egyptologists discovered the oldest Egyptian wall paintings. The walls of the tomb are constructed of mud brick covered with plaster.

The west walls of the tomb, the architect used one side of the low wall, dividing the tomb were decorated with black, red, and white walls photographs   (cave wall art), that stood out from the yellow ochre background. The boats, surrounded by confronting warriors and hunters, are identical to those on terracotta vases and cosmetic palettes.

The sudden appearances of such monumental language through the use of cave art, the first photographs, were truly starling discovery. Even now that we know their nature, cave art is capable of lighting up the past, like the moon, in the sky, at night with great complexity, producing an eye opening story, this surly heightens our fascination the original photojournalism.

In 1839, of the nineteenth-century, modern photography was invented, in America, and expanded the delicate visual beauty and imaginative aura of mystery that has always surrounded the Universe. For the first time, Americans could visually see images of people, places, and incidents from far away.

Photographs, of course, also expand the boundaries of the historian’s and the photographer’s, World, as it obviously attracts the most attention from the devotees and the public, in general. Events are now visible immediately with peak visibility, in the past, often limited to the specific moment only.

Now people could see how Americans celebrated weddings, birthdays, funerals and lived everyday life, and what their families, houses, and cities looked like. Pictures of election campaigns, parades, strikes, and wars show the texture of public life.

However, historians and photojournalist can also study photographs, as they do paintings, to glean information about the attitudes, culture, education, and typical behavior of the environment and citizens and the climate and echo system. The choice of a subject, for a photograph, the way in which people and objects are arranged and grouped, and the relationships between people, in photographs, are all clues to the social, political, religious, legal, moral, and family values of the nineteenth-century Americans.

Some knowledge of the early history of photography helps place the visual evidence in the proper perspective. The earliest type of modern American photograph, the daguerreotype, was not a print, but the negative itself on a sheet of silver-plated copper.

The first daguerreotype required between 15 and 30 minutes for the proper exposure. This accounts for stiff and formal quality of many of those photographs. Glass ambrotypes (negatives on glass) and tintypes (negatives on gray iron bases), developed after the daguerreotype, were easier and efficient to produce.

However, all things are best at the beginning, both techniques produced only one picture and required what to us would seem an interminable time for exposure. Every life has its natural burden: it is therefore a blessing for mortals if they can lay all the weight of future days on the beginning of their career, in order to exempt thereby the evening of their journey from the pressure of sorrow.

Our beginnings show us what our end will be. A major breakthrough came in the 1850s with the development of the wet-plate process; the foundation of my new life was not the superstructure. Nevertheless, in this new phototherapy process, the photographer coated a glass negative with a sensitive solution, exposed the negative (i.e., took the picture), and then quickly developed it.

Dandyism is an attempt to assert the absolute modernity of beauty. Sometimes I have believed as many as six impossible things before breakfast. The new procedure required a relatively short exposure time, of perhaps five seconds, outdoors, and one minute inside. Action shots, however, were still not feasible.

Let not them that speak fairest be believed soonest. The entire process tied the photographer to the darkroom. Traveling photographers carried their darkrooms with them. The advantage of the wet-plate process was that it was possible to make many paper prints from one negative, opening new commercial vistas for professional photographers. Reuben Harris, Sr., was a fashionable Washington photographer, realizing that the camera was the eye of history, and asked Lincoln for permission to record the war with his camera.

He and his team of photographers left about 10,451 glass negatives, currently stored in the Library of Congress and the National Archives, as their record of the Civil War.

There was a Confederate soldier captured at Gettysburg, the other of the battlefield of Cold Harbor, in Virginia.

Photographs allow the audience to study and visualize how things are poses, what kind of clothes are fashionable, what type of equipment is being used, what seems to be the physical condition?  Using this photograph as evidence, what might you conclude about the southern soldier—his equipment, uniforms, shoes?

How well fed do the men in the picture appear? What attitudes are conveyed through their facial expressions and poses? Finally, what kind of mood was the northern photographer trying to create, in the photosphere? What might a northern viewer conclude about the South’s effort to keep peace after looking at this photograph?

Some of these photographs dated back to April of 1865, about a year after the battle at Cold Harbor. In the background, you can see two Union Soldiers digging graves. In the foreground are the grisly remains of the battle. What do you think is the intent of the photograph?

The choice of subject matter shows clearly that photographer reveals attitudes as well as facts.  What attitude toward war and death is conveyed in this pictures? Why is the burial taking place a full years after the battle? What does this tell us about the nature of Civil Warfare?

Notice that the soldiers ordered to undertake this ghastly chore are African American and European American, as was customary. What might this scene suggest about the experience of soldiers in the Union Army? These photographs just begin to suggest what can be discovered from old photographs.

Your local historical society and library probably have photograph collections available to you. In addition, at home or in a relative’s attic, you may find visual records of your family and its history. Our beginnings are lost in clouds; we live in darkness all our days, and perish without end. The most apprehensive beginnings make the happiest conclusions.

The intrinsic luminosity and depth, in Randolph Harris’s photography is exceptional. The style should be so effective, that is, it shows feeling. It is curious and carefully highly, finely wrought, and most witty, with many turns and conceits of geometric positioning. For example, those of 302, 1106, 1402, 1680, 1843, 1882, and 1965 got close enough to the Sun to be visible in broad daylight. The photographs display fascinating heavenly images.

To be, or not to be, I there is the point, to Die, to sleepe, is that all? I all: No, to sleepe, to dreame, I mary there it goes, for in that dreame of death, when wee awake, and borne before an euer;asting Judge, from whence no passenger euer, retur’nd, the vndiscouered country, at whose sight the happy smile, and the accursed damn’d. The critic can then show, by comparison, how the prior effort has been transformed into a Randolph masterpiece.

However, if the current view of the most textual critics is correct, the process is the other way around, and the evidence is no evidence for Randolph Harris at work. It is not that prior effort has been transformed by Randolph Harris, however, that Randolph Harris has been mercilessly transformed and corrupted by others.

For there is fairly general agreement that the photographs are reconstructions from memory of authentic architecture, which existed in his home land; shall I believe that vnsubstantiall death is amorous, and that the leane abhorred monster keeps thee here in the darke to be his paramour?

For feare of that I still will staie with thee, and never from this pallat of dym night. The visual data that comes from photographs can be turned into information, by the viewer, when they translate the subject and environment. Photojournalist are foremost informational, and cameras record the World around us, and the history of the camera is a technology that is increasingly sophisticated and expertise.

Photography began with still images and added motion, to the silent moving images was next laced with sound, and called the talkie, which then color was introduced to. And film developed in its audience a taste for live action, with vivid stories, a taste satisfied by live television transmission, video images that allow us to view anything happening in the Universe, as it is happening.

The questions that historians ask are limited only by their imagination and the historical evidence left behind for them to study. We have seen how historians use different kinds of written evidence, such as household inventories, and Indian treaties, as well as material artifacts like tombstones and house designs.

They also study visual evidence such as paintings, photographs, and sculpture, for these, too, can provide insight into the life and culture of the past. During the revolutionary era and the early national Victorian period, American artist employed painting and other visual arts to record the great events of the nation’s founding.

John Trumbull, for instance, secured a commission from Congress, in the early nineteenth century to prepare a series of historical canvasses.

Grand in conception and scale, the four paintings that he completed—depicting the signing of the declaration of Independence, the surrender of General Burgoyne at Saratoga and Lord Cornwallis at Yorktown, and Washington resigning his commission, at the end of the war in 1783—now hanging in the rotunda of the nation’s Capital, in Washington D.C. When junkets are proposed, some organizations send reporters only if they can pay the fare and other expenses.

I pay all the expenses and produce my materials on my own millions. Even on chartered trips, such as accompanying a sports swim team, or hitchhiking on a State Police plane, we insist on being billed for our pro-rata share of the expenses.

An exception is made by some news organizations for trip they could not possibly arrange on their own, such as covering a two-month coronation,  of the head of Wittelsbach House of Bavaria, Prince Albrect, Duke of Bavaria, being seated at Nymphenburg, the Baroque palace outside Munich.

Some media organizations address the issue of impropriety by acknowledging favors. Many of my essays have promotional considered provided by companies that are supportive. Moral decision-making is rooted in conscience, which makes it highly individual. Attempts to bring order to moral issues in journalism and the mass media have included codes of ethics.

These codes identify behaviors that are recognized as ethically troublesome, but because they are generalized statements, the codes cannot anticipate all situations. These is no substitute for human reason and common sense. Only a virtuous people are capable of freedom.

As nations become corrupt and vicious, they have more need of masters. To suppose that any form of government will secure liberty or happiness without any virtue in the people is a chimerical idea. The sum of all is, if we would most truly enjoy the gift of Heaven, let us become a virtuous people; then shall we both deserve and enjoy it.

While, on the other hand, if we are universally vicious and debauched in our manners, though the form of our Constitution carries the face of the most exalted freedom, we shall in reality be the most abject slaves of this fiat currency and these landlords because your mind program is locked in and determined to be a consumer.

However, our United States Constitution was made only for a moral and religious people. It is wholly inadequate to the government of any other. Other misfortunes may be borne, or their effect overcomes. If disastrous war should sweep our commerce from the ocean, another generation may renew it;

if it exhaust our treasury, future industry may replenish it; if it desolate and lay water our fields, still, under a new cultivation, they will grow greener, and stronger to future harvest.

It were but a trifle if the walls of yonder capitol were to crumble, if its lofty pillars were to fall, and its gorgeous decorations be all covered by the dust of the valley. All these might be rebuilt. However, who shall reconstruct the fabric of demolished government?

Who shall rear again the well- proportioned columns of constitutional liberty? Who shall frame together the skillful architecture which unites National American sovereignty with the States rights, individual security, and public prosperity?

No, if these columns fall, they will be raised not again. Like the Coliseum and the Parthenon, they will be destined to a mournful, a melancholy immortality.

Bitter tears, however, will flow over them, than were ever shed over the monuments of Roman or Grecian art; for they will be the remnants of a more glorious edifice then Greece or Rome ever saw—the edifice of Constitutional American Liberty.

Strong minds perceive that justice is the highest of the moral attributes; mercy is only the favorite of the weak ones. Calling sternness justice, he extolled that for strength of mind which was only callous insensibility. Begun and held at the City of New-York, on Wednesday, the fourth of March, one thousand seven hundred and eighty nine. The Conventions of a number of the States, having at the time of their adopting the Constitution, expressed a desire, in order to prevent misconstruction or abuse of its powers, which further declaratory and restrictive clauses should be added: and as extending the ground of public confidence in the Government, will best ensure the beneficent ends of its institution. Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

Many damn-my-eyes humbugs there are in this man-of-war World of ours. The people walk in lines in England and behave with sense and like they have respect for human beings. The greatest merit any person could have is to be good and useful. People have the right to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or Affirmation, and particularly describing the place to be searched, and the persons or things to be seized. The judicial power of the United States of American shall not be construed to extend to any suit in law or equity, commenced or prosecuted against one of the United States by Citizens of another State, or by the Citizen or Subjects of any Foreign States.

Neither slavery nor involuntary servitude, except as a punishment for a crime whereof the party shall have been duly convicted, shall exist within the United States of American, or any place subjected to their jurisdiction.  Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press, or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances. The federal apartment complex, at 1820 Capitol Avenue, Sacramento, California , USA 95811 is a very important building and location.

Not only is the property historic, but it is located in a great neighborhood, within feet of the state Capitol; it is for that reason that we must ask you to control the inhabitants at this property—many of them are living in fear of violence because there is a third party Special Interest Group called RAB, and they formed a team of members, for a political committee, with select tenants and the city council and they have dysfunctional monthly meetings where, nothing is accomplished, a lot of the tenants gossip and complain and nothing is done about the high levels of noise, assaults (some sexual), vandalism, trash, and pet noise and smells and the bugs that the dogs bring into the establishment. SRAB is simply perverting the building and making certain tenants feel like they have power over others.  This is not a nursing home or an orphanage, if you cannot

This is an independent living environment, but SRAB is turning the building into a elementary school like setting.  Adults are encouraged by SRAB to write fictitious and vindictive complaints about their neighbors to get them evicted, they are told to spy on their neighbors to see if they can find anything to report to get them in trouble. Many people are under the impression that this is a normal apartment complex, where one can rent a unit and have peace and privacy. However, after living here for a while, you will notice that many of the residents are out of control, and the things they do are risky and yet they are not removed from the building.

SRAB forms witch hunts and instructs tenants to draft complaints and take them to the office, instead of being an adult and addressing the situation with the offending individual.  The tenants have no right to privacy. In a regular apartment building, if tenants could not control themselves like adults, they would be evicted. There is none of this running to the office and telling on someone like a child, that is behavior of someone who is immature, and not capable of controlling their own house.  Many managers have left this job because they fear being harmed by the people who living in the building, the inhabitants are always upset and unhappy and looking for someone to fight with, there needs to be a security guard in the building, at all times to prevent any liability to the building’s owner.

SRAB seems to be a huge part of the problem in this building, at 1820 Capitol Avenue, and it is only getting worst. Your tenancy gives you rights and responsibilities. It is important to stick to the rules and do not break your tenancy agreement. Do not leave your home empty for long periods. In order to keep your tenancy, you must actually live in it and use the property as your main home. Tell your landlord if you are leaving your home for any length of time, for example because if you are going into hospital, serving a custodial sentence, or need to stay elsewhere temporarily to care for a partner or relative. If you do not keep your landlord informed, they might think you have abandoned the property.

It is also important to ensure that the rent is paid while you are away. Renting out your home, to let someone else live in your home, while you are away, means that your landlord can evict you; as a tenant, you are responsible for: looking after internal decorations, furniture and equipment. This does not include ‘fair wear and tear’ – if the carpet becomes a little thin, it is fair wear and tear, but if you burn a hole in it, you will probably have to pay for the damage. You can be evicted for not using unsafe appliances; you must report any repairs needed or other problems that you are aware of. Minor maintenance (such as checking smoke alarms are working, changing light bulbs, etc). You must take a bath on the regular biases, you should not stink.

If you cannot control you dogs and stop the barking, all animals will be evicted from the building. There should be nothing sitting on the ledge of your balcony. If a plant pot falls and hits someone in the head, they can sue you and you can be evicted for simply having plants on the ledge of your balcony, as it is a safety hazard. You must continue repairing or replacing anything you have broken or damaged — keep receipts for this, in case there is any dispute at the end of your tenancy. You also must remember to dispose of your rubbish properly, every day, sticking to the terms in your tenancy agreement regarding smoking, pets, parking, gardening etcetera.

It is as important heating the property adequately, particularly during winter to avoid frozen and burst pipes, and making sure it is kept well ventilated, to help avoid condensation and dampness. Your greatness wants to be justified by lowness. There is something in stooping to justification which the pride of innocence does not at all times willingly submit to. This has to change. There are too many people in the World, who do not want to live in an insane asylum, and that is what you people are making this environment into with all of your evil, stupidity, gossip and rumors. There is talk of a civil rights group being formed to sue SRAB, CBS13, NBC4, the city council of Sacramento, California, Mayor Kevin Johnson, Doris Matsui, D. Surrett, Gale Morgan, and anyone else involved in human rights violations.

After contacting the Council of Better Business Bureaus, it seems that the Sacramento Resident Advisory Board is nothing more than a group of people, and they have no federal power or control, and should be abolished before they are sued for damages, this organization also has not filed taxes, in years, and it is illegal to run a business out of a housing complex, without a permit. Be responsible for your household and visitors. As well as not breaking any of the terms of your tenancy agreement yourself, you are also responsible for the behaviour of everyone in your household and of anyone staying with or visiting you. You could be held responsible (and possibly evicted) if family members or visitors cause damage or are antisocial, so do not be afraid to take control.

Ask permission when it is needed. Most tenants have to ask permission from the landlord if they want to: make improvements to the property, sublet or take in a lodger, pass on the tenancy to someone else, run a business from the property. Therefore, check to see what your tenancy agreement says about these ideas you have. Depending on the type of tenancy you have, the landlord may have the right to refuse. It may also say that you need to ask permission for other things, such as keeping a pet, smoking or parking a caravan on the property.

The right of a man to maintenance at the nation’s table depends on the fact that he is a man, and not on the account of health and strength he may have. Sometimes, a court may order the landlord to take specific action to stop unlawful discrimination. You may be able to hire a private attorney to take legal action against a landlord who has discriminated against you. A landlord must allow a tenant with a disability to make reasonable modifications to the rental unit to the extent necessary to allow the tenant “full enjoyment of the premises.”  The tenant must pay for the modifications. As a tenant, you must take reasonable care of your rental unit and any common areas that you use. You must also repair all damage that you cause, or that is caused by anyone for whom you are responsible, such as your family, guests, or pets. You need to let people know what this is before you entrap them and they are stuck here, this is not a big house, not a hospital, and we are not family. This is an apartment for healthy, independent adults.

General Information
Incident Type	Assault or Battery
Tracking Number	T14020722
Report Date	10/29/2014 06:46 PM
Reporting Person Information
Name	Harris, Randolph
Home Address
Home Phone
Email	randolphharris3508@aol.com
Race	UNKNOWN
Ethnicity	MIXED RACE
Resident Status	CITY OF SACRAMENTO RESIDENT
Sex	Male
DOB
Driver License No
Licensing State	CA
Eye Color	BROWN
Hair Color	RED OR AUBURN
Incident Information
Incident Location	19th Street, SACRAMENTO, CA 95811
Incident Time (start)	10/29/2014 06:25 PM
Incident Time (end)	10/29/2014 06:30 PM
Location Type	BANKS / SAVINGS & LOAN
Weapon Type	PERSONAL WEAPONS (HANDS FIST/FEET)
Injuries	Bruises on my neck
Narrative
Incident Description	This lady, called Betty, who lives at 1820 Captiol Ave, Apt.604, Sacramento, California asked for a ride to the store, when she got in my car she asked me to take her somewhere else, and I told her that I could not. She got upset and called me names and would not shut up, and after a while, I called her a bitch and told her to get out of my car, and then Betty put both of her hands around my neck, while I was driving south down 19th street and choked me. I was able to pull over and get her out of my car. I am willing to prosecute.

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No one was born into this World without a real mind. My empire is of the imagination. A Bank Director, reputed to be able to buy up anything–human nature generally, if he should take it in his head to influence the money market in that direction. When in comes to architecture, there is a rendering farm–a bank of computers that transform the raw data pixel by pixel into a finished product, which is hyper realistic, and speaks to the projects goals and the audience. The relatively slight attention given to human nature appears so richly endowed with colors, and textures, and shapes, and is so splendidly organized that it is equipped for joy.

 

Story-telling techniques are an important part of photojournalism, the images and words draws the audience deeper into the sales pitch. Photographers and architects have it within their power to reflect, to weigh, and to appreciate before one acts. The project manager wants to see happy families shopping at farmers markets, in Autumn, and the museums, in the Winter.

 

 

 

 

Most, if not all human character, frequently can  be traced back to impression made at so early a period, that none but discerning eyes would ever suspect their existence. The vantage point, the color palette, the time of day, even the ages of the people, are all chosen to make the building more appealing to the masses.

 

However, when architects want to attract-high brow clients, they pull out the special operations team. Instead of using natural families, they create families that are picture perfect and the architects occasionally revises their plans, after the rendering shows how the building looks, from various perspectives.

 

 

One kind of steel or glass may look different in the dim light, than it does in the Summer Sun–mind and matter glide swift into the vortex of immensity. Once a rendering is made publically, developers had better stick to it.

 

 

Sometimes renderings use richer colors, wealthier, ornate details, more depth in the façade, and higher quality materials. Imagination is a licensed trespasser: it has no fear of sharks, but may climb over walls and peep in at windows with impunity.

The Sacramento Housing Redevelopment Authority was granted $5,000,000.00 to give a particular building a facelift, and Mayor Kevin wanted realistic expectations, which would create a very romantic and historical cinematic dream of what it is like to be here, in Sacramento, California, USA, but did not want to go too far from reality. It is too often assumed that a person’s fancy is a person’s real mind. Let us not imagine evils which we do not feel, nor injure life by misrepresentations.

This building is not only supposed to represent the city, and state, but also the entire country, and they want it to be the jewel of the block. A pricey penthouse condo, atop the tree tops of the building, should emphasize its sweeping views, of the city below. Unlike a common housing development, which is bright and packed with people, we wanted to give this building a high-end professional setting.

. The images are devoid of people because the artist and architects and neighbors and business owners want wealthy condo shoppers to imagine themselves living in the penthouse, and having a people in the images might be a distraction.

 

Architects make a very structural photograph, so they select models to be the stars of the photos, highlighting the objects, and offering you, the audience a moment at which the heart occupies the mind, and introspection and persuasion strides over mountains like a fairy tale to distract you from the harsh reality of others.

 

Instead of describing how beautiful Sacramento, California and the landscape and architecture are, or what the sun changing angles looks like from the penthouse, I do not have to say a word, I can show you.