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The Time of the World Disappears Before Eternity

Revolutionary wealth is not just about money. Civilization is one of those big, stuffy words that may intrigue philosophers and historians but puts most people to sleep. Unless it is used in a sentence like “Our Civilization is threatened”—at which point large numbers of people prepare to defend themselves. Today many people do, in fact, believe that their civilization is threatened—and that the United States of America may be doing the threatening. And it is. However, not in the way most of us think. Around the World, critics of the United States of America point to its military and its economy as the main sources of its predominance. It is, however, knowledge in the broadcast sense and new technologies based on it that integrate America’s military and financial power and propel both forward. It is true that America’s technological lead is threatened. According to the National Science Board, foreign students earn nearly 50 percent of all U.S. doctorates in mathematics, computer sciences and engineering. And American youth are showing less and less interests in these fields. NASA officials complain that there are three times as many scientists over sixty as there are under thirty in the space agency. Shirley Ann Jackson, then president of the American Association for the Advancement of Science, has cautioned that “centers of technology-based activity, training, and entrepreneurialism are rapidly spreading throughout the globe. Thus even the status quo for the U.S. represents a declining share of the global marketplace for innovation and ideas.” Nevertheless, America still leads in most fields of digital technology, in microbiology and in science generally. It spends 44 percent of the World budget for research and development. By most criteria, the United States of America is still the undisputed leader in the performance of basic and applied research. In addition, many international comparisons put the United States of America as a leader in applying research and innovation to improve economic performance.

In the latest IMD International World Competitiveness Yearbook, the United States of America ranks first in economic competitiveness, followed by Hong Kong and Singapore. The survey compares economic performance, government efficiency, business efficiency, and infrastructure. Larger economies are further behind, with Zhejiang (China’s wealthiest province), Japan, the United Kingdom, and Germany ranked 20 though 23, respectively. An extensive review by the Organization for Economic Co-operation and Development (OECD) concludes that since World War II, US leadership in science and engineering has driven its dominant strategic position, economic advantage, and quality of life. And at least for now, the United States of America remains the Word’s scientific powerhouse. Perhaps even more important is the speed with which scientific and technical findings from everywhere are converted into marketable applications or products and widely dispersed into manufacturing, finance, agriculture, defense, biotech and other sectors. All of which boosts economic productivity, further accelerates change, and increasing the U.S. ability to compete at the global level. However, knowledge is not only a matter of bits and bytes or science and technology. Part of the knowledge economy is the production of art and entertainment, and America is the World’s biggest exporter of popular culture. That culture include fashion, music, TV programming, books, movies and computer games. Americans have always been told that their most important message to the World is one of democracy, individual freedom, tolerance, concern for “the rights of man” and—more recently—the rights of women. In the last three decades, however, a U.S. media spread into formerly closed or nonexistent foreign markets, a very different set of messages has been communicated. Much of it targeted at young people.

Certainly not all, but a considerable amount of this material has disgustingly glorified pimps, gangster, drug lords, drug pushers, and hollow-eyed drug users. It has celebrated extremes of violence marked by unending car chases, over-the-top special effects and songs dripping with sexist venom. The impact of all this has been further intensified in the hard-sell, over-the-edge advertising used to promote these products. Hollywood, for example, has painted a fantasy America in which adolescent hedonism reigns supreme and authority figures—police, teachers, politicians, business leaders—are routinely satirized. Film after film, and TV shows one after another, tell young viewers what many of them hunger to hear: that adults are bumbling fools; that being “dumb and dumber” is okay; that “we do not need education”; that to be “bad” is really good; and that pleasures of the flesh, in infinite variety, is or should be nonstop. In this fantasy World, women are readily available, but they can also leap over giant buildings in a single bound (like Superman), shoot and kill (like James Bond) and practice martial arts (Like Jet Li). Extremes, we are repeatedly told, are good and restraint is bad; and, by the way, America is so rich that event its secretaries, police, clerks, and other ordinary working people live in high-rise penthouse apartments or Malibu mansions—images that set adolescent glands tingling from Taipei to Timbuktu. What few foreign critics of American’s pop culture seem to know is that ironically enough, many of the ostensibly American firms producing and disseminating the interesting and unusual of these programs either are, or were financed not by America, but by European and Japanese capital. Nor is it widely understood that shows are often made by, say, a European director with an Australian stary, a Chinese martial-arts consultant, an anime cartoonist from Japan or other foreign contributors.

In the meantime, however, the influence of these intriguing programs is so powerful that other societies fear for the survival of their own culture. Only if art threatens action, then terrorism can be advanced through art. For such a phenomenon as Aesthetic Terrorism to occur, aesthetic pursuit must become symbolic not of its own decadently solipsistic pleasures (exemplified in madness of des Esseintes in Huysmans’ Against Nature), but of action taken beyond the pale of art World confines. Terrorism is art is called the avant-garde. However, if this was once the case, it is no longer. Most avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde can no longer stimulate or even provoke. Dada and Futurist actions, which attempted to lead art out of the classroom and museum and into the streets, are simply appropriated by postmodernist facsimiles which capture the letter but little of the original essence. It hardly matters anyway. Avant-garde art has evolved into nothing more than a cultural benchwarmer, corporate tax write-off and public relations smokescreen. Art which openly espouses anti-corporate ideology is embraced as long as it hews to arbitrary standards invented by those taste-making and fortune-telling hirelings, the art critics. What could be wrong, after all, with a business World that allows people to say what they want (because it does not matter)? Aesthetic Terrorism is a term more realistically applied to the faceless regime of consumer culture than the avant-garde. The onslaught of Muzak, ad jingles, billboards, top 40 tunes, commercials, corporate logos, etcetera, all fit the terrorist dynamic of intrusion and coercion.

One almost forgets that aesthetics once implied a consensual relationship between the creators and appreciators of art. How often is it that one hears someone admitting a fondness for a media product “in spite” of oneself? How many times have you heard a slogan or rancid tune ring in your ears like a brain-eating mantra? When consumer terror’s avant-garde correlative, Pop Art, became indistinguishable from the object of its supposed social satire, it erased from big business its pejorative taint. Many of today’s avant-garde stars have emerged from or entered the business World, some enormously successful in the arcane number-juggling or speculation and commodities scams. Even freeloading on the state and private foundations is fair game only for those whose bureaucratic aptitude is matched by their shameless butt-kissing. It is not surprising that most grant recipients excel in little more than lawyerristic logorrhea and ingrained artistic timidity. Critic-centered postmodernism spawned the phrase-art hybrid of Barbara Kruger and Jenny Holzer in which an advertising-style slogan is combined with an implied message or visual cue (usually swiped from some old magazine). Their posture is a hip cynicism which is supposed to subvert the “thrall” of the advertising command. Kruger and Holzer play the market like skillful double-agents, boosting themselves into the public eye through clever steals from Madison Avenue behaviorist techniques yet simultaneously troweling on crypto-Marxist jive to secure the perks of critical and academic currency. Their self-promotions worked when they were at the sidelines of the establishment. However, not the social commentary grows increasingly hollow. Currently being groomed for jet-setting prominence by Soho millionairess Mary Boone, Kruger’s contribution to the Whitney Biennial in 1987, for which she is paid a handsome sum, featured nothing more than a socialite princess joke, “I Shop Therefore I Am.” Winking at and wagging the tail of establishment hierarchy is part of that I-rib-you-gently-you-pay-me-off confidence game artists have been playing the Renaissance courts.

These contemporary court artists, like many of the past centuries, smugly pretend t spit in the eye of the exploiters while allowing themselves to be pampered de-loused—and when they are not looking—de-clawed. There are, of course, those artists, usually fresh out of university, who are unaccomplished at filling out grant forms, and therefore consider themselves “subversives.” The majority of these art and rock magazines-styled rebels are playing out rebellion psychodramas to package and merchandize to consumerist sycophants. This strategy is (forgive them term) the simulacra of terrorism: the content seizes in the frozen attitudinizing of pose and goes no further. We must look to the true outsiders and not the would-be insiders for an artist truly capable of effective counter-terror against the insidious mantras of consumerist brainwash. Terror means a threat, and the outsider’s version of Aesthetic Terrorism belongs to those performances or arrangements of words and pictures that unleash the reactionary impulses of police and bourgeois artist/critic alike. The kind of art that evokes this wrath, fear and condemnation rejoices in its pagan spirit of schadenfreude which controverts the humanist piety of “enlightened victim.” Anti-social sadism rarely receives patronage, however. Outside the corrupting realm of societal handouts, the Aesthetic Terrorist—much as this definition may grate on him—is the last bastion of aesthetic purity. Operation Sun Devil is the name for a government action against computer wizards and assorted sharpies and super-smarts who were resourceful enough to figure out how to hack into the electronic files of Ma Bell. Those who know, claim the Sun Devil gambit as a terrified overreaction against intelligence by the plodding and stupid bureaucracy.

John Perry Barlow (Whole Earth Review, Fall 1990) describes a typical Sun Devil action against a teenage hacker: [A] father in New York […] opened the door at 6.00 a.m. and found a shotgun at his nose. A dozen agents entered. While one of the kept the man’s wife in a choke-hold, the rest made ready to shoot and entered the bedroom for their sleeping 14-year-old. Before leaving, they confiscated every piece of electronic equipment, including all the telephones. Fourth Amendment guarantees against unreasonable search and seizure are unheeded by the government agents who claim nerd computer hackers are terrorists and have “the ability to access and review the files of hospital patients. Furthermore, they could have added, deleted, or altered vital patient information, possibly causing life-threatening situations.” Meacorporate interests have staked claim to the entirety of cyberspace, and they are not about to tolerate the presence of digital interlopers. This may scare off some, but other pirates like the mysterious Legion of Doom and NuPrometheus league (who illegally circulated highly protected Macintosh computer source code) will rise to the challenge now that they have been provided a clearly delineated enemy to innovation, the individual, and personal freedom. It may come as a surprise to learn that a few artists are now producing work which finds itself classified as a thought crime, punishable by expulsion into a Siberia of non-distribution, and in some cases by litigation and imprisonment. Pure magazine, from Chicago, a xeroxed vehicle which extols child torture, murder, and extreme misogyny, tweaked too many civic-minded noses, and its editor, Peter Sotos, was tailed for nine months and underwent a lengthy trial process in which he was finally convicted for possession of some very illegal magazine. Soto’s case was the first successfully prosecuted new Illinois state law, enacted under the influence of the Meese Commission Report on pornography, an example of First Amendment revisionism par excellence.

Soto’s case is particularly disquieting because it proves that prison is in the offing for simple possession of controversial material. No doubt this legal precedent was established to open the doors for future roundups of other thought criminals. The expertly managed Gulf War (massacre), in which networks censored war casualty footage that might provoke a “Vietnam War syndrome,” provides a small window into the dynamics of mass control to come. Any thoughtful individual is undeniably malnourished by the current information diet. Whether this is due to a direct conspiracy of State or by design of the oligarchic marketplace matters little. However, it has upped the ante for a new American Samizdat in which “disreputable,” “crazy,” “hateful,” or “dangerous” topics are broached by individuals or small, autonomous groups that are not compromised or swayed by institutional priorities. Can “offensive interests become the political crime of future? Apparently so. When looking at the previous sentences one can compare and see that musicians have been arrested for obscene lyrics, anarchist individuals have been collared for burning the flag; parents have been arrested for photographing their toddlers in their birthday suits; painter and performer Joe Coleman was arrested in Boston for operating an “infernal machine” and in New York for killing a rat: museum curators were threatened with arrest for hanging homoerotic photos; G.G. Allian was jailed for some consensual sadomasochism with a girlfriend; the FBI have been “monitoring” certain groups who practice unorthodox pleasures of the flesh; and on and on. Even many of the books you read have come under widely publicized attack by authors such as Carl A. Raschke who advocated the revocation of First Amendment rights from those who spread “cultural terrorism.” Even globalization could be considered cultural terrorism.

It has become increasingly obvious that the aesthetic terrorist hobgoblins are nothing more than symbolic scapegoats to divert attention away from the real issues. For Americans, fear is not another form of awareness, it is just another form of gossip. As Charles Manson has stated, true subversive terror can only be actualized by turning off the TV sets. Until then, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorists will not involve themselves in the dubious rewards of celebrity. The best of them will work alone, already a part of the enemy camp, and in a chameleon-like stye master the fifth-column algorithms to subvert the ancient regime. We will not know them by name but their compensation will be to affect the outcome of the planet. Until then, there is a lot of work to be done. Under what conditions will cooperation emerge in a World of egoists without central authority? This question has intrigued people for a long time. And for good reason. We all know that people are not angels, and that they tend to look after themselves and their own first. Yet we also know that cooperation does occur and that our civilization is based upon it. However, in situations where each individual has an incentive to be selfish, how can cooperation ever develop? The answer each of us gives to this question has a fundamental effect on how we think and act in our social, political, and economic relations with others. And the answers that others give have a great effect on how ready they will be to cooperate with us.

The most famous answer was given over three hundred years ago by Thomas Hobbes. It was pessimistic. He argued that before governments existed, the state of nature was dominated by the problem of selfish individuals who competed on such ruthless terms that life was “solitary, poor, nasty, brutish, and short” (Hobbes 1651/1962, p. 100). In his view, cooperation could not develop without a central authority, and consequently a strong government was necessary. Ever since, arguments about the proper scope of government have often focused on whether one could, or could not, expect cooperation to emerge in a particular domain if there were not an authority to police situation. Today nations interact without central authority. Therefore the requirements for the emergence of cooperation have relevance to many of the central issues of international politics. The most important problem is the security dilemma: nations often seek their own security through means which challenge the security of others. This problem arises in such areas as escalation of local conflicts and arms races. Related problems occur in international relations in the form of competition with alliances, tariff negotiations, and communal conflict places like Cyprus. The Russian invasion of Ukraine in 2022 has presented the United States of American with a typical dilemma of choice. If the United States of American continued business as usual, Russian might be encouraged to try other forms of noncooperative behavior later one. On the other hand, any substantial lessening of United States of America’s cooperation risks some form of retaliation, which could then set off counter-retaliation, setting up a pattern of mutual hostility that could be difficult to end. Much of the domestic debate about international policy is concerned with problems of just this type. And properly so, since these are hard choices.

In everyday life, if they never invite us over in return, we may ask ourselves how many times we will invite acquaintances for dinner. An executive in an organization does favors for another executive in order to get favors in exchange. A journalist who has received a leaked news story gives favorable coverage to the source in the hope that further leaks will be forthcoming. A business firm in an industry with only one other major company charges high prices with expectation that the other firm will also maintain high prices—to their mutual advantage and at the expense of the consumer. For me, a typical case of the emergence of cooperation is the development of patterns of behavior in a legislative body of the United States Senate. Each senator has an incentive to appear effective to his or her constituents, even at the expense of conflicting with other senators who are trying to appear effective to their constituents. However, this is hardly a situation of completely opposing interests, a zero-sum game. On the contrary, there are many opportunities for mutually rewarding activities by two senators. These mutually rewarding actions have led to the creation of an elaborate set of norms, or folkways, in the Senate. Among the most important of these is the norm of reciprocity—a folkway which involves helping out a colleague and getting repaid in kind. It includes vote trading but extends to so many types of mutually rewarding behavior that “it is not an exaggeration to say that reciprocity is a way of life in the Senate” (Matthews 1960, p. 100; see also Mayhew 1975). Washington was not always like this. Early observers saw the members of the Washington community as quite unscrupulous, unreliable, and characterized by “falsehood, deceit, treachery” (Smith 1906, p. 190). In the 1980s the practice of reciprocity is well established. Even the significant changes in the Senate over the last two decades, tending toward more decentralization, more openness, and more equal distribution of power, have come without abating the folkway of reciprocity.

As will be seen, it is not necessary to assume that senators are more honest, more generous, or more public-spirited than in earlier years to explain how cooperation based on reciprocity has emerged or proved stable. The emergence of cooperation can be explained as a consequence of individual senators pursuing their own interest. We are investigating how individual pursuing their own interests will act, followed by an analysis of what effects this will have for the system as a whole. Put another way, the approach is to make some assumptions about individual motives and then deduce consequences for the behavior of the entire system. The case of the U.S. Senate is a good example, but the same style of reasoning can be applied to other settings. The object of this enterprise is to develop a theory of cooperation that can be used to discover what is necessary for cooperation to emerge. By understanding the conditions that allow it to emerge, appropriate actions can be taken to foster the development of cooperation in a specific setting. The Cooperation Theory that is presented here is based upon an investigation of individuals who pursue their own self-interest without the assistance of a central authority to force them to cooperate with each other. The reason for assuming self-interest is that it allows an examination of the difficult case in which cooperation is not completely based upon a concern for other or upon the welfare of the group as a whole. It must, however, be stressed that this assumption is actually much less restrictive than it appears. If a sister is concerned for the welfare of her brother, the sister’s self-interest can be thought of as including (among many other things) this concern for the welfare of her brother. However, this does not necessarily eliminate all potential for conflict between sister and brother.

Likewise a nation may act in part out of regard for the interests of its friends, but this regard does not mean that even friendly countries are always able to cooperate for their mutual benefit. So the assumption of self-interest is really just an assumption that concern for others does not completely solve the problem of when to cooperate with them and when not to. A good example of the fundamental problem of cooperation is the case where two industrial nations have erected trade barriers to each other’s exports. If barriers were eliminated, because of the mutual advantages of free trade, both countries would be better off. However, if either country were to unilaterally eliminate its barriers, it would find itself facing terms of trade that hurt its own economy. In fact, whatever one country does, the other country is better off retaining its own trade barriers. Therefore, the problem is that each country has an incentive to retain trade barriers, leading to a worse outcome than would have been possible had both countries cooperated with each other. This basic problem occurs when the pursuit of self-interest by each leads to a poor outcome for all. To make headway in understanding the vast array of specific situations which have this property, a way is needed to represent what is common to these situations without becoming bogged down in the details unique to each. Fortunately, there is such a representation available: the famous Prisoner’s Dilemma game. In the Prisoner’s Dilemma game, there are two players. Each has two choices, namely cooperate of defect. Each must make the choice without knowing what the other will do. No matter what the other does, defection yield a higher payoff than cooperation. If both defect, the dilemma is that both do worse than if both had cooperated. Cases typically result in one of four possible outcomes in the matrix. If both players cooperate, both do fairly well. Both get a reward for mutual cooperation.

However, if one player cooperates but the other defects, the defecting play get the temptation to defect, while the cooperating players gets the sucker’s payoff. If both defect, both get the punishment for mutual defection. What would you do in such a situation? That is basically the gamble of the Prisoner’s Dilemma. The Prisoner’s Dilemma is simply an abstract formulation of some very common and very interesting situations in which what is best for each person individually leads to mutual defection, whereas everyone would have been better off with mutual cooperation. The definition of Prisoner’s Dilemma requires that several relationships hold among the four different potential outcomes. The second part of the definition of the Prisoner’s Dilemma is that the players cannot get out of their dilemma by taking turns exploiting each other. This assumption means that an even chance of exploitation and being exploited is not as good an outcome for a player as mutual cooperation. It is therefore assumed that the reward for mutual cooperation is greater than the average temptation and the sucker’s payoff. This assumption, together with the rank ordering of the four payoffs, defines the Prisoner’s Dilemma. We have come back to the point where we began, where values take the place of good and evil. However, now we have made at least a hasty tour of the intellectual experiences connected with modern politics that made such a response compelling. How it looked to thoughtful Germans is most revealingly expressed in a famous passage by Max Weber, about God science and the irrational: Finally, although a naïve optimism may have celebrated science—that is, the technique of the mastery of life founded on science—as the path which would lead to happiness, I believe I can leave this entire question aside in light of the annihilating critique which Nietzsche has made of “the last men” who “have discovered happiness.” Who, then, still believes in this with the exception of a few big babies in university chairs or in editorial offices?

So penetrating and well informed an observer as Weber could say in 1919 that the scientific spirit at the heart of Western democracy was dead for all serious men and that Nietzsche had killed it, or had at least given it the coup de grace. The presentation of “the last man” in Thus Spake Zarathusta was so decisive that the old-style Enlightenment rationalism need not even be discussed anymore; and, Weber implies, all future discussion or study must proceed with the certainty that the perspective was a “naïve” failure. Reason cannot establish values, and its belief that it can is the stupidest and most pernicious illusion. This means, simply, that almost all Americans at that time, thinking American in particular, were “big babies” and remained so, long after the Continent had grown up. One need only think of John Dewey to recognize that he fits Weber’s description to a T, and then remember what his influence here once was. And not only Dewey, but everyone from the beginning of our regime, especially those who said, “We hold these truths to be self-evident,” shared the rationalist dream. Weber’s statement is so important because he made as much as more than anyone brought us into contact with the most advanced Continental criticisms of liberal democracy, and was the intermediary between Nietzsche and us Americans who were the most recalcitrant to one’s insight, perhaps because according to it we represent the worst or most hopeless and are therefore loath to see ourselves in that mirror. A very dark view of the future has been superimposed on our incorrigible optimism. We are children playing with adult toys. They have proved too much for us to handle. However, in our defense, we are probably not the only ones for whom they are too much. Perhaps you have caught yourself kissing another person as you first saw kissing in the movies or on television. My children have a phrase to describe this: “television kiss.”

It is fortunate for them that they have noted that there are television kisses and other kinds, because it will help protect them from absorbing it, taking it into themselves where it will come back out ten years, like a replay. Most of us did not make that distinction as we sat in darkened rooms or theaters as children. Since we did not see all that much real kissing, the media kiss became our image of kissing. We found ourselves producing that model of kiss later in life. I was fourteen-year-old when I tried to kiss for the first time. I imitated Brad Pitt’s kiss, but I did not feel it. Only later did I realize that perhaps Brad Pitt did not feel it either; he was merely kissing the way the director said he should. So there I was imitating a kiss that was never real in the first place, worried that there might be something wrong with me for lacking the appropriate feeling and failing to obtain the appropriate response. The journalist Jane Margold was driving home one night in Berkeley with her brother, Harlan. Suddenly a man crawled into the street right in front of them. They screeched to a stop and then, stunned, just sat there for a moment. They finally got out and cautiously went up to the man to find out that he had been stabbed several times in his upper body, was bleeding profusely and was in danger of dying right there. The man’s assailant was nowhere to be seen. In describing the event to me, Jane said that she instantly flipped into a media version of herself. She had never faced anything like it before and had no direct feelings. Instead, playing through her mind were images of similar events she had seen on television or in films. The media superseded her own responses, even to the point of removing her from the event. She was there, but sue did not experience herself as being there. She was seeing the event, but between her and it, floating in her mind, was an image of an implanted reality which would not get out of the way. Jane thought such thoughts as: “This is real; there is a wounded man lying here in from of me, bleeding to death, yet I have no feeling. It seems like a movie.”

In fact, it was they very movielike quality that eventually got her into action. Without feeling, she performed mechanical acts. She and her brother comforted the man, directed traffic, dispatched people to summon the police and an ambulance. She became extremely efficient, but throughout, she had the sense of performing a script. Apart from their economic implications, technologies create the ways in which people perceive reality, and such ways are the key to understanding diverse forms of social and mental life. As individual express their life, so they are. There are three stages in the development of technology: the age of technology of chance, the age of technology of the artisan, the age of technology of the technician. Cultures may be classified into three types: tool-using cultures, technocracies, and technopolies. At the present time, each type may be found somewhere on the planet, although the first is rapidly disappearing: we must travel to exotic places to find a tool-using culture. If we do, it is well to go armed with the knowledge that, until the seventeenth century, all cultures were tool-users. There was, of course, considerable variation from one culture to another in the tools that were available. Some had only spears and cooking utensils. Some had water mills and coal- and horsepower. However, the main characteristic of all tool-using cultures is that their tools were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow; or to serve the symbolic World of art, politics, myth, ritual, and religion, as in the construction of castles and cathedrals and the development of the mechanical clock. In either case, tools did not attack (or, more precisely, were not intended to attack) the dignity and integrity of the culture into which they were introduced.

With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization. These beliefs, in fact, directed the invention of tools and limited the uses to which they were put. Even in the case of military technology, spiritual ideas and social customs acted as controlling forces. It is well known, for example, that the uses of the sword by samurai warriors were meticulously governed by a set of ideals known as Bushido, or the Way of the warrior. The rules and rituals specificizing when, where, and how the warrior must use either his two swords (the katana, or long sword, and the wakizashi, or short sword) were precise, tied closely to the concept of honor, and included the requirement that the warrior commit seppuku or hara-kiri should his honor be compromised. This sort of governance of military technology was not unknow in the Western World. The use of the lethal crossbow was prohibited, under threat of anathema, by Pope Innocent II in the early twelfth century. The weapon was judged to be “hateful to God” and therefore could not be used against Christians. That it could be used against Muslims and other infidels does not invalidate the point that in a tool-using culture technology is not seen as autonomous, and is subject to the jurisdiction of some binding social or religious system. This is why power, which to a large extent defines us as individuals and as nations, is itself being redefined. A clue to this redefinition emerges when we look more closely at some of the unrelated changes. For we discover that they are not as random as they seem. Whether it is Japan’s meteoric rise, GM’s impressive rebound, or the American doctor’s fall from grace, a single common thread unites them.

Take the punctured power of the god-in-a-white coat. Throughout the heyday of doctor-dominance in America, physicians kept a tight choke-hold on medical knowledge. Prescriptions were written in Latin, providing the profession with a semi-secret code, as it were, which kept most patients in ignorance. Medical journals and texts were restricted to professional readers. Medical conferences were closed to the laity. Doctors controlled medical-school curricula and enrollments. Contrast this with the situation today, when patients have astonishing access to medical knowledge. With a personal computer and a WiFi, anyone from home can access data bases like Index Medicus, and obtain scientific papers on everything from Addison’s disease to zygomycosis, and, in fact, collect more information about a specific aliment or treatment than the ordinary doctor has time to read. Copies of the 2,354-page book knows as the PDR or Physicians’ Desk Reference are also readily available to anyone. Once a week on the Lifetime cable network, any televiewer can watch twelve uninterrupted hours of highly technical television programming designed specifically to educate doctors. Many of these programs carry a disclaimer to the effect that “some of this material may not be suited toa general audience.” However, that is for the viewer to decide. The rest of the week, hardly a single newscast is aired in America without a medical story or segment. A video version of the material from the Journal of the American Medical Association is now broadcast by three hundred stations on Thursday nights. The press reports on medical malpractice cases. Inexpensive paperbacks tell ordinary readers what drug side effect to watch for, what drugs not to mix, how to raise or lower cholesterol levels through diet. In addition, major medical breakthroughs, even if television news almost before the M.S. has even taken his subscription copy of journal out of the in-box. In short, the knowledge monopoly of the medical profession has been thoroughly smashed. And the doctor is no longer a god.

This case of the dethroned doctor is, however, only one small example of a more general process changing the entire relationship of knowledge to power in the high-tech nations. In many other fields, too, closely held specialists’ knowledge is slipping out of control and reaching ordinary citizens. Similarly, inside major corporations, employees are winning access to knowledge once monopolized by management. And as knowledge is redistributed, so, too, is the power based on it. A human is a “beast” and purifies one’s heart, and behold, God holds one by the hand. That is not a kind of humans. Purity of heart is a state of being. A man is not pure in kind, but one is able to be or become pure, rather one is only essentially pure when one has become pure, and even than one does not thereby belong to a kind of humans. The “wicked,” that is, the bad, are not contrasted with good humans. The good is to draw near Hod. One does not say that those near to God are good. However, one does call the bas those who are far from God. In the language of modern thought that means that there are humans who have no share in existence, but there are no humans who possess existence. Existence cannot be possessed, but only shared in. One does not rest in the lap of existence, but one draws near to it. Nearness is nothing but such a drawing and coming near continually and as long as the human person lives. The dynamic of fairness and nearness is broken by death when it breaks the life of the person. With death there vanished the heart, that inwardness of humanity, out of which arises the pictures of the imagination, and which rises up in defiance, but which can also be purified. Separate souls vanish, separation vanished. Time which has been lived by the soul vanished with the soul, we know of no duration in time. Only the rock in which the heart is concealed, only the rock of human hearts does not vanish. For it does not stand in time. The time of the World disappears before eternity, but existing humans die into eternity as into the perfect existence.

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Cresleigh Meadows is now selling! Found just north of Feather River Boulevard, Cresleigh Meadows is home of the largest neighborhood in Plumas Ranch as well as the popular Bear River Park. With four floor plans available, ranging from approximately 2,000 – 3,500 square feet offering, three to five bedrooms, we are certain you will find the home that fits your needs and lifestyle.

Popular design elements include open floor plans, large kitchen islands, and flex spaces are staples in Cresleigh homes. Multi-generational living options also available in select homes.

Homeowners will love the convenient commuter access to nearby Sacramento and Yuba City.

Best of all, each Cresleigh home comes fully equipped with an All Ready connected home! This smart home package comes included with your home and features great tools including: video door bell and digital deadbolt for the front door, connect home hub so you can set scenes and routines to make life just a little easier. Two smart switches and USB outlets are also included, plus we’ll gift you a Google Home Hub and Go. https://cresleigh.com/cresleigh-meadows-at-plumas-ranch/

Kitchen Dramas—Are they Arms Race or Saving Civilization as We Know it?

One a person experiences the full impact of the conflict in consciousness, one turns in an accusing rage on the target object. During the past several years, I have spent a good deal of my time blaming television for many of the more obvious dysfunctions from which Western culture—and especially America—is now suffering. It has been pointed out to me that I do this because I am by nature a negative person, always ready to condemn what is wrong rather than to praise what is right. Several of my students have even gone so far as to observe that had I lived during the period of incunabula—during the first fifty years of the printing press—I would have burdened everyone with a long list of depressing prophecies about the dangers of the machine-made book and universal literacy. However, my students are only half right. Assuming I had the brains to see what was happening in the year 1500, I would certainly have warned the Holy See that the printing press would place the word of God on every Christian’s kitchen table, and, as a consequence, the authority of the Church hierarchy would be put in jeopardy. Had I been granted a papal audience, I would have warned the Pop that armed with a printing press, Martin Luther was more than a malcontent priest suffering from a bad case of constipation. The printed word made him a serious revolutionary. I might also have warned the local princes that their days were numbered, that printing would give form to a new idea of nationhood which would make local potentates obsolete. And if the Brotherhood of Alchemists had allowed me to give the keynote address at their annual convention, I would have told them to go into another line of work, that printing would give great impetus to inductive science and that alchemy would not stand against the glare of publicly shared scientific knowledge. #RandolphHarris 1 of 20

I would also have told any wandering bards who came my way that within a hundred years their trade would lie in ruins, that tribal lays and epic poetry were doomed, and that they would be wise to urge their trainees to turn their talents to writing essays and reading novels. Now, not every one of these prophecies foretells a bad thing. That is why I said my students are only half right. Whether or not a prophecy is negative depends on your point of view. For example, since most of you are Lutherans, you probably would have cheered the breakup of the Holy Roman Empire. The Catholics of those times would, of course, have mourned it passing. In any case, there are some changes brought about by new media benefit some, harm others, and to a few do not make much of a difference. This is as true of television as it was of the printing press or any other important medium, although in the case of television there are very few indeed who are not affected in one way of another. For most of you here, television will provide a gratifying career. On the other hand, and in the long run, television may bring an end to the careers of schoolteachers, since school itself was an invention of the printing press and must stand or fall on the issue of how much importance the printed word will have in the future. New media break up old knowledge monopolies; indeed, create new conceptions of knowledge, even new conceptions of politics. If not for television, Joe Biden, for example, would not be President of the United of America, which is good for him and the interests he represents, but not so good for the poor and vulnerable. However, television can people good as it creates a true theater of the masses. For example, between the years 1948 and 1958, approximately 1,500 fifty-two-minute plays were performed “live” on American television. #RandolphHarris 2 of 19

“Live” means that these plays were performed at the precise moment they were seen by the television audience, a condition which since the advent of videotape and the widespread use of film has become increasingly rare; “fifty-two minutes” describes the actual running time of the play, eight minutes of the hour being subtracted for commercial messages, the listing of credits, and publicity for the next week’s play. There is no doubt that American television’s finest dramatic moments were provided by fifty-two-minute hours, particularly by such weekly series as the Kraft Television Theater (1947-58), the Philco-Goodyear Playhouse (1948-50), and the Studio One (1948-57). These programs began by presenting adaptations of classic and established contemporary novels but by 1950 had shifted to original dramatic work. By that time, such producers and directors as Worthington Miner, Fred Coe, Delbert Mann, Arthur Penn, and John Frankenheimer has assembled about them several gifted young writers who were prepared to devote their collective talents to a serious exploration of television’s artistic resources. Included in that group, among others, were Reginal Rose, Tad Mosel, Robert Alan Aurthur, Horton Foote, Rob Serling, J.P. Miller, and Gore Vidal. None, however, wrote more fittingly for television than Paddy Chayefsky, whose name, along with Edward. R. Murrow’s, symbolizes what romantics call “the golden age of television.” Mr. Chayefsky was to the “original” television drama what Mr. Ibsen was to the “social drama,” which is to say that he was one of the first creators and certainly its most distinguished one. Like Mr. Ibsen, he achieved an almost perfect union of form and content. Critics have observed, for example, that the effects that Mr. Ibsen achieved in A Doll’s House and Ghosts were a function not only of his themes, with which audience were certainly familiar in 1879 and 1881, but also of the stark, simple, and economical form in which he stated them. #RandolphHarris 3 of 19

Social dramas had been written before Mr. Ibsen, but it remained for him to discover the form for dramatizing social problems. Mr. Chayefsky, of course, did not write for the stage behind a proscenium arch, viewed from a distance in a darkened theater. He wrote for a seventeen-inch screen situated in a family living room, on which the only colors were varying shades of gray. He also had to present his story, from start to finish, in fifty-two minutes, and he could make two assumptions with absolute assurance: that his play would be interrupted at least twice for commercial messages, and that he would have to attract his audience instantly or lose much of it to other channels. He knew, too, as did his director, Delbert Mann, that the picture on the television screen is considerably cruder in visual definition than that on a motion-picture screen. So Mr. Chayefsky wrote his plays in anticipation of the audience’s observing the players in almost unrelenting “close-up.” Mr. Chayefsky realized that some of these technical-aesthetic conditions could create, as could perhaps no other medium, a sense of utter and absolute reality; could create the illusion that what the audience was seeing was not a mere play but life as seen through a seventeen-inch, nearly square hole. Beginning with a play called Holiday Song, which dealt with a rabbi’s re-examination of one’s faith in God, Mr. Chayefsky created a series of dramas that have often been characterized as “small” masterpieces, sometimes referred to as “kitchen” dramas, since much of the action seemed to take place in family kitchens. In any case, they were plays about unexceptional situations. The plots were uncluttered, and undaring, and highly compressed. They had few unexpected turns, little action, no treachery, no perversion, and no heroic gestures (in the traditional sense). #RandolphHarris 4 of 20

Mr. Chayefsky’s stories were “small” very much as Sherwood Anderson’s stories are small. The setting was New York, not small-town Ohio, but like Mr. Anderson, Chayefsky explored in economical but meticulous detail the agonizing problems of small people. And thus he elevated the status of both the problems and the people who suffered them. In fact, Mr. Chayefsky once remarked that “Your mother, sister, brothers, cousins, friends—all of these are better subjects for drama than Iago.” He was talking, of course, about television drama. Mr. Chayefsky’s most known play, Marty, tells the story of an unmarried, inarticulate butcher who is attacked to a sensitive but homely woman. Marty’s friends attempt to dissuade him from seeing the woman because she is, in their words, “a dog.” His mother, who fears being abandoned resents the woman bitterly. Against a backdrop of such universal themes as man’s need of loving and being loved, his fear of living alone, and his need to communicate, Mr. Chayefsky pursued his “small” story with persistent literalness, concluding with an equally “small” crisis in which Marty decides, against the protests of his friends and family, to phone the woman and ask her for a date. On the stage of in a novel, the plot would be too flimsy to carry much dramatic weight. When the play was adapted for the movies, it required more “movement” or action and the addition of at least one subplot. On the television screen, however, they play was an artistic triumph, producing a disturbing and edifying illusion of intimacy. Perhaps no other medium is better suited to the “slice of life” drama than television, a fact that is apparently well known to Ingmar Berman. Although television was invented in the 1920s, it did not exist for any practical purposes until after World War II. It is easy to forget that advertising, at least on the scale we have come to know it, barely existed before then either. #RandolphHarris 5 of 20

In 1946, advertisers spent about $3 billion. For the previous two decades, advertising expenditure had been fairly constant at about that level. By 1975, however, the national advertising budget had grown by 1,000 percent to $30 billion. In 2021, the national advertising budget reached $82 billion (expected to around $95 billion by the end of 2022). In that same year the television advertising budget has skyrocketed to $68 billion, and could be approximately $80 billion by the end of 2022. As you see, most of the increases in advertising. However, what is significant is that within only tend years of its effective inauguration, television was absorbing 60 percent of all advertising spending and driving hundreds of newspapers, magazines and radio stations out of the market. A symbiotic relationship developed. Advertising financed television’s growth. Television was the greatest delivery system for advertising that had ever been invented. We could call it love at first sight, except in this case, the match may have been prearranged. If you are fortunate enough to recall, think back to the days immediately after World War II. Although I was only ten in 1945, I remember the expectant and uncertain feeling of the times very well. Everyone was relieved that the war was over and was expecting things to get back to normal, but what was normal? Memories of the Depression loomed. I remember listening to my parents talk with their friends on those backyard summer evenings of 1945, and I could feel the fear. Like most ordinary people, my parents know that the war had alleviated the Depression. During the war, American industrial capacity, lying fallow only a few years before, had actually expanded to build the military machine. My father’s own business was an example. Now there were no more uniforms to make, and no more tanks. The war had given men jobs as soldiers and women jobs as factor workers. Full employment had practically become a reality. Now Johnny was marching home again, jobless. #RandolphHarris 6 of 19

If this was the talk among ordinary people, one can only imagine what was said in industrial boardrooms and at the Department of Commerce. With industrial capacity and capital investment expanded as they were, the consequences of a drop in production could make the 1930s look like golden years. A long-standing criticism of capitalism—that it can stave off cyclic depression only through war-seemed about to be confirmed. Suddenly in 1946, government and industry started making identical pronouncements about regearing American life to consume commodities at a level never before contemplated. It was not that military production was about to be abandoned. Even now it remains the single most important factor in the United States of America’s economy. However, in 1946 with the war just over, it was not clear that the decline in military spending would be as temporary as it turned out to be. Some new offsetting factor was needed. Thus, a new vision was born that equated the good life with consumer goods. An accelerate economy, continuing booming expansion of wartime, added to a new consumer ideology achieved the greatest economic growth rate in the country’s history from 1946 to 1970. To make such growth possible, both ends of the transformation process described previously had to be hyped up. First, we needed to insure an abundant supply of raw material to convert into commodities. This led to a burst of American investment overseas as well as to enormous assistance programs for sympathetic “underdeveloped” countries. Often we secured our supply by the creation of client governments propped up with military assistance. Raising anticommunism to the status of a holy war in the 1940s and the 1950s formed the political foundation for these military and economic programs and underlay the assertion of the patriotic virtues of foreign investment. #RandolphHarris 7 of 19

At the other end of the transformation equation, an accelerated movement of commodities into consumers’ homes was critical. People had to be convinced that life without all these products was undesirable and unpatriotic. It was time to forget the rationing of the war years and consumer for your country. Advertising and television were the dynamic duo that would rededicate the consuming American. Advertising’s ability to create a passionate need for what is not needed was already well established. Since economic growth and a consumer economy had to be based upon selling far more commodities than were needed to meet actual needs, economic growth depended upon advertising. Television, which had been lying around in mothballs since the 1920s, was dusted off and enlisted as the means to deliver the advertising lifestyle fast, right into people’s homes and heads. Quick to spot any new technology that could assist their urgent cause, big advertisers immediately invested hundreds of millions of dollars in developing this idle sales tool. And so advertising gave birth to television, and television have advertising a whole new World to conquer. Together they made possible an enormous, though temporary, economic bonanza. Can you recall the TV advertising of the 1940s and 1950s? Smiling, happy people. Scrubbed children. Housewives showing their impossibly clean wash. Smiling junior-executive husbands emerging from their new cars, greeted at the picket fence by their clean, cheerful families? The happy mowing of the lawn. The happy faces reflected off the polished toasters? The nuclear family was idealized to a greater extend than ever before, because the family was the ideal consumption unit. Women had to get out of those factories and overalls and back into little pink dresses in the kitchen. #RandolphHarris 8 of 19

Those returning soldiers needed jobs. Rosie the Riveter gave way to June Allyson. Separate family units maximized production potential. Private homes. Private cars. Two cars. Private washing machines. Private television sets. Within a few years, the World started changing. The battery-operated lawn mower I saw on television one day appeared on my lawn the next week. So did the car. The whole neighborhood started looking like a television commercial. The woods near my house in disappeared and were replaced by hundreds of identical versions of my house. Neighborhoods everywhere started looking like each other. Freeways replaced country roads. Shopping centers replaced corner markets. Pavements covered everything. “Prosperity,” “security,” “happiness,” studded ads and presidential speeches alike. This incredible outpouring of commodities, this entire revamping of landscape, this filling of houses with gadgets was supposed to constitute some kind of Latter-Day Saints Kingdom of God. That is what everyone was thinking, saying, and believing. It was what made America America. One of my high school teachers during the 1950s told my class that it was America’s commitment to a consumption economy that made our country different and better than all others. He told us that by expanding our economy, we could soon make everyone wealthy. America was already the World’s only classless society, he said. Workers and managers were equal partners in a glorious process benefiting everyone. In America everyone was equal. Our standard of living made it that way. Everyone could have a car. Everyone could have a business. We are not developing nations, where the water is dangerous to drink, and there are few rich people and everyone else is poor and all of them wished they had what we had. Because of this prosperity, we did not have to deal with the chaotic times of psychological and spiritual upheaval nor have actual fear among people of witchcraft, sorcerers, and others who claimed to know how to consort with the demons. The medieval period had died, and the modern period was born. #RandolphHarris 9 of 19

A few years later at the Wharton School of Business at the University of Pennsylvania, I learned how and why this commodity life and the economic growth it produces was supposed to be so good for absolutely everyone. I learned that they had been talking about in these boardrooms and at the Department of Commerce. It was called the “trickle-down theory.” It goes more or less like this: Industrial expansion, rapid economic growth and the consumption economy benefit everyone. The theory—which is the basis of Keynesian American economics—has it that when people buy more and more commodities, they produce more profits for industry, enabling it to expand. When industry expands, more jobs result. This puts more money into circulation, enabling people to buy more commodities, expanding profits again, yielding more investments, more jobs and starting the cycle around on another turn. This is an oversimplified process, which leaves out such variables as savings, borrowing, and so on. The way it is presented here is more or less the way it is translated through the media and through out educational system into popular understanding: a beautiful circle of activity, everyone helping everyone else, labor and management rowing the boat together, all serving the common good and growing endlessly. It explained the patriotic urgency of people spending more and more on commodities. The benefits would “trickle down” to everyone in this country, including those at the bottom on the pyramid. Jobs, money, prosperity, happiness, security, democracy, equality were all lumped together as inevitable results of this cycle. Most people believe in this “trickle-down-theory” still. Presidents get elected based on whether they can convince the public that they will stimulate the beautiful cycle. President Trump was elected for doing it and he proved his word. #RandolphHarris 10 of 19

The tickle-down theory is the nice simple kind of economic model that can be sold to a mass population removed from any deeper understanding of how things really work. Trying to come to grips with economic nuance is for most of us no easier than trying to understand how much nuclear radiation is “safe.” Who knows? The “experts” know. Like every other organizing model in our society, economic processes have been removed from personal participation, appropriated into a nether World of flow charts, financial analyses, and circle graphs. Like scientific and technological systems, once economic systems reach a certain size and complexity, they can be controlled only by forces far outside the grasp of the individual and community. One explanation of them sounds as plausible as another. In the absence of a really thorough training in economics—a training which itself supports many arbitrary and fantastic theories—this trickle-down model of the benefits of a consumer society sounds perfectly valid. It certainly seemed valid for a little while. People had jobs, the economy was growing, and homes were filling up with every more intricate gadgets. Only now, thirty years after the trip was launched, can we see the process from the vantage point of joblessness, inflation, bankruptcy and default, and realize that something was terribly wrong somewhere. In fact, it was a fantasy. It was packaged and sold to us like the seven-piece matching living-room sets on the television screen. Buy now, pay later when you are richer than you are now. However, when later came, very few of us were richer (and that usually happens to everyone). It turned out that the pursuit of all those happy goodies did not produce happy people; it produced isolated, frustrated, alienated people. More important, the economic benefits did not trickle down to create some egalitarian democracy. The benefits tickled up. That is why President Trump also used the tickle charger. Not only did he cut taxes, but also infused the less affulent with supercharged unemployment benefits, and helped the veterns, disabled, retirement and others reciveing government transfer pays by sending the a large cash sum of money, and then a few other payments for less, and he also supported businesses get through the pandemic. So the economy was stimulated and had a few trickle charges to keep the market flowing well. #RandolphHarris 11 of 19

The democratic revolution succeeded in extending formal self-government and opportunity to nearly everybody, regardless of birth, property, or education. However, it gave up the ideal of the town meeting, with the initiative and personal involvement that alone could train people in self-government and give the practical knowledge of political issues. The actual result has been the formation of a class of politicians who govern, and who are themselves symbolic front figures. Correspondingly, the self-determination won by the American Revolution for the regional states, that should have made possible real political experimentation, soon gave way to a national conformity; nor has the nation as a whole conserved its resources and maintained its ideals. The result is a deadening centralism, with neither local patriotism nor national patriotism. The best people do not offer themselves for public office, and no one has the aim of serving the Republic. Typical is the fate of the hard-won Constitutional freedoms, such as freedom of speech. Editors and publishers have given up trying to give an effective voice to important but unpopular opinions. Anything can be printed, but the powerful interests have the big presses. Only the safe opinion is proclaimed and other opinion is swamped. The liberal revolution succeeded in shaking off onerous government controls on enterprise, but it did not persist to its goal of real public wealth as the result of free enterprise and honestly informed choice on the market. The actual result is an economy dominated by monopolies, in which the earnest individual entrepreneur or inventor, who could perform a public service, is actively discouraged; and consumer demand is increasingly synthetic. Conversely, the Jeffersonian ideal of a proud and independent productivity yeomanry, with natural family morals and a co-operative community spirit, did in fact energize settling the West and providing the basis for our abundance. #RandolphHarris 12 of 19

However, because it has failed to cope with technological changes and to withstand speculation, “farming as a way of life” has succumbed to cash cropping dependent on distant markets, and is ridden with mortgages, tenancy, and hired labor. Yet it maintains a narrow rural morality and isolationist politics, is a sucker for the mass culture of Madison Avenue and Hollywood, and in the new cities (exempli Gratia, in California, where farmers have migrated) is a bulwark against genuine city culture. Constitutional safeguards of person were won. However, despite the increasing concentration of state power and mass pressures, no effect was made to give to individuals and small groups new means easily to avail themselves of the safeguards. The result is that there is no longer the striking individuality of free men; even quiet nonconformity is hounded; and there is no asylum from coast to coast. Fraternity—this short-lived ideal of the French Revolution, animating a whole people and uniting all classes as a community, soon gave way to aa dangerous nationalism. The ideal somewhat revived as the solidarity of the working class, but this too has faded into either philanthropy or “belonging.” Brotherhood of races—the Civil War won formal rights for African Americans, but failed to win social justice and factual democracy. The actual result has been segregation, and fear and ignorance from various people of all races. However, in the 2020s, that stigma is fading. Pacificism—this revolution has been entirely missed. Acceleration not only makes facts obsolete but blunts some of the key tools we use when we think. Analogy provides a case in point. It is virtually impossible for us to think without relying on analogies. This “thought-tool” is based on identifying similarities in two or more phenomena and then drawing conclusions from one to apply to the other. Doctors, we noted, will often say “the heart is like a pump” and then describe its “values” and other components in mechanical terms. This model helps them conceptualize and treat the heart. Often this process yields powerful results. #RandolphHarris 13 of 19

However, once similarities are identified, it is typically taken for granted that the similarities continue. And in slow-change eras, they may do so for long periods. In today’s hyper-change environment, however, once-similar things also change and very often become markedly dissimilar, often making conclusions based on the analogy false and misleading. To deal with today, therefore, we need not only new knowledge but new ways to think about it. Yet too many economists, consciously or otherwise, cling to the belief that economics is analogous to physics. This notion arose centuries ago, when Newtonian ideas about equilibrium, causation and determinism dominated that science. Since then, of course, physicists have drastically revised their views about these matters. However, many economists still base their findings on crude Newtonian assumptions. Trained to think in industrial terms, many find it difficult to grapple with the odd character of knowledge—the fact that it is non-rival and non-depletable, that it is intangible and thus hard to measure. It is only when we set today’s failures of economics alongside the looming crisis in science that we begin to gauge their true significance. For together these two fields have the greatest—or at least the most direct—impact on how we create wealth. And both are heading for transformation. When it comes to relationships, a university teacher of liberal arts cannot help confronting special handicaps, a slight deformity of the spirit, in the students, ever more numerous, whose parents are divorced. I do not have the slightest doubt that they do as well as other sin all kinds of specialized subjects, but I find they are not as open to the serious study of philosophy and literature as some other students are. I would guess this is because they are less eager to look into the meaning of their lives, or to risk shaking their received opinions. #RandolphHarris 14 of 19

In order to live with the chaos of their experience, they tend to have rigid frameworks about what is right and what is wrong and how they ought to live. They are full of desperate platitudes about self-determination, respect for other people’s rights and decisions, the need to work out one’s individual values and commitments, etcetera. All this is a thin veneer over boundless seas of rage, doubt, and fear. Young people habitually are able to jettison their habits of belief for an exciting idea. They have little to lose. Although this is not really philosophy, because they are not aware of how high the stakes are, in this period of their lives they can experiment with the unconventional and acquire deeper habits of belief and some learning to go along with them. However, children of divorced parents often lack this intellectual daring because they lack the natural youthful confidence in the future. Fear of both isolation and attachment clouds their prospects. A large measure of their enthusiasm has been extinguished and replaced by self-protectiveness. Similarly, their open confidence in friendship as part of the newly discovered search for the good is somewhat stunted. The Glauconian eros for the discovery of nature has suffered more damage in them than in most. Such students can make their disarray in the cosmos the theme of their reflection and study. However, it is a grim and dangerous business, and more than any student I have known, they evoke pity. They are indeed victims. An additional factor in the state of these students’ souls is the fact that they have undergone therapy. They have been told how to feel and what to think about themselves by psychologists who are paid by their parents to make everything work out as painlessly as possible for the parents, as part of no-fault divorce. If ever there was a conflict of interest, that is it. There are big bucks for therapists in divorce, since the divorces are eager to get back to persecuting the wretches who smoke or to ending the arms face or to saving “civilization as we know it.” #RandolphHarris 15 of 19

Meanwhile, psychologists provide much of the ideology justifying divorce—exempli gratia, that it is worse for kids to stay in stressful homes (thus motivating the potential escapees—that is, the parents—to make it as unpleasant as possible there). Psychologists are the sworn enemies of guilt. And they have an artificial language for the artificial feelings with which they equip children. However, it unfortunately does not permit such children to get a firm grip on anything. Of course, not every psychologist who deals with these matters simply plays the tune called by those who pay the piper, but the givens of the market and the capacity for self-deception, called creativity, surely influence such therapy. After all, parents can shop around for a psychologist just as some Catholics used to shop for a confessor. When these students arrive at the university, they are not only reeling from the destructive effects of the overturning of faith and the ambiguity of loyalty that result from divorce, but deafened by self-serving lies and hypocrisies expressed in a pseudoscientific jargon. Modern psychology at its best has a questionable understanding of the soul. It has no place for the natural superiority of philosophic life, and no understanding of education. So children who are inclined to believe that philosophy live in a less enlightened state and have a long climb just to get back up to the cave, or the World of common sense, which is the proper beginning for their ascent toward wisdom. They do not have confidence in what they feel or what they see, and they have an ideology that provides not a reason but a rationalization for their timidity. These students are the symbols of the intellectual-political problems of our time. They represent in extreme form the spirit vortex set in motion by loss of contact with other human beings and with the natural order. #RandolphHarris 16 of 19

However, all students are affected, in the most practical everyday way, unaware that their situation is peculiar, because their education does not give them perspective on it. Now, Web sites routinely collect detailed data on visitor behavior, and those statistics underscore just how quickly we leap between pages when we are online. Over a period of two months in 2008, an Israeli company named ClickTale, which supplies software for analyzing how people use corporate Web pages, collected data on the behavior of a million visitors to sites maintained by its clients around the World. It found that in most countries people spend, on average, between nineteen and twenty-seven seconds looking at a page before moving on to the next one, including the time required for the page to load into their browser’s window. German and Canadian surfers spend about twenty-one second, Indians and Australians spend about twenty-four seconds, and the French spend about twenty-five seconds. On the Web, there is no such thing as leisurely browsing. We want to gather as much information as quickly as our eyes and fingers can move. That is true even when it comes to academic research. As part of a five-year study, a group from University College London examined computer logs documenting the behavior of visitors to two popular research sites, one operated by the British Library and one by a U.K. educational consortium. Both sites provided users with access to journal articles, e-books, and other sources of written information. The scholars found that people using the sites exhibited a distinctive “form of skimming activity” in which they would hop quickly from one source to another, rarely returning to any source they had already visited. They would typically read, at most, one or two pages of an article or book before “bouncing out” to another site. “It is clear that users are not reading online in the traditional sense,” the authors of the study reported; “indeed there are signs that new forms of ‘reading’ are emerging as users ‘power browse’ horizontally through titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid reading in the traditional sense.” #RandolphHarris 17 of 19

The shift in our approach to reading and research seems to be an inevitable consequence of our reliance on the technology of the Net, and it bespeaks a deeper change in our thinking. There is absolutely no question that modern search engines and cross-referenced websites have powerfully enabled research and communication efficiencies. There is also absolutely no question that our brains are engaged less directly and more shallowly in the synthesis of information when we use research strategies that are all about “efficiency,” “secondary (and out-of-context) referencing,” and “once over, lightly.” As people are falling in love with the Internet, reading and its mediums is reminiscence of some of Capellanus’s more universal rules. He believed that love is always in a flux, either growing or diminishing. Making it public usually kills it. Its very nature as next to impossible to consummate is also its most powerful stimulus, and during its fleeting lifetime, jealously will sharpen the intensity of the country lovers feelings. Courtly love is obsessive and best endured by constant contemplation of the beloved. By the fourteenth century, an anonymous poet was refining the notion of love. In his “Ten Commandments of Love,” he advocated faith or honesty, attentiveness, discretion, patience, secretness, prudence, perseverance, pity, measure or moderation, and mercy. The lover in Chaucer’s “Complaint to His Lady” is so excessively long-suffering that he swears to obey his lady in whatever she dies, would rather die than offend her, and begs only for a drop of her grace. Here is his version of courtly love: “But I, my lyf an deeth, to yew obeye, and with right buxom herte, hooly I preye, as [is] your moste pleasure, so doth by me; and therfor, swete, rewe on my peynes smerte, and of your grace, graunteth me some drope; for ells may me laste no blis no hope, no dwelle within my trouble careful herte.” #RandolpHarris 18 of 19

Courtly love was agonizing and admirable, the source of chivalrous virtue. For these same reasons, it was often chaste, both because the logistics of consummation defeated the would-be lovers and also because, in some manifestations, courtly love was inherently pure. As one troubadour sang, “Out of love comes chastity.” As enormous but logical stretch puts courtly love together with the secret feudal societies that adopted then institutionalized a collective devotion to an unattainable woman who inspired their members to deeds of greatest daring and valor. The woman? The Virgin Mary, whose immaculate conception the early medieval Church had just begun to celebrate. The most famous of these secret societies was the Knights Templar, excommunicated knights who swore oaths of poverty, obedience, and chastity and dedicated themselves to the (newly immaculately conceived) Virgin Mary. Unlike their secular counterparts, however, whose courtly love involved personal grooming as a token of respect to their lady loves, virginal or otherwise, the Knights of the Templar who were abstinent, according to St. Bernard of Clairvaux, “never combed, rarely washed, [and wore] their beards bushy, sweaty, and fusty, stained by their harness and the heat. Centuries of literature and lives imitating art transformed courtly into romantic love, intense and unattainable, a phenomenon too high—mindedly impractical to survive marriage and the trials of time, routine, and old age. The precious instant of recognizing the beloved, the stylized pursuit, the exchange of extravagant words penned on scented paper, the self-indulgently obsessive meditating on each other—these became the characteristic of this new kind of love. Attraction based on pleasures of the flesh fueled it, just as it had the courtliest of loves, but in this case as well, intimate passions dominated the lover’s agenda. As literature, romantic love flirted and seduced as it inflamed and seared, titillating its aficionados with its stately ritual of gallant chase, heartsick suffering, rapturous encounters, gushing epistles, all in the name of profoundest if evanescent love. Sometimes this love was chaste by intention. Even when it was not, pleasures of the flesh was usually overpowered by complications of plot and character that, depending on your point of view, either reprieved the lovers from the banality of pleasures of the flesh or condemned them to its nonconsummation. Centuries of courtly and romantic love challenged thousands of lovers. Ultimately, most emerged from its clutches with their virtue intact. If our World is made up of such changes, as these, is it strange that my heart is so sad. prophets. #RandolphHarris 19 of 19

Cresleigh Homes

Luxurious outdoor living requires porch space AND a spot for the littlest members of the household to enjoy the sunshine, too! 😍

Our home at #MillsStation Residence 4 is the largest home in the community, but that extra playhouse definitely gives it an edge. https://cresleigh.com/mills-station/residence-4/

The lounge off the entry amplifies this social core; optional bedroom enhances the choices. This design lends a little Victorian formal touch to the arrival for family and guests.

The beautiful quartz counter top island has an optional built-in quartz tablecounter, which allos plenty of island seating.

The abundant cabinet space highlights the kitchen, while gathered windows and sliding door generate seamless connectivity to the home’s outdoor entertainment and leisure spaces.

Summoning Devils on Film and in Real Life

Much like the Winchester mansion and Mrs. Winchester, the Hellfire Clubs and medieval Sabbat believed that devils and demons should not be stern masters or slaves, but welcome house-guest, which is why Mrs. Winchester built what is now known as the Winchester Mystery House. It is easy to imagine how the combined grief of losing both a child and a spouse could be very crippling. However, if you had $20,000,000.00 (2022 inflation adjusted $556,305,882.35) and all the time in the World to help you cope, can you imagine what you would do? Mrs. Sarah L. Winchester’s response to the deaths of her child and husband left a bizarre and impressive architectural reflection of her psyche. The fascinating story of the Winchester Mystery House has its roots in the personal tragedies suffered by Mrs. Winchester and in the legacy of the Winchester rifle, “The Gun that Won the West.” The Winchester Mansion raised its castellated walls and towers in every direction commanding magnificent prospects; like emeralds in a setting of deeper green, gemmed the surface of the surface of the rural landscape and contributed to increase the beauty of scenery not surpassed in the World. Ages ago the voice of prayer and the song of praise used to ascend from this sacred estate. Presented on the estate was a happy country, none better calculated to inspire love and harmony. However, there was a lack of happiness in the circumstances of life for Mrs. Winchester. At first glance, there seems to be no degree of truth in this statement because of all the riches she inherited and her beautiful mansion. Many people assumes that for the rich, enjoying their riches, are likely to be contented and to look no further than this World. There were also a group of seven Victorian houses on the estate, not connected to the main house, of goodly size, and a Holy Cross. The seven Victorian Houses which, according to tradition, were built there under Mrs. Winchester’s direction, along with a graveyard on her 760 acres of land. #RandolphHarris 1 of 15

In the garden of the mansion was a curious stone cross, of considerable size, evidently monumental, though the inscription has been so defaced as to be illegible. On the front of the cross there is a deep indentation much resembling that made by the hoof of a cow in soft Earth, the bottom of the indentation being deepest at the sides and somewhat ridged in the middle. Concerning this cross and the depression in its face, the following legend was related by one of the farmers on the estate. “Mrs. Winchester built this mansion, houses, and the church, you see. When she lived, she owned all the land round about. But there was a devil here. If you had meet him on the grounds, you would know in a minute that it was himself and no other that was in it, and so make ready, either for to run away from him, or to fight him with praying as fast as you can, because, you see, it is no use for to strive with the devil any other way, seeing that no weapon can make the last dint on his carriage. In them days, and before the mansion was built, I am telling you, the devil was all as one as a man, a tall felly like a soldier, with a high hat coming to a pint and feathers on it, and fine boots and spurs and a short red jacket with a cloak over his shoulder and a sword by his side, as fine as any gentleman of the good old times. So he used to go about the country, desiring men and women, the latter being his choice as being easier to deceive, and taking them down with him to his own place, and it was a fine time he was having entirely, and everything his own way. As soon as Mrs. Winchester started construction on her mansion, the devil took up his quarters there, to make it as sure as he could. But when he heard what Mrs. Winchester was doing, a four-story mansion, of 500 or 600 rooms, and a nine-story observation tower, he came out to see the castle was rising before his eyes. He heard the construction singing and started cursing to himself, and at 5.13am on Wednesday April 18th, 1906, Satan stomped his cloven hoof into the ground causing a 7.9 Earthquake and brought down that tower. #RandolphHarris 2 of 15

After the Earthquake, while the devil was laying about in the bushes a-watching the work, and the tower of the big mansion was lifting itself above the trees, this time just not as high as it used to be. Everyone knows that Satan is slicker than a weasel, and has a memory like a miser’s box that takes in everything and lets nothing go out. When you do anything, sore a bit that it scrapes the devil, and he hugs it close till a time comes when he can make a club have it to bate you with, and so he does. You may think it is queer, but it is no wonder to one that understands it, for the devil can take any shape he pleases and look like any one he wants to, and so he does for the purpose of tempting us poor sinners to destruction, but there is one thing by which he always knows; when you have given up to him or when you have beaten him on the face, no matter which, he has got to throw off the disguise that is on him and show you who he is, and when he does it, it is not the elegant, dressed-up devil that you see and that I was just telling you about, but the rale, old, black anger with a rancorous, without a haporth of rages to the back of him, and his horns and tail a sticking out, and his eyes as big as an oxen’s and shinning like fire, and great bat’s wings on him, and, saving your presence, the most nefarious smell of sulfur you have smelled. However, before, he looks all right, no matter what face he has, and it is only the goodness of God that the devil is bound for to show himself to you, because, Glory be to God, it is his will that humans shall know who they are dealing with, and if they give up to the devil, and after finding out who is in it, go on with the bargain they have made, sure the fault is their own, and they go to hell with their eyes open, and if they bate him, he has got to show himself for to let them see what they have escaped. #RandolphHarris 3 of 15

Satan was flying around the Winchester mansion, there were the farmers all along the day job, and the construction workers were building as fast as they could and a bottle of holy water were at their side to throw at the devil when he would come. So he went from the and would fly back and forth watching then working, and they restored the Winchester mansion. Old beliefs die hard, especially when their speedy demise is a consummation devoutly to be wished. Magic is only a physical or psychological effect that has yet to be explained, which means for many it is uncomfortable to entertain now. All good occultists must be skeptical—believe nothing in preference to believing everything. All proto-sciences could be defined as magic. You can see the ritual chamber as a kind of intellectual decompression of chamber to prepare your mind for other atmospheres. People who limit themselves to the occult curricula and profess to be wizards are laughable—magic is an interdisciplinary pursuit. You must consider all the options—investigating like a police officer. To perform a summoning, for example, would involve finding the right environment, appropriate retrieval cues, the right atmospheric conditions. The effects of magic are demonstrable. A lot of simple magic is just to do with self-confidence, how much your antennae are up, how open you are to the World around you. Rituals and magical words are not necessary, merely tools or exercises to help train your mind. Scientists are now coming to the conclusion that there is a lot more interconnectedness between man and his environment than they originally supposed, which is a basic occultic concept. The only really dangerous characters are the ones who think they are generational Satanists and their grandfather told them with his dying breath what to do, or whatever. There are a lot of armies of one out there, a lot of coffee-bar revolutionaries. New information technology has bred a lot of desktop Satanists and bulletin boards mean that cyberspace seems to be just full of Satanists. The Christian heretics rarely get much further than designing letterheads. #RandolphHarris 4 of 15

Many Satanists are fans of people like Paris Hilton and Britney Spears and applaud their outrageous sexuality. They are also huge fans of Aaliyah for making that film Queen of the Damned. Many Satanists are quietly applying Church of Satan philosophy to their lives in their own fashion in a very real way. The best thing they could ask for is that people pass them a nod of respect. In the modern World, the spirit of the age often looms down upon us in strange, distorted forms from the cinema screen. Major production companies spend millions of dollars trying to trap the latest cultural trends on celluloid, while audiences make surprise blockbusters from movies which—accidentally or otherwise—tap into the anxieties and enthusiasms of the day. In the late 1960s and 1970s, 2000s the films which came to be regarded as four “Satanic blockbusters”—Rosemary’s Baby (1968), The Exorcist (1973), The Omen (1976), and Queen of the Damned (2002)—all took the box-office by storm, transforming themselves into cultural phenomena which attracted public interest far beyond that of most “mere” films. Cinema has been the most potent legend factory of the centuries. Despite constant predictions that TV would devour the silver screen, the spectable and ceremony of the cinema helped retain its status as the most sacred of modern temples. Film presents a super real version of the World—louder, larger, essentially more mythic. More people take cues on how to live, love, fight—even on how to die—from the silver screen than from the pulpit or the gospels. Pagan worship is alive and well and being practised at your local multiplex, with Hollywood stars as the gods of our age. And, just as cinema has given us new gods, so it has supplied us with a new hierarchy of devils. The relationship between Satan and the silver screen is a notable one. The father of fantastic cinema was a Frenchman named Georges Melies, who made delightful short films crawling with demons and devils. Melies was himself a Faustian figure, a stage conjurer and photographic illusionist who appeared out of the rump of the French Decadent era. Summoning devils on film, he defended this new sorcery in time-honoured fashion as “white magic.” #RandolphHarris 5 of 15

In The Laboratory of Mephistopheles (1897), Melies made Satan’s head detach itself and float around the room—to the enchantment and horror of audiences in darkened “picture palaces, resembling nothing so much as séance chambers. Hollywood’s dream factory was not even at the planning stage by the turning of the century, but the pioneer of US cinema, Edwin Porter (partner of the man who virtually invented the movies, Thomas Edison), produced his own version of Faust and Marguerite in 1900. The most striking cinematic fantasies came from Germany at this point—stark, angular exercises in shadow and nightmare. The Student of Prague was an updated version of the well-worn Faust tale, based on an Edgar Allan Poe story, which transformed the lead from an ambitious academic to a devil-may-care student and Mephistopheles into a rakish devil called Scapinelli. The story was retold onscreen in 1913, 1926, and 1936. The 1926 version was by the master of German Expressionist cinema, F.W. Murnua—the last film he made before leaving his artistic roots for Hollywood, where he met with a tragically early death. As a minor masterpiece, it was a suitably grandiose climax to a career which produced Nosferatu (1922), the first gothic vampire film. Now, it is always important to be safe on the road and sometimes to listen to the heartfelt advice of others. Jayne Mansfield, a buxom B-move actress died in a tragic car crash with her lawyer in and lover Sam Brody. Brody had disliked his beloved’s new guru from the start, and the friction led to LaVey placing a ritual curse on his rival. The Black Pope (Anton LaVey) warned the pugnacious lawyer—known to be a dangerous driver—that he would suffer a series of automobile accidents. It was no great surprise when a car crash ensued—but it made World headlines for taking the life of Jayne Mansfield, as well as the top of her cranium. LaVey grimly stated that on the night preceding the crash, as he cut out a newspaper clipping of Jayne, he accidently snipped off the top of the blonde beauty’s head. (By the way, I had no idea The Black Pope was dead, until today. I feel he is very much still alive. I have always felt like he is here, in San Francisco in his black church.) #RandolphHarris 6 of 15

The physical phenomena of spiritism are often closely connected with psychical manifestations, such as spiritistic visions, automatic writing, speaking in a trance, materializations, table lifting, tumbler moving and excursions of the psyche. There is no doubt that today, as in the time of Isaiah (Isaiah 6.1-5), Ezekiel (Ezekiel 1.4-28), Paul (Acts 9.1-8), Peter (Acts 10.9-16), and John (Revelation 1.10-18), God may give His people a genuine vision, particularly in great times of great stress. However, genuine experiences of this nature are always accompanied by true spiritual grace and modesty. Sensationalism betrays a lack of authenticity. Unfortunately, genuine experiences are rare, and counterfeit ones about. Christian counselors find that the “ratio is about nine to one over the genuine experiences.” Mrs. Winchester used to have visions. She reported that she saw visions of Christ at night, and it left her feeling a sense of uneasiness and fear. The so-called visions of Christ were mediumistic. They came as a warning. Weeks after the visions started, Mrs. Winchester saw her husband William Wirt Winchester’s spirit departing from his body as he expired in 1881. The visions of Mrs. Winchester bear evidence of the occult, as do the visions of Joseph Smith (1805-1844), who fathered Mormonism. Many of the founders and promulgators of modern cults have had alleged visions from God. However, some say these visions promote “doctrines of demons” (1 Timothy 4.1) among the credulous and those unable to discern spirits (1 Corinthians 12.10; 1 John 4.1-2). When humans depart from God’s Word, they supposedly expose themselves to demon imposture and deception. Automatic writing—some persons endowed with mediumistic powers are able—either in a waking state or trance to write letters, words, or sentences which spiritists consider to be message from the spirit World. This is how Mrs. Winchester came up with the architecture of her mansion, the blueprints were often dictated to her in her Blue Séance room as she took down the notes on napkin. Also, the persistent pain in her legs and back vanished whenever she sat down and dictated these blueprints. #RandolphHarris 7 of 15

One day as Mrs. Winchester was taking dictation, a spirit named Apollonius Tyannaeus appeared and said, “In the name of the Lord Jesus, our blessed and exalted Savior.” The spirit then told the woman that she had been chosen by God for special revelations. She would become a prophetess and bless humankind with these revelations. The case is patently that of a simple farm woman turned indeed into a spiritistic writing medium. Rudolf Tischner, a parapsychologist, points out the danger of automatic writing when practiced in immoderation. Although he regards these writing phenomena only as “motoric break up the integrated psychic structure with ensuing peril to mental and physical health. This simply means that occult enslavement can result from mediumistic writing, or from dependence upon the Ouija board or other spiritistic devices to obtain alleged messages from the spirit World. Speaking in a trance—a trance is a condition in which a spiritistic medium loses consciousness and passes under the control of demonic power to effect alleged communication with the dead. The demon (or demons) takes over and actually speaks through the spiritistic medium, deceptively imitating the deceased. As a result this ruse innumerable spiritistic clairvoyants claim communication with the dead, often with famous deceased people allegedly appearing to speak to the living. One evening, Mrs. Winchester went into a trace and soon the “Apostle Paul” approached and preached to the audience. The apostle was not visible but only spoke through the medium who lay in trance. Some critic said it was only another constant instance of deception by demons who ape the deceased but cannot produce them. Other believe it was real. Perhaps the most remarkable phenomena of spiritism are materializations. These are supernatural appearances and disappearances of material images in connection with the activities of a spiritistic medium. #RandolphHarris 8 of 15

Materializations have been exhaustively studied and photographed and have been found to be manifestations of various degrees of teleplastic morphogenesis. The first stage is the evolution of a gauzelike substance of rubbery consistency from the body cavities of the medium. The second stage is the forming of the various parts of the body in outline—arms, head, etcetera. Frequently in the case of teleplastic forms of this kind, a threadlike connection is maintained with the medium. The third stage consists of the composition into completely outlined forms, which are visible as phantoms near the medium. These three stages of materialization manifest purely visual phenomena. The fourth stage displays telekinetic phenomena. There is an energy output from the teleplasm (telekinesis), such as the ringing of a bell, at night, passers-by heard ghostly music wafting from the dark mansion. The bell in the belfry high in the gables tolled regularly at midnight to summon incoming flights of spirits. Later it tolled again to warn these visitors to return to their sepulchers. However, once a week, these departed ones relaxed and danced in the Great Ball Room. In other stages of materializations come automatic writing of a typewriter, and the automatic playing of a musical instrument. In addition to the active energy output of the materialization, there is frequently a passive pain experience of the teleplasm. The fifth stage of the materialization is the penetration of material substance. To his phase belong “apports,” that is, the appearing and disappearing of objects in closed rooms or chests and containers. From locked and cemented containers, for example, enclosed coins are brought out, or stones and other objects fall inexplicably from the ceiling. This often happens in the Winchester mansion, as documented by Mrs. Winchester. In this stage many mediums allegedly have the ability to penetrate solid material substance while they are in a trance. While Mrs. Winchester sat in a small cabinet, a phantom built itself up on the floor outside the cabinet and formed itself into a male person, who moved in and out among the participants of the séance. While the materialization extended his hand to one of those present and she held it, dematerialization began to occur before the eyes of all the participants. Soon there was only a lump on the floor and this rolled up into the cabinet. #RandolphHarris 9 of 15

Another example is during a séance, Mrs. Winchester was able to call and help the materializing of the spirit of the deceased German romantic poet, Johann Ludwig Uhland (1787-1862). At the memorable séance a white phantasm was seen, from which the audience demanded a poem. Instead of reciting a poem, the phantasm tore a page from a book in the library. With a pencil from a briefcase in the room, secured through the leather without opening the briefcase, the hand jotted down a few verses and vanished. The page was left and still exists. The examination of the mysterious writing by a graphologist proved to be sensational. He confirmed the ghost writing to be actually the handwriting of the deceased poet. Afterward there was a trial in Berlin over the ownership of the page. The court awarded it to the medium, who afterward kept it among her prized possessions. The phenomena of materialization and dematerialization in case of strong mediums illustrated the conversion of psychic energy into matter and matter changed back again into psychic energy. The problem is illustrated by nuclear physics. Einstein’s formula (E==MC^2), energy is equal to mass times the speed of light squared, simply declares that it is theoretically possible to convert energy to mass and back again to energy. We have historical evidence of materializations. Missionaries claim that Mrs. Winchester’s mansion was never actually built, but that it materialized itself on the grounds, and (re)construction only began after the Earthquake caused by Satan. Some say this mansion is to be regarded as a miracle of Satan (2 Thessalonians 2.8-10; Revelation 13.15). Many people used to wonder how Mrs. Winchester used to travel so fast back and forth from San Jose to San Francisco to pick up items she ordered from overseas. Researchers believed that she would be spiritually transported miles away, and this may have been an example of this phenomenon or simply a miracle of transportation of unaltered physical body. It is debatable rather if these are miracles of God or that of Satan. God says He is the Alpha and the Omega. I wonder what that means? #RandolphHarris 10 of 15

Mrs. Winchester was said to possess tremendous occult gift and was reported to be able to make tables fly through the air for a space of one hundred feet. Above all, she was extremely adept in telekinesis, materialization, levitation, and black magic. Where Satan’s power remains virtually unchecked, miracles of evil supernaturalism abound. In Victorian days, the supernatural predated the mass hysteria about Satanism. As you may know, long before Mrs. Winchester arrived in California, there was a Devil worshipping conspiracy at large. However, her mansion seamlessly blends the ordinary and nightmarishly surreal. It is a rare treat for fans of demonic conspiracy and occult synchronicity. Some people have believed themselves to be demonically possessed after visiting the Winchester Mystery House, others claimed to have spoken to Mrs. Winchester directly. Directors of the Queen of the Damned claimed that the film was a makeshift occultic ritual, and Aaliyah unleashed the demon within herself. They also said the film poses some kind of supernatural power and they had to edit and voiceover a lot of the footage because not only did the characters act their own version of the script, but there were also some subliminal sounds and images on print. When many of these errors were re-examined, they also saw footage of the original Winchester mansion on the negatives, but rumors began that the original print had been withdrawn, replaced by an expurgated cut to protect the filmgoers from the movie’s insidious effects. The powers behind these manifestations were no doubt demonic. The director faced a terrible psychic assault on 25th August 2001, before they finished filming the movie. However, when the reel was played, the directors found they had all the footage they needed, even some they did not remembering filming. It was so intensified that the demonic oppression became that he was compelled to give up making other Anne Rice books into movies, especially after Aaliyah’s plane crashed later that evening. Although the film was unfished, with the blessing of her family, it was released to the public in February of 2002. #RandolphHarris 11 of 15

Certain psychic clairvoyants claim that their souls can travel great distances at their command. They always said she makes a room come alive. Much like Mrs. Winchester, Aaliyah had a lot of psychic phenomena around her death. When directors took photos of Aaliyah and Queen Akasha to a clairvoyant, while concentrating on the photographs, the medium declared that one of the women was apparently dead, while the other one, reportedly killed in 2001, was still alive. After more concentration, the clairvoyant said: “I can get in touch with this woman (pointing to Queen Akasha). I see her in a great stone building southeast of Ireland.” By psychic excursion and by psychometry (selecting an object belonging to the missing person and beginning to search from there) the clairvoyant was able to establish contact by occult assistance. The cinema is the Devil’s lantern. In March of 1922, Mrs. Winchester said, “Though it should be borne in the mind that in the persecution of witches many women were put to death on the latter charge, albeit they were really benefactors of the human race; the more so as their skill in simples and knowledge of the medicinal virtue of herbs must have added in no small degree to the resources of our present pharmacopoeia.” In August of 1807 an extraordinary affair took place in the house of Mrs. Winchester. She had a cow which continued to give milk as usual, but of late no butter could be produced from it. An opinion was unfortunately instilled into the mind of Mrs. Winchester, that whenever such a thing occurred, it was occasioned by the cow having been bewitched. Her belief in this was strengthened by the fact that every woman on this estate was able to relate some story illustrative of what she had seen or heard of in times gone by with respect to the same. At length the Mrs. Winchester was informed of a woman named Mary Butters, who resided in Oakland at the Cohen Bray House. Mrs. Winchester went to her, and brought her to mansion for the purpose of curing the cow. About ten o’ clock that night war was declared against the unknown magicians. #RandolphHarris 12 of 15

Mary Butters ordered old Klaus and a young man named Konrad to go out to the cow-house, turn their waistcoats inside out, and in that dress to stand by the head of the cow until she sent for them, while the butler, the made, and an old woman named Klara Lee remained in the house with her. Klaus and his ally kept their lonely vigil until daybreak, when, becoming alarmed at receiving no summons, they left their post and knocked at the door, but obtained no response. They then looked through the kitchen window, and to their horror saw the four inmates stretched on the floor as dead. They immediately burst in the door, and found that the butler and the maid were actually dead, and the sorceress and Mrs. Winchester nearly so. The latter soon afterwards expired; Mary Butters was thrown out on a dung-heap, and a restorative administered to her in the shape of a few hearty kicks, when had the desired effect. The house had a sulphureous smell, and on the fire was a large pot in which were milk, needles, pins, and crooked nails. At the inquest held at the Winchester mansion on the 19th of August, Jurors stated that the three victims had come by their deaths from suffocation, owning to Mary Butters having made use of some noxious ingredients, after the manner of a charm, to recover the sick cow. She was up to The Great Asylum for the Insane, but was discharged by proclamation. Her various of the story was that a black man (usually indicates a demon or the devil, not one of African descent) was summoned through the floor with a huge club, with which he killed the three person and stunned herself. This paranoid horror fantasies terrified the congregations, as well as the gross superstition displayed by the participants as for its tragical ending, yet it seems to have aroused no feelings in the greater community than those of risibility and derision. However, there is also another version of events. #RandolphHarris 13 of 15

A farm-hand had brought an action against Mrs. Winchester for wages alleged to be due to him. It transpired in the course of the evidence that on one occasion he had been set to banish witches that were troubling the cows. His method of working illustrates the Winchester case. All left the house except Mrs. Winchester, and the farm-hand, who locked himself in, closed the windows, stopped al keyholes and apertures, and put sods on top of the chimneys. He then placed a large pot of sweet milk on the fire, into which he threw rows of pins that had never been used, and three packages of needles; all were allowed to boil together for half an hour, and, as there was no outlet for the smoke, the farm-hand narrowly escaped being suffocated. If the forces of darkness triumph, it is a warning not a celebration. Many religious people come close to depicting what evangelists are preaching from their pulpits, or TV shows. Does it not seem strange for fundamentalist Christians to attack them as sinful and dangerous? Sin sells, in a way that the bland platitudes of Christian morality never will. Many of these popular and historical figures will be remember long after the credits have rolled. You could say that it is an “inside job.” Satanism sells, it captures the metaphysics of fear. People like to be haunted and scared, but only when they consent to it. No one wants their house broken into, their children kidnapped, their cars constantly vandalized, or to be attack by a hate group who haunts them like demons of the night. People simply want to tune into a scarry movie or visited a haunted house and leave the fear behind when they walk out the door or turn the TV off. They do not want to fear for the lives like Sharon Tate did for years without anyone to protect them. Humans are often more harmful than any ghost, devil or demon you can ever imagine meeting. Satan, speaking through a beautiful serpent—perhaps as a parakeet “talks” to us—promises know that would make Eve “like God” if she would eat the fruit of the tree forbidden by God. #RandolphHarris 14 of 15

Meanwhile, if the view of the power and knowledge of the people is that “Satan” is evil and not themselves, what can human beings do? Persist being evil, or resist the “devil,” and allow him to feel from them? Or is it they cling to evil because the darkness comes from their insidious mind and depleted soul? Note that it is useless to try to resist the devil unless you have first submitted yourself to God! Maybe YOU are the evil, not Satan. Sitting there, manufacturing all these evil days, so you can laugh at the pain and suffering you have inflicted on others to make yourself feel better. Is that of Satan, or is that YOUR nature on display. It is estimated that there are about 100 million adherents to spiritism in the World. The word “spiritism” comes from the Latin “spiritus,” spirit. The movement of spiritism represents the endeavour to communicate with the dead in the spirit World. Historically, spiritism can also be traced back over thousands of years. We have testimonies concerning it in the Old Testament in 1 Samuel 28, and Deuteronomy 18. It is also evidenced in the history of the Christian Church. Spiritism seems to be strongly connected with religion and religions. In so-called Christian countries such a variety of spiritistic forms, and such a range of associated psychic troubles exist, that the need for clarification is a pressing issue. What God do you really worship for “Satan disguises himself as an angel of the light. So it is not strange if his servants also disguise themselves as servants of righteousness,” reports 2 Corinthians 11.14-15. In other words, many of you Christians who claim to serve “God” do evil things and then blame the devil when you are disguising yourselves as children of the light. And you do not repent because you do not fear punishment nor hell, so you must be children of your “devil” and not of God. We live in a World which has turned its back on God. The reason some people fear Jesus is because they feel unworthy, it is not because they are evil. This conviction of inner unworthiness is not to be confused with a feeling of fear. However, people who suffer from schizophrenia and like to go around lying, the psychiatrist will be interested in the question whether the practicing of spiritism was rather the effect than the cause of the ensuing mental and emotional disorders. #RandolphHarris 15 of 15

Winchester Mystery House

The front gardens of the Winchester Mystery House looked different in the 1970’s! The gardens were restored to what they are today about ten years later.

The sign reads: “The world’s oddest, mysterious, weirdest, and freakish dwelling. Planned and built by Sarah L. Winchester of Winchester Rifle Fame”

Have you ever listened to Alessandro Moreschi sing “Ave Maria,” at night in the Winchester Mystery House? Try it and let me know what you experience. I heard ghosts appear, people have cried and screamed, and some love it. I think I would probably run outside. He sounds like a ghost.

Come Explore the Victorian Gardens this weekend! Open all weekend until 4PM.

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻
He Opened the Book and a Demon Spoke to Him

All good religions need some kind of Apocalypse. Thelema—the new religion of Aleister Crowley—was no exception. The Great Beast fully expected his new holy age, the Aeon of Horus, to be ushered in with an orgy of violence and bloodshed. With the advent of the First World War, the prophecy seemed to have been satisfied. Over four long years, the optimism and complacency of nineteenth-century Europe drowned in the mud of the Western Front, along with hundreds of thousands of young soldiers. However, Crowley seemed curiously indifferent to the whole affair. With typical arrogance, when the British Government refused his offer to produce war propaganda, the Luciferian man of letters travelled to the US to write anti-British propaganda. If he could not find recognition on the side of the angels, the Great Beast was always ready to side with the opposition. However, Crowley later claimed he wrote deliberately absurd material to discredit the German cause. His article on the bombing of London by Zeppelin airships gives credence to this eccentric defense: “For some reason or other in their last Zeppelin raid on London the Germans appear to have decided to make the damage as widespread as possible, instead of concentrating it in one quarter. A great deal of damage was done at Croydon, especially at its suburb Addiscombe, where my aunt lives. Unfortunately her house was not hit. Count Zeppelin is respectfully requested to try again. The exact address is Eton Lodge, Outram Road.” If World War One had been too minor a cataclysm to introduce Crowley’s Age of Horus, 1939 heralded a new orgy of human suffering. The Beast always maintained that the first nation to adopt his Book of the Law as a state religion would dominate the World. During the 1930s, however, as the Third Reich came to power, his ambivalence towards Germany—the country where his magical doctrines were taken most seriously—is perhaps understandable. #RandolphHarris 1 of 21

Some of his German followers saw in their new Fuhrer a political equivalent to their prophet, the Great Beast (perhaps even his “magical child”)—a new World order was to be created by the pure will-power of those extraordinary men. Some of his German followers saw in their new Fuhrer a political equivalent to their prophet, the Great Beast (perhaps even his “magical child”)—a New World Order was to be created by the pure will-power of these two extraordinary men. However, in 1935 the Nazis banned the Ordo Templi Orientis and the Order of the Silver Star, throwing numerous occultists (including Karl Germer, one of Crowley’s foremost disciples) into the concentration camps. There may have been similarities between Crowley’s Thelemic doctrines and emergent Nazi dogma (elitism, irrationalism, transcendence of morality), but the Great Beast could see on which side his future depended: Britain would “knock Hitler for six!” he announced. Whether or not the horrors of the Second World War signalled the advent of the Age of Horus, Adolf Hitler emerged from the blood and pain of that conflict as a secular Satan. Indeed, a minor literary industry has grown up around the idea of Hitler as a very literal Satanic figure suggests that the Fuhrer really did, in Dennis Wheatley’s words, “use dark forces.” The roots of this belief return us to the occult lodges of the late nineteenth century. In 1875, the writer and occultist Guido von List climbed a hill overlooking Vienna to conduct a strange ritual. Von List was dedicated to returning greater Germany to an older purer faith—the worship of Wotan, and the other pagan gods of the Teutonic race Upon the hill he commemorated the summer solstice by buying a number of empty wine bottles, carefully arranged into a sacred symbol: the swastika. In 1908 von List Founded the Armanen Initiates, the inner order of his modestly-titled Guido von List Society. His doctrines centered around ideas of racial purity—von List believed the German peoples, the Armenen, had originally been a race of supermen, but mongrelistation had weakened the race until bashful old Guido was its last pure-blood survivor. #RandolphHarris 2 of 21

According to the race mystic, “The hydra-headed international Jewish conspiracy” was behind it all. To reverse matters, von List prescribed a study of ancient Teutonic religious runes and –more practically—laws to precent further racial interbreeding. His eventual gal was a racial state ruled by “a self-chosen Fuhrer to whom [Germany] willingly submits.” Alongside the swastika, the emblems of this new state would include the sig rune: the symbol later used to form the insignia of the SS. Guido von List was one of the leading Germanic mystics dedicated to “volkisch” occultism. “Volkisch” basically translates as “folkloric,” but this was also leavened with a hard-edged nationalism. Chief obsession among the volkisch orders were the sacred nature of race (or “blood”), an interest in the culture and beliefs of the Germanic peoples in the early Middle Ages, and a strong current of anti-Semitism. Among the most important of the volkisch occultists—some of whom fancied themselves the priests of a revived Norse religion—was Dr. Jorg Lanz von Libenfels. In many ways, a sorcerer in the classic mould, von Liebenfels adopted his aristocratic name to increase his mystique (his real name was Adolf Lanz), and began his career as a Catholic priest before being defrocked for “harbouring carnal and Worldly desires.” His response was to found an “order of New Templars”—quite what the original Templars had to do with racial purity is not clear, but it did not stop von Libenfels preaching a message of race war from his temple on the banks of the Danube. In 1909, a young Austrian named Adolf Hitler secured an audience with von Liebenfels to secure some back issues of Ostara, the journal of the New Templars. In 1932, von Liebenfels would write to a fellow occultist that “Hitler is one of our pupils…You will one day experience that he, and through him we, will one day be victorious, and develop a movement that will one day make the World tremble.” The most direct link between the occult underground and the Third Reich is the Thule Society. Thule, according to northern European myth, was a version of Atlantis, and island that sank beneath the sea. #RandolphHarris 3 of 21

Thule Society ideology decreed this legendary island to be the home of the German supermen, who they hoped to contact using magical techniques. In 1919, the Thule Society formed a tiny political group called the German Workers Party in Munich—the seed from which Hitler’s National Socialist Party grew. In the 1920s Germany of the Weimar Republic, volkisch occult groups sense that their time was coming. Losing the First World War left Germany politically chaotic, economically bankrupt and profoundly demoralized. Weimar Berlin earnt a reputation for decadence exceeding that of 1890s Paris—though there was a cynical desperation among the German hedonist that never surfaced amongst their French counterparts. For many ordinary citizens of “Greater Germany” (which included Austria), however, their feelings of disillusionment hardened into suspicions of betrayal. One such was the young war hero Hitler—who was convinced Germany’s forces were defeated by treachery at home, rendering the huge loss of life futile. Hitler, along with many others, was sure that the “November criminals” (government signatories of a peace treaty in November 1918) were responsible for the fatherland’s defeat and humiliation. And behind the November criminals were the treacherous Jewish people. In this environment, volkisch occultists found an eager audience for their fables of an ancient, noble Ayran race. They not only offered up a scapegoat for their defeat, but also created the mythology of a sacred Germanic blood heritage from which a humbled people could rebuild their pride. It is a long way from accepting that volkisch occultism helped create a spiritual environment friendly to Nazism to believing the Third Reich was a Satanic cult. (Buffy the Vampire Slayer was said to be symbolic of the rebirth of the Third Reich, maybe you can see the symbolism. This interesting thing is that Sarah Michelle Gellar, who played Buffy Summers is Jewish, but also reminiscent this Ayran super race.) #RandolphHarris 4 of 21

The relationship between Nazism and volkism is similar to that between the radical African-American political groups and Black Islamic leaders who proclaim that the Man (the White Man) to be the Devil. Political leaders, as soon as they achieve any real power, are usually quick to distance themselves from such emotive spiritual propaganda. However, it is interesting how light and dark are used in Christian terms not to reflect colour, but the nature of one’s spirit. And when you see these people with soft features, pale skin, and these colourful eyes, it is hard to believe they do dark things, but when one sees someone with darker skin, people almost always consider them guilty. It is as if religious light has also been used to frame people based on skin colour, but when it comes down to it, people are capable of things that are bad no matter what colour their skin is, and as one grows up, once can see that skin colour matters very little in guilt or innocence. Nonetheless, total revolution also demanded a spiritual revolution. The Russian Revolution of 1917 had a similarly religious aspect. Communists were determined to uproot the Christian Church and replace it with religious loyalty to the State, and its socialist principles, which is why so many religious symbols in America are now banded on public builds, and next to be banned with be the America flag. Many people may thing that journalist Tomi Lahren of FOX News is a racist, but one should actually listen to what she is saying, and be objective about it. America is actually becoming a communist nation where the people have no power, laws are just recommendations, and the U.S. Constitution is being removed and stored in someone’s basement, much the Confederate Statues, and flags. Next, slavery will just be a conspiracy theory—it will be considered a myth. It is just like music, most real artists listen to all genera of music, but they have a typical style they love, and many scholars read all kinds of material so they can have a comprehensive view of what is going on in the World, instead of just be told only what the masses want them to know, but people love to label, which is why they are stuck in ignorance. #RandolpHarris 5 of 21

Bolsheviks held wild revels, called “African nights,” where Christian festivals were parodied in atheistic rites such as “Red Prayers,” and “Red Mass.” Obscene hymns were sung, and children were encouraged to spit upon and destroy puppets representing God, and other holy figures, in powerful echoes of the Black Mass medieval peasants. Hitler’s doctrines were no less revolutionary. Nazism was designed to revolutionize every aspect of life—even the way people thought—and the old ways were denounced as “Jewish,” “liberal.” Hitler despised “intellectuals,” advocating intuition, or even irrationalism, over logic and rational thoughts. In many ways the Nazis turned back the clock two hundred years, to when science and sorcery were still reluctant bedfellows. In the field of military technological innovation and instinct were promoted at the expense of methodology, liberating German scientist to creates some of the most efficient weapons of war the World had seen. Alfred Rosenberg, an intimate of Hitler and high-ranking Nazi official drew up plans for a National Reich Church, which was not going to destroy Christianity but “supercede” it, and called his new faith “positive Christianity.” He concluded: “On the day of its foundation, the Christian cross must be removed from all churches, cathedrals, and chapels and it must be superseded by the only unconquerable symbol, the Swastika.” However, what did the Swastika symbolize? Rosenberg wrote: “Today a new faith awakens: the myth of the blood, the faith that by defending the blood were defend also the divine nature of man. The faith, embodies in scientific clarity, that the Nordic blood represents the mystery which has replaced and conquered the ancient sacraments.” The historian Konrad Heiden beings his book on Der Fuhrer: Hitler’s Rise to Power with a curious story concerning Rosenberg: “One day in the summer of 1917 a student was reading in his room in Moscow. A stranger entered, laid a book on the table, and silently vanished. The cover of the book bore in Russian the words from the twenty-fourth chapter of Matthew: “He is near, he is hard by the door.” #RandolphHarris 6 of 21

The sent sensed the masterful irony of higher powers in this strange happening. They had sent him a silent message. He opened the book, and the voice of the demon spoke to him. It was a message concerning the antichrist, who would come at the end of days. The Antichrist is no mythical being, no monkish medieval fantasy. It is the portrait of a type of man who comes to the fore when an epoch is dying. The Antichrist was supposedly Hitler. The Nazi began suppressing occultists and secret societies in 1934, in a purge that reached its peak in 1937. Thousands of astrologers and mystic disappeared into the concentration camps, never to appear again, which also proves Whoppie Goldberg’s states, “The Holocaust was about race.” Anyone who was deemed a threat to national security was sent to concertation camps, but in the same sense, the holocaust was about race, it was about preserving the Ayran race. Just anyone who was not Aryan could be a target, as it was more about preservation of their bloodline. Volkisch occultists were not spared. Even the Thule Society—the magi at the nativity of Nazim—was devoured by its ravenous offspring. The Nazi State would not tolerate anything outside its control, or that it had not created itself. Its tenant of faith was the destiny of the Aryan race, as expressed by its prophet Hitler. If this policy of spiritual and intellectual monopoly sounds familiar, it is because it resembles the doctrines of one of the institutions of the Nazis sought to replace: the Church. The Nazi party created its own priesthood—the Black Oder, better known as the Schutzstaffel, or SS. The SS began as Hitler’s bodyguards, but under Heinrich Himmler, manoeuvered and massacred their way to become the most powerful organization in the Nazi establishment. Like “house of God” of the medieval Inquisition, the SS policed the souls of those under their ever-expanding jurisdiction. The faithful were monitored, the suspect—even the volkish occultist who shared the Nazi vision of race—purged, the unholy exterminated. Himmler became the second most powerful man in the Third Reich. Any occultist who wished to survive in Nazi Germany was well-advised to find a place under Himmler’s wing. #RandolphHarris 7 of 21

Several men did—most significantly Karl Weisthor. Weisthor was born Karl Maria Wiligut in Vienna, 1866, to a family with a long military tradition, and was decorated for his service during the First World War. Following the war he became involved in volkisch occultism, adopting doctrines which were extreme even by volkisch standards. With the modesty characteristic of his ilk, Weisthor claimed to be descended from Ayran gods, the last living representative of the Irminist Church. The Irminists—who worshipped the true Christ, an Aryan called Krist—had been opposed throughout history by the false religion of the Catholic Church, their racial enemies the Jewish people, and Aryan heretics who worshipped the pagan god Wotan. Weisthor knew all of this because he possessed clairvoyance that allowed him to recall the heroic lives of his ancestors, thousands of years ago. Not everyone was impressed by the evidence, however, an in 1924 he was committed to a lunatic asylum. Undeterred, when he was released, he changed his name and headed to Munich. In 1933 he attracted the attention of Himmler, who installed the cranky medium in the Ahnenerbe department of the SS. Under Weisthor’s advice, a castle at Wewlsburg in north-west Germany was chosen as the spiritual headquarters of the Black Order. It became the Nazi equivalent of the Vatican, with great echoing chambers dedicated to the heroes of the Aryan race, and a central hall where Himmler and his twelve closet disciples would meet. Weisthor designed the SS “Totenkpfring” –a scared ring decorated with skulls and runes, personally bestowed upon SS members by Himmler and retuned to Wewelsburg upon their deaths. He also conceived and presided over neo-pagan solstice ceremonies, and the Weddings of SS officers to good Aryan girls. The Black Order was not just a military organization but a sect, a fraternity of warrior priests. Though it never claimed the heritage of the Knights Templar, the parallels between these two orders are striking. Both snowballed into vast international forces. Both maintained independent economic systems that allowed them to accumulate vast wealth. Both were composed of highly-disciplined warriors, fanatically dedicated to their creeds. Both were exempt from the laws that governed their contemporaries, answerable only to the head of their orders (Himmler of the Grand Master) and the representative of the sacred creed on Earth (Hitler or the Pope). Both planned to establish their own independent states. And both were, at least ostensibly Christian. #RandolphHarris 8 of 21

Weisthor’s faith may have incorporated much bizarre German paganism, but at the core he believed he was preaching Christianity. One of the oaths taken by SS candidates before the full initiation ran, “We believe in God, we believe in Germany which He created in His World and in the Fuhrer, Adolf Hitler, whom he has sent us.” One of the titles Himmler had bestowed on him by is peers was “the Black Jesuit,” as he based the structure of the SS upon the fanatically-secretive Catholic Society of Jesuits. Himmler, brought up in a devoutly-Catholic Bavarian household, never lost his belief in the importance of ritual symbolism. When he used the term “Satanic,” or evoked the Devil, it was applied to the enemies of the Aryan race—never in connection with his own faither. Persecution of Jewish people was often inspired by accusation that they poisoned wells and drank the blood of children, or, more traditionally, that they had killed Jesus. They were commonly believed to be part of an international conspiracy—sometimes decreed to be Satanic—against all Christian values. The Catholic Church, concerned that the Third Reich was stealing souls that were rightfully theirs, had certainly preached against this new paganism. Nazis believed that they were breeding babies for God, or “for race and nation.” Occultic suggestions that the Third Reich was, as one author puts it, a “demonocracy” with the Fuhrer himself as a black magician, a “psychic vampire,” demonically possessed, even as the Antichrist himself—are based on Hitler’s skill at taking political military gambles (precognition), his inner voiced and violent rages (possession), and the way simultaneously drew upon and released great emotion with his speeches (physic vampirism). Some still say that there is no evidence for one to consider the Third Reich as a manifestation of supernatural evil. Yet people believed because Hitler consulted an astrologer that Hitler was evil; Satan is Evil personified, therefore Hitler is Satan. Even level-headed historians have described Hitler as possessing almost supernatural powers—whereas the terms “mesmeric” or “hypnotic” best described the psychological effect this frantic, grim little man has on the vast audience at Nazi rallies. Political figures such as John F. Kennedy and Martin Luther King also based their careers on charismatic oratory, and few would suggest either man was possessed by demons. #RandolphHarris 9 of 21

However, it is worth confessing that the Third Reich is of legitimate interest to occultists. Something about Hitler’s meteoric rise—from penniless tramp to omnipotent dictator—and Germany’s similarly rapid rise—from near-collapse to near-World domination—confounds rational explanation. Still, the philosophy of Hitler, and the psychological symbolism employed by the Nazis, are no more inherently Satanic than that of the Catholic Church. However, there were eyewitness accounts of wartime sorcery in England: Witches cast spells to stop Hitler landing after France fell. They met, raised the great cone of power and directed the thought at Hitler’s brain: “You cannot cross the sea. You cannot cross the sea. Not able to come. Not able to come.” We are not saying they stopped Hitler. All we say is that we saw a very interesting ceremony performed with the intention of putting a certain idea into his mind and this was repeated several times afterwards; and though all the invasion barges were ready, the fac that Hitler never even tried to come. The witches told us that their great-grandfathers had tried to project the same idea into Boney’s [Napoleon’s] mind. Exploration of the Great Beast’s (Aleister Crowley) darker doctrines—of a World divided into masters and slaves, with good and evil sacrificed on the bloody alter of a new morality—would be the province of a far less gaudy crew than the hippies. Marianne Faithfull—a former child of the upper-middle classes—was a long-time consort of English rock band the Rolling Stones, and an icon of “swinging London.” In her autobiography, written much later, she displays little doubt as to the source of the era’s dynamism. Speaking of her most famous lover, Mick Jagger, she says: “Her harnessed all of the negative forces into entities. Out of these destructive impulses, he created all the incredible personate of the late sixties: the Midnight Rambler, Lucifer, Jumpin’ Jack Flash. They are all manifestations of malignant and chaotic forces, the ungovernable mob. The dark, violent, group mind of the crowd—chaos, Pan. That frenzied power caused many of the causalities of the sixties.” #RandolphHarris 10 of 21

Foremost among the musicians who pioneered the first colourful wave of psychedelia were the Beatles. Their high-profile transformation from chirpy, mop-headed scousers to long haired peaceniks reflected the cultural tide of their generation. However, in the United States of America, the FBI compiled a two-inch thick file on Lennon upon which FBI director J. Edgar Hoover scrawled, “All extremists should be considered dangerous.” Fundamentalist Christians—with their endearing disrespect for facts or common sense—discovered the occultic secrets behind the Beatles’ success. They maintained that the Lennon-McCartney sound was a magical beat stolen from the ancient Druids. According to them, in ancient times these pagan priests would beat out the demonic rhythm on drums made of human skin to summon evil spirits. In the hands of the Beatles, this Druid beat could be used to send the young people of American insane—or even worse, pinko. There were Christian protests of the Beatles, where the Ku Klux Klan burnt their records and Lennon was held up as a Satanists or something. The next years, Christian suspicions of the Beatles were confirmed by detailed perusal of the cover of their catchy, innovative Sgt. Pepper album. The cover design is a collage of people admired by the Beatles, all standing being the band: among them, in the top row, can be seen Aleister Crowley. In 1994, a prominent Vatican official, Father Corrado Balduci, would reinforce the Christian view that the Beatles were “the Devil’s musicians.” Sadly, in 1980, Lennon was shot dead outside his New York apartment by a dazed-looking young man named Mark Chapman. Chapman had become a big Beatles fan, but had become increasingly convinced that Lennon was evil. An interview with Chapman by a psychiatrist, published in Rolling Stone magazine, reported that the holy assassin could feel the presence of Satan’s demons around him. “I can feel their thoughts. I can hear their thoughts. I can hear them talking, but not from the outside, from the inside.” The unfortunate Chapman had become a “born-again” Christian, learning about the evils of Beatles music from his new faith. #RandolphHarris 11 of 21

Next to the affable efficiency of the Beatles, the Rolling Stones were a maelstrom of creative chaos. Black Magicians thought that Mick Jagger and Keith Richards were acting as unknow agents of Lucifer and others thought hey were Lucifer. One of the “Black Magicians” Richards referred to was Kenneth Anger. Anger stood at the crossroads where many of the Satanic elements of the 1960s met. Anger happily announced Crowley’s dictum that the Key of joy is disobedience, and declared that not only was the Aeon of Horus upon, but the Aeon of Lucifer. Shortly before he became involved with the Rolling Stones, Anger helped found the Church of Satan. His blend of Crowleyism and Satanism entranced the band, though—in a familiar pattern—Anger was often keen to dissociate from Satanism, referring to his personal Prince of Darkness by the less inflammatory title of Lucifer. He later confessed, however, that his Lucifer had always been the “cosmic villain,” the Miltonic Satan. Whatever effect Anger had on the band’s professional lives, he touched them personally to varying degrees. Keith and his lover Anita later got into this black magic stuff. Mick Jagger dabbled in it. However, every one was just a little afraid of Kenneth Anger. Inexplicable things involving him would happen. Stores about the magus’ association with the band include Anger seeming to appears and disappear in various places. He offered to perform a pagan ritual wedding for Keith and Anita that involved a golden door. When they awoke the next day, a heavy oaken door had been painted gold, with the paint already dry. The house was heavily secured, and nobody could explain this occultic interior decoration. Faithfull talked about falling off a mountain during the making of Anger’s second version of Lucifer Rising, sustaining only a mild concussion. Anita Pallenberg was so spooked by all of this that she slept in a protective circle of candles with a string of garlic around her neck. Anger’s next overtly magical project Lucifer Rising was his first religious film, a weird, mesmeric narrative combined with a real magical ritual, it also embodied his love/hate relationship with the 1960s counter culture—both in the film itself, and the events surrounding its strange history. #RandolphHarris 12 of 21

As Anger once observed, “Making movies is casting spells.” A screen director and editor, the theory ran that the magus could fully control both the characters to screen and the entities they invoked. Lucifer Rising depicted the downfall of the oppressive Aeon of Osiris (or Christian era), and the movement into the Aeon of Horus (or Lucifer). “My reason for filming has nothing to do with “cinema” at all, explained Anger. “It’s transparent excuse for capturing people…I consider myself working Evil on an evil medium.” On 21 September 1967, Anger organized a celebratory event titled the Equinox of the Gods at the Straight Theatre in Haight-Ashbury, the epicenter of hippie culture in San Francisco. However, Beausoleil proved a more capricious Lucifer than Anger anticipated—according to Anger, the pretty hippie he called “Cupid” ripped off 1600 feet of footage from Lucifer Rising and some camera equipment before the performance. Anger was livid, smashing a rare magical cane that once belonged to Crowley. He then pronounced a cruse upon Beausoleil, sealing it with an amulet he put around his neck. On one side was a picture of his erstwhile protégé, on the other a toad with the inscription “Bobby Beausoleil—who was turned into a toad by Kenneth Anger.” Cupid never turned into a toad, but a could of uncommonly dark fortune did follow him as he headed south for Los Angeles. In 1970 Anger remade his masterpiece, Lucifer rising—though even then he still tinkered with elements of the film to produce dozens of subtly different versions. Once again, Anger himself plays the Magus, invoking a new aeon through the door opened by the occult events of the 1960s: A film about the love generation—the birthday part of the Aquarian Age. Showing actual ceremonies to make Lucifer rise. Lucifer is the Light God, not the Devil—the Rebel Angel behind what is happening in the World today. His message is that they key of joy is disobedience. Isis (Nature) wakes. Osiris (Death) answers. Lilith (Destroyer) climbs to the place of Sacrifice. The Magus activates the circle and Lucifer—Bringer of Light—breaks through.” #RandolphHarris 13 of 21

Bad luck had begun calling upon the Rolling Stone, in the shape of a series of tragedies. The first was the death of the band’s guitarist, Brian Jones. It was Jones who, in 1962, formed the band named it after a Muddy Waters song. On 2 July, in classical rock ‘n’ roll styles, he drowned in his swimming pool on a cocktail of vodka and pills. Two days after Jones’ death, the Stones turned their free concert in London’s Hyde Park into a memorial for their ex-guitarist. Jagger read a poem by Shelley, then tried to release hundreds of white butterflies from boxes by the stage. They have been in the boxes too long and most of the delicate creatures were dead. The summer Woodstock free festival, in New York State, represented for many the hazy apex of the Love Generation. At the suggestion of scheduled support band the Grateful Dead, the Stones hired the Hell’s Angels as security for their Altamont gig. The Angels were very affordable, but their brand of frightening freedom still had a devilish chic in the naïve 1960s. The Hell’s Angels Motorcycle Club was formed after the Second World War, by bike-loving ex-servicemen who found civilian life too bland to bear. The Hell’s Angels moniker was taken from a notorious American Air Force squadron, but the Satanic implications of the name became increasingly appropriate. The Angeles were hellraisers, prototypes for the whole biker culture—particularly the outlaws, or “1%ers” (the “one percent of motorcyclists’ labelled as ‘hoodlums and troublemakers” by the American Motorcycle Association in 1967). Many 1%er gangs emulated the Angels’ Satanic-sound title, adopting infernal names like the Straight Satans, Satan’s Slavers and the Pagans. Some took their title at face value. One member of the powerful Canadian gang Satan’s Angels said in a 1970s interview, “There are definite spirits and we identify with that particular one that has been called Satan. It’s an upsidedown World. Our virtues are other’s vices. You could say we were Satanists.” Hell’s Angels, and other outlaw gangs, are symbols of the more destructive, volatile aspects of the Satanic canon. Their readiness to fight, their revelling in intimidation and fear, their rapacious passion for pleasures of the flesh in all their basest forms, all these characteristics made them into icons of willful alienation and violent self-indulgence. #RandolphHarris 14 of 21

When Jagger finally came onstage at Altamont on 6 December 1969, things were beginning to get ugly. Marty Balin of support act Jefferson Airplane had been in in the face with a pool cue by a Hell’s Angel. He tried to intervene when he saw the Angels beat up an African America kid in front of him. Paul Kantner, band founder, began to shout at the Angels until his microphone was snatched from him in the brawl that immersed the from of the stage. Jagger took the stage clad in his psychedelic sorcerer’s robes. Dancing under the red lights, surrounded by the dark wall of threatening, black-clad Angels, the vocalist could have been Anger’s Lucifer served by a surly army of warlike demons. Two songs into the set, things just kept getting uglier. Naked hippies cast themselves at the stage as offerings for their rock gods, and the Angels cast them back into the audience after beating them bloody. The third song began, “Sympathy for the Devil,” and all Hell broke loose. In the audience, an African American youth named Meredith Hunter pulled a gun. According to some he was aiming it at Jagger, other claimed he was defending himself against the Angels. Whichever is true, it was scant moments before a pack of black-leather Angels fell upon him and, in a flurry of kicks and knife blows, Hunter was killed. The Stones could see that the Angels were brutalizing the audience rather than controlling them—but Jagger was out of his depth, bleating weakly for everybody to “cool it.” As the killing of Meredith Hunter played itself out to the strains of “Sympathy for the Devil,” the song had to be stopped briefly as Jagger quipped, with unintended understatement, that “something very funny always happens when we start that number.” As the tide of panic and fury rose, the death count escalated to three with 100 injured. Following Altamont, the shaken Stones turned their back on the whole Satanic scene. Jagger wore a large wooden crucifix for some time after. The revolutionary stance and allusions to street violence were quietly dropped in favour of the stately image of rock ‘n’ roll aristocrats. The Rolling Stones abandoned any pretension to occultic chic or streetwise cool, letting themselves into the World of polite high society through the back door. #RandolphHarris 15 of 21

It is always just a few days before the Winter Solstice when the forces of darkness are at their most powerful. Because the immense size of the Winchester Mansion, Mrs. Winchester included forty-seven fireplaces in her mansion, and seventeen chimneys. One rambling section in particular, the Hall of Fires, was designed to produce as much heat as possible—perhaps to ease Mrs. Winchester’s extreme arthritis. In addition to many windows that let the sunlight stream through, the three adjoining rooms have four fireplaces and three hot air registers from the coal furnace in the basement. Mrs. Winchester is very significant, not only for a vast estate, but one of many reasons was because she was known to have encounters with the supernatural. While I was at Mrs. Winchester’s mansion, I was asked to meet with a group of high school students who had gotten into spiritualism just for kicks. We had a meeting that night and I listened as the young people told me their experiences. At a part a friend had fascinated them with stories of trances and séances. He told them how to use a Ouija board and how to enter a state of trance. They were seeking spirit manifestations. When they began to get reactions, they became frightened. The spirit had guided them back in time. A boy appeared and stated to tell a story, he said: “When I was about ten years old, I came to visit my aunt Sarah. I met a girl who lived on the estate Ethel—aged eight. I never had the courage to speak to her. My aunt Sarah asked me to stay three months, and I did.” The statement was so quietly serious, so destitute of any suspicion of humor, that the audience looked on with great apprehension. “I had to work hard in those days. I saw Ethel, later that evening, asleep in one of the carriages, and that was the last time I saw her. I ended stay with my aunt for three years. There was a glimmer of a summer gown under the trees; a figure passed from the shadow to sunshine, and again into the cool dusk of a leafy lane. While I was walking in the garden, I found her seated in the shade of a pine. She looked up serenely, as though she had expected me, and we faced each other. #RandolphHarris 16 of 21

“When I stroke to speak, my voice had an unknow tone to me. Her upturned face was my only answers. The breeze in the pine-tops, which had been stirring monotonously, ceased. Her delicate face was like a blossom lifted in the still air; her upward glance chained me to silence. The first breeze broke the spell; I spoke a word, then speech died on my lips; I stood twisting my shooting-cap, confused, not daring to continue. The girl leaned back, supporting her weight on one arm, fingers almost buried in the deep green moss. ‘It has been three years today,’ I said, in a dull voice of one who dreams—’three years today. May I not speak?’ In her lowered head and ears I repeated acquiescence; in her silence, consent. ‘Three years ago, today,’ I repeated; ‘the anniversary has given men courage to speak to you. Surely you will not take offense—we have travelled so far together!’ –from the end of the World to the end of it, and back again, here—to this place of all places in the World! And now to find you here on this day of all days—here within a step of our first meeting-place—three years ago today! And all the World we have travelled over since, never speaking, yet ever passing on paths parallel—paths which for thousands of miles ran almost within arm’s distance—’ She raised her head slowly, looking out from the shadows of the pines into her sunshine. Her dreamy eyes rested on acres of gold-rod and green grass in the December coolness. ‘Will you speak to me?’ I asked. ‘I have never even heard the sound of your voice.’ She turned and look at me, touching with idle finger the soft hair curling on her temples. Then she bent her head once more, the faintest shadow of a smile in her eyes. ‘Because,’ I said, humbly, ‘these long years of silent recognition count for something! And then the strangeness of it!—the fate of it,–the quiet destiny that ruled over our lives,–that rules them now—now as I am speaking, weighting every second with its tiny burden of fate.’ She replied, ‘I have never forgotten you—never!’ She looked into my eyes. ‘Dear, do you not understand? Have you forgotten? I died three years ago today.’ The unearthly sweetness of her white face started me. A terrible light broke in on me; my heart stood still.’ #RandolphHarris 17 of 21

“And that very day, I died of a broken heart. Legend has it that I came to visit my aunt Sarah to pick up a check and no one ever saw me after that day, but truth is I never left. When God takes the mind and leaves the body alive there grows in it, sometime, a beauty almost supernatural. ‘Be with me when the new moon comes,’ she whispered. ‘It will be so sweet. I will teach you how divine is death, if you come.’” About 4 o’ clock in the morning, one of the students started to levitate, and he saw all kinds of beautiful sights. I asked him if he were concerned whether or not this was from God. He said it must be because it was in the spiritual realm. The one of the other students went into a demonic tantrum. I asked God to rebuke the demons and set her free. The demons said, “We are going, but we will come back.” And come back they did, with reinforcements. I worked with this young woman for several months, but because she was unwilling to give up this traffic with spirits she was later placed in a mental institution. I am convinced that she could be perfectly healed of this oppression and indwelling by demons if only she would consent. Sometimes lewd demons trick well-meaning people into following their sensual behavior. Not all spirits are evil. However, it is a serious matter to become involved with spiritualism in any form, but also the atoning blood of Christ always gives us His purity and power. All who desire protection from Satan and His demons will receive it. In the case of levitations, apports, and telekinesis, God allows the physical and natural laws of the Universe to be superseded temporarily and in a restricted sense by higher laws of the spirit World. The Winchester mansion is known for having spiritual events take place, even today. These phenomena are diabolic miracles. In distinction to divine miracles, diabolical miracles are supernatural acts that imitate the power and benevolence of divine miracles. It is as if God said to the powers of darkness what he said to the sea in the day of creation: “Hitherto shalt thou come but no father, and here shall thy proud waves be stayed,” reports Jon 38.11. #RandolphHarris 18 of 21

The demonic powers are allowed only a very small intrusion into the orderly realm of nature, and the miracles they produce are characterized by a rigid sameness. Everywhere in the domain of occultism there are reminders of God’s absolute sovereignty. He is in majestic control. Demonic power makes such a poor show by its severe restrictions and drab sameness, that it actually advertises the glory of God for those who can see evil supernaturalism in the proper focus of divine revelation. Levitations (from the Latin verb levito, “to raise or lift”) are objects or people that are raised up and appear floating in their air. Such phenomena are frequently reported in occult literature and experienced in haunted houses, where strongly psychic people have lived and died or where spiritistic séances have been heled. Objects on occasion sail through the air as if thrown by an invisible hand, or spooks (ghost) appear hovering in space. Furniture is lifted, often when a strong medium is present. Human, either in a conscious or unconscious state, are included in the phenomena of levitation. We would oppose the belief that a word has any power of its own, and that the charmer is only the representative of this power. Words are only neutral instruments. They can be used for either good or evil. It depends on the inspiration behind the words. A Christian employs the Word on God’s authority. The magician and charmer employs his words and phrases as demonized instruments of magic. One of Mrs. Winchester’s servants had died. The man in question had the reputation of being a magician—it makes sense that a house built by spirits would have some magical employees. Two weeks before his death, as he lay in bed seriously ill, he began to groan, “Take the charm away from me, take the charm away from me.” The relatives had gone to the minister for advice, but he had warned them against doing as the man requested. The magician finally died in terrible agony. The minister told Mrs. Winchester that the man looked black as coal when he had seen him in the coffin. Many magicians only find rest when someone takes the spell of charm away from them, together with the responsibility of carrying on the occult practice. #RandolphHarris 19 of 21

A description of magic ritual can be found in various books on magic. These books have the same significance to the magicians as the Christian Bible has for the Christian. There is a great amount of literature on the subject of magic, the most widely distributed book on the spiritual subject being the 6th and 7th Book of Moses. Unhappily a publisher in Braunschweig has published new editions of this book. The use of the name Moses is only a camouflage. Magicians look on the miracle connected with the staff of Moses as a piece of magic. In this way they try to elevate Moses to the position of their patron saint. The first part of the book reveals how a human may enter into a relationship with the devil. The latter part gives instructions as to how a person can achieve dominion over all the forces of nature as well as the powers of Heaven and Hell through the use of magic. The book has already caused untold harm in the World and people who read it invariably suffer in the process. A house in which the book is kept is also a place where misfortunes often occur. There are many examples which illustrate this fate and we will deal with this problem soon in greater detail. In or about the 27 of December of 1899, a girl about eighteen years of age, Miss Mary Dunbar, was hired as a maid by Mrs. Winchester. Mrs. Winchester described her as “having an open and innocent countenance, and being a very intelligent young person.” She and her aunt, Mrs. Haltridge, were staying at Winchester mansion. A rumor was afloat that the latter had been bewitched into her grave, and this could not fail to have its effect on Miss Dunbar. Accordingly, on the night of her arrival, her troubles began. When she retired to her bedroom, accompanied by another girl, they were surprised to find that a new mantle and some other wearing apparel had been taken out of a trunk and scattered through the house. Going to look for the missing articles, they found laying on the parlour floor an apron which two days before had been locked up in another apartment. This apron, when they found it, was rolled up tight, and tied fast with string of its own material, which had upon it five strange knots. #RandolphHarris 20 of 21

These she proceeded to unloose, and having done so, she found a flannel cap, which had belonged to old Mrs. Haltridge, wrapped up in the middle of the apron. When she saw this she was frightened, and threw both cap and arpon to young Mrs. Haltridge, who was also alarmed, thinking that the mysterious knots were boded evil to some inmate of the mansion. That evening Miss Dunbar was seized with the most violent fit, and, recovering, cried out that a knife was run through her thigh, and that she was most grievously afflicted by three women, who she described particularly, but did not then give any account of their names. About midnight she was seized with a second fit; when she saw in her vision seven or eight women who conversed together, and in their conversation called each other by their names. When she came out of her fit she gave their names as Janet Liston, Elizabeth Cellor, Kate M’Calmont, Janet Carson, Janet Mean, Latimer, and one who they termed Mrs. Ann. She gave so minute a description of them. Mrs. Dunbar said there was something in her stomach which she would be glad to get rid of. She fell into such violent fits of pains that three men were scarce able to hold her, and cried out, “For Christ sake take the Devil out of the room.” In her fits she often had her tongue thrust into her windpipe in such a manner that she was like to choak, and the root seemed pulled up into her mouth. Upon her recovery she complained extremely of the one Mean, who has twisted her tongue and spoke of someone who had tore her throat, and tortured her violently by reason of her crooked fingers and swelled knuckles. Her joints where all distorted and the tendons shriveled up, as she had described. However, through 38 years of residence, Mrs. Winchester’s employees remained fiercely and faithfully loyal, defending every eccentricity. Although usual things did occur in her home, they said she was very strong minded and firm, but always fair and kind. Laziness, theft, gossip or revealed confidences met with instant dismissal. Mrs. Winchester, they claimed, was deeply concerned with the welfare of their families. They were well paid and often additionally rewarded with gifts, even homes or real estate, and left lifetime pensions. #RandolphHarris 21 of 21

Winchester Mystery House

The Winchester Mystery House on a rainy day is a sight to see 😍 Come see for yourself this weekend!
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