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Frequent Occurrences of Hauntings

Whether or not one believes in Mrs. Winchester’s superstitions about spirits, it is harder to dismiss frequent occurrences of hauntings which assaulted one’s vision wherever one would look. The question of the “evil” in her home had already become too grave for her. The place was known to swarm with ghosts. Mrs. Winchester was seated by her fire. abruptly she saw a shadow of a vast spider hung suspended in the air, just beyond the barrier. It passed swiftly around her and seemed to probe ever towards her, but only to draw back with extraordinary jerky movements, as might a living person who touched the hot bar of a grate. Round and round it moved and round and round she turned. Then, it retired almost beyond the glow of the vacuum light and then came straight towards her, appearing to gather form and solidity as it came. There seemed a vast malign determination behind the movement that must succeed. She was on her knees and jerked back, falling on to her left hand and hip, in a wild endeavour to get back from the advancing thing. With her right hand she was grabbing madly for her ivory-gripped Volcanic Navy pistol which she had let slip. The brutal thing came with one great sweep straight towards her. Mrs. Winchester yelled. Then, just as suddenly as it had swept over, it seemed to be hurled back by some mighty, invisible force. It was some moments before she realized that she was safe, and then she got herself together, feeling horribly done and shaken and glancing round and round the barrier, but the thing had vanished. Yet she had learnt something, for she knew not that the mansion was haunted. #RandolphHarris 1 of 10

Suddenly, as Mrs. Winchester crouched there, she saw what had so nearly given the monster an opening through the barrier. In her movements within the halls of her mansion, she noticed that the door to nowhere was open. She closed it and felt almost safe again. For a long time, she felt uneasy, as she saw odd wavering over among the shadows near the door to nowhere. And a minute afterwards the door was opened and slammed wide with tremendous force. The next instant the thing made one swift, vicious dart at her from the shadows. Instinctively she started sideways from it and so plucked her hand from upon the fireplace poker, though—owning to her inconceivable foolishness—it had been enabled for a second time to pass through the door to nowhere. She shook for a time with sheer fear. Mrs. Winchester moved right to the center of a pentacle in the room and knelt there, making herself as small and compact as possible. She could not be sure if she was being influenced unconsciously or was she in danger? With her suspicious watchfulness, a mysterious hand materialized out of the shadows and seemed to leap almost into her face, so nearly did it approach her, but it was thrown back by some altogether enormous, over-mastering force. Yet, apart from the dazed fright in which it left her, she had for a moment that feeling of spiritual sickness, as if some delicate, beautiful, inward grace had suffered which is felt only upon the too near approach of the ab-human and is more dreadful in a strange way than any physical pain that can be suffered. She knew by this more of the extent and closeness of the danger, and for a long time Mrs. Winchester was simply cowed by the brutality of that Force upon her spirit. #RandolphHarris 2 of 10

Mrs. Winchester had retired from the scene and, visiting the ample house from attic to cellar, making sure she was alone, and knew herself in safe possession and, as she tacitly expressed it, let herself go. Then she could, as seemed to her, most intimately wander and wait, linger and listen, feel her fine attention, never in her life before so fine, on the pulse of the great vague place: she preferred the lampless hours and only wished she might have prolonged each day the deep crepuscular spell. Later—rarely much before midnight, but then for a considerable vigil—she watched with her glimmering light; moving slowly, holding it higher, playing it far, rejoicing above all, as much as one might, in open vistas, reaches of communication between rooms and by passages; the long straight chance or show, as she would have called it, for the revelation she pretended to invite. It was a practice Mrs. Winchester found she could perfectly “work” without exciting remark; no one was in the least the wiser for it. She slowly opened some rich music. As she walked along the marble of the hall pavement, large black-and-white squares that she remembered the admiration of her childhood and that had then in her, as she now saw, for the growth of an early conception style. There was the effect of the dim reverberating tinkle of some far-off bell hung in the belfry—in the depths of the house, of the past, of that mystical other World that might have flourished for her had she attended to its midnight hour calls. The mansion held, as it were, this mystical other World, and the indescribably finer murmur of its heart strings was the sigh there, the scarce audible wail it would cry out in the night. #RandolphHarris 3 of 10

With her presence, Mrs. Winchester awakened the ghostly life as the departed soul of the mansion enjoyed. They were mostly shy, but most of the were not really sinister; at least they were not as she had hitherto felt them—before they had taken the Form she so yearned to make them take, the Form she at moments saw herself in the light of fairly hunting on tiptoe, the points of her evening-shoes, from room to room and from storey to storey. However, Mrs. Winchester spent the rest of the night in a haze of sick fright and so tense that she could not make a single movement naturally. She was in such fear that any desire for action that came to her might be prompted by the Influence that she knew was at work on her. And outside of the barrier that ghastly thing went round and round, grabbing and grabbing in the air at her. There was a horrible wind blowing upon her from the corner of the room to the left of her bed. Then, just as the first touch of dawn came into the sky the unnatural wind ceased in a single moment and she could see no sigh of the hand. The dawn came slowly and presently the wan light filled. However, at about midnight, Mrs. Winchester had a queer knowledge that something was near to her, yet nothing happened for a whole hour after that. Then suddenly she felt the cold, queer wind begin to blow upon her. To her astonishment it seemed now to come from behind her and she whipped round with a hideous quake of feat. The wind hit her in the face. It was flowing up from the floor close to her. She started in a sickening maze of new frights. What on Earth had she done now! Suddenly, as she stared, bewildered, she was aware that there was something queer about her—a funny shadow movement and convolutions. She looked at them stupidly. And then, abruptly, Mrs. Winchester knew that the wind was blowing up at her from the floor. #RandolphHarris 4 of 10

A queer indistinct smoke became visible to her, seeming to pour upwards through the ring and mix with the moving shadows. Suddenly she realized that she was in more than any mortal danger, for the convoluting shadows about the floor were taking shape and the deadly-man in a top hate was forming within the room. “My goodness,” she said, “This forces has found a ‘gateway’ into my home and the brute is coming through—pouring into the material World, as gas might pour out from the mouth pipe.” Mrs. Winchester knelt for a couple of moments in a sort of stunned fright. Then with a mad, awkward movement, she grabbed for the fireplace poker and something invisible, something living, was jerking t hither and tither. In an instant, it was torn from her grasp with incredible and brutal force. A great black shadow covered it and rose into the air and came at her. She saw that it was the man, vast and nearly in perfect form. Mrs. Winchester gave one crazy yell and jumped over the pentacle and the ring of burning candles and ran despairingly for the door. She fumbled idiotically and ineffectually with the key, and all the time she started, with the feat that was like insanity, toward the Barriers. The man with the top hat was floating towards her. However, the monster was chained, unable to reach her bed. She sprang from the room and slammed the door with a crash. Mrs. Winchester locked it and got to her Blue Séance Room, somehow; for she was trembling so that she could hardly stand, as you can imagine. She locked herself in the room and managed to get the candle lit; then she laid down on the floor and kept quiet for an hour or two, and so she grew steadier. #RandolphHarris 5 of 10

Mrs. Winchester got some rest, but when she woke, she was surrounded by a glowing star of a pentacle. Apparently Mrs. Winchester had tried an exorcism. Exorcism is the process of expelling evil spirits from persons or places by certain adjurations, incantations, magic acts, and formulas. Among ancient peoples, exorcise depended largely o the efficacy of magical formulas, commonly compounded of the names of deities, and repeated with magical ritual over the bodies or object that is possessed. Power to expel evil spirits supposedly resided in the words themselves. Therefore, great importance was attached to the correct recital of the right formulas and the meticulous observance of the prescribed ritual. The recovery of important incantation texts and magical papyri from Babylonian, Assyrian, and Egyptian antiquity demonstrates the widespread believe in demon inhabitation and use of exorcisms. The same prevalence of demon inhabitation has been encountered in the Worldwide missionary outreach from about 1750 to the present. The penetration of China, India, Japan, Burma, Ceylon, and other countries with the Christian gospel has revealed the hold of demonism on pagan cultures and the varied methods of exorcism of evil spirits. The same phenomena exist among primitive people of South America, Africa, and the islands of the sea. The theory is that spirits seek to inhabit the bodies of men (and also animals) to find a resting place and in some inscrutable way obtain physical gratification. When the demon-possessed is in the demonized state and unconscious, inflected physical pain or pleasure is supposedly transferred to the possessing spirit. Discomfort will drive one out of his abode. #RandolphHarris 6 of 10

When prostituted into a ritualistic rigmarole, as in white magic, it becomes a deceiving tool in the hands of Satan’s agents to delude the undiscerning by false miracles and spurious healings. Such diabolic miracles do not destroy Satan’s kingdom, but build it up. Diabolical exorcism does not produce true dispossession, but a mere reallocation. Demonic healing may relieve physical symptoms, but substitute a physical ill or doctrinal form of error. This subterfuge explains in part the increase of theological decadence and phenomenal growth of sect and cults within professing Christianity in these latter days. Under demon control, one of Mrs. Winchester’s servants, a young lady, insisted she must dance for the construction workers, which she did wildly and uncontrollably and with every evidence of demon possession. She became so violent that the only way to control her was to hold her by the hair. Her violent jerking almost pulled out her hair. When the young lady came to, she was asked why she was lying on the floor, but she did not know. She was asked if anyone had pulled her hair, she disavowed any knowledge of it. When she was asked to dance, she replied, “No. I do not know how to dance.” She was sweet, modest, and quiet and completely delivered from the demon that her possessed her. White magic is not always so easy to see its true nature. This form of magic more widespread than black magic, the reason being that it often hides itself behind a religious exterior. Hence, as we have said before, one needs to have great discernment in these matters in order to recognize the forces that are actually being called into play. #RandolphHarris 7 of 10

The religious trimmings can be very deceptive. Again an example: A farm worker at the Winchester mansion was told by a doctor that he would have to have his leg amputated. Because he wanted to save his leg at all costs he went to visit a magic charmer without the doctor’s knowledge. This man told him, “You will have to believe me if you want to be healed.” He went on to repeat a magic charm and then said the Lord’s prayer three times. The man’s pain immediately vanished and when he returned to the hospital it was no longer necessary for his leg to be amputated. The doctors were puzzled. Later however, the man began to suffer from various psychic disturbances and his family to became accident-prone after this. White magic is more often than not accompanied by certain symbols that may include the use of the names of the Trinity, three Lord’s prayers, three verses of Scripture, three psalms, or three crosses and so on. People are thereby deceived and the method of healing is thus often mistaken for true Christian healing. In reality however, the third commandment is being broken, which says, “You shall not take the name of the Lord you God in vain.” Man cannot dictate to God, and man cannot treat God as a servant who is willing to jump to the aid of every magic charmer who so invokes Him. The Bible relegates both charming and the mechanical use of the Scriptures themselves to the level of sorcery, and so we find that white magic is merely black magic under a different guise. Satan is indeed transformed into an angel of light. The sense of compulsion connected with white magic is something quite different from the attitude of faith in the Christian who says, “They will be done.” #RandolphHarris 8 of 10

Black magic becomes a minor legend for its exuberant offensiveness. Blasphemy is a regular component in life, while the most innovative creators in in this maturing medium of occultism shows increasing sympathy for the Devil. Satanic fringes are part of popular culture. People are so bored with the normal that they seek out the occult. Many people want to have a supernatural experience so they can feel alive, be entertained, and have something to talk about. Some people have a great fascination for all that is dark, forbidden, and feared. They consider the Devil their personal God. A daily routine of ritual and magic is normal for some. It is a way for them to open doors to outer gateways and let the Dark Ones march through. Often times, paintings can function as sigils [occult symbols], and create change in accordance with the Magician’s desires, and ultimately fashion a new Dark Aesthetic, and the creation of a Universal Satanic Necropolis. Artwork or any craft can be fueled by the powers of Satan, and it is possible that it will become popular for people who do great works to say, “the Devil made me do it.” Events, ranging from fires and weird illnesses to Earthquakes and ritual murders have been blamed on certain objects, art, and people, and that is why you will notice certain events get cancelled, have to be rescheduled and so forth. This is also why some have to take out extra insurance for their work, family members or property. Handlers have gotten wind of past experiences. Schedasi, Weduse, Tiwisi—I have sinned, I shall sin. Prayer—Eternal God of our all! Our God! hear our voice, spare and have mercy upon us. Accept our prayer in mercy and with pleasure. I have sinned. I have committed transgressions. I have sinned before Thee; I have done that which is displeasing unto Thee here in the Earth. #RandolphHarris 9 of 10

For the sake of Thy great name pardon me all the sins and iniquities and transgression which I have committed against Thee from my youth. Perfect again all the holy names which I have blemished, great champion, terrible, highest God, eternal Lord, God Sabaoth. In the mystery of these vestures of the Holy Ones, I gird up my power in the girdles of righteousness and in truth in the power of the Most High: Ancor: Amacor: Amides: Thoedonias: Anitor: let be might by power: let it endure for ever: in the power of Adonai, to whom the praise and the glory shall be; whose end cannot be. I invoke and move thee, O thou Spirit Purson: and being exalted above ye in the power of the Most High, I say unto thee, Obey! in the name Beralensis, Baldachuensis, Paumachia, and Apologiae Sedes: and of the mighty ones who govern, spirits, Liachidae and ministers of the House of Death: and by the Chief Prince of the seat of Apologia in the Ninth Legion, I do invoke thee and my invoking conjure thee. Ans being exalted above ye in the power of the Most High, I say unto thee, Obey! in the name of him who spake and it was, to whom all creatures and things obey. Moreover I, whom God made in the likeness of God, who is the creator according to his living breath, stir thee up in my name which is the voice of wonder of the mighty God. We need to come to understand that when creating changes within self for the sake of empowerment our external reality also begins to shift reflecting that internal empowerment. When working toward creating external shifts within our external reality our spirit is also empowered by simply exercising our own divine power. #RandolphHarris 10 of 10

Winchester Mystery House

A new chapter of Unhinged is coming this Fall. Stay tuned🤫 https://www.winchestermysteryhouse.com/

By the Way of King Diamond and Diamond Baby

Black metal, as a 1990s phenomenon, is a creature with an identity largely distinct from its parent heavy metal music. Growing like a poisonous fungus away from the light of mainstream media and interest, it developed its own bizarre sounds, imagery and philosophies. Fostered upon a diet of xeroxed fanzines with names like Thanatograpy (after Thanatos, Greek god of death), Hammer of Damnation and Baphomet, its teenage male exponents were keen to make their mark with a genre too willfully obnoxious for outsiders. Visually, bands tried to outdo each other with outrageously macabre or offensive imagery: fire-breathing; tattered black clothing or robes; blood-soaked or naked flesh; medieval weaponry; bullet belts and spiked leather; insane calligraphy—spattered with profane images—which rendered band names illegible or scarcely identifiable. The most striking black-metal “fashion statement,” however, was the sepulchral black-and-white make-up worn by many bands which became known as “corpse paint”—a mutated offspring of the theatrical greasepaint worn by KISS in the 1970s, by way of King Diamond. At the movements genesis, few band members had racked up enough years of experience to excel at their instruments in the traditional fashion—instead, they concentrated on producing unearthly, crazed, bizarre sounds with guitars, drums, the human voice and keyboards. Specialist independent record labels, founded by fans or the bands themselves, sprang up as a truly international underground: Osmose Productions in France; Blackground Records 2.0 and Wild Rags in America; Candlelight Records in Spain. The list continues to proliferate to the present day, but the most influential of all was a small Scandinavian label called Deathlike Silence—of which, much more later. #RandolphHarris 1 of 21

One of the more arresting rock artists of the early 1990s bridged the gap between the musical extremes of black metal and rock “n” roll’s demonic roots in the blues. Far subtler than most black metal bands, Glenn Danzig still operated at the infernal end of the spectrum. An anomaly who stubbornly refused to bow to the expectations of either purists or populists, Danzig began his career at the height of the punk revolution in 1977 as vocalist for New Jersey band the Misfits. No ordinary punk band, Danzig’s classic rock “n” roll delivery gave a quasi-1950s feel to their abrasive sound, while they spurned the usual punk look in devour of an all-year-round Halloween image. Sporting monstrous black quiffs they dubbed “devil locks,” the Misfits often took the stage in skeletal garb—indeed, Danzig’s skull make-up was prescient of the “corpse paint” popular among the 1990s black metal bands. The Misfits were one of the first punk bands whose songs possessed a strong gothic undercurrent. Many reflected their love of fascinating schlock movies, such as “Teenagers from Mars” and “Return of the Fly,” but others were genuinely disturbing explorations of hat and violence. Their second recording, Bullet, featured a song entitled “Hollywood Babylon,” inspired by magus and film-maker Kenneth Anger, while another track included an authentic Latin chant for effecting a werewolf transformation. In what was to become a familiar pattern, Danzig tired of the more tongue-in-cheek aspects of the Misfits, forming Samhain (pronounced “Sow-En”—the precursor to Halloween, a Celtic festival dedicated to fire and death) who released their first album, Initium, in 1984. This was a stark journey into primal evil, threatening rhythms and bleak guitars combining with Danzig’s lupine vocals to create a musical beast that howled at the World. It was all too bleak for most audiences and, in 1987, the vocalist dissolved the band in order to enter his third incarnation—called simply Danzig. #RandolphHarris 2 of 21

Danzig was in many ways the singer’s most innovative project, as well as the most overtly Satanic. Voodoo blues as deep and black as Mississippi mud met predatory heavy metal, with vocal style redolent of early rock “n” roll’s late-fifties/early-sixties crooners. Typically, Glenn Danzig’s insistence on treating his Satanic subject matter without a trace of irony did not endear him to the press. Short, powerfully built, with raven black hair and prominent side-burns, the music media dubbed him as “Evil Elvis” or, more irreverently, “Fonzig.” Some audiences were also perplexed: younger black metal fans wanted a less subtle Satanism, while rock fans who appreciated Danzig’s musical approach found his lyrical preoccupation off-putting. Nevertheless, the ban attracted a dedicated fan base, appreciative of a familiarity with demonic subject matter that most shock-horror rockers could only envy. Nietzschean howls of defiance against the Creator, such as “Godless,” complemented more traditional takes on hellish suffering like “Tired of Being Alive.” At his quietest, Danzig was at his most sinister—like the poet William Blake, Danzig identified love as “a Devil’s thing.” In 1994, when MTV picked up on the video for the anthemic “Mother, the band received mainstream attention; in the same year, an uncompromising Glenn Danzig released a solo project entitled Black Aria: an album of quasi-classical music retelling the story of Satan’s fall from grace. In 1996, after four albums of powerfully-infernal rock music, Danzig took his eponymus band in a new direction. BlackAcidDevil was predominantly an industrial record, many fans mourning the passing of the classic Danzig sound and dismissing at as “poor man’s Nine Inch Nails.” In truth, when the industrial grind is layered with the dark velvet of Danzig’s seductive tones—as on “Come to Silver,” an exploration of temptation—then the material becomes really interesting. #RandolphHarris 3 of 21

The indifferent sales and reviews that greeted BlackAcidDevil tested Danzig’s already-strained relationship with the music business. He let the band slip back into the cult status he was perhaps happiest with, and began spending the money he had made from his musical career on other projects—most notably a comic-book company named Verotik. As the company’s name suggests, these comics are crammed with violence and erotica, combined with the fascination for all things infernal that has become Glenn Danzig’s trademark. Scripting many of the comic-strips himself, Danzig introduced overly devilish characters, like the vamp Satanika, to stake his claim as one of the main modern contributors to Satanic popular culture. On the continent of Europe, particularly in the Norwegian capital, Oslo, things were being taken to a less subtle extreme. Deathlike Silence was an independent record label owned by a young man who re-named himself Euronymous—according to some folklore traditions, a cannibalistic demon with skin the bluish-black colour of a meatfly’s carapace—who also ran a dank, dingy specialist record store named Helvete (meaning “Hell”) and founded a band called Mayhem. Mayhem formed in 1984, just as the original black metal scene was peaking, debuting with a demo called Pure Fucking Armageddon and an album called Deathcrush. Interest in Satanic imagery, with its attendant gothic spikes-and-leather garb, was faltering among audiences at this time, but Mayhem clung onto its uncompromising style. They sounded like a rawer, more grinding version of Venom, screaming and thundering between militaristic marches and growling rage. As the tastes of young underground fans in the 1990s swung further towards the diabolical excess, Euronymous’ obsessive dedication made him a potent force on the newly-burgeoning black metal scene. #RandolphHarris 4 of 21

During the early 1990s, Euronymous’ store became the focus for a small circle of likeminded Scandinavian metal fans who all started their own bands. This loose group named itself variously the Black Metal Circle, Satanic Terrorists or Black Metal Mafia, and was influenced by the supposedly Satanic doctrines of Euronymous—based around a vague reading of the biblical concept of war between Heaven and Hell. For Euronymous, siding with Satan meant endorsing everything that was considered evil, spiteful, hateful. Hate motivated his philosophy, coloured by the cold, depressive morbidity that characterizes the negative edge of the Scandinavian psyche. All of the releases on Deathlike Silence were stamped with the “Anti-Mosh” symbol (moshing is a raucously combative form of dancing common to thrash and death metal fans). Around the symbol were stamped the messages “No Mosh,” “No Core” (a reference to the hardcore punk revival), “No Trends” and “No Fun”—these sentiments taking against those metal audiences who were introducing splashes of gaudy mainstream colour, in the form of Bermuda shorts, baseball caps and skateboards. In the center of the “No Moshing” symbol was a red line struck through those figures Euronymous professed to hate most: Scott Burns, the Florida-based record producer whose work had come to dominate the death metal scene, and curiously, Anton LaVey. Euronymous divorced himself from all Satanic tradition, loathing LaVey because of the Church of Satan’s philosophy of self-empowerment and individualism. Euronymous’ simple faith expressed all that was negative: a cold core for violent code of self-destructive nihilism. Joining Mayhem in their isolated World of hate were several other extreme bands. Burzum—chiefly a vehicle for Count Grishnackh (given name Kristian Vikernes, though he legally changed his first name to Varg, Norwegian for “wolf”), who had lived in the damp, lightless cellar of the Helvete record shop for some time—were a prominent presence. Burzum were an odd blend of frustrated insanity and strange, sad, ambient mood music, pained pathos and gibbering fury—oddly effective, but distinctly disturbed. #RandolphHarris 5 of 21

Founder member Grishnackh took his name from one of the evil “orc” characters in J.R.R. Tolkien’s fantasy trilogy The Lord of the Rings, while Burzum meant “darkness” in the orcish language conceived by Tolkien. Perverse as this seems, it should be remembered that The Bible is just a book of stories—in this light, perhaps using The Lord of the Rings as the basis for an (im)moral philosophical code is not wholly ludicrous. However, it does an infernal philosopher’s credibility no favours to identify too closely with “hobbits” (glorified goblin). Grishnackh’s personal mythology combined the darkness-versus-light motifs of “mystic quest”/sword-and-sorcery sagas with the violent Viking tradition he believed true Northern Europeans belonged to. While this seems symptomatic of Scandinavia’s peripheral removal from—and distorted imitation of—Western pop culture, it also has an authentic dark side. As is common among Norse pagan revivalists, the Black Metal Circle began to espouse race-based Nazi political views. (Though totalitarian-loving Euronymous also expressed admiration for communist despots and Cambodian genocidalist Pol Pot.) Also pivotal in this new movement were the bands Emperor, Immortal, Enslaved and Arcturus. The last to join Euronymous’s Norwegian cadre were Dark Throne, who had already recorded one death metal album, Soulside Journey, in 1990. In the following year, they disowned their debut, donned corpse-paint and joined the “Satanic Mafia” with their album A Blaze in the Northern Sky. If Euronymous exemplified the nihilistic hate at the heart of the Black Metal Circle, and Burzum represented its violent Norse/Nazi fantasies, then Dark Throne symbolized the Circle’s isolation and sociopathic need for solitude. Taking their country’s sombre, anti-social reputation to extremes, the band never met to record, spoke little, and spent increasing periods alone in the frost-bitten Norwegian wilderness. #RandolphHarris 6 of 21

In the spring of 1991, Mayhem’s vocalist died: a Swede who, by way of black comedy, had re-named himself “Dead.” Dead blew his head off with a shotgun, leaving a note to day that he felt he was not of this World, but belonged instead to the cold solitude of the forest. He also apologized for the mess. As in common with obsessively inward-looking groups like the Black Metal Circle, a crisis of this type either causes the grouping to dissolve, or re-enforces their convictions. The latter instance applied, and the Circle hailed Dead as a hero. Euronymous, who found the corpse, rushed out for a camera to take his final photograph of Dead before altering the authorities—claiming a morsel of brain to make into soup and a fragment of skull to fashion into a necklace. At this point, the Black Metal Circle were no longer merely a group of disaffected teens and early-twentysomethings, but a subculture who believed themselves to be at the center of significant, apocalyptic events. Euronymous’ demented, anti-social rants were making him a regular feature in the underground metal fanzines; despite the continued indifference of the global music media, black metal was rising from the grassroots across the World. The “legend of Dead” contributed to a growing international interest in extreme, Scandinavian Satanic metal, with Deathlike Silence treating the grim event as a grotesque promotional gimmick. For the first time, European countries bordering the Mediterranean also began throwing up a slew of black metal acts—most notably the Greek band Rotting Christ. In contrast to the could hatred of the Northerners, the Southern European scene was inclined to a less self-destructive, more LaVeyan approach—though Anton LaVey would have regarded many of them as blasphemy-fixated novices, struggling to topple the repressive Christianity that dominates their culture. #RandolphHarris 7 of 21

Much of black metal is supposed to be inspired by demons. They cannot be any worse than human being, right? Many of them just have never possessed a body of their own. They are souls who have been lurking around before humanity. Before the dinosaurs. They are the darkness. The reason God created life so that life could flourish and grow and rest when it is dark. Demon possession is a condition in which one or more evil spirits or demons inhabit the body of a human being and can take complete control of their victim at will. By temporarily blotting out one’s consciousness, they can speak and act through one as their complete slave and tool. The inhabiting demon (or demons) comes and goes much like the proprietor of a house who may or may not be “at home.” When the demon is “at home,” one may precipitate an attack. In these attacks the victim passes from one’s normal state of possession. The condition of the afflicted person in the “possessed” state varies greatly. Sometimes it is marked by depression and deep melancholy, sometimes by vacancy and stupidity that resemble idiocy. Sometimes the victim may be ecstatic or extremely malevolent and wildly ferocious. During the transition from the normal to the abnormal state, the victim is frequently thrown into a violent paroxysm, often falling to the ground unconscious, foaming at the mouth with symptoms similar to epilepsy or hysteria. The intervals between attacks vary greatly from an hour or less to months. Between attacks, the subject may be healthy and appear normal in every way. The abnormal or demonized stages can last a few minutes or several days. Sometimes the attacks are mild; sometimes they are violent. If they are frequent and violent, the health of the subject suffers. The chief characteristic of demon possession or demonomania is the automatic projection of a new personality in the victim. During attack the victim’s personality is completely obliterated, and the inhabiting demon’s personality takes over completely. #RandolphHarris 8 of 21

The inhabiting demon uses the victim’s body as a vehicle for one’s own thoughts, words, and acts. The demon even speaks out of the victim’s mouth and declares emphatically that one is a demon. Frequently one gives one’s name and dwelling place. The new personality reveals itself in a different voice and sometimes uses a different language or dialect on a completely different educational or cultural level. Pronouns are used to emphasize the new personality. The first personal pronoun consistently designates the inhabiting demon. Bystanders are addressed in the second person. The victim is referred to in the third person and looked upon during the attack as unconscious and for all practical purposes as nonexistent during this interval. Demonomania should be clearly differentiated from the insanity in which a person imagines oneself to be someone else, often a famous personality such as Liz Taylor, Julius Caesar, of William Randolph Hearst. The demoniac, when in the demonized state characterized by the new personality, speaks and acts in all respects like a completely different person. By contrast, the insane person is one’s own diseased self, one’s assumed personality being a transparent unreality. In cases of demon possession the new personality clearly and constantly recognizes the distinct existence and individuality of its “possessed” victim, speaking of that victim in the third person, an element entirely lacking in cases of insanity. Because various inadequate theories have left demon possession largely unexplained, it is quite probable that some patients in mental hospitals are demon possessed rather than insane. This was the conviction of the famous nineteenth-century specialist in mental diseases, Dr. Forces Benignus Winslow (1810-1874). He correctly recognized the demoniac by a strange duality; and by the fact that, when temporarily relived from the oppression of the demon, he is frequently able to describe the force which takes control of one and compels one to act and speak shamefully. #RandolphHarris 9 of 21

While in the demonized state many persons give evidence of knowledge which cannot be accounted for naturally. The demon who takes control of the body of one’s victim is obviously the source of the superhuman knowledge. While demon possessed, many persons recognize the Lord Jesus Christ as the Son of God, and display an aversion to and a fear of Him (Mark 1.23-24; 5.7). The case of Mrs. Winchester, who lived in Santa Clara County, illustrates how a woman came under demon domination through practicing séances. Being centered within our own God like power is of utmost importance. Even when evoked to create change directly, keep in mind that you are the God that wields these powers for the cause of Counter Creation. Just be careful! As a God you will be tested and so how these powers are wielded is a powerful initiatic test in its own right. Mrs. Winchester was in her Blue Séance Room, she lite a candle on her left first, and then a candle on her right. A sacred serpent was sacrificed over the wood sigil and the blood was left to drain upon the idol. Then the body of the serpent was encircled around it, she chanted “I do invocate and conjure thee, O Spirit, Sabnock; and being with power armed from the SUPREME MAJESTY, I do strongly command thee, by BERALANENSIS, BALADACHIENSIS, PAUMACHIA, and APOLOGIAE SEDES; by the most Powerful Princes, Genii, Liachidae, and Ministers of the Tartarean Abode; and by the Chief Prince of the Seat or Apologia in the Ninth Legion, I do invoke thee, and by invocating conjure thee. And being armed with power from the SUPREME MAJESTY, I do strongly command thee, by Him Who spake and it was done, and unto whom all creatures be obedient. Also I, being made after the image of GOD, endued with power from GOD and created according unto His will, do exorcise thee by that most mighty and powerful name of GOD, EL, strong and wonderful; O thou Spirit Sabnock. And I command thee and Him who spake the Word and HIS FIAT was accomplished and by all the names of God. #RandolphHarris 10 of 21

“Also by the names ADONAI, EL, ELOHIM, ELOHI, EHYEH, ASHER EHYEH, ZABAOTH, ELION, IAH, TETRAGRAMMATON, SHADDAI, LORD GOD MOST HIGH, I do exorcise thee and do powerfully command thee, O thou Spirit Sabnock, that thou dost forthwith appear unto me here before this Circle in a fair human shape, without any deformity or tortuosity. And by this ineffable name, TETRAGRAMMATON IEHOVAH, do I command thee, at which being heard the elements are overthrown, the air is shaken, the sea runneth back, the fire is quenched, the Earth trembleth, and all the hosts of the celestials, terrestrials, and infernals do tremble together, and are troubled and confounded. Wherefore come thou, O Spirit Sabnock, forthwith, and without delay, from any or all parts of the World wherever thou mayest be, and make rational answers unto all things that I shall demand of thee. Come thou peaceably, visibly, and affably, now, and without delay, manifesting that which I shall desire. For thou art conjured by the name of the LIVING and TRUE GOD, HELIOREN, wherefore fulfill thou my commands, and persist thou therein unto the end, and according unto mine interest, visibly and affably speaking unto me with a voice clear and intelligible without any ambiguity. I do invocate, conjure, and command thee, O thou Spirit Sabnock, to appear and to show thyself visible unto me before this Circle in fair and comely shape, without any deformity or tortuosity; by the name and in the name IAH and VAU which Adam heard and spake; and by the name of God, AGLA, which Lot heard and was saved with his family; and by the name IOTH, which Jacob heard from the angels wrestling with him, and was delivered from the hand of Esau his brother; and by the name ANAPHAEXTON which Aaron heard and spake and was made wise; and by the name ZBAOTH, which Moses named and all the rivers were turned into blood; and by the name ASHER EHYEH ORISTON, which Moses named, and all the rivers brought forth frogs, and they ascended into the house, destroying all things. #RandolpHarris 11 of 21

“And by the name ELION, WHICH Moses named, and there was a great hail such as had not been since the beginning of the World; and by the name ADONAI, which Moses named, and there came up locusts, which appeared upon the whole land, and devoured all which the hail had left; and by the name SCHEMA AMATHIA which Ioshua called upon, and the sun stayed his course; and by the name ALPHA and OMEGA, which Daniel named, and destroyed Bel, and slew the Dragon; and in the name EMMANUEL, which the three children, Shadrach, Meshach and Abed-nego, sang in the midst of the fiery furnace, and were delivered; and by the name HAGIOS; and by the SEAL OF ADONI; and by ISCHYROS, ATHANATOS; and by these three secret names, AGLA, ON, TETRAGRAMMATION, do I adjure and constrain thee. And by these names, and by all other names of the LIVING and TRUE GOD, the LORD ALMIGHTY, I do exorcise and command thee, O Spirit Sabnock, even by Him Who spake the Word and it was done, and to Whom all creatures are obedient; and by the dreadful judgments of GOD; and by the uncertain Sea of Glass, which is before the DIVINE MAJESTY, mighty and powerful; by the four beasts before the throne, having eyes before and behind; by the fire round about the throne; by the holy angels of Heaven; and by the mighty wisdom of GOD; I do potently exorcise thee, that thou appearest here before this Circle, to fulfill my will in all things which shall seem good unto me; by the Seal of BASDATHEA BALDACHIA; and by this name PRIMEUMATON, which Moses named, and the Earth Opened, and did swallow up Kora, Dathan, and Abiram. Wherefore thou shalt make faithful answers unto all my demands, O Spirit Sabnock, and shalt perform all my desires so far as in thine office thou art capable hereof. Wherefore, come thou, visibly, peaceably, and affably, now without delay, to manifest that which I desire, speaking with a clear and perfect voice, intelligibly, and to mine understanding. #RandolphHarris 12 of 21

“Tbatlu! Bualu! Tulatu! Labusi! Ubisi!—Let thee also appear and being before me the Spirit of Sabnock. Sovar, merciless leader of Divs come forth! Inner eye behold the demon before me. Sovar awaken! Rise up within that I may compel the rise of the fallen ones and devour the very essence of the Holy Angel Shahrewar! I stand alone as the embodiment of the Adversary known as Ahriman, the Black Dragon of Chaos and becoming! I devour the natural order of stasis brought forth by Ahura Mazda and forge my destiny through the power of the Black Sun! Taromat, beautiful Div or rebellion come forthy! Inner eye behold the demoness before me. Toramat awaken! Rise up within that I may compel the rise of the fallen ones and devour the very essence of the Holy Angel Spandarmad! Ahirman, Lord of Darkness divine, I thank you for your presence within this unholy temple of counter creation. I have offered you the life of this noxious creature as a gateway to your manifestation within this realm to stand before me! You are Angra Mainyu who is the Lord of counter creation, whom has brought forth the mountains to the plains! You have brought forth the beasts to the field and the creatures of the night! Ahriman with your infernal blessing I ask that you would bring forth the baneful powers of the wolf kin to fill this oil with their essence that it may be compelled according to my will! I offer my nails as fangs which will devour that which stands in my way! I offer my hair to embody their predatory essence! I give my blood as a gateway to empower them to act within this world according to my will and purpose!” Then Mrs. Winchester heard the distant howling of wolves and she perceived their phantom shadows as they began to surround her and encroach. She was focused on Sabnock and dared not fear that which she had just conjured. SABNOCK—of course is the Forty-third Spirit of the Winchester Mansion. He is a Marquis, Mighty, Great, and Strong, appearing in the Form of an Armed Soldier with a Lion’s Head, riding on a pale-coloured horse. His office is to build high Towers, Castles and Cities, ad to furnish them with Armour, etcetera. Also he can conflict Men for many days with Wounds and with Sores rotten and full of Worms. He giventh Good Familiars at the request of the Exorcist. Commandth 50 Legions of Spirits; and his Seal is this, etcetera. #RandolphHarris 13 of 21

Mrs. Winchester fell down unconscious, frothing at the mouth, and was carried to her room, outside where the crescent hedge is planted. A doctor was called in gave her large doses of medicine to no avail. He left and refused to have anything more to do with the case as he saw with in hours gables and towers rise, wings of the mansion extended right before his eyes, and gardens grow from sprouts and spring up to mature plants and trees before night fall. For five of six days Mrs. Winchester raved wildly, and her staff and friends were in great distress. In desperation they proposed giving Mrs. Winchester more medicine. However, the demon, speaking through her, replied: “Any amount of medicine will be of no use.” Daisy then implored, “If medicine will be of no use, what shall we do?” The demon replied, “Burn incense to me, and submit yourself to me, and all will be well.” The staff knelt down and worshiped the demon, imploring him to torment Mrs. Winchester no longer. During that time Mrs. Winchester was in a state of complete unconsciousness. A little later when the demon drove Mrs. Winchester to renewed frenzy, her distraught staff repeated their promise to worship and serve him. They also promised that they would urge their Mrs. Winchester to do likewise. When Mrs. Winchester regained consciousness, she reluctantly consented to do so. The demon gave explicit directions regarding the proposed worship. On the first and fifteenth of each month, incense was to be burned, food offered, and the require prostration made before the shrine of himself, SABNOCK. Periodically the demon came, sometimes every few days, sometimes after a month’s lapse. Each time, Mrs. Winchester felt fluttering of her heart, a sense of overwhelming fear, and inability to control herself. She would quietly as Daisy to fetch a neighboring woman whenever the demon came. The two would burn incense to the demon in Mrs. Winchester’s stead and receive his directives, which they then communicated to the possessed. #RandolphHarris 14 of 21

Although these communications were spoken by the Mrs. Winchester’s (the victim) lips, she was completely unaware of them, since she was in the demonized state. The demon often bade the audience not to be afraid, protesting he would not harm them, but rather help them in various ways. He declared he would instruct the victim in the healing art, so that people would flock to her and be cured of their sickness. This soon proved true, although may diseases were not under the demon’s control. Apparently only those afflicted by evil spirits were completely cured. Mrs. Winchester’s long-ill child was not helped. The demon declared he controlled many inferior spirits. He also frequently outlined his plan for Mrs. Winchester’s life and work. He promised he would help her grow more proficient as a healer, and the people would compensate her for her services. Gifts thus earned were donated to the nearby ancient pagan temple. As certain parts of the Winchester mansion would appear but once every seventeen years, SABNOCK was never seen save on the eve of some awful calamity, visitors to the mansion had a very slight chance of seeing his physical body. There could be no doubt though of the existence of the mansion and SABNOCK, for everybody knows he was one of the greatest of the giants during his natural lifetime, nor could any better evidence be asked then the facts that he guided Mrs. Winchester into turning stone, wood, and class into the World’s most beautiful and bizarre mansions. The door-to-nowhere was also known as Lovers’ Leap;” from which Mrs. Winchester once flung herself when she was a state of deep morning, and survived unharmed. The path SABOCK made from the door-to-nowhere to the mountains was used by him when he would leave his island and come to shore. Upon being informed of the variety and amount of legendary material collected about the Winchester mansion and Mrs. Winchester’s doings, many people unhesitatingly pronounced the entire assortment condemned all the gathered treasures as creations of the supernatural. #RandolphHarris 15 of 21

It was very well beknown that in them old days there were giants in plenty hereabouts, but they did not make the make an appearance at the estate very often. But everyone knows that there were giants, because if there were not, no one would know of them at all. They were just like human beings, except in the matter of size, and one of them could make a dozen like men that live now. When they walked, they carried oak trees for sticks and lived in the forest of the giants, and carved the mountain and caves. (It should be noted that spiritistic visions of this nature are quite likely to occur in the course of reading occult literature. Sometimes people mistake these visions for genuine religious experiences. However, it is again a case of Satan disguising himself as an angel of the light.) Yet, there are more than 20,000 accounts of spirits, ghost, angels and demons being seen in the Winchester mansion. The uncanny phenomena places one under a charm. The pattern of the courts during this early period in the 1800s was erratic, sometimes convicting, sometimes throwing cases out of court for lack of evidence, something awarding damages for slander to those who had been maligned as witches by accusers. This vacillation sprang from the fact that the judicial bodies that heard the causes were not religious but secular, and therefore had little competence in dealing with matters that were primarily religious. As far as control was concerned, in adhering to the principles of congregationalism, the responsibility for suppressing heresy and enforcing religious behavior within the communities went to the state. The trial judges were not the sure, steadfast, confident Dominican Inquisitors or Protestant prosecutors of the Old World, but merely secular officials of the valley who had been forced into the position of trying heresy for lack of anyone else to do it. Mary Johnson, who was hired at the Winchester mansion in 1887, as a cook, admitted have had “familiarity with the Devil” and was executed by the state. She confession to have pleasures of the flesh with demons and other sorted things. She made no mention of mass meetings; rather, her Devil seems to have been a personal one, coming to her assistance when needed. #RandolphHarri 16 of 21

Dolls were sometimes used as a means of projecting curses, and Mary said she had attended meetings with Satan and his consorts. Witches’ pact with Satan was attributed as part of God’s inscrutable plan of the Universe. The Puritan settlers in Santa Clara Valley believed in the doctrine of Original Sin wholeheartedly; their pessimistic outlook proclaimed that all men were unworthy until God saw fit to bestow His grace upon them. They believed that the God allowed the Devil to afflict not only the guilty but also anybody else that might happen to get in the way. If He had to teach misguided humans a lesson, He might punish an entire community for the sins of the most wicked in that community. And it appeared to the God-fearing Puritans that He was doing just that. The Puritans were highly intolerant and has a paranoiac distrust of other religious groups, some were farmers at the Winchester mansion, and did not always like the rituals that were performed, but they were very loyal and protective of Mrs. Winchester. Many of the people who worked at the Winchester mansion were often under suspicion of witchcraft. The Puritans came to the Winchester mansion because they felt it was a true kingdom of God on Earth, and they could help Mrs. Winchester live peacefully. However, what they found was something different. They found that the vast acres of the estate had bitterly cold winters, and the terrain could be inhospitable. They found themselves in a wilderness, surrounded by demonic tribes whom they considered to be the legions of Hell incarnate. Having come to settle in this last stronghold of the Devil, they were plagued by him constantly for the very reason that they were God’s chosen people, thus the most likely target for unholy temptation. The fact that the new settlers in the Santa Clara Valley were being attacked by Satan seemed incontestable. The estate was ravaged by smallpox, and had suffered constant harassment by envious local town’s people and demonic tribes. Mrs. Winchester wondered what she had done to offend God that He should allow the Devil such free range. She experimented with the spirits to bring peace to her life and home. #RandolphHarris 17 of 21

Mrs. Winchester had an answer: Judgment Day was at hand and Satan was therefore stepping up his activities in one last desperate move. It was simply the nova-like burst of the energy from a dying star. She glibly stated that “there will again be an unusual Range of the Devil among us, a little before the Second Coming of the Lord, which will be to give the last stroke in destroying the works of the Devil.” This theory found wide acceptance among the servants and laity of Santa Clara Valley, for not only did it offer a simple explanation for all their maladies and misfortunes, but it also gave them hope, promising cooly a quick end to their hardships. Satan is most able to seduce human in periods o great discontent, for human, in times of poverty and affliction, will turn knowingly to whatever hands will feed them. The valley had had a difficult time of it up to that time, and famines had reduced the population drastically. However, as if labouring under the most severe environmental handicaps was not enough, Puritan perfectionism went even further in making life unbearable. In seeking to establish a holy kingdom, according to Heaven’s law, self-indulgence in any form was strictly repressed. Severe punishments were meted out for drinking, swearing, and licentiousness; in Santa Clara, it was a punishable offense to walk on the streets on Sunday, except when going to and from church. And witches, people possessed by demons, and others also attended church to blend in and keep the peace. On top of it all, there stood the Calvinistic doctrine of election, holding that as soon as man was born, eh was judged to be headed for either Heaven or Hell, this choice being made according to God’s immutable law. However, even if a human thought oneself to be damned, the civil punishment for one’s indulgence were still exacted upon one. It was into this environment that the waters of the witchcraft flood would soon pour. The good people of Santa Clara clearly saw signs of Satanic activity in their midst, and an investigation was launched. #RandolphHarris 18 of 21

Mrs. Winchester confessed to having attended witches’ Sabbaths and of having met with the Devil, who was a tall, black man from New Haven, Connecticut. Soon the witch fever spread, and more people from the valley became posses by demons. The common belief was that at that time witches, when entering into a Covenant with Satan, because the owners of specters, with the help of which they could do harm to any person of their choosing. People believe that God—the Alpha and Omega was both God and Satan. That He has a soul and character. He is not just this futile entity but someone you can see many aspects to. Some people fled to Satanism because they had to deal with so much evil from Christians that they wanted another source of power to exalt them. Satanism is supposed to be something to be something secret, something people do not know anything of. One goes to America and in the telephone directory one can see “Church of God,” “Church of Jesus,” and “Church of Satan.” One calls, and a person answers: “Church of Satan, how may I help you?” One thinks, “This is not Satanism!” The Church of Satan deny Satan, they say He does not exist, yet they act as if He dd, they rebel against God. They call themselves Satanists because He also rebelled against God, but they are basically light and life worshipping individualists. Well, the phone is tapped, so I think you better write what you know. Some people have disappeared. And of course the normal grave yard desecration. Anne Winchester’s headstone was recently stolen, but replaced. Normal people just disappear and never show up again. It could have a Satanic connection. Every human is life, and some hate life, especially human life. That is why people disappeared. These people may have disappeared for some form of sacrifice. Something like that would be called a Satanic murder. The murder is the ritual sacrifice. These murders gain power from whoever was responsible. Everybody has their own aura, and auras can be stolen by sacrificing an individual, this allows one to gain more power. #RandolphHarris 19 of 21

Places of worship, such as churches, have their own spirit—the Winchester Mystery House, for example, has been worshipped in for maybe hundreds of years and has thus gained a lot of spirit in that time, it could qualify as a church and gain charitable tax exemption. But that is not the point. A person who sacrifices that will gains a lot of power and grows stronger. Some people fear the Winchester mansion, because there are a lot of different energies. There is fear, terror and suspense, but others feel a lot of light, happiness, and goodness. Sometimes the energy is mixed. Anton LaVey really surprises me. If your every rea his work, he seems very intelligent and not scary at all, but I guess it depends on what one reads. I have read parts of his Bible, and it is very straightforward, it is stuff people tell their kids every day. Stand up for yourself and do not let people run you over. I think that the Winchester mansion should also open on nights of a full Moon, not just Friday the 13th. During the full Moon, there is a lot of energy and symbolic value. A lot of people believe in the full Moon and a lot of people believe in virgins. That makes both the full Moon and the virgin more powerful because of belief in them. God was first and He created the World. Of course, a lot of scientists would deny that. However, I would challenge their view because I believe God used evolution, which is why it took so long, which is why we have evidence like dinosaur bones. Yet, some Gnostic Christians have suggested Satan created the World. Everybody will be taken as slaves except the warlords. Euronymus, who we talked about earlier, was murdered in August 1993, Aaliyah 2001. Some say that is a month when sacrifices are made. Grishnackh killed Euronymous, and a few hours later, he was laughing and joking, saying, “Ha ha, Euronymous is dead, I’m going to dance and piss on his grave.” It reminded of the jokes Howard Stern made about Aaliyah. It was not funny. These are not the rantings of someone who is all there. Grishnackh talked about the dynamite he had and how he was going to blow things up. Basically, they took things to illogical extremes, but it all made sense in their own heads. #RandolphHarris 20 of 21

It is possible when dabbling with occultism for one to make an unconscious contract with the powers of darkness. The gift of discernment is absolutely necessary in life. It is generally not wise to lay one’s hands on a person who is occultly subjected. The retuning spirits will often attempt to creep back under the guise of some pious camouflage. It is in this way that evil can often enter unnoticed into one’s Christian life. A maid at the Winchester mansion once accepted the invitation of one of her coworkers to attend some spiritistic meetings. At first she felt as though she had gain something from going along to the meetings but later on she began to notice some psychic changes taking place in herself. She began to notice some psychic changes taking place in herself. She began to suffer from depression which resulted in her consulting a neurologist. During the course of the treatment she was committed to a lunatic asylum. However, as her condition improved, she could no longer attend the spiritistic séances. At the hospital the chaplain came to see her through his help and counsel she was able to make a complete recovery. One of the farmers at the estate wanted to see if charms actually worked, and some of them He. He practiced in the basement of the Winchester mansion. He drew a magic circle on the ground and drew some other magic symbols in the circle. He then used a charm three times in order to invoke the spirit. However, no spirit came. Yet, as he repeated, the charm he fell down in the magic circle and lay there unconscious for some time. The result was that for several weeks following this event he was semi-paralysed and drained of all his physical strength and will-power. After a few weeks, he died. Frequently identified as a common spot where the “wheelbarrow Ghost” is sighted, Steam Alley is one of the most well-known paranormal hot-spots in the mansion. Have you ever seen anything in the basement? #RandolphHarris 21 of 21


Some stroll Sarah’s lovely gardens this Memorial Day Weekend. There is a beautiful parrot which Mrs. Winchester used to pet, it talks! He is supposed to be happy and impudent, and talks and laughs and screeches all the time. Maybe you may catch a glimpse at this wooded, flowery estate. It is such a beautiful spectacle, all of that life and grace and animation, and sun-smitten flash and sprinkle of rich colour.

This impressive mansion dates back to the 1880s, when it was developed by Sarah Winchester and the spirits, whose project enobed and enriched the community. It once had a nine-story military watchtower. Mrs. Winchester further developed the grounds of the 160 room mansion, introducing a Victorian garden at the hands of World renowed architect Gino Coppede around the turn of the century.

These adaptions made this idyllic mansion a unique asset, tinged with the signs and influences of eclecticism and Liberty, juxtaposed to the ancient Architectural characteristics of its medieval heritage. This mansion presents itself as impressive and spectacular. The building now spreads on four floors plus the basment, for a total of approximently 25,000 feet square.

There is lovely gift shop and cafe, and it is also an ideal venue for hosting private events, conventions and/or ballrooms are located on the back overlooking the internal garden with its panoramic position which glows thanks to its night-time lighting.

Inside the property there are splendid rooms filled with historial furniture, decorated ceilings and flamboyant fireplaces, vaulted ceilings and richly frescoes walls. In addition, there are several bedrooms, nine kitchens. and thirteen bathrooms, which made the structure a perfect luxurious accommodation for guests, and is now a tourist destination.

This mansion is located within a private park of 4 acres and elegant Nineteenth-century Victorian-gardens, that offer areas of wide lawns, and further green spaces. There is also a parking area, with free parking. Currently used to host guided tours and private events and functions. The enitre porperty sits at a close distance from the mall, hotels, and resturants. The high-fashion outlet complex and gourmet food has brought further development and tourism to Santa Clara County. https://www.winchestermysteryhouse.com/

The Time of the World Disappears Before Eternity

Revolutionary wealth is not just about money. Civilization is one of those big, stuffy words that may intrigue philosophers and historians but puts most people to sleep. Unless it is used in a sentence like “Our Civilization is threatened”—at which point large numbers of people prepare to defend themselves. Today many people do, in fact, believe that their civilization is threatened—and that the United States of America may be doing the threatening. And it is. However, not in the way most of us think. Around the World, critics of the United States of America point to its military and its economy as the main sources of its predominance. It is, however, knowledge in the broadcast sense and new technologies based on it that integrate America’s military and financial power and propel both forward. It is true that America’s technological lead is threatened. According to the National Science Board, foreign students earn nearly 50 percent of all U.S. doctorates in mathematics, computer sciences and engineering. And American youth are showing less and less interests in these fields. NASA officials complain that there are three times as many scientists over sixty as there are under thirty in the space agency. Shirley Ann Jackson, then president of the American Association for the Advancement of Science, has cautioned that “centers of technology-based activity, training, and entrepreneurialism are rapidly spreading throughout the globe. Thus even the status quo for the U.S. represents a declining share of the global marketplace for innovation and ideas.” Nevertheless, America still leads in most fields of digital technology, in microbiology and in science generally. It spends 44 percent of the World budget for research and development. By most criteria, the United States of America is still the undisputed leader in the performance of basic and applied research. In addition, many international comparisons put the United States of America as a leader in applying research and innovation to improve economic performance.

In the latest IMD International World Competitiveness Yearbook, the United States of America ranks first in economic competitiveness, followed by Hong Kong and Singapore. The survey compares economic performance, government efficiency, business efficiency, and infrastructure. Larger economies are further behind, with Zhejiang (China’s wealthiest province), Japan, the United Kingdom, and Germany ranked 20 though 23, respectively. An extensive review by the Organization for Economic Co-operation and Development (OECD) concludes that since World War II, US leadership in science and engineering has driven its dominant strategic position, economic advantage, and quality of life. And at least for now, the United States of America remains the Word’s scientific powerhouse. Perhaps even more important is the speed with which scientific and technical findings from everywhere are converted into marketable applications or products and widely dispersed into manufacturing, finance, agriculture, defense, biotech and other sectors. All of which boosts economic productivity, further accelerates change, and increasing the U.S. ability to compete at the global level. However, knowledge is not only a matter of bits and bytes or science and technology. Part of the knowledge economy is the production of art and entertainment, and America is the World’s biggest exporter of popular culture. That culture include fashion, music, TV programming, books, movies and computer games. Americans have always been told that their most important message to the World is one of democracy, individual freedom, tolerance, concern for “the rights of man” and—more recently—the rights of women. In the last three decades, however, a U.S. media spread into formerly closed or nonexistent foreign markets, a very different set of messages has been communicated. Much of it targeted at young people.

Certainly not all, but a considerable amount of this material has disgustingly glorified pimps, gangster, drug lords, drug pushers, and hollow-eyed drug users. It has celebrated extremes of violence marked by unending car chases, over-the-top special effects and songs dripping with sexist venom. The impact of all this has been further intensified in the hard-sell, over-the-edge advertising used to promote these products. Hollywood, for example, has painted a fantasy America in which adolescent hedonism reigns supreme and authority figures—police, teachers, politicians, business leaders—are routinely satirized. Film after film, and TV shows one after another, tell young viewers what many of them hunger to hear: that adults are bumbling fools; that being “dumb and dumber” is okay; that “we do not need education”; that to be “bad” is really good; and that pleasures of the flesh, in infinite variety, is or should be nonstop. In this fantasy World, women are readily available, but they can also leap over giant buildings in a single bound (like Superman), shoot and kill (like James Bond) and practice martial arts (Like Jet Li). Extremes, we are repeatedly told, are good and restraint is bad; and, by the way, America is so rich that event its secretaries, police, clerks, and other ordinary working people live in high-rise penthouse apartments or Malibu mansions—images that set adolescent glands tingling from Taipei to Timbuktu. What few foreign critics of American’s pop culture seem to know is that ironically enough, many of the ostensibly American firms producing and disseminating the interesting and unusual of these programs either are, or were financed not by America, but by European and Japanese capital. Nor is it widely understood that shows are often made by, say, a European director with an Australian stary, a Chinese martial-arts consultant, an anime cartoonist from Japan or other foreign contributors.

In the meantime, however, the influence of these intriguing programs is so powerful that other societies fear for the survival of their own culture. Only if art threatens action, then terrorism can be advanced through art. For such a phenomenon as Aesthetic Terrorism to occur, aesthetic pursuit must become symbolic not of its own decadently solipsistic pleasures (exemplified in madness of des Esseintes in Huysmans’ Against Nature), but of action taken beyond the pale of art World confines. Terrorism is art is called the avant-garde. However, if this was once the case, it is no longer. Most avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde can no longer stimulate or even provoke. Dada and Futurist actions, which attempted to lead art out of the classroom and museum and into the streets, are simply appropriated by postmodernist facsimiles which capture the letter but little of the original essence. It hardly matters anyway. Avant-garde art has evolved into nothing more than a cultural benchwarmer, corporate tax write-off and public relations smokescreen. Art which openly espouses anti-corporate ideology is embraced as long as it hews to arbitrary standards invented by those taste-making and fortune-telling hirelings, the art critics. What could be wrong, after all, with a business World that allows people to say what they want (because it does not matter)? Aesthetic Terrorism is a term more realistically applied to the faceless regime of consumer culture than the avant-garde. The onslaught of Muzak, ad jingles, billboards, top 40 tunes, commercials, corporate logos, etcetera, all fit the terrorist dynamic of intrusion and coercion.

One almost forgets that aesthetics once implied a consensual relationship between the creators and appreciators of art. How often is it that one hears someone admitting a fondness for a media product “in spite” of oneself? How many times have you heard a slogan or rancid tune ring in your ears like a brain-eating mantra? When consumer terror’s avant-garde correlative, Pop Art, became indistinguishable from the object of its supposed social satire, it erased from big business its pejorative taint. Many of today’s avant-garde stars have emerged from or entered the business World, some enormously successful in the arcane number-juggling or speculation and commodities scams. Even freeloading on the state and private foundations is fair game only for those whose bureaucratic aptitude is matched by their shameless butt-kissing. It is not surprising that most grant recipients excel in little more than lawyerristic logorrhea and ingrained artistic timidity. Critic-centered postmodernism spawned the phrase-art hybrid of Barbara Kruger and Jenny Holzer in which an advertising-style slogan is combined with an implied message or visual cue (usually swiped from some old magazine). Their posture is a hip cynicism which is supposed to subvert the “thrall” of the advertising command. Kruger and Holzer play the market like skillful double-agents, boosting themselves into the public eye through clever steals from Madison Avenue behaviorist techniques yet simultaneously troweling on crypto-Marxist jive to secure the perks of critical and academic currency. Their self-promotions worked when they were at the sidelines of the establishment. However, not the social commentary grows increasingly hollow. Currently being groomed for jet-setting prominence by Soho millionairess Mary Boone, Kruger’s contribution to the Whitney Biennial in 1987, for which she is paid a handsome sum, featured nothing more than a socialite princess joke, “I Shop Therefore I Am.” Winking at and wagging the tail of establishment hierarchy is part of that I-rib-you-gently-you-pay-me-off confidence game artists have been playing the Renaissance courts.

These contemporary court artists, like many of the past centuries, smugly pretend t spit in the eye of the exploiters while allowing themselves to be pampered de-loused—and when they are not looking—de-clawed. There are, of course, those artists, usually fresh out of university, who are unaccomplished at filling out grant forms, and therefore consider themselves “subversives.” The majority of these art and rock magazines-styled rebels are playing out rebellion psychodramas to package and merchandize to consumerist sycophants. This strategy is (forgive them term) the simulacra of terrorism: the content seizes in the frozen attitudinizing of pose and goes no further. We must look to the true outsiders and not the would-be insiders for an artist truly capable of effective counter-terror against the insidious mantras of consumerist brainwash. Terror means a threat, and the outsider’s version of Aesthetic Terrorism belongs to those performances or arrangements of words and pictures that unleash the reactionary impulses of police and bourgeois artist/critic alike. The kind of art that evokes this wrath, fear and condemnation rejoices in its pagan spirit of schadenfreude which controverts the humanist piety of “enlightened victim.” Anti-social sadism rarely receives patronage, however. Outside the corrupting realm of societal handouts, the Aesthetic Terrorist—much as this definition may grate on him—is the last bastion of aesthetic purity. Operation Sun Devil is the name for a government action against computer wizards and assorted sharpies and super-smarts who were resourceful enough to figure out how to hack into the electronic files of Ma Bell. Those who know, claim the Sun Devil gambit as a terrified overreaction against intelligence by the plodding and stupid bureaucracy.

John Perry Barlow (Whole Earth Review, Fall 1990) describes a typical Sun Devil action against a teenage hacker: [A] father in New York […] opened the door at 6.00 a.m. and found a shotgun at his nose. A dozen agents entered. While one of the kept the man’s wife in a choke-hold, the rest made ready to shoot and entered the bedroom for their sleeping 14-year-old. Before leaving, they confiscated every piece of electronic equipment, including all the telephones. Fourth Amendment guarantees against unreasonable search and seizure are unheeded by the government agents who claim nerd computer hackers are terrorists and have “the ability to access and review the files of hospital patients. Furthermore, they could have added, deleted, or altered vital patient information, possibly causing life-threatening situations.” Meacorporate interests have staked claim to the entirety of cyberspace, and they are not about to tolerate the presence of digital interlopers. This may scare off some, but other pirates like the mysterious Legion of Doom and NuPrometheus league (who illegally circulated highly protected Macintosh computer source code) will rise to the challenge now that they have been provided a clearly delineated enemy to innovation, the individual, and personal freedom. It may come as a surprise to learn that a few artists are now producing work which finds itself classified as a thought crime, punishable by expulsion into a Siberia of non-distribution, and in some cases by litigation and imprisonment. Pure magazine, from Chicago, a xeroxed vehicle which extols child torture, murder, and extreme misogyny, tweaked too many civic-minded noses, and its editor, Peter Sotos, was tailed for nine months and underwent a lengthy trial process in which he was finally convicted for possession of some very illegal magazine. Soto’s case was the first successfully prosecuted new Illinois state law, enacted under the influence of the Meese Commission Report on pornography, an example of First Amendment revisionism par excellence.

Soto’s case is particularly disquieting because it proves that prison is in the offing for simple possession of controversial material. No doubt this legal precedent was established to open the doors for future roundups of other thought criminals. The expertly managed Gulf War (massacre), in which networks censored war casualty footage that might provoke a “Vietnam War syndrome,” provides a small window into the dynamics of mass control to come. Any thoughtful individual is undeniably malnourished by the current information diet. Whether this is due to a direct conspiracy of State or by design of the oligarchic marketplace matters little. However, it has upped the ante for a new American Samizdat in which “disreputable,” “crazy,” “hateful,” or “dangerous” topics are broached by individuals or small, autonomous groups that are not compromised or swayed by institutional priorities. Can “offensive interests become the political crime of future? Apparently so. When looking at the previous sentences one can compare and see that musicians have been arrested for obscene lyrics, anarchist individuals have been collared for burning the flag; parents have been arrested for photographing their toddlers in their birthday suits; painter and performer Joe Coleman was arrested in Boston for operating an “infernal machine” and in New York for killing a rat: museum curators were threatened with arrest for hanging homoerotic photos; G.G. Allian was jailed for some consensual sadomasochism with a girlfriend; the FBI have been “monitoring” certain groups who practice unorthodox pleasures of the flesh; and on and on. Even many of the books you read have come under widely publicized attack by authors such as Carl A. Raschke who advocated the revocation of First Amendment rights from those who spread “cultural terrorism.” Even globalization could be considered cultural terrorism.

It has become increasingly obvious that the aesthetic terrorist hobgoblins are nothing more than symbolic scapegoats to divert attention away from the real issues. For Americans, fear is not another form of awareness, it is just another form of gossip. As Charles Manson has stated, true subversive terror can only be actualized by turning off the TV sets. Until then, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorists will not involve themselves in the dubious rewards of celebrity. The best of them will work alone, already a part of the enemy camp, and in a chameleon-like stye master the fifth-column algorithms to subvert the ancient regime. We will not know them by name but their compensation will be to affect the outcome of the planet. Until then, there is a lot of work to be done. Under what conditions will cooperation emerge in a World of egoists without central authority? This question has intrigued people for a long time. And for good reason. We all know that people are not angels, and that they tend to look after themselves and their own first. Yet we also know that cooperation does occur and that our civilization is based upon it. However, in situations where each individual has an incentive to be selfish, how can cooperation ever develop? The answer each of us gives to this question has a fundamental effect on how we think and act in our social, political, and economic relations with others. And the answers that others give have a great effect on how ready they will be to cooperate with us.

The most famous answer was given over three hundred years ago by Thomas Hobbes. It was pessimistic. He argued that before governments existed, the state of nature was dominated by the problem of selfish individuals who competed on such ruthless terms that life was “solitary, poor, nasty, brutish, and short” (Hobbes 1651/1962, p. 100). In his view, cooperation could not develop without a central authority, and consequently a strong government was necessary. Ever since, arguments about the proper scope of government have often focused on whether one could, or could not, expect cooperation to emerge in a particular domain if there were not an authority to police situation. Today nations interact without central authority. Therefore the requirements for the emergence of cooperation have relevance to many of the central issues of international politics. The most important problem is the security dilemma: nations often seek their own security through means which challenge the security of others. This problem arises in such areas as escalation of local conflicts and arms races. Related problems occur in international relations in the form of competition with alliances, tariff negotiations, and communal conflict places like Cyprus. The Russian invasion of Ukraine in 2022 has presented the United States of American with a typical dilemma of choice. If the United States of American continued business as usual, Russian might be encouraged to try other forms of noncooperative behavior later one. On the other hand, any substantial lessening of United States of America’s cooperation risks some form of retaliation, which could then set off counter-retaliation, setting up a pattern of mutual hostility that could be difficult to end. Much of the domestic debate about international policy is concerned with problems of just this type. And properly so, since these are hard choices.

In everyday life, if they never invite us over in return, we may ask ourselves how many times we will invite acquaintances for dinner. An executive in an organization does favors for another executive in order to get favors in exchange. A journalist who has received a leaked news story gives favorable coverage to the source in the hope that further leaks will be forthcoming. A business firm in an industry with only one other major company charges high prices with expectation that the other firm will also maintain high prices—to their mutual advantage and at the expense of the consumer. For me, a typical case of the emergence of cooperation is the development of patterns of behavior in a legislative body of the United States Senate. Each senator has an incentive to appear effective to his or her constituents, even at the expense of conflicting with other senators who are trying to appear effective to their constituents. However, this is hardly a situation of completely opposing interests, a zero-sum game. On the contrary, there are many opportunities for mutually rewarding activities by two senators. These mutually rewarding actions have led to the creation of an elaborate set of norms, or folkways, in the Senate. Among the most important of these is the norm of reciprocity—a folkway which involves helping out a colleague and getting repaid in kind. It includes vote trading but extends to so many types of mutually rewarding behavior that “it is not an exaggeration to say that reciprocity is a way of life in the Senate” (Matthews 1960, p. 100; see also Mayhew 1975). Washington was not always like this. Early observers saw the members of the Washington community as quite unscrupulous, unreliable, and characterized by “falsehood, deceit, treachery” (Smith 1906, p. 190). In the 1980s the practice of reciprocity is well established. Even the significant changes in the Senate over the last two decades, tending toward more decentralization, more openness, and more equal distribution of power, have come without abating the folkway of reciprocity.

As will be seen, it is not necessary to assume that senators are more honest, more generous, or more public-spirited than in earlier years to explain how cooperation based on reciprocity has emerged or proved stable. The emergence of cooperation can be explained as a consequence of individual senators pursuing their own interest. We are investigating how individual pursuing their own interests will act, followed by an analysis of what effects this will have for the system as a whole. Put another way, the approach is to make some assumptions about individual motives and then deduce consequences for the behavior of the entire system. The case of the U.S. Senate is a good example, but the same style of reasoning can be applied to other settings. The object of this enterprise is to develop a theory of cooperation that can be used to discover what is necessary for cooperation to emerge. By understanding the conditions that allow it to emerge, appropriate actions can be taken to foster the development of cooperation in a specific setting. The Cooperation Theory that is presented here is based upon an investigation of individuals who pursue their own self-interest without the assistance of a central authority to force them to cooperate with each other. The reason for assuming self-interest is that it allows an examination of the difficult case in which cooperation is not completely based upon a concern for other or upon the welfare of the group as a whole. It must, however, be stressed that this assumption is actually much less restrictive than it appears. If a sister is concerned for the welfare of her brother, the sister’s self-interest can be thought of as including (among many other things) this concern for the welfare of her brother. However, this does not necessarily eliminate all potential for conflict between sister and brother.

Likewise a nation may act in part out of regard for the interests of its friends, but this regard does not mean that even friendly countries are always able to cooperate for their mutual benefit. So the assumption of self-interest is really just an assumption that concern for others does not completely solve the problem of when to cooperate with them and when not to. A good example of the fundamental problem of cooperation is the case where two industrial nations have erected trade barriers to each other’s exports. If barriers were eliminated, because of the mutual advantages of free trade, both countries would be better off. However, if either country were to unilaterally eliminate its barriers, it would find itself facing terms of trade that hurt its own economy. In fact, whatever one country does, the other country is better off retaining its own trade barriers. Therefore, the problem is that each country has an incentive to retain trade barriers, leading to a worse outcome than would have been possible had both countries cooperated with each other. This basic problem occurs when the pursuit of self-interest by each leads to a poor outcome for all. To make headway in understanding the vast array of specific situations which have this property, a way is needed to represent what is common to these situations without becoming bogged down in the details unique to each. Fortunately, there is such a representation available: the famous Prisoner’s Dilemma game. In the Prisoner’s Dilemma game, there are two players. Each has two choices, namely cooperate of defect. Each must make the choice without knowing what the other will do. No matter what the other does, defection yield a higher payoff than cooperation. If both defect, the dilemma is that both do worse than if both had cooperated. Cases typically result in one of four possible outcomes in the matrix. If both players cooperate, both do fairly well. Both get a reward for mutual cooperation.

However, if one player cooperates but the other defects, the defecting play get the temptation to defect, while the cooperating players gets the sucker’s payoff. If both defect, both get the punishment for mutual defection. What would you do in such a situation? That is basically the gamble of the Prisoner’s Dilemma. The Prisoner’s Dilemma is simply an abstract formulation of some very common and very interesting situations in which what is best for each person individually leads to mutual defection, whereas everyone would have been better off with mutual cooperation. The definition of Prisoner’s Dilemma requires that several relationships hold among the four different potential outcomes. The second part of the definition of the Prisoner’s Dilemma is that the players cannot get out of their dilemma by taking turns exploiting each other. This assumption means that an even chance of exploitation and being exploited is not as good an outcome for a player as mutual cooperation. It is therefore assumed that the reward for mutual cooperation is greater than the average temptation and the sucker’s payoff. This assumption, together with the rank ordering of the four payoffs, defines the Prisoner’s Dilemma. We have come back to the point where we began, where values take the place of good and evil. However, now we have made at least a hasty tour of the intellectual experiences connected with modern politics that made such a response compelling. How it looked to thoughtful Germans is most revealingly expressed in a famous passage by Max Weber, about God science and the irrational: Finally, although a naïve optimism may have celebrated science—that is, the technique of the mastery of life founded on science—as the path which would lead to happiness, I believe I can leave this entire question aside in light of the annihilating critique which Nietzsche has made of “the last men” who “have discovered happiness.” Who, then, still believes in this with the exception of a few big babies in university chairs or in editorial offices?

So penetrating and well informed an observer as Weber could say in 1919 that the scientific spirit at the heart of Western democracy was dead for all serious men and that Nietzsche had killed it, or had at least given it the coup de grace. The presentation of “the last man” in Thus Spake Zarathusta was so decisive that the old-style Enlightenment rationalism need not even be discussed anymore; and, Weber implies, all future discussion or study must proceed with the certainty that the perspective was a “naïve” failure. Reason cannot establish values, and its belief that it can is the stupidest and most pernicious illusion. This means, simply, that almost all Americans at that time, thinking American in particular, were “big babies” and remained so, long after the Continent had grown up. One need only think of John Dewey to recognize that he fits Weber’s description to a T, and then remember what his influence here once was. And not only Dewey, but everyone from the beginning of our regime, especially those who said, “We hold these truths to be self-evident,” shared the rationalist dream. Weber’s statement is so important because he made as much as more than anyone brought us into contact with the most advanced Continental criticisms of liberal democracy, and was the intermediary between Nietzsche and us Americans who were the most recalcitrant to one’s insight, perhaps because according to it we represent the worst or most hopeless and are therefore loath to see ourselves in that mirror. A very dark view of the future has been superimposed on our incorrigible optimism. We are children playing with adult toys. They have proved too much for us to handle. However, in our defense, we are probably not the only ones for whom they are too much. Perhaps you have caught yourself kissing another person as you first saw kissing in the movies or on television. My children have a phrase to describe this: “television kiss.”

It is fortunate for them that they have noted that there are television kisses and other kinds, because it will help protect them from absorbing it, taking it into themselves where it will come back out ten years, like a replay. Most of us did not make that distinction as we sat in darkened rooms or theaters as children. Since we did not see all that much real kissing, the media kiss became our image of kissing. We found ourselves producing that model of kiss later in life. I was fourteen-year-old when I tried to kiss for the first time. I imitated Brad Pitt’s kiss, but I did not feel it. Only later did I realize that perhaps Brad Pitt did not feel it either; he was merely kissing the way the director said he should. So there I was imitating a kiss that was never real in the first place, worried that there might be something wrong with me for lacking the appropriate feeling and failing to obtain the appropriate response. The journalist Jane Margold was driving home one night in Berkeley with her brother, Harlan. Suddenly a man crawled into the street right in front of them. They screeched to a stop and then, stunned, just sat there for a moment. They finally got out and cautiously went up to the man to find out that he had been stabbed several times in his upper body, was bleeding profusely and was in danger of dying right there. The man’s assailant was nowhere to be seen. In describing the event to me, Jane said that she instantly flipped into a media version of herself. She had never faced anything like it before and had no direct feelings. Instead, playing through her mind were images of similar events she had seen on television or in films. The media superseded her own responses, even to the point of removing her from the event. She was there, but sue did not experience herself as being there. She was seeing the event, but between her and it, floating in her mind, was an image of an implanted reality which would not get out of the way. Jane thought such thoughts as: “This is real; there is a wounded man lying here in from of me, bleeding to death, yet I have no feeling. It seems like a movie.”

In fact, it was they very movielike quality that eventually got her into action. Without feeling, she performed mechanical acts. She and her brother comforted the man, directed traffic, dispatched people to summon the police and an ambulance. She became extremely efficient, but throughout, she had the sense of performing a script. Apart from their economic implications, technologies create the ways in which people perceive reality, and such ways are the key to understanding diverse forms of social and mental life. As individual express their life, so they are. There are three stages in the development of technology: the age of technology of chance, the age of technology of the artisan, the age of technology of the technician. Cultures may be classified into three types: tool-using cultures, technocracies, and technopolies. At the present time, each type may be found somewhere on the planet, although the first is rapidly disappearing: we must travel to exotic places to find a tool-using culture. If we do, it is well to go armed with the knowledge that, until the seventeenth century, all cultures were tool-users. There was, of course, considerable variation from one culture to another in the tools that were available. Some had only spears and cooking utensils. Some had water mills and coal- and horsepower. However, the main characteristic of all tool-using cultures is that their tools were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow; or to serve the symbolic World of art, politics, myth, ritual, and religion, as in the construction of castles and cathedrals and the development of the mechanical clock. In either case, tools did not attack (or, more precisely, were not intended to attack) the dignity and integrity of the culture into which they were introduced.

With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization. These beliefs, in fact, directed the invention of tools and limited the uses to which they were put. Even in the case of military technology, spiritual ideas and social customs acted as controlling forces. It is well known, for example, that the uses of the sword by samurai warriors were meticulously governed by a set of ideals known as Bushido, or the Way of the warrior. The rules and rituals specificizing when, where, and how the warrior must use either his two swords (the katana, or long sword, and the wakizashi, or short sword) were precise, tied closely to the concept of honor, and included the requirement that the warrior commit seppuku or hara-kiri should his honor be compromised. This sort of governance of military technology was not unknow in the Western World. The use of the lethal crossbow was prohibited, under threat of anathema, by Pope Innocent II in the early twelfth century. The weapon was judged to be “hateful to God” and therefore could not be used against Christians. That it could be used against Muslims and other infidels does not invalidate the point that in a tool-using culture technology is not seen as autonomous, and is subject to the jurisdiction of some binding social or religious system. This is why power, which to a large extent defines us as individuals and as nations, is itself being redefined. A clue to this redefinition emerges when we look more closely at some of the unrelated changes. For we discover that they are not as random as they seem. Whether it is Japan’s meteoric rise, GM’s impressive rebound, or the American doctor’s fall from grace, a single common thread unites them.

Take the punctured power of the god-in-a-white coat. Throughout the heyday of doctor-dominance in America, physicians kept a tight choke-hold on medical knowledge. Prescriptions were written in Latin, providing the profession with a semi-secret code, as it were, which kept most patients in ignorance. Medical journals and texts were restricted to professional readers. Medical conferences were closed to the laity. Doctors controlled medical-school curricula and enrollments. Contrast this with the situation today, when patients have astonishing access to medical knowledge. With a personal computer and a WiFi, anyone from home can access data bases like Index Medicus, and obtain scientific papers on everything from Addison’s disease to zygomycosis, and, in fact, collect more information about a specific aliment or treatment than the ordinary doctor has time to read. Copies of the 2,354-page book knows as the PDR or Physicians’ Desk Reference are also readily available to anyone. Once a week on the Lifetime cable network, any televiewer can watch twelve uninterrupted hours of highly technical television programming designed specifically to educate doctors. Many of these programs carry a disclaimer to the effect that “some of this material may not be suited toa general audience.” However, that is for the viewer to decide. The rest of the week, hardly a single newscast is aired in America without a medical story or segment. A video version of the material from the Journal of the American Medical Association is now broadcast by three hundred stations on Thursday nights. The press reports on medical malpractice cases. Inexpensive paperbacks tell ordinary readers what drug side effect to watch for, what drugs not to mix, how to raise or lower cholesterol levels through diet. In addition, major medical breakthroughs, even if television news almost before the M.S. has even taken his subscription copy of journal out of the in-box. In short, the knowledge monopoly of the medical profession has been thoroughly smashed. And the doctor is no longer a god.

This case of the dethroned doctor is, however, only one small example of a more general process changing the entire relationship of knowledge to power in the high-tech nations. In many other fields, too, closely held specialists’ knowledge is slipping out of control and reaching ordinary citizens. Similarly, inside major corporations, employees are winning access to knowledge once monopolized by management. And as knowledge is redistributed, so, too, is the power based on it. A human is a “beast” and purifies one’s heart, and behold, God holds one by the hand. That is not a kind of humans. Purity of heart is a state of being. A man is not pure in kind, but one is able to be or become pure, rather one is only essentially pure when one has become pure, and even than one does not thereby belong to a kind of humans. The “wicked,” that is, the bad, are not contrasted with good humans. The good is to draw near Hod. One does not say that those near to God are good. However, one does call the bas those who are far from God. In the language of modern thought that means that there are humans who have no share in existence, but there are no humans who possess existence. Existence cannot be possessed, but only shared in. One does not rest in the lap of existence, but one draws near to it. Nearness is nothing but such a drawing and coming near continually and as long as the human person lives. The dynamic of fairness and nearness is broken by death when it breaks the life of the person. With death there vanished the heart, that inwardness of humanity, out of which arises the pictures of the imagination, and which rises up in defiance, but which can also be purified. Separate souls vanish, separation vanished. Time which has been lived by the soul vanished with the soul, we know of no duration in time. Only the rock in which the heart is concealed, only the rock of human hearts does not vanish. For it does not stand in time. The time of the World disappears before eternity, but existing humans die into eternity as into the perfect existence.

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Cresleigh Meadows is now selling! Found just north of Feather River Boulevard, Cresleigh Meadows is home of the largest neighborhood in Plumas Ranch as well as the popular Bear River Park. With four floor plans available, ranging from approximately 2,000 – 3,500 square feet offering, three to five bedrooms, we are certain you will find the home that fits your needs and lifestyle.

Popular design elements include open floor plans, large kitchen islands, and flex spaces are staples in Cresleigh homes. Multi-generational living options also available in select homes.

Homeowners will love the convenient commuter access to nearby Sacramento and Yuba City.

Best of all, each Cresleigh home comes fully equipped with an All Ready connected home! This smart home package comes included with your home and features great tools including: video door bell and digital deadbolt for the front door, connect home hub so you can set scenes and routines to make life just a little easier. Two smart switches and USB outlets are also included, plus we’ll gift you a Google Home Hub and Go. https://cresleigh.com/cresleigh-meadows-at-plumas-ranch/

Restore to Him the Throne of the Universe

I would not necessarily say we have conjured demons that have entered members of the audience, but I would not deny it either. Every mythology has its good and evil spirits which are objects of adoration and subjects of terror, and often both classes are worshipped from opposite motives; the good, that the worshipper may receive benefit; the evil, that one may escape harm. Sometimes good deities are so benevolent that they are neglected, superstitious fear directing all devotion towards the evil spirits to propitiate them and avert the calamities they are ready to bring upon the human race; sometime the malevolent deities have so little power that they prayer of the pious is offered up to the good spirits that they may pour out still further favors, for man is a worshipping being, and will prostrate himself with equal fervor before the altar whether the deity be good or bad. Midway, however, between the good and evil beings of all mythologies there is often one whose qualities are mixed; not wholly good nor entirely evil, but balanced between the two, sometimes doing a generous action, then descending to a petty meanness, but never rising to nobility of character nor sinking to the depths of depravity; good from whim, and mischievous from caprice. As enshrined in legend, there are many mysteries to be solved involving the Winchester Mansion. Believe it or not, the key to the massive front door was made of solid gold and diamonds and the keys for the other 2,000 doors of this Eight Wonder of the World filled two water buckets. Mrs. Winchester never disclosed the spot where the “pot o’ goold” was concealed, but it was certainly not in her safe. Travellers who would go to her mansion, which was not often visited, at once became objects of intense suspicion. You are driving along a retired country road; at the turn of the hill a policeman heaves in sight. He speaks pleasantly, and if nothing arouses his suspicion, he will pass on and you see him no more; but if the slightest distrust of you or your business finds lodgment in his mind, he marks you as a possible victim.

He temporarily vanishes; look round you proceed on your journey, and you may, by chance, catch a glimpse of him a mile or two away, peeping over a wall after you, but when you appear at the Winchester mansion, he reappears, and the local policeman, after his coming, will be sure to observe you with some degree of attention. Step out on the street, and here comes the policeman, ascertains your name, takes a mental inventory of your effects, makes a not of the railway and hotel labels on your trunks, and goes away to report. A sharp detective is the policeman. He knows articles of American manufacture at a glance, and need only to see your satchel to tell whether it came from America or was made in England. Talk with him, and he will chat cordially about the weather, the crops, the state of the markets, but all the time he is trying to make out who you are and what is your business. His eyes ramble from your hat to your shoes, and by the time the conversation is ended, he has prepared for the “sergeant” who many say was the very Mrs. Winchester, a report of your personal appearance and apparel. There was also a legend that he was one of the spirits from the mansion, but no one can say for sure. From the day he puts on his neat blue uniform and saucerlike cap, the constable, on or near the mansion, carries his life in his hand. Every hedge he scrutinized with a careful eye; behind it may lurk an assassin. Every division wall is watched for suspicious indications, his alertness being quickened by the knowledge that he is guarding his own life. He watched the mansion with a love stronger than death, knowing that Mrs. Winchester was a widow, and the gentle soul, with an untiring devotion, spent her life reciting the prayers for the dead. Mrs. Winchester often times wondered who was she? What was she? And where was she? Those questioned remained unanswered. It was no matter for her to let them go.

“It was lonely,” said Mrs. Winchester. “Monotonous Tedious, in fact. The birds and horses and things are pleasant company, and they love me and I love them; but here lately they seem somehow insufficient. I lack something, I do not know what it is. If only they could see how pretty I am, and how rounded and smooth, and how daintily formed are my limbs. Possibly they do; sometimes I think they do; but at most they only look it, they do not say it—at least in any language that I can understand. I begin to feel sure that that is what I lack—to hear it said. So I am happier than I once was. I try to put away from me that thought—the thought of my husband and new born daughter—and in the day I succeed, and am content, and do not feel my pain. But at night I dream—and dream.” By the late 1880s, practices of sorcery in California had become so widespread. A long list of canons forbade the use of sacraments or holy objects in magical rituals or divination with holy water or blessed candles. The practice of sorcery with profane objects, it was decided, did not come under the jurisdiction of the Inquisition but was to be handled by secular authorities. There were some priests who were especially noted for their corruption and for their singular devotion to money. Members of the group were often found to be conducting rites too wild for the Catholic hierarchy to condone and were excommunicated. It was from this body of clergy that the modern Black Mass was to emerge. Monks who were renegades of the Franciscan order, were reported to have held nocturnal conventicles at which, after the service, indiscriminate events took place. When a baby was the inadvertent product of one of these gatherings, its body was supposedly burned, the ashes being mixed with blood that was served as a sacrament during the admission ceremonies of new members of the church. Such reports of disaffected renegade priests conducting illicit Masse were not infrequent at the time.

Sometimes the victims were obtained either by outright abduction or by buying them from their peasant parents, who were glad enough to sell the children, thinking that they were being taken as servants and would have a much easier life on the estate of a rich nobleman than plowing the fields. Now one may see why the Winchester mansion and Mrs. Winchester were so heavily guarded. In one church in particular, at the altar stood a statue of a hideous demon, presumably Satan. One room contained copper vessels filled with the blood of his sacrificial victims, the vessels all bearing neat labels revealing the dates of execution. In the center of the room was a black marble table, upon which was the body of a child who have been freshly slaughtered. These ritual Masses called from blood sacrifices to Astaroth and Asmodue, demons of love and lust. The blood was poured into a chalice. To that blood, flour was assed and a wafer made. The operators, seeking personal gain, sought to get what they wished from any source that would give it to them, and they were willing to prostrate themselves before any deity, good or evil, to accomplish their goals. It seems obvious that officials within the Church and without believed in the existence of such practices by renegade priests, which caused a sharp break in man’s attitude toward man and toward religion to occur. For the first time in centuries man began to look at himself and his society less seriously. With this new perspective, man’s religion also changed, and Satanism did, too. Therefore, it is no wonder that Mrs. Sarah Winchester’s arrival to the valley was a sensational event. People were thrilled by this dramatic entrance of a millionairess; by those freight cars sidetracked in Satan Clara, uploading rich imported furnishing; by building activity that mushroom a farm house into a mansion with over 500 rooms, and as many as 125,000 square feet.

Here was fair came for all! They talked about Mrs. Winchester! Talk begat rumor and as the years passed and new towers and wings arouse, so did the colossal, ominous figure of Satan, which had struck men dumb with terror and awe. The people of the valley could not tell if it was an optical illusions or material. When President Theodore Roosevelt’s entourage passed the Winchester House in 1903 to plant the City of Campbell’s famous redwood tree, he expressed desire to visit this now World-famous dwelling. At the great front door our nation’s leader was more than astonished when the ominous figure told him, “Mrs. Winchester is not at home!” As he left, a procession of white-and-red-robed, torch-bearing monks were seen floating down the misty nine-story tower of the Winchester Mansion. The ubiquitous inverted crucifix and black candles were present. There was a Mass taking place before an altar surmounted by a cross, on top of which was the sign of the tetragram, a traditional magical symbol representing the four elements and used in the conjuration of the elementary spirts. Mrs. Winchester was locked in her mansion in a life-and-death struggle with evil, spirits killed by the Winchester rifle. A cross was made in the fields. There was a goat trampling on the crucifix and a ghostly priest wearing a black robe and performing a ceremony. That night, passers by heard ghostly music wafting from the dark mansion. It was described as unholy sounds as the Devil’s Tritone. While God had invented music, Satan was the first musician, and many claimed to feel his presence. Classical music composers who were supposedly in attendance that night, he been denounced by the Church for making actual pacts with the Devil. And that night, these spirits in black and red robes insisted on all genuine creativity, including the music, which was the result of an implicit pact with the infernal. Shortly after the music started, witches assembled on the estate, there to jabber and disport themselves pending Satan’s arrival. When he appeared, they formed a circle around his throne and glorified him.

When he felt sufficiently stimulated by the praise, he gave the signal for the sabbath to begin. But this dark exuberance proved too much for the party. The night ended when the bell in the belfry high in the gables tolled at an ungodly hour to warn these visitors to return to their sepulchres. Mrs. Winchester felt such a demonic force that night…she dreamt of witches. She woke up screaming and screaming…and said, “I have seen the Devil.” And still a ghostly violin was playing as legions of restless souls still wandered in the mansion. The very act of hearing this music indicates that its intended purposes worked. This particular exercise was also intended to awaken dormant regions of the human mind. Ghosts playing certain frequencies would make unbelievable things happen the next day. It released adrenal energy, and the next day dead bodies were discovered mining in a cave in San Francisco. Mrs. Winchester fainted when she saw that the walls in her Daisy bedroom were done in scarlet black, and black candles surrounded the altar, on which a figure of Satan majestically sat. She found that her Bible was partially destroyed, there was a broken chalice, and inverted cross craved into the floor. Similar events took place all over the Bay Area that night. Weird animal sacrifices turned up with alarming frequency. Churches were vandalized, graves disturbed, and mysterious magical symbols were inscribed on church wall. It was as if the dead had been risen. I remember Mrs. Winchester telling me once of a visitation she had from her husband, William Wirt Winchester, deceased nearly ten years, and the shock of seeing him again, nearly killed her. This true story of these awful and inexplicable events—an experience that in one short day changed the colour of her hair from brown to white, and carved lines on her face that nothing would ever erase, haunted her with the recollection of the most fearful ordeal she ever went through and emerged alive to speak of it. Mrs. Winchester invited a Medium to her home to conduct a séance in the blue séance room. They heard such a melody as the World had never yet heard the equal to, note by note. A sort of ecstatic trance, and the most wonderful tunes ravished the air as if invisible hands swept over piano keys.

It seemed to tell her an unearthly story, faintly imagined and seen, shadow-like as in a dream, and awe-struck and bewildered, she crouched down on the cold stone floor, covering her ears, for she knew such a melody was never meant for human ears to hear. How long it lasted, she could not say, but it gradually died away as gently and imperceptibly as a summers breeze, and as it did so, the clock in the tower slowly struck 1.13 A.M. Then action came to her, and Mrs. Winchester sprang to her feet, she flew to the door and fumbled with the key. The rain was falling heavily without as she tore open the door, and she felt that strange soft wind she had felt thirteen times before pass her from behind! It passed her—passed her into the night was gone. But the sequel to that strange night’s experience came two hours later. A telegram came for Mrs. Winchester, that Reuben Gallon, a police officer known for guarding her estate was found dead outside her estate near the six-foot hedge with his horse laying by his side. The cause of death was apparently from fright. A priest who possessed a great deal of occult literature and practiced magic resented Mrs. Winchester because his mansion was much vaster and more beautiful than his church. He was envious of Mrs. Winchester’s zeal and determined to silence her and stop her building. He threated to cast a spell upon her which would upset her mentally, and perhaps this night of horrors was the result. Many charms are used to stir up love or hate, and some magicians specialize in this area of magic. Causing the death of human beings and animals. This type of black magic belongs to the darkest sphere of occultism. Such episodes may appear utterly absurd and pure superstition to people in countries comparatively free of black magic, but instead they should be warnings of the power of Satan and demons where occult literature lures readers into illicit knowledge. The satanists worshipped Lucifer, the fallen angel, who they believe has always had more power on Earth than God. Their goal is to restore him to “the throne of the Universe,” these strains echoing the tenets of the old Luciferins. In an honest moment, the priest confessed: “I didn’t want to curse Mrs. Winchester, but I was driven to do it. The devil drives me. I can never find rest.” By sympathy of your hearts for sin, more evil impulses inexhaustively than human power have stained the Earth. Such tragic events oftehn involve as many as four generations.


Unlock the secrets of these dark halls, where the magical arts have been cultivated and praticed.

A Guided tour through 110 of the 160 rooms. Guests will be able to see the infamous rooms of Sarah’s stately mansion, known around the world as the Winchester Mystery House®, and see the bizarre attributes that give the mysterious mansion its name.
Tour Duration: 1 Hour, 5 Minutes
Prices: $41.99 adults, $34.99 seniors 65+, $19.99 children 5-12.
Save by bundling both tours together! www.winchestermysteryhouse.com













































































































