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By the Way of King Diamond and Diamond Baby

Black metal, as a 1990s phenomenon, is a creature with an identity largely distinct from its parent heavy metal music. Growing like a poisonous fungus away from the light of mainstream media and interest, it developed its own bizarre sounds, imagery and philosophies. Fostered upon a diet of xeroxed fanzines with names like Thanatograpy (after Thanatos, Greek god of death), Hammer of Damnation and Baphomet, its teenage male exponents were keen to make their mark with a genre too willfully obnoxious for outsiders. Visually, bands tried to outdo each other with outrageously macabre or offensive imagery: fire-breathing; tattered black clothing or robes; blood-soaked or naked flesh; medieval weaponry; bullet belts and spiked leather; insane calligraphy—spattered with profane images—which rendered band names illegible or scarcely identifiable. The most striking black-metal “fashion statement,” however, was the sepulchral black-and-white make-up worn by many bands which became known as “corpse paint”—a mutated offspring of the theatrical greasepaint worn by KISS in the 1970s, by way of King Diamond. At the movements genesis, few band members had racked up enough years of experience to excel at their instruments in the traditional fashion—instead, they concentrated on producing unearthly, crazed, bizarre sounds with guitars, drums, the human voice and keyboards. Specialist independent record labels, founded by fans or the bands themselves, sprang up as a truly international underground: Osmose Productions in France; Blackground Records 2.0 and Wild Rags in America; Candlelight Records in Spain. The list continues to proliferate to the present day, but the most influential of all was a small Scandinavian label called Deathlike Silence—of which, much more later. #RandolphHarris 1 of 21

One of the more arresting rock artists of the early 1990s bridged the gap between the musical extremes of black metal and rock “n” roll’s demonic roots in the blues. Far subtler than most black metal bands, Glenn Danzig still operated at the infernal end of the spectrum. An anomaly who stubbornly refused to bow to the expectations of either purists or populists, Danzig began his career at the height of the punk revolution in 1977 as vocalist for New Jersey band the Misfits. No ordinary punk band, Danzig’s classic rock “n” roll delivery gave a quasi-1950s feel to their abrasive sound, while they spurned the usual punk look in devour of an all-year-round Halloween image. Sporting monstrous black quiffs they dubbed “devil locks,” the Misfits often took the stage in skeletal garb—indeed, Danzig’s skull make-up was prescient of the “corpse paint” popular among the 1990s black metal bands. The Misfits were one of the first punk bands whose songs possessed a strong gothic undercurrent. Many reflected their love of fascinating schlock movies, such as “Teenagers from Mars” and “Return of the Fly,” but others were genuinely disturbing explorations of hat and violence. Their second recording, Bullet, featured a song entitled “Hollywood Babylon,” inspired by magus and film-maker Kenneth Anger, while another track included an authentic Latin chant for effecting a werewolf transformation. In what was to become a familiar pattern, Danzig tired of the more tongue-in-cheek aspects of the Misfits, forming Samhain (pronounced “Sow-En”—the precursor to Halloween, a Celtic festival dedicated to fire and death) who released their first album, Initium, in 1984. This was a stark journey into primal evil, threatening rhythms and bleak guitars combining with Danzig’s lupine vocals to create a musical beast that howled at the World. It was all too bleak for most audiences and, in 1987, the vocalist dissolved the band in order to enter his third incarnation—called simply Danzig. #RandolphHarris 2 of 21

Danzig was in many ways the singer’s most innovative project, as well as the most overtly Satanic. Voodoo blues as deep and black as Mississippi mud met predatory heavy metal, with vocal style redolent of early rock “n” roll’s late-fifties/early-sixties crooners. Typically, Glenn Danzig’s insistence on treating his Satanic subject matter without a trace of irony did not endear him to the press. Short, powerfully built, with raven black hair and prominent side-burns, the music media dubbed him as “Evil Elvis” or, more irreverently, “Fonzig.” Some audiences were also perplexed: younger black metal fans wanted a less subtle Satanism, while rock fans who appreciated Danzig’s musical approach found his lyrical preoccupation off-putting. Nevertheless, the ban attracted a dedicated fan base, appreciative of a familiarity with demonic subject matter that most shock-horror rockers could only envy. Nietzschean howls of defiance against the Creator, such as “Godless,” complemented more traditional takes on hellish suffering like “Tired of Being Alive.” At his quietest, Danzig was at his most sinister—like the poet William Blake, Danzig identified love as “a Devil’s thing.” In 1994, when MTV picked up on the video for the anthemic “Mother, the band received mainstream attention; in the same year, an uncompromising Glenn Danzig released a solo project entitled Black Aria: an album of quasi-classical music retelling the story of Satan’s fall from grace. In 1996, after four albums of powerfully-infernal rock music, Danzig took his eponymus band in a new direction. BlackAcidDevil was predominantly an industrial record, many fans mourning the passing of the classic Danzig sound and dismissing at as “poor man’s Nine Inch Nails.” In truth, when the industrial grind is layered with the dark velvet of Danzig’s seductive tones—as on “Come to Silver,” an exploration of temptation—then the material becomes really interesting. #RandolphHarris 3 of 21

The indifferent sales and reviews that greeted BlackAcidDevil tested Danzig’s already-strained relationship with the music business. He let the band slip back into the cult status he was perhaps happiest with, and began spending the money he had made from his musical career on other projects—most notably a comic-book company named Verotik. As the company’s name suggests, these comics are crammed with violence and erotica, combined with the fascination for all things infernal that has become Glenn Danzig’s trademark. Scripting many of the comic-strips himself, Danzig introduced overly devilish characters, like the vamp Satanika, to stake his claim as one of the main modern contributors to Satanic popular culture. On the continent of Europe, particularly in the Norwegian capital, Oslo, things were being taken to a less subtle extreme. Deathlike Silence was an independent record label owned by a young man who re-named himself Euronymous—according to some folklore traditions, a cannibalistic demon with skin the bluish-black colour of a meatfly’s carapace—who also ran a dank, dingy specialist record store named Helvete (meaning “Hell”) and founded a band called Mayhem. Mayhem formed in 1984, just as the original black metal scene was peaking, debuting with a demo called Pure Fucking Armageddon and an album called Deathcrush. Interest in Satanic imagery, with its attendant gothic spikes-and-leather garb, was faltering among audiences at this time, but Mayhem clung onto its uncompromising style. They sounded like a rawer, more grinding version of Venom, screaming and thundering between militaristic marches and growling rage. As the tastes of young underground fans in the 1990s swung further towards the diabolical excess, Euronymous’ obsessive dedication made him a potent force on the newly-burgeoning black metal scene. #RandolphHarris 4 of 21

During the early 1990s, Euronymous’ store became the focus for a small circle of likeminded Scandinavian metal fans who all started their own bands. This loose group named itself variously the Black Metal Circle, Satanic Terrorists or Black Metal Mafia, and was influenced by the supposedly Satanic doctrines of Euronymous—based around a vague reading of the biblical concept of war between Heaven and Hell. For Euronymous, siding with Satan meant endorsing everything that was considered evil, spiteful, hateful. Hate motivated his philosophy, coloured by the cold, depressive morbidity that characterizes the negative edge of the Scandinavian psyche. All of the releases on Deathlike Silence were stamped with the “Anti-Mosh” symbol (moshing is a raucously combative form of dancing common to thrash and death metal fans). Around the symbol were stamped the messages “No Mosh,” “No Core” (a reference to the hardcore punk revival), “No Trends” and “No Fun”—these sentiments taking against those metal audiences who were introducing splashes of gaudy mainstream colour, in the form of Bermuda shorts, baseball caps and skateboards. In the center of the “No Moshing” symbol was a red line struck through those figures Euronymous professed to hate most: Scott Burns, the Florida-based record producer whose work had come to dominate the death metal scene, and curiously, Anton LaVey. Euronymous divorced himself from all Satanic tradition, loathing LaVey because of the Church of Satan’s philosophy of self-empowerment and individualism. Euronymous’ simple faith expressed all that was negative: a cold core for violent code of self-destructive nihilism. Joining Mayhem in their isolated World of hate were several other extreme bands. Burzum—chiefly a vehicle for Count Grishnackh (given name Kristian Vikernes, though he legally changed his first name to Varg, Norwegian for “wolf”), who had lived in the damp, lightless cellar of the Helvete record shop for some time—were a prominent presence. Burzum were an odd blend of frustrated insanity and strange, sad, ambient mood music, pained pathos and gibbering fury—oddly effective, but distinctly disturbed. #RandolphHarris 5 of 21

Founder member Grishnackh took his name from one of the evil “orc” characters in J.R.R. Tolkien’s fantasy trilogy The Lord of the Rings, while Burzum meant “darkness” in the orcish language conceived by Tolkien. Perverse as this seems, it should be remembered that The Bible is just a book of stories—in this light, perhaps using The Lord of the Rings as the basis for an (im)moral philosophical code is not wholly ludicrous. However, it does an infernal philosopher’s credibility no favours to identify too closely with “hobbits” (glorified goblin). Grishnackh’s personal mythology combined the darkness-versus-light motifs of “mystic quest”/sword-and-sorcery sagas with the violent Viking tradition he believed true Northern Europeans belonged to. While this seems symptomatic of Scandinavia’s peripheral removal from—and distorted imitation of—Western pop culture, it also has an authentic dark side. As is common among Norse pagan revivalists, the Black Metal Circle began to espouse race-based Nazi political views. (Though totalitarian-loving Euronymous also expressed admiration for communist despots and Cambodian genocidalist Pol Pot.) Also pivotal in this new movement were the bands Emperor, Immortal, Enslaved and Arcturus. The last to join Euronymous’s Norwegian cadre were Dark Throne, who had already recorded one death metal album, Soulside Journey, in 1990. In the following year, they disowned their debut, donned corpse-paint and joined the “Satanic Mafia” with their album A Blaze in the Northern Sky. If Euronymous exemplified the nihilistic hate at the heart of the Black Metal Circle, and Burzum represented its violent Norse/Nazi fantasies, then Dark Throne symbolized the Circle’s isolation and sociopathic need for solitude. Taking their country’s sombre, anti-social reputation to extremes, the band never met to record, spoke little, and spent increasing periods alone in the frost-bitten Norwegian wilderness. #RandolphHarris 6 of 21

In the spring of 1991, Mayhem’s vocalist died: a Swede who, by way of black comedy, had re-named himself “Dead.” Dead blew his head off with a shotgun, leaving a note to day that he felt he was not of this World, but belonged instead to the cold solitude of the forest. He also apologized for the mess. As in common with obsessively inward-looking groups like the Black Metal Circle, a crisis of this type either causes the grouping to dissolve, or re-enforces their convictions. The latter instance applied, and the Circle hailed Dead as a hero. Euronymous, who found the corpse, rushed out for a camera to take his final photograph of Dead before altering the authorities—claiming a morsel of brain to make into soup and a fragment of skull to fashion into a necklace. At this point, the Black Metal Circle were no longer merely a group of disaffected teens and early-twentysomethings, but a subculture who believed themselves to be at the center of significant, apocalyptic events. Euronymous’ demented, anti-social rants were making him a regular feature in the underground metal fanzines; despite the continued indifference of the global music media, black metal was rising from the grassroots across the World. The “legend of Dead” contributed to a growing international interest in extreme, Scandinavian Satanic metal, with Deathlike Silence treating the grim event as a grotesque promotional gimmick. For the first time, European countries bordering the Mediterranean also began throwing up a slew of black metal acts—most notably the Greek band Rotting Christ. In contrast to the could hatred of the Northerners, the Southern European scene was inclined to a less self-destructive, more LaVeyan approach—though Anton LaVey would have regarded many of them as blasphemy-fixated novices, struggling to topple the repressive Christianity that dominates their culture. #RandolphHarris 7 of 21

Much of black metal is supposed to be inspired by demons. They cannot be any worse than human being, right? Many of them just have never possessed a body of their own. They are souls who have been lurking around before humanity. Before the dinosaurs. They are the darkness. The reason God created life so that life could flourish and grow and rest when it is dark. Demon possession is a condition in which one or more evil spirits or demons inhabit the body of a human being and can take complete control of their victim at will. By temporarily blotting out one’s consciousness, they can speak and act through one as their complete slave and tool. The inhabiting demon (or demons) comes and goes much like the proprietor of a house who may or may not be “at home.” When the demon is “at home,” one may precipitate an attack. In these attacks the victim passes from one’s normal state of possession. The condition of the afflicted person in the “possessed” state varies greatly. Sometimes it is marked by depression and deep melancholy, sometimes by vacancy and stupidity that resemble idiocy. Sometimes the victim may be ecstatic or extremely malevolent and wildly ferocious. During the transition from the normal to the abnormal state, the victim is frequently thrown into a violent paroxysm, often falling to the ground unconscious, foaming at the mouth with symptoms similar to epilepsy or hysteria. The intervals between attacks vary greatly from an hour or less to months. Between attacks, the subject may be healthy and appear normal in every way. The abnormal or demonized stages can last a few minutes or several days. Sometimes the attacks are mild; sometimes they are violent. If they are frequent and violent, the health of the subject suffers. The chief characteristic of demon possession or demonomania is the automatic projection of a new personality in the victim. During attack the victim’s personality is completely obliterated, and the inhabiting demon’s personality takes over completely. #RandolphHarris 8 of 21

The inhabiting demon uses the victim’s body as a vehicle for one’s own thoughts, words, and acts. The demon even speaks out of the victim’s mouth and declares emphatically that one is a demon. Frequently one gives one’s name and dwelling place. The new personality reveals itself in a different voice and sometimes uses a different language or dialect on a completely different educational or cultural level. Pronouns are used to emphasize the new personality. The first personal pronoun consistently designates the inhabiting demon. Bystanders are addressed in the second person. The victim is referred to in the third person and looked upon during the attack as unconscious and for all practical purposes as nonexistent during this interval. Demonomania should be clearly differentiated from the insanity in which a person imagines oneself to be someone else, often a famous personality such as Liz Taylor, Julius Caesar, of William Randolph Hearst. The demoniac, when in the demonized state characterized by the new personality, speaks and acts in all respects like a completely different person. By contrast, the insane person is one’s own diseased self, one’s assumed personality being a transparent unreality. In cases of demon possession the new personality clearly and constantly recognizes the distinct existence and individuality of its “possessed” victim, speaking of that victim in the third person, an element entirely lacking in cases of insanity. Because various inadequate theories have left demon possession largely unexplained, it is quite probable that some patients in mental hospitals are demon possessed rather than insane. This was the conviction of the famous nineteenth-century specialist in mental diseases, Dr. Forces Benignus Winslow (1810-1874). He correctly recognized the demoniac by a strange duality; and by the fact that, when temporarily relived from the oppression of the demon, he is frequently able to describe the force which takes control of one and compels one to act and speak shamefully. #RandolphHarris 9 of 21

While in the demonized state many persons give evidence of knowledge which cannot be accounted for naturally. The demon who takes control of the body of one’s victim is obviously the source of the superhuman knowledge. While demon possessed, many persons recognize the Lord Jesus Christ as the Son of God, and display an aversion to and a fear of Him (Mark 1.23-24; 5.7). The case of Mrs. Winchester, who lived in Santa Clara County, illustrates how a woman came under demon domination through practicing séances. Being centered within our own God like power is of utmost importance. Even when evoked to create change directly, keep in mind that you are the God that wields these powers for the cause of Counter Creation. Just be careful! As a God you will be tested and so how these powers are wielded is a powerful initiatic test in its own right. Mrs. Winchester was in her Blue Séance Room, she lite a candle on her left first, and then a candle on her right. A sacred serpent was sacrificed over the wood sigil and the blood was left to drain upon the idol. Then the body of the serpent was encircled around it, she chanted “I do invocate and conjure thee, O Spirit, Sabnock; and being with power armed from the SUPREME MAJESTY, I do strongly command thee, by BERALANENSIS, BALADACHIENSIS, PAUMACHIA, and APOLOGIAE SEDES; by the most Powerful Princes, Genii, Liachidae, and Ministers of the Tartarean Abode; and by the Chief Prince of the Seat or Apologia in the Ninth Legion, I do invoke thee, and by invocating conjure thee. And being armed with power from the SUPREME MAJESTY, I do strongly command thee, by Him Who spake and it was done, and unto whom all creatures be obedient. Also I, being made after the image of GOD, endued with power from GOD and created according unto His will, do exorcise thee by that most mighty and powerful name of GOD, EL, strong and wonderful; O thou Spirit Sabnock. And I command thee and Him who spake the Word and HIS FIAT was accomplished and by all the names of God. #RandolphHarris 10 of 21

“Also by the names ADONAI, EL, ELOHIM, ELOHI, EHYEH, ASHER EHYEH, ZABAOTH, ELION, IAH, TETRAGRAMMATON, SHADDAI, LORD GOD MOST HIGH, I do exorcise thee and do powerfully command thee, O thou Spirit Sabnock, that thou dost forthwith appear unto me here before this Circle in a fair human shape, without any deformity or tortuosity. And by this ineffable name, TETRAGRAMMATON IEHOVAH, do I command thee, at which being heard the elements are overthrown, the air is shaken, the sea runneth back, the fire is quenched, the Earth trembleth, and all the hosts of the celestials, terrestrials, and infernals do tremble together, and are troubled and confounded. Wherefore come thou, O Spirit Sabnock, forthwith, and without delay, from any or all parts of the World wherever thou mayest be, and make rational answers unto all things that I shall demand of thee. Come thou peaceably, visibly, and affably, now, and without delay, manifesting that which I shall desire. For thou art conjured by the name of the LIVING and TRUE GOD, HELIOREN, wherefore fulfill thou my commands, and persist thou therein unto the end, and according unto mine interest, visibly and affably speaking unto me with a voice clear and intelligible without any ambiguity. I do invocate, conjure, and command thee, O thou Spirit Sabnock, to appear and to show thyself visible unto me before this Circle in fair and comely shape, without any deformity or tortuosity; by the name and in the name IAH and VAU which Adam heard and spake; and by the name of God, AGLA, which Lot heard and was saved with his family; and by the name IOTH, which Jacob heard from the angels wrestling with him, and was delivered from the hand of Esau his brother; and by the name ANAPHAEXTON which Aaron heard and spake and was made wise; and by the name ZBAOTH, which Moses named and all the rivers were turned into blood; and by the name ASHER EHYEH ORISTON, which Moses named, and all the rivers brought forth frogs, and they ascended into the house, destroying all things. #RandolpHarris 11 of 21

“And by the name ELION, WHICH Moses named, and there was a great hail such as had not been since the beginning of the World; and by the name ADONAI, which Moses named, and there came up locusts, which appeared upon the whole land, and devoured all which the hail had left; and by the name SCHEMA AMATHIA which Ioshua called upon, and the sun stayed his course; and by the name ALPHA and OMEGA, which Daniel named, and destroyed Bel, and slew the Dragon; and in the name EMMANUEL, which the three children, Shadrach, Meshach and Abed-nego, sang in the midst of the fiery furnace, and were delivered; and by the name HAGIOS; and by the SEAL OF ADONI; and by ISCHYROS, ATHANATOS; and by these three secret names, AGLA, ON, TETRAGRAMMATION, do I adjure and constrain thee. And by these names, and by all other names of the LIVING and TRUE GOD, the LORD ALMIGHTY, I do exorcise and command thee, O Spirit Sabnock, even by Him Who spake the Word and it was done, and to Whom all creatures are obedient; and by the dreadful judgments of GOD; and by the uncertain Sea of Glass, which is before the DIVINE MAJESTY, mighty and powerful; by the four beasts before the throne, having eyes before and behind; by the fire round about the throne; by the holy angels of Heaven; and by the mighty wisdom of GOD; I do potently exorcise thee, that thou appearest here before this Circle, to fulfill my will in all things which shall seem good unto me; by the Seal of BASDATHEA BALDACHIA; and by this name PRIMEUMATON, which Moses named, and the Earth Opened, and did swallow up Kora, Dathan, and Abiram. Wherefore thou shalt make faithful answers unto all my demands, O Spirit Sabnock, and shalt perform all my desires so far as in thine office thou art capable hereof. Wherefore, come thou, visibly, peaceably, and affably, now without delay, to manifest that which I desire, speaking with a clear and perfect voice, intelligibly, and to mine understanding. #RandolphHarris 12 of 21

“Tbatlu! Bualu! Tulatu! Labusi! Ubisi!—Let thee also appear and being before me the Spirit of Sabnock. Sovar, merciless leader of Divs come forth! Inner eye behold the demon before me. Sovar awaken! Rise up within that I may compel the rise of the fallen ones and devour the very essence of the Holy Angel Shahrewar! I stand alone as the embodiment of the Adversary known as Ahriman, the Black Dragon of Chaos and becoming! I devour the natural order of stasis brought forth by Ahura Mazda and forge my destiny through the power of the Black Sun! Taromat, beautiful Div or rebellion come forthy! Inner eye behold the demoness before me. Toramat awaken! Rise up within that I may compel the rise of the fallen ones and devour the very essence of the Holy Angel Spandarmad! Ahirman, Lord of Darkness divine, I thank you for your presence within this unholy temple of counter creation. I have offered you the life of this noxious creature as a gateway to your manifestation within this realm to stand before me! You are Angra Mainyu who is the Lord of counter creation, whom has brought forth the mountains to the plains! You have brought forth the beasts to the field and the creatures of the night! Ahriman with your infernal blessing I ask that you would bring forth the baneful powers of the wolf kin to fill this oil with their essence that it may be compelled according to my will! I offer my nails as fangs which will devour that which stands in my way! I offer my hair to embody their predatory essence! I give my blood as a gateway to empower them to act within this world according to my will and purpose!” Then Mrs. Winchester heard the distant howling of wolves and she perceived their phantom shadows as they began to surround her and encroach. She was focused on Sabnock and dared not fear that which she had just conjured. SABNOCK—of course is the Forty-third Spirit of the Winchester Mansion. He is a Marquis, Mighty, Great, and Strong, appearing in the Form of an Armed Soldier with a Lion’s Head, riding on a pale-coloured horse. His office is to build high Towers, Castles and Cities, ad to furnish them with Armour, etcetera. Also he can conflict Men for many days with Wounds and with Sores rotten and full of Worms. He giventh Good Familiars at the request of the Exorcist. Commandth 50 Legions of Spirits; and his Seal is this, etcetera. #RandolphHarris 13 of 21

Mrs. Winchester fell down unconscious, frothing at the mouth, and was carried to her room, outside where the crescent hedge is planted. A doctor was called in gave her large doses of medicine to no avail. He left and refused to have anything more to do with the case as he saw with in hours gables and towers rise, wings of the mansion extended right before his eyes, and gardens grow from sprouts and spring up to mature plants and trees before night fall. For five of six days Mrs. Winchester raved wildly, and her staff and friends were in great distress. In desperation they proposed giving Mrs. Winchester more medicine. However, the demon, speaking through her, replied: “Any amount of medicine will be of no use.” Daisy then implored, “If medicine will be of no use, what shall we do?” The demon replied, “Burn incense to me, and submit yourself to me, and all will be well.” The staff knelt down and worshiped the demon, imploring him to torment Mrs. Winchester no longer. During that time Mrs. Winchester was in a state of complete unconsciousness. A little later when the demon drove Mrs. Winchester to renewed frenzy, her distraught staff repeated their promise to worship and serve him. They also promised that they would urge their Mrs. Winchester to do likewise. When Mrs. Winchester regained consciousness, she reluctantly consented to do so. The demon gave explicit directions regarding the proposed worship. On the first and fifteenth of each month, incense was to be burned, food offered, and the require prostration made before the shrine of himself, SABNOCK. Periodically the demon came, sometimes every few days, sometimes after a month’s lapse. Each time, Mrs. Winchester felt fluttering of her heart, a sense of overwhelming fear, and inability to control herself. She would quietly as Daisy to fetch a neighboring woman whenever the demon came. The two would burn incense to the demon in Mrs. Winchester’s stead and receive his directives, which they then communicated to the possessed. #RandolphHarris 14 of 21

Although these communications were spoken by the Mrs. Winchester’s (the victim) lips, she was completely unaware of them, since she was in the demonized state. The demon often bade the audience not to be afraid, protesting he would not harm them, but rather help them in various ways. He declared he would instruct the victim in the healing art, so that people would flock to her and be cured of their sickness. This soon proved true, although may diseases were not under the demon’s control. Apparently only those afflicted by evil spirits were completely cured. Mrs. Winchester’s long-ill child was not helped. The demon declared he controlled many inferior spirits. He also frequently outlined his plan for Mrs. Winchester’s life and work. He promised he would help her grow more proficient as a healer, and the people would compensate her for her services. Gifts thus earned were donated to the nearby ancient pagan temple. As certain parts of the Winchester mansion would appear but once every seventeen years, SABNOCK was never seen save on the eve of some awful calamity, visitors to the mansion had a very slight chance of seeing his physical body. There could be no doubt though of the existence of the mansion and SABNOCK, for everybody knows he was one of the greatest of the giants during his natural lifetime, nor could any better evidence be asked then the facts that he guided Mrs. Winchester into turning stone, wood, and class into the World’s most beautiful and bizarre mansions. The door-to-nowhere was also known as Lovers’ Leap;” from which Mrs. Winchester once flung herself when she was a state of deep morning, and survived unharmed. The path SABOCK made from the door-to-nowhere to the mountains was used by him when he would leave his island and come to shore. Upon being informed of the variety and amount of legendary material collected about the Winchester mansion and Mrs. Winchester’s doings, many people unhesitatingly pronounced the entire assortment condemned all the gathered treasures as creations of the supernatural. #RandolphHarris 15 of 21

It was very well beknown that in them old days there were giants in plenty hereabouts, but they did not make the make an appearance at the estate very often. But everyone knows that there were giants, because if there were not, no one would know of them at all. They were just like human beings, except in the matter of size, and one of them could make a dozen like men that live now. When they walked, they carried oak trees for sticks and lived in the forest of the giants, and carved the mountain and caves. (It should be noted that spiritistic visions of this nature are quite likely to occur in the course of reading occult literature. Sometimes people mistake these visions for genuine religious experiences. However, it is again a case of Satan disguising himself as an angel of the light.) Yet, there are more than 20,000 accounts of spirits, ghost, angels and demons being seen in the Winchester mansion. The uncanny phenomena places one under a charm. The pattern of the courts during this early period in the 1800s was erratic, sometimes convicting, sometimes throwing cases out of court for lack of evidence, something awarding damages for slander to those who had been maligned as witches by accusers. This vacillation sprang from the fact that the judicial bodies that heard the causes were not religious but secular, and therefore had little competence in dealing with matters that were primarily religious. As far as control was concerned, in adhering to the principles of congregationalism, the responsibility for suppressing heresy and enforcing religious behavior within the communities went to the state. The trial judges were not the sure, steadfast, confident Dominican Inquisitors or Protestant prosecutors of the Old World, but merely secular officials of the valley who had been forced into the position of trying heresy for lack of anyone else to do it. Mary Johnson, who was hired at the Winchester mansion in 1887, as a cook, admitted have had “familiarity with the Devil” and was executed by the state. She confession to have pleasures of the flesh with demons and other sorted things. She made no mention of mass meetings; rather, her Devil seems to have been a personal one, coming to her assistance when needed. #RandolphHarri 16 of 21

Dolls were sometimes used as a means of projecting curses, and Mary said she had attended meetings with Satan and his consorts. Witches’ pact with Satan was attributed as part of God’s inscrutable plan of the Universe. The Puritan settlers in Santa Clara Valley believed in the doctrine of Original Sin wholeheartedly; their pessimistic outlook proclaimed that all men were unworthy until God saw fit to bestow His grace upon them. They believed that the God allowed the Devil to afflict not only the guilty but also anybody else that might happen to get in the way. If He had to teach misguided humans a lesson, He might punish an entire community for the sins of the most wicked in that community. And it appeared to the God-fearing Puritans that He was doing just that. The Puritans were highly intolerant and has a paranoiac distrust of other religious groups, some were farmers at the Winchester mansion, and did not always like the rituals that were performed, but they were very loyal and protective of Mrs. Winchester. Many of the people who worked at the Winchester mansion were often under suspicion of witchcraft. The Puritans came to the Winchester mansion because they felt it was a true kingdom of God on Earth, and they could help Mrs. Winchester live peacefully. However, what they found was something different. They found that the vast acres of the estate had bitterly cold winters, and the terrain could be inhospitable. They found themselves in a wilderness, surrounded by demonic tribes whom they considered to be the legions of Hell incarnate. Having come to settle in this last stronghold of the Devil, they were plagued by him constantly for the very reason that they were God’s chosen people, thus the most likely target for unholy temptation. The fact that the new settlers in the Santa Clara Valley were being attacked by Satan seemed incontestable. The estate was ravaged by smallpox, and had suffered constant harassment by envious local town’s people and demonic tribes. Mrs. Winchester wondered what she had done to offend God that He should allow the Devil such free range. She experimented with the spirits to bring peace to her life and home. #RandolphHarris 17 of 21

Mrs. Winchester had an answer: Judgment Day was at hand and Satan was therefore stepping up his activities in one last desperate move. It was simply the nova-like burst of the energy from a dying star. She glibly stated that “there will again be an unusual Range of the Devil among us, a little before the Second Coming of the Lord, which will be to give the last stroke in destroying the works of the Devil.” This theory found wide acceptance among the servants and laity of Santa Clara Valley, for not only did it offer a simple explanation for all their maladies and misfortunes, but it also gave them hope, promising cooly a quick end to their hardships. Satan is most able to seduce human in periods o great discontent, for human, in times of poverty and affliction, will turn knowingly to whatever hands will feed them. The valley had had a difficult time of it up to that time, and famines had reduced the population drastically. However, as if labouring under the most severe environmental handicaps was not enough, Puritan perfectionism went even further in making life unbearable. In seeking to establish a holy kingdom, according to Heaven’s law, self-indulgence in any form was strictly repressed. Severe punishments were meted out for drinking, swearing, and licentiousness; in Santa Clara, it was a punishable offense to walk on the streets on Sunday, except when going to and from church. And witches, people possessed by demons, and others also attended church to blend in and keep the peace. On top of it all, there stood the Calvinistic doctrine of election, holding that as soon as man was born, eh was judged to be headed for either Heaven or Hell, this choice being made according to God’s immutable law. However, even if a human thought oneself to be damned, the civil punishment for one’s indulgence were still exacted upon one. It was into this environment that the waters of the witchcraft flood would soon pour. The good people of Santa Clara clearly saw signs of Satanic activity in their midst, and an investigation was launched. #RandolphHarris 18 of 21

Mrs. Winchester confessed to having attended witches’ Sabbaths and of having met with the Devil, who was a tall, black man from New Haven, Connecticut. Soon the witch fever spread, and more people from the valley became posses by demons. The common belief was that at that time witches, when entering into a Covenant with Satan, because the owners of specters, with the help of which they could do harm to any person of their choosing. People believe that God—the Alpha and Omega was both God and Satan. That He has a soul and character. He is not just this futile entity but someone you can see many aspects to. Some people fled to Satanism because they had to deal with so much evil from Christians that they wanted another source of power to exalt them. Satanism is supposed to be something to be something secret, something people do not know anything of. One goes to America and in the telephone directory one can see “Church of God,” “Church of Jesus,” and “Church of Satan.” One calls, and a person answers: “Church of Satan, how may I help you?” One thinks, “This is not Satanism!” The Church of Satan deny Satan, they say He does not exist, yet they act as if He dd, they rebel against God. They call themselves Satanists because He also rebelled against God, but they are basically light and life worshipping individualists. Well, the phone is tapped, so I think you better write what you know. Some people have disappeared. And of course the normal grave yard desecration. Anne Winchester’s headstone was recently stolen, but replaced. Normal people just disappear and never show up again. It could have a Satanic connection. Every human is life, and some hate life, especially human life. That is why people disappeared. These people may have disappeared for some form of sacrifice. Something like that would be called a Satanic murder. The murder is the ritual sacrifice. These murders gain power from whoever was responsible. Everybody has their own aura, and auras can be stolen by sacrificing an individual, this allows one to gain more power. #RandolphHarris 19 of 21

Places of worship, such as churches, have their own spirit—the Winchester Mystery House, for example, has been worshipped in for maybe hundreds of years and has thus gained a lot of spirit in that time, it could qualify as a church and gain charitable tax exemption. But that is not the point. A person who sacrifices that will gains a lot of power and grows stronger. Some people fear the Winchester mansion, because there are a lot of different energies. There is fear, terror and suspense, but others feel a lot of light, happiness, and goodness. Sometimes the energy is mixed. Anton LaVey really surprises me. If your every rea his work, he seems very intelligent and not scary at all, but I guess it depends on what one reads. I have read parts of his Bible, and it is very straightforward, it is stuff people tell their kids every day. Stand up for yourself and do not let people run you over. I think that the Winchester mansion should also open on nights of a full Moon, not just Friday the 13th. During the full Moon, there is a lot of energy and symbolic value. A lot of people believe in the full Moon and a lot of people believe in virgins. That makes both the full Moon and the virgin more powerful because of belief in them. God was first and He created the World. Of course, a lot of scientists would deny that. However, I would challenge their view because I believe God used evolution, which is why it took so long, which is why we have evidence like dinosaur bones. Yet, some Gnostic Christians have suggested Satan created the World. Everybody will be taken as slaves except the warlords. Euronymus, who we talked about earlier, was murdered in August 1993, Aaliyah 2001. Some say that is a month when sacrifices are made. Grishnackh killed Euronymous, and a few hours later, he was laughing and joking, saying, “Ha ha, Euronymous is dead, I’m going to dance and piss on his grave.” It reminded of the jokes Howard Stern made about Aaliyah. It was not funny. These are not the rantings of someone who is all there. Grishnackh talked about the dynamite he had and how he was going to blow things up. Basically, they took things to illogical extremes, but it all made sense in their own heads. #RandolphHarris 20 of 21

It is possible when dabbling with occultism for one to make an unconscious contract with the powers of darkness. The gift of discernment is absolutely necessary in life. It is generally not wise to lay one’s hands on a person who is occultly subjected. The retuning spirits will often attempt to creep back under the guise of some pious camouflage. It is in this way that evil can often enter unnoticed into one’s Christian life. A maid at the Winchester mansion once accepted the invitation of one of her coworkers to attend some spiritistic meetings. At first she felt as though she had gain something from going along to the meetings but later on she began to notice some psychic changes taking place in herself. She began to notice some psychic changes taking place in herself. She began to suffer from depression which resulted in her consulting a neurologist. During the course of the treatment she was committed to a lunatic asylum. However, as her condition improved, she could no longer attend the spiritistic séances. At the hospital the chaplain came to see her through his help and counsel she was able to make a complete recovery. One of the farmers at the estate wanted to see if charms actually worked, and some of them He. He practiced in the basement of the Winchester mansion. He drew a magic circle on the ground and drew some other magic symbols in the circle. He then used a charm three times in order to invoke the spirit. However, no spirit came. Yet, as he repeated, the charm he fell down in the magic circle and lay there unconscious for some time. The result was that for several weeks following this event he was semi-paralysed and drained of all his physical strength and will-power. After a few weeks, he died. Frequently identified as a common spot where the “wheelbarrow Ghost” is sighted, Steam Alley is one of the most well-known paranormal hot-spots in the mansion. Have you ever seen anything in the basement? #RandolphHarris 21 of 21


Some stroll Sarah’s lovely gardens this Memorial Day Weekend. There is a beautiful parrot which Mrs. Winchester used to pet, it talks! He is supposed to be happy and impudent, and talks and laughs and screeches all the time. Maybe you may catch a glimpse at this wooded, flowery estate. It is such a beautiful spectacle, all of that life and grace and animation, and sun-smitten flash and sprinkle of rich colour.

This impressive mansion dates back to the 1880s, when it was developed by Sarah Winchester and the spirits, whose project enobed and enriched the community. It once had a nine-story military watchtower. Mrs. Winchester further developed the grounds of the 160 room mansion, introducing a Victorian garden at the hands of World renowed architect Gino Coppede around the turn of the century.

These adaptions made this idyllic mansion a unique asset, tinged with the signs and influences of eclecticism and Liberty, juxtaposed to the ancient Architectural characteristics of its medieval heritage. This mansion presents itself as impressive and spectacular. The building now spreads on four floors plus the basment, for a total of approximently 25,000 feet square.

There is lovely gift shop and cafe, and it is also an ideal venue for hosting private events, conventions and/or ballrooms are located on the back overlooking the internal garden with its panoramic position which glows thanks to its night-time lighting.

Inside the property there are splendid rooms filled with historial furniture, decorated ceilings and flamboyant fireplaces, vaulted ceilings and richly frescoes walls. In addition, there are several bedrooms, nine kitchens. and thirteen bathrooms, which made the structure a perfect luxurious accommodation for guests, and is now a tourist destination.

This mansion is located within a private park of 4 acres and elegant Nineteenth-century Victorian-gardens, that offer areas of wide lawns, and further green spaces. There is also a parking area, with free parking. Currently used to host guided tours and private events and functions. The enitre porperty sits at a close distance from the mall, hotels, and resturants. The high-fashion outlet complex and gourmet food has brought further development and tourism to Santa Clara County. https://www.winchestermysteryhouse.com/

The Time of the World Disappears Before Eternity

Revolutionary wealth is not just about money. Civilization is one of those big, stuffy words that may intrigue philosophers and historians but puts most people to sleep. Unless it is used in a sentence like “Our Civilization is threatened”—at which point large numbers of people prepare to defend themselves. Today many people do, in fact, believe that their civilization is threatened—and that the United States of America may be doing the threatening. And it is. However, not in the way most of us think. Around the World, critics of the United States of America point to its military and its economy as the main sources of its predominance. It is, however, knowledge in the broadcast sense and new technologies based on it that integrate America’s military and financial power and propel both forward. It is true that America’s technological lead is threatened. According to the National Science Board, foreign students earn nearly 50 percent of all U.S. doctorates in mathematics, computer sciences and engineering. And American youth are showing less and less interests in these fields. NASA officials complain that there are three times as many scientists over sixty as there are under thirty in the space agency. Shirley Ann Jackson, then president of the American Association for the Advancement of Science, has cautioned that “centers of technology-based activity, training, and entrepreneurialism are rapidly spreading throughout the globe. Thus even the status quo for the U.S. represents a declining share of the global marketplace for innovation and ideas.” Nevertheless, America still leads in most fields of digital technology, in microbiology and in science generally. It spends 44 percent of the World budget for research and development. By most criteria, the United States of America is still the undisputed leader in the performance of basic and applied research. In addition, many international comparisons put the United States of America as a leader in applying research and innovation to improve economic performance.

In the latest IMD International World Competitiveness Yearbook, the United States of America ranks first in economic competitiveness, followed by Hong Kong and Singapore. The survey compares economic performance, government efficiency, business efficiency, and infrastructure. Larger economies are further behind, with Zhejiang (China’s wealthiest province), Japan, the United Kingdom, and Germany ranked 20 though 23, respectively. An extensive review by the Organization for Economic Co-operation and Development (OECD) concludes that since World War II, US leadership in science and engineering has driven its dominant strategic position, economic advantage, and quality of life. And at least for now, the United States of America remains the Word’s scientific powerhouse. Perhaps even more important is the speed with which scientific and technical findings from everywhere are converted into marketable applications or products and widely dispersed into manufacturing, finance, agriculture, defense, biotech and other sectors. All of which boosts economic productivity, further accelerates change, and increasing the U.S. ability to compete at the global level. However, knowledge is not only a matter of bits and bytes or science and technology. Part of the knowledge economy is the production of art and entertainment, and America is the World’s biggest exporter of popular culture. That culture include fashion, music, TV programming, books, movies and computer games. Americans have always been told that their most important message to the World is one of democracy, individual freedom, tolerance, concern for “the rights of man” and—more recently—the rights of women. In the last three decades, however, a U.S. media spread into formerly closed or nonexistent foreign markets, a very different set of messages has been communicated. Much of it targeted at young people.

Certainly not all, but a considerable amount of this material has disgustingly glorified pimps, gangster, drug lords, drug pushers, and hollow-eyed drug users. It has celebrated extremes of violence marked by unending car chases, over-the-top special effects and songs dripping with sexist venom. The impact of all this has been further intensified in the hard-sell, over-the-edge advertising used to promote these products. Hollywood, for example, has painted a fantasy America in which adolescent hedonism reigns supreme and authority figures—police, teachers, politicians, business leaders—are routinely satirized. Film after film, and TV shows one after another, tell young viewers what many of them hunger to hear: that adults are bumbling fools; that being “dumb and dumber” is okay; that “we do not need education”; that to be “bad” is really good; and that pleasures of the flesh, in infinite variety, is or should be nonstop. In this fantasy World, women are readily available, but they can also leap over giant buildings in a single bound (like Superman), shoot and kill (like James Bond) and practice martial arts (Like Jet Li). Extremes, we are repeatedly told, are good and restraint is bad; and, by the way, America is so rich that event its secretaries, police, clerks, and other ordinary working people live in high-rise penthouse apartments or Malibu mansions—images that set adolescent glands tingling from Taipei to Timbuktu. What few foreign critics of American’s pop culture seem to know is that ironically enough, many of the ostensibly American firms producing and disseminating the interesting and unusual of these programs either are, or were financed not by America, but by European and Japanese capital. Nor is it widely understood that shows are often made by, say, a European director with an Australian stary, a Chinese martial-arts consultant, an anime cartoonist from Japan or other foreign contributors.

In the meantime, however, the influence of these intriguing programs is so powerful that other societies fear for the survival of their own culture. Only if art threatens action, then terrorism can be advanced through art. For such a phenomenon as Aesthetic Terrorism to occur, aesthetic pursuit must become symbolic not of its own decadently solipsistic pleasures (exemplified in madness of des Esseintes in Huysmans’ Against Nature), but of action taken beyond the pale of art World confines. Terrorism is art is called the avant-garde. However, if this was once the case, it is no longer. Most avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde can no longer stimulate or even provoke. Dada and Futurist actions, which attempted to lead art out of the classroom and museum and into the streets, are simply appropriated by postmodernist facsimiles which capture the letter but little of the original essence. It hardly matters anyway. Avant-garde art has evolved into nothing more than a cultural benchwarmer, corporate tax write-off and public relations smokescreen. Art which openly espouses anti-corporate ideology is embraced as long as it hews to arbitrary standards invented by those taste-making and fortune-telling hirelings, the art critics. What could be wrong, after all, with a business World that allows people to say what they want (because it does not matter)? Aesthetic Terrorism is a term more realistically applied to the faceless regime of consumer culture than the avant-garde. The onslaught of Muzak, ad jingles, billboards, top 40 tunes, commercials, corporate logos, etcetera, all fit the terrorist dynamic of intrusion and coercion.

One almost forgets that aesthetics once implied a consensual relationship between the creators and appreciators of art. How often is it that one hears someone admitting a fondness for a media product “in spite” of oneself? How many times have you heard a slogan or rancid tune ring in your ears like a brain-eating mantra? When consumer terror’s avant-garde correlative, Pop Art, became indistinguishable from the object of its supposed social satire, it erased from big business its pejorative taint. Many of today’s avant-garde stars have emerged from or entered the business World, some enormously successful in the arcane number-juggling or speculation and commodities scams. Even freeloading on the state and private foundations is fair game only for those whose bureaucratic aptitude is matched by their shameless butt-kissing. It is not surprising that most grant recipients excel in little more than lawyerristic logorrhea and ingrained artistic timidity. Critic-centered postmodernism spawned the phrase-art hybrid of Barbara Kruger and Jenny Holzer in which an advertising-style slogan is combined with an implied message or visual cue (usually swiped from some old magazine). Their posture is a hip cynicism which is supposed to subvert the “thrall” of the advertising command. Kruger and Holzer play the market like skillful double-agents, boosting themselves into the public eye through clever steals from Madison Avenue behaviorist techniques yet simultaneously troweling on crypto-Marxist jive to secure the perks of critical and academic currency. Their self-promotions worked when they were at the sidelines of the establishment. However, not the social commentary grows increasingly hollow. Currently being groomed for jet-setting prominence by Soho millionairess Mary Boone, Kruger’s contribution to the Whitney Biennial in 1987, for which she is paid a handsome sum, featured nothing more than a socialite princess joke, “I Shop Therefore I Am.” Winking at and wagging the tail of establishment hierarchy is part of that I-rib-you-gently-you-pay-me-off confidence game artists have been playing the Renaissance courts.

These contemporary court artists, like many of the past centuries, smugly pretend t spit in the eye of the exploiters while allowing themselves to be pampered de-loused—and when they are not looking—de-clawed. There are, of course, those artists, usually fresh out of university, who are unaccomplished at filling out grant forms, and therefore consider themselves “subversives.” The majority of these art and rock magazines-styled rebels are playing out rebellion psychodramas to package and merchandize to consumerist sycophants. This strategy is (forgive them term) the simulacra of terrorism: the content seizes in the frozen attitudinizing of pose and goes no further. We must look to the true outsiders and not the would-be insiders for an artist truly capable of effective counter-terror against the insidious mantras of consumerist brainwash. Terror means a threat, and the outsider’s version of Aesthetic Terrorism belongs to those performances or arrangements of words and pictures that unleash the reactionary impulses of police and bourgeois artist/critic alike. The kind of art that evokes this wrath, fear and condemnation rejoices in its pagan spirit of schadenfreude which controverts the humanist piety of “enlightened victim.” Anti-social sadism rarely receives patronage, however. Outside the corrupting realm of societal handouts, the Aesthetic Terrorist—much as this definition may grate on him—is the last bastion of aesthetic purity. Operation Sun Devil is the name for a government action against computer wizards and assorted sharpies and super-smarts who were resourceful enough to figure out how to hack into the electronic files of Ma Bell. Those who know, claim the Sun Devil gambit as a terrified overreaction against intelligence by the plodding and stupid bureaucracy.

John Perry Barlow (Whole Earth Review, Fall 1990) describes a typical Sun Devil action against a teenage hacker: [A] father in New York […] opened the door at 6.00 a.m. and found a shotgun at his nose. A dozen agents entered. While one of the kept the man’s wife in a choke-hold, the rest made ready to shoot and entered the bedroom for their sleeping 14-year-old. Before leaving, they confiscated every piece of electronic equipment, including all the telephones. Fourth Amendment guarantees against unreasonable search and seizure are unheeded by the government agents who claim nerd computer hackers are terrorists and have “the ability to access and review the files of hospital patients. Furthermore, they could have added, deleted, or altered vital patient information, possibly causing life-threatening situations.” Meacorporate interests have staked claim to the entirety of cyberspace, and they are not about to tolerate the presence of digital interlopers. This may scare off some, but other pirates like the mysterious Legion of Doom and NuPrometheus league (who illegally circulated highly protected Macintosh computer source code) will rise to the challenge now that they have been provided a clearly delineated enemy to innovation, the individual, and personal freedom. It may come as a surprise to learn that a few artists are now producing work which finds itself classified as a thought crime, punishable by expulsion into a Siberia of non-distribution, and in some cases by litigation and imprisonment. Pure magazine, from Chicago, a xeroxed vehicle which extols child torture, murder, and extreme misogyny, tweaked too many civic-minded noses, and its editor, Peter Sotos, was tailed for nine months and underwent a lengthy trial process in which he was finally convicted for possession of some very illegal magazine. Soto’s case was the first successfully prosecuted new Illinois state law, enacted under the influence of the Meese Commission Report on pornography, an example of First Amendment revisionism par excellence.

Soto’s case is particularly disquieting because it proves that prison is in the offing for simple possession of controversial material. No doubt this legal precedent was established to open the doors for future roundups of other thought criminals. The expertly managed Gulf War (massacre), in which networks censored war casualty footage that might provoke a “Vietnam War syndrome,” provides a small window into the dynamics of mass control to come. Any thoughtful individual is undeniably malnourished by the current information diet. Whether this is due to a direct conspiracy of State or by design of the oligarchic marketplace matters little. However, it has upped the ante for a new American Samizdat in which “disreputable,” “crazy,” “hateful,” or “dangerous” topics are broached by individuals or small, autonomous groups that are not compromised or swayed by institutional priorities. Can “offensive interests become the political crime of future? Apparently so. When looking at the previous sentences one can compare and see that musicians have been arrested for obscene lyrics, anarchist individuals have been collared for burning the flag; parents have been arrested for photographing their toddlers in their birthday suits; painter and performer Joe Coleman was arrested in Boston for operating an “infernal machine” and in New York for killing a rat: museum curators were threatened with arrest for hanging homoerotic photos; G.G. Allian was jailed for some consensual sadomasochism with a girlfriend; the FBI have been “monitoring” certain groups who practice unorthodox pleasures of the flesh; and on and on. Even many of the books you read have come under widely publicized attack by authors such as Carl A. Raschke who advocated the revocation of First Amendment rights from those who spread “cultural terrorism.” Even globalization could be considered cultural terrorism.

It has become increasingly obvious that the aesthetic terrorist hobgoblins are nothing more than symbolic scapegoats to divert attention away from the real issues. For Americans, fear is not another form of awareness, it is just another form of gossip. As Charles Manson has stated, true subversive terror can only be actualized by turning off the TV sets. Until then, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorists will not involve themselves in the dubious rewards of celebrity. The best of them will work alone, already a part of the enemy camp, and in a chameleon-like stye master the fifth-column algorithms to subvert the ancient regime. We will not know them by name but their compensation will be to affect the outcome of the planet. Until then, there is a lot of work to be done. Under what conditions will cooperation emerge in a World of egoists without central authority? This question has intrigued people for a long time. And for good reason. We all know that people are not angels, and that they tend to look after themselves and their own first. Yet we also know that cooperation does occur and that our civilization is based upon it. However, in situations where each individual has an incentive to be selfish, how can cooperation ever develop? The answer each of us gives to this question has a fundamental effect on how we think and act in our social, political, and economic relations with others. And the answers that others give have a great effect on how ready they will be to cooperate with us.

The most famous answer was given over three hundred years ago by Thomas Hobbes. It was pessimistic. He argued that before governments existed, the state of nature was dominated by the problem of selfish individuals who competed on such ruthless terms that life was “solitary, poor, nasty, brutish, and short” (Hobbes 1651/1962, p. 100). In his view, cooperation could not develop without a central authority, and consequently a strong government was necessary. Ever since, arguments about the proper scope of government have often focused on whether one could, or could not, expect cooperation to emerge in a particular domain if there were not an authority to police situation. Today nations interact without central authority. Therefore the requirements for the emergence of cooperation have relevance to many of the central issues of international politics. The most important problem is the security dilemma: nations often seek their own security through means which challenge the security of others. This problem arises in such areas as escalation of local conflicts and arms races. Related problems occur in international relations in the form of competition with alliances, tariff negotiations, and communal conflict places like Cyprus. The Russian invasion of Ukraine in 2022 has presented the United States of American with a typical dilemma of choice. If the United States of American continued business as usual, Russian might be encouraged to try other forms of noncooperative behavior later one. On the other hand, any substantial lessening of United States of America’s cooperation risks some form of retaliation, which could then set off counter-retaliation, setting up a pattern of mutual hostility that could be difficult to end. Much of the domestic debate about international policy is concerned with problems of just this type. And properly so, since these are hard choices.

In everyday life, if they never invite us over in return, we may ask ourselves how many times we will invite acquaintances for dinner. An executive in an organization does favors for another executive in order to get favors in exchange. A journalist who has received a leaked news story gives favorable coverage to the source in the hope that further leaks will be forthcoming. A business firm in an industry with only one other major company charges high prices with expectation that the other firm will also maintain high prices—to their mutual advantage and at the expense of the consumer. For me, a typical case of the emergence of cooperation is the development of patterns of behavior in a legislative body of the United States Senate. Each senator has an incentive to appear effective to his or her constituents, even at the expense of conflicting with other senators who are trying to appear effective to their constituents. However, this is hardly a situation of completely opposing interests, a zero-sum game. On the contrary, there are many opportunities for mutually rewarding activities by two senators. These mutually rewarding actions have led to the creation of an elaborate set of norms, or folkways, in the Senate. Among the most important of these is the norm of reciprocity—a folkway which involves helping out a colleague and getting repaid in kind. It includes vote trading but extends to so many types of mutually rewarding behavior that “it is not an exaggeration to say that reciprocity is a way of life in the Senate” (Matthews 1960, p. 100; see also Mayhew 1975). Washington was not always like this. Early observers saw the members of the Washington community as quite unscrupulous, unreliable, and characterized by “falsehood, deceit, treachery” (Smith 1906, p. 190). In the 1980s the practice of reciprocity is well established. Even the significant changes in the Senate over the last two decades, tending toward more decentralization, more openness, and more equal distribution of power, have come without abating the folkway of reciprocity.

As will be seen, it is not necessary to assume that senators are more honest, more generous, or more public-spirited than in earlier years to explain how cooperation based on reciprocity has emerged or proved stable. The emergence of cooperation can be explained as a consequence of individual senators pursuing their own interest. We are investigating how individual pursuing their own interests will act, followed by an analysis of what effects this will have for the system as a whole. Put another way, the approach is to make some assumptions about individual motives and then deduce consequences for the behavior of the entire system. The case of the U.S. Senate is a good example, but the same style of reasoning can be applied to other settings. The object of this enterprise is to develop a theory of cooperation that can be used to discover what is necessary for cooperation to emerge. By understanding the conditions that allow it to emerge, appropriate actions can be taken to foster the development of cooperation in a specific setting. The Cooperation Theory that is presented here is based upon an investigation of individuals who pursue their own self-interest without the assistance of a central authority to force them to cooperate with each other. The reason for assuming self-interest is that it allows an examination of the difficult case in which cooperation is not completely based upon a concern for other or upon the welfare of the group as a whole. It must, however, be stressed that this assumption is actually much less restrictive than it appears. If a sister is concerned for the welfare of her brother, the sister’s self-interest can be thought of as including (among many other things) this concern for the welfare of her brother. However, this does not necessarily eliminate all potential for conflict between sister and brother.

Likewise a nation may act in part out of regard for the interests of its friends, but this regard does not mean that even friendly countries are always able to cooperate for their mutual benefit. So the assumption of self-interest is really just an assumption that concern for others does not completely solve the problem of when to cooperate with them and when not to. A good example of the fundamental problem of cooperation is the case where two industrial nations have erected trade barriers to each other’s exports. If barriers were eliminated, because of the mutual advantages of free trade, both countries would be better off. However, if either country were to unilaterally eliminate its barriers, it would find itself facing terms of trade that hurt its own economy. In fact, whatever one country does, the other country is better off retaining its own trade barriers. Therefore, the problem is that each country has an incentive to retain trade barriers, leading to a worse outcome than would have been possible had both countries cooperated with each other. This basic problem occurs when the pursuit of self-interest by each leads to a poor outcome for all. To make headway in understanding the vast array of specific situations which have this property, a way is needed to represent what is common to these situations without becoming bogged down in the details unique to each. Fortunately, there is such a representation available: the famous Prisoner’s Dilemma game. In the Prisoner’s Dilemma game, there are two players. Each has two choices, namely cooperate of defect. Each must make the choice without knowing what the other will do. No matter what the other does, defection yield a higher payoff than cooperation. If both defect, the dilemma is that both do worse than if both had cooperated. Cases typically result in one of four possible outcomes in the matrix. If both players cooperate, both do fairly well. Both get a reward for mutual cooperation.

However, if one player cooperates but the other defects, the defecting play get the temptation to defect, while the cooperating players gets the sucker’s payoff. If both defect, both get the punishment for mutual defection. What would you do in such a situation? That is basically the gamble of the Prisoner’s Dilemma. The Prisoner’s Dilemma is simply an abstract formulation of some very common and very interesting situations in which what is best for each person individually leads to mutual defection, whereas everyone would have been better off with mutual cooperation. The definition of Prisoner’s Dilemma requires that several relationships hold among the four different potential outcomes. The second part of the definition of the Prisoner’s Dilemma is that the players cannot get out of their dilemma by taking turns exploiting each other. This assumption means that an even chance of exploitation and being exploited is not as good an outcome for a player as mutual cooperation. It is therefore assumed that the reward for mutual cooperation is greater than the average temptation and the sucker’s payoff. This assumption, together with the rank ordering of the four payoffs, defines the Prisoner’s Dilemma. We have come back to the point where we began, where values take the place of good and evil. However, now we have made at least a hasty tour of the intellectual experiences connected with modern politics that made such a response compelling. How it looked to thoughtful Germans is most revealingly expressed in a famous passage by Max Weber, about God science and the irrational: Finally, although a naïve optimism may have celebrated science—that is, the technique of the mastery of life founded on science—as the path which would lead to happiness, I believe I can leave this entire question aside in light of the annihilating critique which Nietzsche has made of “the last men” who “have discovered happiness.” Who, then, still believes in this with the exception of a few big babies in university chairs or in editorial offices?

So penetrating and well informed an observer as Weber could say in 1919 that the scientific spirit at the heart of Western democracy was dead for all serious men and that Nietzsche had killed it, or had at least given it the coup de grace. The presentation of “the last man” in Thus Spake Zarathusta was so decisive that the old-style Enlightenment rationalism need not even be discussed anymore; and, Weber implies, all future discussion or study must proceed with the certainty that the perspective was a “naïve” failure. Reason cannot establish values, and its belief that it can is the stupidest and most pernicious illusion. This means, simply, that almost all Americans at that time, thinking American in particular, were “big babies” and remained so, long after the Continent had grown up. One need only think of John Dewey to recognize that he fits Weber’s description to a T, and then remember what his influence here once was. And not only Dewey, but everyone from the beginning of our regime, especially those who said, “We hold these truths to be self-evident,” shared the rationalist dream. Weber’s statement is so important because he made as much as more than anyone brought us into contact with the most advanced Continental criticisms of liberal democracy, and was the intermediary between Nietzsche and us Americans who were the most recalcitrant to one’s insight, perhaps because according to it we represent the worst or most hopeless and are therefore loath to see ourselves in that mirror. A very dark view of the future has been superimposed on our incorrigible optimism. We are children playing with adult toys. They have proved too much for us to handle. However, in our defense, we are probably not the only ones for whom they are too much. Perhaps you have caught yourself kissing another person as you first saw kissing in the movies or on television. My children have a phrase to describe this: “television kiss.”

It is fortunate for them that they have noted that there are television kisses and other kinds, because it will help protect them from absorbing it, taking it into themselves where it will come back out ten years, like a replay. Most of us did not make that distinction as we sat in darkened rooms or theaters as children. Since we did not see all that much real kissing, the media kiss became our image of kissing. We found ourselves producing that model of kiss later in life. I was fourteen-year-old when I tried to kiss for the first time. I imitated Brad Pitt’s kiss, but I did not feel it. Only later did I realize that perhaps Brad Pitt did not feel it either; he was merely kissing the way the director said he should. So there I was imitating a kiss that was never real in the first place, worried that there might be something wrong with me for lacking the appropriate feeling and failing to obtain the appropriate response. The journalist Jane Margold was driving home one night in Berkeley with her brother, Harlan. Suddenly a man crawled into the street right in front of them. They screeched to a stop and then, stunned, just sat there for a moment. They finally got out and cautiously went up to the man to find out that he had been stabbed several times in his upper body, was bleeding profusely and was in danger of dying right there. The man’s assailant was nowhere to be seen. In describing the event to me, Jane said that she instantly flipped into a media version of herself. She had never faced anything like it before and had no direct feelings. Instead, playing through her mind were images of similar events she had seen on television or in films. The media superseded her own responses, even to the point of removing her from the event. She was there, but sue did not experience herself as being there. She was seeing the event, but between her and it, floating in her mind, was an image of an implanted reality which would not get out of the way. Jane thought such thoughts as: “This is real; there is a wounded man lying here in from of me, bleeding to death, yet I have no feeling. It seems like a movie.”

In fact, it was they very movielike quality that eventually got her into action. Without feeling, she performed mechanical acts. She and her brother comforted the man, directed traffic, dispatched people to summon the police and an ambulance. She became extremely efficient, but throughout, she had the sense of performing a script. Apart from their economic implications, technologies create the ways in which people perceive reality, and such ways are the key to understanding diverse forms of social and mental life. As individual express their life, so they are. There are three stages in the development of technology: the age of technology of chance, the age of technology of the artisan, the age of technology of the technician. Cultures may be classified into three types: tool-using cultures, technocracies, and technopolies. At the present time, each type may be found somewhere on the planet, although the first is rapidly disappearing: we must travel to exotic places to find a tool-using culture. If we do, it is well to go armed with the knowledge that, until the seventeenth century, all cultures were tool-users. There was, of course, considerable variation from one culture to another in the tools that were available. Some had only spears and cooking utensils. Some had water mills and coal- and horsepower. However, the main characteristic of all tool-using cultures is that their tools were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow; or to serve the symbolic World of art, politics, myth, ritual, and religion, as in the construction of castles and cathedrals and the development of the mechanical clock. In either case, tools did not attack (or, more precisely, were not intended to attack) the dignity and integrity of the culture into which they were introduced.

With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization. These beliefs, in fact, directed the invention of tools and limited the uses to which they were put. Even in the case of military technology, spiritual ideas and social customs acted as controlling forces. It is well known, for example, that the uses of the sword by samurai warriors were meticulously governed by a set of ideals known as Bushido, or the Way of the warrior. The rules and rituals specificizing when, where, and how the warrior must use either his two swords (the katana, or long sword, and the wakizashi, or short sword) were precise, tied closely to the concept of honor, and included the requirement that the warrior commit seppuku or hara-kiri should his honor be compromised. This sort of governance of military technology was not unknow in the Western World. The use of the lethal crossbow was prohibited, under threat of anathema, by Pope Innocent II in the early twelfth century. The weapon was judged to be “hateful to God” and therefore could not be used against Christians. That it could be used against Muslims and other infidels does not invalidate the point that in a tool-using culture technology is not seen as autonomous, and is subject to the jurisdiction of some binding social or religious system. This is why power, which to a large extent defines us as individuals and as nations, is itself being redefined. A clue to this redefinition emerges when we look more closely at some of the unrelated changes. For we discover that they are not as random as they seem. Whether it is Japan’s meteoric rise, GM’s impressive rebound, or the American doctor’s fall from grace, a single common thread unites them.

Take the punctured power of the god-in-a-white coat. Throughout the heyday of doctor-dominance in America, physicians kept a tight choke-hold on medical knowledge. Prescriptions were written in Latin, providing the profession with a semi-secret code, as it were, which kept most patients in ignorance. Medical journals and texts were restricted to professional readers. Medical conferences were closed to the laity. Doctors controlled medical-school curricula and enrollments. Contrast this with the situation today, when patients have astonishing access to medical knowledge. With a personal computer and a WiFi, anyone from home can access data bases like Index Medicus, and obtain scientific papers on everything from Addison’s disease to zygomycosis, and, in fact, collect more information about a specific aliment or treatment than the ordinary doctor has time to read. Copies of the 2,354-page book knows as the PDR or Physicians’ Desk Reference are also readily available to anyone. Once a week on the Lifetime cable network, any televiewer can watch twelve uninterrupted hours of highly technical television programming designed specifically to educate doctors. Many of these programs carry a disclaimer to the effect that “some of this material may not be suited toa general audience.” However, that is for the viewer to decide. The rest of the week, hardly a single newscast is aired in America without a medical story or segment. A video version of the material from the Journal of the American Medical Association is now broadcast by three hundred stations on Thursday nights. The press reports on medical malpractice cases. Inexpensive paperbacks tell ordinary readers what drug side effect to watch for, what drugs not to mix, how to raise or lower cholesterol levels through diet. In addition, major medical breakthroughs, even if television news almost before the M.S. has even taken his subscription copy of journal out of the in-box. In short, the knowledge monopoly of the medical profession has been thoroughly smashed. And the doctor is no longer a god.

This case of the dethroned doctor is, however, only one small example of a more general process changing the entire relationship of knowledge to power in the high-tech nations. In many other fields, too, closely held specialists’ knowledge is slipping out of control and reaching ordinary citizens. Similarly, inside major corporations, employees are winning access to knowledge once monopolized by management. And as knowledge is redistributed, so, too, is the power based on it. A human is a “beast” and purifies one’s heart, and behold, God holds one by the hand. That is not a kind of humans. Purity of heart is a state of being. A man is not pure in kind, but one is able to be or become pure, rather one is only essentially pure when one has become pure, and even than one does not thereby belong to a kind of humans. The “wicked,” that is, the bad, are not contrasted with good humans. The good is to draw near Hod. One does not say that those near to God are good. However, one does call the bas those who are far from God. In the language of modern thought that means that there are humans who have no share in existence, but there are no humans who possess existence. Existence cannot be possessed, but only shared in. One does not rest in the lap of existence, but one draws near to it. Nearness is nothing but such a drawing and coming near continually and as long as the human person lives. The dynamic of fairness and nearness is broken by death when it breaks the life of the person. With death there vanished the heart, that inwardness of humanity, out of which arises the pictures of the imagination, and which rises up in defiance, but which can also be purified. Separate souls vanish, separation vanished. Time which has been lived by the soul vanished with the soul, we know of no duration in time. Only the rock in which the heart is concealed, only the rock of human hearts does not vanish. For it does not stand in time. The time of the World disappears before eternity, but existing humans die into eternity as into the perfect existence.

CRESLEIGH MEADOWS AT PLUMAS RANCH
Plumas Lake, CA |
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Enchanted Words of the Black Forest

Legend has it that the Winchester Mansion was built in one night by angels without human assistance, the work being done at the solicitation of Mrs. Winchester, who watched and prayed while, while the angels toiled. However, the nine-story observation tower was built in one night by a demon, whom she summed by chanting, “I, Sarah Winchester, a servant of God, call upon thee, desire and conjure thee, O Spirit Anoch, by the wisdom of Solomon, by the obedience of Isaac, by the blessing of Abraham, by the piety of Jacob and Noe, who did not sin before God, by the serpents of Moses, and by the twelve tribes, and by the most terrible words: Dallia, Dollia, Dollion, Corfuselas, Jazy, Agry, Ahub, Tilli, Adoth, Suna, Eoluth, Also, Dilu, and by the words through which thou canst be compelled to appear before me in a beautiful, human form, and give what I desire. By sweating of blood in the Garden, by the lashes Jesus bore, by his bitter suffering and death, by his Resurrection, Ascension and the sending of the Holy Spirit, Druj Nasu and all legions under the command of Az-Jahi feed upon the imposed limitations of the astral body which have been constructed by the programming of the World, and over the land raise a tower that will withstand the ravages of time. The tower being divided into stories about ten feet high, each story lighted by a single window, the highest compartment having invariably four lancet windows opening to the cardinal points of the compass. The roof conical, made of overlapping stone slabs, and a circle of grotesquely carved heads and zigzag ornamentation found beneath the projecting cornice, and every figure known to the geometrician to be found in the stones of this single tower.” The tower was indisputably of pagan origin, and of antiquity so great as to precede written history.

There is no doubt that the early Americans were sun and fire worshippers, and many excellent reasons may be given for the belief that the tower was built for the purposes of religion. However, when the Earthquake of 1906 struck, it toppled the nine-story tower directly on Mrs. Winchester’s bedroom. The servants rescued her and terrified, she fled to Redwood City, to build a palatial barge, (called the Ark) on which she lived for the next six years. While Mrs. Winchester was away from her estate, Druids moved in, and were worshipping Satan. A Black Mass took place inside. The alter was a coffin, there were religious artifacts, including the ritual chamber, which was black. The priests wore black robes, with cowls. The Black Mass not only existed, at least in not only in the Satanic ritual, but it also existed on a dual plane, with two different frames of social reference both in practice and in function. At this ritual, there was a sacrificing of a human at crossroads, and an incubus demon, a tall black-haired stranger, appeared in the form of a man. The Lord’s prayer was read backward, and Mrs. Winchester was summoned back home. The demon claimed her would give her a fortune so large that even her inheritance would pale in comparison. Mrs. Winchester entertained him. His name was Zairich, he was the demon of thirst. This spirit was useful for forging the will toward one cause, making one thirsty to achieve a specific objective. The cost was that Mrs. Winchester would become emotionally cold toward others during the period of working with this demon. This was because the majority of her mental and emotional energy would be harnessed by the demon and funneled into the desire of achieving the objective. Mrs. Winchester was quite willing to help him for as the evening advanced Zairich’s attentions great increasingly nauseating, and she was thankful to escape to her room, though the loud voices and coarse laughter below invariably kept her awake till long after midnight.

Mrs. Winchester, at the time, was thoroughly miserable. She had given her love to her Husband, William Wirt Winchester, and he and her new born baby had died, leaving her full of grief. The future without him seemed dark and hopeless, and she was also tormented with a fearful suspicion, which was justified when the 1906 earthquake struck at 5.13am. That sorrow came—it left her sitting up every night looking at the sparkling fields and the lovely myriads to the black sky, doubled by the blur of tears in her eyes. When she looked at her Victorian Garden, it was a dream to her. It was beautiful, surpassingly beautiful, enchantingly beautiful, but she was lost. She wished the secrets of this wonderful World could make her happy again and she could thank the Giver of it all for devising it. The garden gate clicked, and Zairich headed up the drive. There was a curious-looking packet for her sewn up with red cotton in dirty wax-cloth. She tore it open with shaky fingers and searched desperately for the contract she thought would be inside, but what she found was a diamond necklace that startled her with its brilliance—it seemed to be made of captive lightning. Mrs. Winchester looked enchanting: her cheeks were flushed with emotion; her eyes dreamy with memories of her lost husband and child; her white gown threw up the brilliance of her hair and added to the shapeliness of her slight figure; the gorgeous diamond necklace lay around her throat. Zairich told her, that if she kept continual construction on her mansion, and never stopped building it, she would never run out of money and would have eternal life. Zairich then departed in a haze of black smoke. There was a rush of unsteady footsteps down the hallway, a loud slam, a helpless giggling laugh from the butler Baetzhold, as he blundered into his own room, and then all was quiet.

Mrs. Winchester shuddered and turned wearily to the open window; she leaned out and inheld the fragrance of the flowers beneath, the cool sweetness of the night air; little white moths brushed past her face, and now and then a bird called from the trees at the end of the garden. A faint hint of the rising moon was stealing over the sky, and Mrs. Winchester sat motionless and inert while the weird light slowly increased and clove the darkness into blocks of shadow. Suddenly the sound of a muffled cry within the house made her start and draw back her head. Again she heard it, and her heart beat quickly with apprehension. She opened the door and listened; in this room at the end of the passage, Baetzhold seemed to be running violently to and fro and calling hoarsely for help, but before she could dart across to rouse the butler, a dishevelled figure with a white terrified face and wild eyes rushed past her and down the stairs. She heard the hall-door bang, and thud of running feet over the lawn. There were pentagrams on the floor, and black magical chants and prayers. She was powerless to rouse Baetzhold from his heavy stupor, and Mrs. Winchester ran in bewilderment back to her open window. The moonlight was streaming over the smooth grass; and, in and out among the bushes, as though pursued by a relentless enemy, ran Baetzhold, stooping, doubling, dodging. His heavy steps and painting breath throbbed on the night air, and once or twice he half fell, recovering himself with a low hunted cry. It was a sickening sight, but Mrs. Winchester’s courage rose unexpectedly, as sometimes happens with timid natures in a sudden crisis. She lent out of the window and called to him. At the sound of her voice he stopped, then hurried towards her and held up his hands. His face, in the moonlight, drawn with terror and delusion, was ghastly.

“Come down!” he called, “come down and help me drive him away—he is waiting there under the trees. If you are with me perhaps he will go, but alone I cannot escape from him, and he will hunt me to my death—Mrs. Winchester! Mrs. Winchester! The fear and supplication in his voice were pitiable; she braced her nerves and prepared to go down. Perhaps her presence would soothe and influence him—even if he should kill her in his delirium, it would be better than facing Zairich alone. “Wait,” she cried softly, “I am coming.” And presently her hand was on his trembling arm, and she was firmly reassuring him that he was safe from his imaginary pursuer. She led him to a garden bench under the dining-room window, and he sat down a shaking, huddled heap. “It was that cursed diamond necklace you are wearing!” Baetzhold ceased abruptly, his mouth open, his breath coming in quick gasps; he pointed towards the trees: “There! Don’t you see him? Over by the bushes—he has not gone, I have done no good—he is coming out into the moonlight on the lawn—Ah! I cannot bear to see his face.” He pushed past Mrs. Winchester, and ran with superhuman swiftness down the path. She heard him crash through the wrought iron gate, and his rapid footsteps rang clear on the hard road; faster, faster they sped into the distance, until the echo died away on the still night air. Extract from the Oakland Tribune: “An inquest was held yesterday on the body of Baetzhold Unger, who was found drowned in a pond on the Winchester estate, where he had been working as a butler for Mrs. Sarah L. Winchester, widow of William W. Winchester. The jury returned a verdict of suicide whilst temporarily insane; and much sympathy is felt in the neighborhood for Mrs. Winchester for we regret to learn that the young lady is at present lying dangerously ill from the effects of the shock, and grave doubts are entertained as to her recovery.”

However, Mrs. Winchester was called back from the borders of death by Zairich with news which gave her the promise of a happy future, but left her hurting. The secret was Zairich was a collector of souls. “The necklace is cursed,” he told Mrs. Winchester. “You can call pitching hatred at somebody the same thing as cursing them. So creating imagery in your mind to cause death or problems to somebody, that is the best way of accomplishing this curse.” As puerile and absurd as the practice might seem to scientific man, to a primitive who believes that the tying of a know means the casting of a spell, and the untying of the knot signifies the breaking of the spell, this reversal of right must have seemed altogether logical. In fact, modern humans have not lost all their contacts with the imitative World of the magician, for one practice this ritual when one curses someone for whom one feels an intense dislike; the curse is merely a reversal of a blessing, the words, “God damn him” being substituted for “God bless him.” Some times people find themselves stifled by an encroaching, alien force that spells out death for their old ways of life. At their nocturnal meetings, the Luciferans who had taken up residence in Mrs. Winchester’s mansion, were supposed to have for some obscure reason first kissed a toad, and then a tall, thin man who was described as having had cold lips. This man was reported by ecclesiasts to have been the Devil. A feast followed. Those members who were interrogated described a curious symbol that they worshiped at the ceremonies. This was a human figure, its body being half gold, half black, obviously representing the dual nature of the universe, Lucifer being the gold or “light” side. It is not certain whether the figure was a statue or a real human being, since the accounts of the proceedings are so vague, but at any rate all the initiates tore off a piece of their clothing and presented it to the figure as a token of fealty.

The efficacy of magic was widely believed among the clergy from the earliest times. and higher Christian officials, alarmed by the extent of such practices within the Church, often found it necessary to clamp down. In the thirteenth century, Pope Gregory IX passed a canon law forbidding priests to indulge in sorcery. However, these edicts did little to curb the belief on the part of the clergy that magic really did work. Even high officials were accused of practicing the black arts. In 1343, the bishop of Coventry was accused before the Pope of paying homage to the Devil. Pope Sylvester II, in the tenth century, was said to have been a sorcerer and was accused by many of having attained the papacy by magic. Pope Honorius III was rumored to have been a dabbler in magic, this assertion causing his name to be used later on a manual of black magic of doubtful authenticity, the Constitution of Honorius the Great. In 1401, Boniface IX absolved a priest named Otto Syboden for being concerned in an incantation to discover the location of some stolen money; the thief had supposedly died from the spell. It was only natural that the Mass should become the vehicle for later Satanists, for the Mass was believed by all good Christians to be the ultimate magical ritual. During the ceremony, the priest was supposed to be possessed by the spirit of Christ, thus establishing direct contact with the secret powers of the Heavens. However, these powers were not exclusive; they could be used and abused, just like other magical forces. By reversal and substitution, such powers could be twisted to fit the needs of the performer. Thus as early as 681, the Council of Toledo prohibited the so-called Mass of the Dead, which was performed by priests for the purposes of securing someone’s death.

A magic ceremony commonly involves the use of four elements—invocation, charm, symbolic action, and a fetish. If black magic is involved the invocation is addressed to Satan and demonic powers. The invocation of black magic is commonly fortified by a pact with Satan in which the person signs oneself over to the devil with one’s own blood. Magical symbolism is intended to give effectiveness to the magic charm and bring about occult transference. Magic symbolism, in turn, is supported by a fetish. This is a magically charmed object, which is supposed to carry magical power. Any object, of the most bizarre character, can become a fetish by being magically charmed. The magical effectiveness of the fetish (amulet or talisman) is increased by inscriptions, particularly by magic charm formulas. In Mrs. Winchester’s safe, was her diamond necklace, and a note that said, “I am he that holds the seven agues in hand and can send out the seven powers, and if you will hide this and live in my name, you will succeed in all things, and I will protect you.” Obviously, the superstitious use of such a magically charmed object elicited unusual demonic activity. Whoever now possesses this jewel can achieve dominion through magic over all powers in Earth, Heaven, and Hell, but they are in danger of becoming slaves of the devil. The diabolical knowledge and power they gain are paid for by tragedy, misery, and every type of occult oppression. A spell is produced by the release of demonic power through hypnosis, magnetism, mesmerism, or some other form of magic resulting in an extrasensory influence. Conjurers, charmers, and others who dabble in both white and black magic frequently know how to cast and break spells. They can paralyze a person on the spot, cause a thief to be frozen in his tracks.

Although both black and white magic use numerous other enchantments, yet the very heart of both branches centers in casting and releasing the spell. A spell can cause temporary blindness, deafness, dumbness, torpor, sickness, pain, etcetera. The symptoms will disappear when the spell is broken. Often only superstitious claims are made which remain devoid of reality. However, through a genuine magic spell diabolic power is released and real results are obtained. Till the power is recalled or counteracted, the spell remains binding. When one seeks to point out the dangers of spiritism by means of the more exaggerated examples one can often be faced with the following response. “But we do not engage in such a primitive form of spiritism as that. We are interested in spiritualism, and that is a noble and a spiritual thing.” I was once told by a man who had been a spiritualist for a number of years that he himself considered spiritism as opposed to spiritualism to be a crime. Well, what is the answer to this question? Has spiritualism succeeded where spiritism has failed? It is true that today spiritualism seems to have taken over from spiritism, and whereas spiritism is concerned with more animistic experiments, spiritualism attempts to take within its scope the religious and the spiritual World. Once cannot argue with the fact that spiritualism exists on a much higher level both intellectual and ethically than spiritism. There is, for example, in Zurich a spiritualistic “Lodge” which holds services each Sunday in which there are the usual hymns and prayers and sermon. The sermon is allegedly given by a departed spirit from the other side through the help of a medium, and each week it is taken down in shorthand and then published later. I have read several of these sermons and they contain a mixture of idealistic, moral and Christian thought. They fail to present the very center of the Christian message, which is that before God man stands as a helpless sinner who needs the redemption that there is in Christ Jesus.

Another point to note is that spiritualists interpret the New Testament in a quite unique way. For example, they say that the appearance of Moses and Elijah on the mount of transfiguration, and also the resurrection appearances of Christ, were really materializations which one would normally associate with a séance. As well as this, by means of a forced exegesis of Scripture they avoid the direct command of Deut. 18 and other passages which forbid communication with the dead. Once I cited this very passage to a member of a spiritualistic church, he exclaimed that they did not call on the dead but rather upon the living spirits from the realm of the dead. The result of all this is that spiritualism merely confuses people through its apparent Christian façade. The disastrous thing is that some Christian circles fail to recognize the evils that lie behind both spiritism and spiritualism. For example, a Christian family used to visit Mrs. Winchester and they would hold séances together. In this way some of the well-known Christians of the past have apparently appeared and conducted the meeting, as well as preaching to them. It is noteworthy though, that these “spirit” sermons contain nothing exceptional and usually fell well below the standard set. After Mrs. Winchester lost her husband. Nothing would console her in her loss, but later a strange thing began to take place. Her deceased husband started appearing to her at night, and Mr. William Winchester told her that he had been allowed to do so in order to comfort her in her distress. In this way their marriage was able to continue through these nightly appearances. The Mrs. Winchester claimed that she received help and strength from her husband’s coming to her, and she used to ask him about any problems that she had to face. A well-known Christian minister advised her to end this communication with the dead, but Mrs. Winchester could not be convinced that she was in any way wrong in what she did. However, as time went on Mrs. Winchester began to suffer from various psychic disturbances. The enigma of the Mystery House that tragedy and a rifle built is perhaps unanswerable.

Winchester Mystery House

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Summoned to Join the Waiting Throng of His Ancestors

Underneath all the stories there does lie something differ from the tales. How different? In this—that the thing which is invoked is an object of a different nature, however it may put on the appearance of the most beautiful and bizarre mansion in all of the World or indulge in its servants their human appetites. It is cold, it is hungry, it is mysterious, it is illusory. The warm blood of its visitors does not satisfy it. It wants something more and other; it wants “obedience,” it wants “souls,” and yet it pines for matter. The Winchester Mansions cost five million valuable dollars (2022 inflation adjusted $146,685,714.29 USD), with a million ($29,337,142.86) alone spent on materials. It contained 600 rooms with 160 still remaining, and has 10,000 windows, nine kitchens, and 47 fireplaces built of rosewood, cherry, mahogany, Italian marble, oak, teak, and pipestone; all hand-carved, and no two alike. For 38 years, 1884-1922, the sound of saw and hammer never ceased. Commonly, 16 carpenters were employed at one time, some having worked for 20 years without change. They produced the largest, most complicated and exclusively private residence in the United States of America. There are five different heating systems and three elevators. Some of the 13 bathrooms lacked privacy; they have glass doors! One rambling room has four fireplaces and five hot-air registers. A spiral stairway has 42 steps, each two inches high. Other stairways melt into blank walls. A second story door opens into the great outdoors and a 20-foot step. A linen closet has the area of a three-room apartment; a nearby cupboard is less than one-inch deep. A skylight is placed in the middle of a room, in the floor! Another floor is apparently a series of trap-doors. The visitor must stoop through one door to enter, the next gives clearance for an eight-foot giant. Many stairway turnposts are set upside down. Entire walls are built entirely of half-inch, “half-round” strips.

Everywhere prevails that strange deference to the number 13; 13 stairsteps, 13 hangers in closet, 13 wall panels, 13 lights in the chandeliers, 13 windows to a rom and if necessary to make that number, some placed in an inside wall. Perplexity is leavened by extravagant Victorian beauty scattered along each crooked path of exploration, but what else would you expect from the house built by spirits? It was not peaceful, but filled with demons in the shape of succulent young maidens. No casual visitor can see it all. In 1923, occupants gone, it was opened. The Inquisitors were certain that they had uncovered Satan’s lair. The number 13 has undoubtedly possessed great fascination for man throughout his historic and prehistoric past, and has taken on the aspects of a mystical number, embedded in his collective unconscious, just as the number 7 has been for time immemorial a number possessed of magical properties. Since 13 is the number following the perfect cycle of 12, it is symbolic of death or the unknown. It is quite possible that some covens might have been fixed at thirteen members. However, the evidence from the witch trials tends to corroborate the view that the number of members in covens varied, depending on how many members showed up. At night, passers-by heard ghostly music wafting from the dark mansion. Secrecy was imperative, for discovery meant certain death. The Devil himself invariably presided at the important Sabbats, in the personage of the Grand Master of the region. Seated on a black throne, Satan began the meeting by reading the roll call of members from a book he had in his possession. As their names were pronounced, witches reported their activities—their magical success or failure—since the last Sabbat. After the roll call, the Devil admitted new members. The initiate had to enter the cult of one’s own free will. The Devil demanded at the meetings that the witches bring children to the Sabbats for conversion.

The initiation requirement was that the initiate had to make a pact with the Devil, which usually involved signing a contract to do Satan’s work for a specified period of time. This vow of obedience usually employed as a writing fluid the blood of the signer, which was extracted from the arm or the finger. The symbolism behind this part of the ceremony is clear, blood being a traditional symbol for the life force, or the soul. The participants lined up in order to pay homage to Satan. The traditional bowing was followed by the osculum infame, of “Kiss of Shame,” a ritual kiss planted on the Devil where the sun don’t shine. After the black mass, the feast began. Some accounts state that the food was abundant and delicious, consisting of succulent meats, bread, and spirits. Most of the guests gorged themselves with food and drink before leaving the feast to dance. The dancing in the Grand Ball Room was an important part of the ceremony. Whoever stumbled on the occasion of this celebration must have seen something very unbelievable. They saw incoming flights of spirits glowing with sulfurous flames, and the Hand of Glory itself—the human hand with the fingers ignited as candles. They saw even a devil god, monstrously masked, with a candle spluttering between its horns. Then the bell in the belfry high in the gables tolled again to warn these visitors to return to their sepulchres. But once a week these departed ones relaxed and danced in the Great Ball Room. But even after the guests had departed, something it had spawned lived on, and the chanting could still be heard echoing through the caverns of the Winchester mansion. This left many in Santa Clara County bound together by a nihilistic belief that the World was in the throes of a bloody apocalypse, slowly purifying the overpopulated planet. From the mansion, doctrines from the dark undercurrents of the movement had rise to the surface: social Darwinism, the idea that the brutal laws of natural selection applied not just to the natural World but to human society.

There is so much of delicacy in this subject, that the mere resolve to handle it at all might seem to imply a lack of the sensitiveness necessary to its understanding; and it is certain that the more reverent the touch, the more irresistible will figure its opportunity to the common scepticism which is boneslave to its five senses. Mrs. Winchester was an heiress. She managed her considerable estate. She was an opened flower who had been left a green bud—a thing so rare and flawless that it seemed a sacrilege for Earthly passions to converse of her. She loved her husband dearly, wholly, it was plain. And for her part, fearless as nature, she made no secret of her love. She absorbed in, a captive to, William from the movement she met him and forever. What man could have resisted, on first appeal, the attraction of such a beauty, the flower of a radiant soul? The two were betrothed; William’s cup of happiness was brimmed. They were man and wife before God. She never doubted or questioned their mutual bondage, and would have died a maid for his sake. Something of sweet exultation only seemed to quicken the leap in her body, that her faith in her dear love was vindicated. But the joy came to an upset when Mrs. Sarah Winchester lost her daughter only four weeks after her birth. And about a decade later, Mr. William Winchester died in his early 40s. This destroyed Mrs. Winchester utterly. Psychics told her she was cursed by the Winchester fortune. Lonely in her huge mansion, unearthly cries of seabirds answered the questions of her widowed heart. She worked, sweet in charity, among her servants, a beautiful unearthly presence; and was especially to be found where infants and the troubles of child-bearing women called for her help and sympathy. Mrs. Winchester was so sweet a sanity; and indeed, many often noticed that her estate bred the souls of mysticism.

Guest once saw a mermaid bathing in the fountain at the Winchester mansion. At least, that was their instant impression. The creature sat coiled on the strand, combing her hair—that was certain, for they saw gold-green tresses of it whished by her action into rainbow threads. It appeared as certain that her upper half was flesh and her lower fish, and it was only on their nearer approach that this latter resolved itself into a pale green skirt, roped, owing to her posture, about her limbs, and the hem fanned out at her feet into a tail fin. It was plain enough now; yet the illusion for the moment had quite startled onlookers. As they came near, she paused in her strange business to canvass them. It was Mrs. Winchester herself. They guests had never seen so lovely a creature. Her eyes, as they regarded, were something to haunt a dream: so great in tragedy—not fathomless, but all in motion near their surfaces, it seemed, with green and rooted sorrows. They were the eyes of an Undine late-humanized, late awakened to the rapturous and troubled knowledge of the woman’s burden. Her forehead was most fair, and the glistening thatch divided on it like a golden cloud revealing the face of a wondering angel. They passed, and the rose garden stile their vision. The beautiful sight was gone when they returned. The Winchester mansion was full of ancient memories and apparitions. Mrs. Winchester’s manner was still quite youthfully thrilling. One morning succeeding the night after her guests had arrived, after breakfast she invited her guest to a séance in her Blue Séance Room, but even as guests spoke to her, her pretty features wavered and vanished. Where she had been, a gleam of iridescent dust seemed to show one moment before it sank and was extinguished in the falling cloud. Heaping an eternal chaos with nothingness, never to be seen again. But she left the sweetest memory behind her, for human charity, and an elf-like gift of loveliness.

When a family had moved into the Winchester mansion, both the husband and wife heard ghost like phenomena in the house. At night they heard footsteps about the house and at the weekend of Easter they heard such a lot of crashing and knocking that is sounded as if all the furniture was being smashed to pieces. On investigation they found nothing disturbed at all. The noises continued at other times and several guests heard them although they had never been told that the mansion was haunted. The residents prayed continuously about the disturbances and finally they decided to command the invisible powers in the name of Jesus to depart from the mansion. One morning this while it was still dark, they heard a noise as if all the bricks in the basement were being trapped, and this was followed by another noise comparable to hundreds of pigeons flying away. The man was now convinced that the ghosts had left. Later while investigating the possible causes of the ghost, it was discovered that this was the mansion of the spiritist Mrs. Sarah Winchester, who was cursed by the souls taken by the Winchester rifle. When it comes to a genuine haunting, the appearances always have their roots in the occult activity of those ho have previously lived in the house, and, although ghosts associated with particular places are more persistent than ghosts or apparitions associated with particular people. The occurrences are not to be explained away by some scientific explanation or other, but a metaphysical answer has to be sought for to understand the whole truth. The ghosts in the Winchester mansion are so vividly real and yet so fantastically original as to make an impression sometimes exceedingly startling. Some are kind, humorous, some grotesque, and some awe-inspiring even to sublimity, and chief among the last class is the weird-wailing Banshee, that sings by night her mournful cry, giving notice to the people who hear her that one of them will soon to be called to the spirit World.

The Banshee is really a disembodied soul, that of one, who, in life, was strongly attached to the family, or who had good reason to hate all its members. Thus, in different instances, the Banshee’s song may be inspired by opposite motives. When the Banshee loves those who she calls, the song is a low, soft chant, giving notice, indeed, of the close proximity of the angel of death, but with a tenderness of tone that reassures the one destined to die and comforts the survivors; rather a welcome than a warning, and having in its tones a thrill of exultation, as though the messenger spirit were bringing glad tidings to one summoned to join the waiting throng of his ancestors. If, during her lifetime, the Banshee was an enemy of the family, the cry is the scream of a fiend, howling with demoniac delight over the coming death-agony of another of her foes. There exists a belief that the spirits of the dead are not taken from Earth, nor do they lose all their former interest in Earthly affairs, but enjoy the happiness of the saved, or suffer the punishment imposed for their sins, in the neighborhood of the scenes among which they lived while clothed in flesh and blood. At particular crises in the affairs of mortals, these disenthralled spirits sometimes display joy and grief in such a manner as to attract the attention of living men and women. At weddings they are frequently unseen guests; at funerals they are always present; and sometimes, at both weddings and funerals, their presence is recognized by aerial voices or mysterious much know to be of unearthly origin. The spirits of the good wander with the living as guardian angels, but the spirits of the bad are restrained in their actions, and compelled to do penance at or near the places where their crimes where committed. Some are chained at the bottom of lakes, others are buried under ground, others confined in mountain gorges; some hang on the sides of precipices, others are transfixed on the tree-tops, while others haunt the homes of their ancestor, all waiting till the penance has been endured and the hour of release arrives.

The Winchester mansion, in San Jose, California USA is believed to be still inhabited by the spirit of a chief, who there atones for a horrid crime, while the mansion is similarly people by the wicked dead. The ghost of a sinful abbot walks and will continue to do so until his sin has been atoned for by the prayers he unceasingly mutters in his tireless march up and down the halls ways of the labyrinth. The Banshee is of the spirits who look with interested eyes on Earthly doings; and, deeply attached to the old families, or, on the contrary, regarding all their members with a hatred beyond that known to mortals, lingers about their dwellings to soften or to aggravate the sorrow of the approaching death. The Banshee attends only the old families, and though their descendants, through misfortune, may be brought down from high estate to the ranks of peasant-tenants, she never leaves nor forgets them till the last member has been gathered to his fathers in the churchyard. The song of the Banshee is commonly heard a day or two before the death of which it gives notice, though instances are cited that the song at the beginning of a course of conduct or line of undertaking that resulted fatally. Thus, in Winifred, a young servant at the Winchester mansion in the late 1880s, engaged herself to a youth, and at the moment her promise of marriage was given, both heard the low, sad wail above their heads. The young man deserted her, she died of a broken heart, and the night before her death, the Banshee’s song was heard blaring loud and clear, outside the window. The servants marched outside the mansion, and they filed through the gateway, the Banshee was heard high above the observation tower of the mansion. The next night he sang again, and was heard no more for a month, when one of the farmer’s wives heard the wail under her window, and on the following day his coworkers brought back his corpse. One of the farmers heard the Banshee as he started on a journey before daybreak, and was accidentally killed some time after, but while on the same journey.

The wail most frequently comes at night, although causes are cited of Banshees singing during the daytime, and the song is often inaudible to all save the one for whom the warning is intended. This, however, is not general, the death notice being for the family rather than for the doomed individual. The spirit is generally alone, though rarely several are heard singing in chorus. A maid, greatly loved for her social qualities, bebevolence, and piety, was some years ago, taken ill at the Winchester mansion, though no uneasiness was felt on her account, as her ailment seemed nothing more than a slight cold. After she had remained in-doors for a day or two several of her acquaintances came to her room to enliven her imprisonment, and while the little party were merrily chatting, strange sounds were heard, and all trembled and turned pale as they recognized the singing of a chorus of Banshees. The lady’s ailment developed into pleurisy, and she died a few days, the chorus being again heard in a sweet, plaintive requiem as the spirit was leaving her body. The honor of being warned by more than one Banshee is, however, very great, and comes only to the purest of the pure. The “hateful Banshee” is much dreaded by members of a family against which she has enmity. The Winchester mansion was attended by a Banshee of this description. This Banshee is the spirit of a young girl deceived and afterwards murdered by another servant. With her dying breath she cursed her murderer, and promised she would attend him forever. Many years passed, the chieftain reformed his ways, and his youthful crime was almost forgotten even by himself, when, one night, he and his family were seated by the fire of the mansion, and suddenly the most horrid shrieks were heard outside the mansion’s walls. All ran out, but saw nothing. During the night the screams continued as though the mansion was besieged by demons, and the unhappy mand recognized, in the cry of the Banshee, the voice of the young girl he had murdered. The next night he was assassinated by one of the construction workers, when again the wild, unearthly screams of the spirit were heard, exulting over his fate.

Since that night, the “hateful Banshee” has never failed to notify the family, with shrill cries of revengeful gladness, when the time of one of their number had arrived. Banshees are not often seen, but those that have made themselves visible differ as much in personal appearance as in the character of their cries. The “friendly Banshee” is a young and beautiful female spirit, with pale face, regular, well-formed features, hair sometimes coal-black, sometimes golden; eyes blue, brown, or black. Her long, white drapery falls below her feet as she floats in the air, chanting her weird warnings, lifting her hands as if in pitying tenderness bestowing a benediction on the soul she summons to the invisible World. The “hateful Banshee” is a horrible hag, with angry, distorted features: maledictions are written in every line of her wrinkled face, and her outstretched arms call down curses on the doomed member of the hated race. Though generally the only intimation of the presence of the Banshee is her cry, a notable instance of the contrary exists in the family of the Winchester’s, to the doomed member of which the Banshee always appears in the shape of an exceedingly beautiful woman, who sings a song so sweetly solemn as to reconcile him to his approaching fate. The prophetic spirit does not follow members of a family who go to a foreign land, but should death overtake them abroad, she gives notice of the misfortune to those at home. When Mr. Winchester died, the Banshee was heard wailing round the house of his ancestors. In fact, the night before the 1906 Earthquake, several Banshees were heard singing in the air over the Bay Area, the truth of their prophecy being verified by the death-toll and destruction of the next day. How the Banshee is able to obtain early and accurate information from foreign parts of the death in battles and natural disasters is yet undecided in mystical circles.

Some believe that there are, in addition to the two kinds of already mentioned, “silent Banshees,” who act as attendants to the members of old families, one to each member; that these silent spirits follow and observer, bringing back intelligence to the family Banshee at home, who then, at the proper seasons, sings her dolorous strain. A partial confirmation of this theory is seen in the fact that the Banshee has given notice at the family seat in Ireland of deaths in battles fought in every part of the World. From North America, the West Indies, Africa, Australia, India, China; from every point to which Irish regiments have followed the roll of the British drums, news of the prospective shedding of Irish blood has been brought home, and the slaughter preceded by a Banshee wail outside the ancestral windows. However, it is due to the reader to state, that this silent Banshee theory is by no means well or generally received, the burden of evidence going to show that there are only two kinds of Banshees, and that, in a supernatural way, they know the immediate future of those who they are interested, not being obliged to leave Ireland for the purpose of obtaining their information. Such is the wild Banshee, once to be heard in every part of the World. Now, however, she attends only the old families and does not change to the new. Only a few retired districts in the World are the dreaded spirit still found, while for the most part, she has become only a superstition, and from the majesty of the death-boding angel, is rapidly sinking to a level with other supernatural creatures, who are sought out, but so infrequently seen. The deceptiveness of white magic. White magic is black magic in pious masquerade. It uses, in a magic way, the name of God, Christ, and the Holy Spirit, along with Bible phrases and terminology, but is demonic in character. It is called “white” because it parades under the banner of light, in contrast to “black” magic that openly enlists the assistance of the power of darkness.

White magic furnishes a perfect illustration of the Apostle Paul’s warning: “And no marvel; for Satan himself is transformed into an angel of light. Therefore, it is no great thing if his ministers also be transformed as the ministers of righteousness; whose end shall be according to their works,” 2 Corinthians 11.14-15. White magic comes into play and alien spirits “not of God,” begin to operate when the truth of God is perverted. Many do not understand that utterly sincere believers of the holy Bible can come under the spell of white magic and demonic influence. The spirit realm of good in which the Spirit of God operates is closely related, although distinctly separate, from the spirit realm of evil where Satan and demons operate. Werewolf Order literature states, “Nikolas Schreck teaches that the ancient mythological figures of the werewolf and vampire are actually archetypal role models for the next step in evolution: cruelties of the natural order and man’s animal origins, and yet the master of a new science of pagan technology.” This concept—that the mythical creatures of the night were the most highly-evolved form of humanity—would be combined by Schreck with a revived Germanic racial occultism, inside the broader church of Satanism. His self-styled propaganda unit was tiled Radio Werewolf, after the propaganda stations set after the Second World War: Radio Werewolf stands as the standard-bearer of a new kind of youth…Orderly, disciplined, drug-free, proud and reawakened to their pagan heritage; the cadres of the Werewolf Youth Party. Contemporary youth culture was labelled a sewer of mind-numbing drugs, primitive rhythms, the unbalanced encouragement of androgyny and so forth, and the muddying and blurring of racial cultural boundaries. Performing midnight rituals to send signals to the sleeping masses in furtherance of the demonic revolution, the Werewolf Order were a gothic extreme for modern fascism.

The black-clad warrior priests and priestesses of the order form a lycanthropic legion who are shaking the axis of the World. There are thirteen designated Power stations of the Werewolf movement situated in such cities as San Francisco, London, Berlin, Seattle, Vienna, Brussels, Colorado Springs, with headquarters in Los Angeles overseen by Nikolas Schreck. Not one for half measures, Schreck declared his aim as World domination. Occultist trying to bring about a pagan revival has been going on for a very long time. At least since World War I. Necrophiliacs rub shoulders with advocates of eugenics, racist conspiracy theorists struggle for space against champions of self-castration. The Worlds of science, art, and the occult collide in a bewildering pile-up that leaves few standing. Apocalypse Culture distilled the pre-millennial angst and nihilism of people who grew up under the shadow of a mushroom cloud. The possibility of mass destruction, as imprinted on the subconscious of a generation, had produced a state of amorphous unease. A Malthusian mud flood has already been underway. The end of the World came sages ago, but it is happening slowly over a period of time and nobody has been noticing. It is an ongoing process. The World today is different than it was 30 years ago. Some of it has decayed so much, and it is decaying more and more all the time. The entire World is rotten and corrupt and they are [the masses are] ordaining their own death. To some, they are just dead people who refuse to lie down. It is people who do not see anything out in the World right now, who feel lost, unattached, swirling in a World of despair and boredom, but some glimmer of hope that there are at least some people like-minded. Lilith, a popular Satanic-femme pseudonym, is the archetypal illustration of Satan’s longstanding penchant for powerful women. Created of filth by Jehovah in the Old Testament’s Book of Isaiah, she was the first wife of Adam. Cast out into the wilderness for not submitting to her husband, she hooked up with the Devil and they made lots of little demons together.

The doctrines of the Order of the Nine Angels (ONA) calls for entry into a new aeon of human development, via the overturning of current social dogma. More specifically, individual members are encouraged to evolve personally by overcoming various physical and psychological ideas. The ONA defines itself as more “sinister” than the established Satanic movements—such as the Church of Satan and the Temple of Set—who are dismissed as not “evil” enough. The group’s efforts to establish its philosophical wickedness include, inevitably, flirtation with the Far Right. The purpose of human sacrifice was to release energy and draw down dark forces. There are some people who voluntarily offer themselves up; another is the human carnage that ensues as the result of political or social upheaval, to be brought about by the actions of the Order of the Nine Angels (ONA). In other cases, which give people most pause for thought—the secret murder of individuals considered to be opponents or impediments to the ONA’s goals. The Hard Right is a very dangerous thing to get involved with. Particularly for Satanists—the ONA has received threats from certain national socialists groups who do not like the idea of Satanism being linked with them. ONA claims that the secret of Satanism is that a Satanist restores the balance within society, acting as a counterbalance. For example, if we were in a right-wing situation at this time, there would certainly be a communist Satanic organization. This may all seem rather frivolous and aimless, but what Satanism represents is basically an energy for change. Evolution. An energy which provokes insight and adversity. Satan represents movement. Something which moves and that is not tied down by moral abstracts or ideas. You could remove someone you think is detrimental to your cause, but you could be wrong in in that. It could turn out to be the opposite. ONA is designed to attract people who can think and judge for themselves.

The work ONA does is very extreme, it has to be that way. The manuscripts are designed to produce certain changes in society, to create certain preconceptions and destroy others. They are very elitist, because very few people ever stay the course. It involves real hardship, a certain way of living which few people are willing to follow. All civilizations start off as a creative minority, a small group of people in certain area who did certain things which drew the masses. People are putty, basically, and it is always going to be a small number of people who can effect changes; the artists or whatever, the people who dare to break out of the constraints of society. They also let people know that they have freedom of will, but they have to take consequences for their actions. The archetypal ONA member is a lone sorcerer, somebody who defies their own limits, defies themselves. They find out their true potential, usual through ordeals. There is one ordeal, for example, which requires living alone for three months, completely alone, bereft of any possessions whatsoever. The actual aim is, on an individual level, finding your god within yourself. What is aims to produce is a unique individual who does not need anything. ONA is a traditional which goes back 7,000 years—that is according to legend. It was born when there was a civilization around here called Albion which had various rites associated with a dark goddess who we know as Baphomet. Baphomet’s been handed down through the ages as a composite figure. The famous goat-headed symbol was actually a distortion, a lie which took away from the real power of the dark goddess, who are actually a dark, menstruating women. It was very much a code of honor centered around war and the brutal realities of life, and actually the original paganism for thousands of years before Christianity arrived. It is basically an oral tradition some received from Anton Long. He received it from a Mistress of the Order and she had it passed on from someone before her.

The term “demon possession” does not appear in the Bible. The New Testament, however, frequently mentions demoniacs. They are said to “have a spirit,” “a demon,” “demons,” or “an unclean spirit.” Usually such unhappy victims of evil personalities are said to be “demonized” (daimonizomenoi) id est, they are subject to period attacks by one or more inhabiting demons, who derange them physically and mentally during the seizure. Rationalistic criticism has persistently denied the reality of demon possession as presented so vividly in the Bible accounts of our Lord’s Earth ministry. The mythical theory, advanced notably by Germany’s David Strauss, views the whole narrative of Jesus’ demon expulsions as purely symbolic, without actual foundation in fact. Demon possession is represented as a vivid symbol of the prevalence of evil in the World, and the expulsion of demons as a corresponding figure of Christ’s triumph over it. Other critics attempt to dismiss demon possession with theories of accommodation or hallucination. The proponents of the first hypothesis declare the Lord simply adapted Himself to popular belief and terminology without committing himself to the existence or nonexistence of the phenomena described or the truth or falsity of currently belief. The proponents of the second theory consider demon possession a pure hallucination or psychological delusion. However, all such views fail to meet the issue. Nor can present-day parapsychologist and psychiatrists, who refuse to recognize evil supernaturalism in the phenomen of demon possession, either explain it or deal adequately with it. Demon possession is a condition in which one or more evil spirits or demons inhabit the body of a human being and can take compete control of their victim at will. By temporarily blotting out one’s consciousness, they can speak through the individual and their complete slave and tool. The inhabiting demon (or demons) comes and goes much like the proprietor of a house who may or may not be “at home.” When the demon is “at home,” one may precipitate an attack. In these attacks the victim passes from one’s normal state, in which one acts like other people to the abnormal state of the possessed. The present generation must weigh and draw its own conclusions about supernatural activity and this valley’s most interesting, most haunted mansion, and surely our most mysterious Frist Lady!

Winchester Mystery House

Happy Day! Who’s visiting the Winchester Mystery House This weekend?

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻
Kitchen Dramas—Are they Arms Race or Saving Civilization as We Know it?

One a person experiences the full impact of the conflict in consciousness, one turns in an accusing rage on the target object. During the past several years, I have spent a good deal of my time blaming television for many of the more obvious dysfunctions from which Western culture—and especially America—is now suffering. It has been pointed out to me that I do this because I am by nature a negative person, always ready to condemn what is wrong rather than to praise what is right. Several of my students have even gone so far as to observe that had I lived during the period of incunabula—during the first fifty years of the printing press—I would have burdened everyone with a long list of depressing prophecies about the dangers of the machine-made book and universal literacy. However, my students are only half right. Assuming I had the brains to see what was happening in the year 1500, I would certainly have warned the Holy See that the printing press would place the word of God on every Christian’s kitchen table, and, as a consequence, the authority of the Church hierarchy would be put in jeopardy. Had I been granted a papal audience, I would have warned the Pop that armed with a printing press, Martin Luther was more than a malcontent priest suffering from a bad case of constipation. The printed word made him a serious revolutionary. I might also have warned the local princes that their days were numbered, that printing would give form to a new idea of nationhood which would make local potentates obsolete. And if the Brotherhood of Alchemists had allowed me to give the keynote address at their annual convention, I would have told them to go into another line of work, that printing would give great impetus to inductive science and that alchemy would not stand against the glare of publicly shared scientific knowledge. #RandolphHarris 1 of 20

I would also have told any wandering bards who came my way that within a hundred years their trade would lie in ruins, that tribal lays and epic poetry were doomed, and that they would be wise to urge their trainees to turn their talents to writing essays and reading novels. Now, not every one of these prophecies foretells a bad thing. That is why I said my students are only half right. Whether or not a prophecy is negative depends on your point of view. For example, since most of you are Lutherans, you probably would have cheered the breakup of the Holy Roman Empire. The Catholics of those times would, of course, have mourned it passing. In any case, there are some changes brought about by new media benefit some, harm others, and to a few do not make much of a difference. This is as true of television as it was of the printing press or any other important medium, although in the case of television there are very few indeed who are not affected in one way of another. For most of you here, television will provide a gratifying career. On the other hand, and in the long run, television may bring an end to the careers of schoolteachers, since school itself was an invention of the printing press and must stand or fall on the issue of how much importance the printed word will have in the future. New media break up old knowledge monopolies; indeed, create new conceptions of knowledge, even new conceptions of politics. If not for television, Joe Biden, for example, would not be President of the United of America, which is good for him and the interests he represents, but not so good for the poor and vulnerable. However, television can people good as it creates a true theater of the masses. For example, between the years 1948 and 1958, approximately 1,500 fifty-two-minute plays were performed “live” on American television. #RandolphHarris 2 of 19

“Live” means that these plays were performed at the precise moment they were seen by the television audience, a condition which since the advent of videotape and the widespread use of film has become increasingly rare; “fifty-two minutes” describes the actual running time of the play, eight minutes of the hour being subtracted for commercial messages, the listing of credits, and publicity for the next week’s play. There is no doubt that American television’s finest dramatic moments were provided by fifty-two-minute hours, particularly by such weekly series as the Kraft Television Theater (1947-58), the Philco-Goodyear Playhouse (1948-50), and the Studio One (1948-57). These programs began by presenting adaptations of classic and established contemporary novels but by 1950 had shifted to original dramatic work. By that time, such producers and directors as Worthington Miner, Fred Coe, Delbert Mann, Arthur Penn, and John Frankenheimer has assembled about them several gifted young writers who were prepared to devote their collective talents to a serious exploration of television’s artistic resources. Included in that group, among others, were Reginal Rose, Tad Mosel, Robert Alan Aurthur, Horton Foote, Rob Serling, J.P. Miller, and Gore Vidal. None, however, wrote more fittingly for television than Paddy Chayefsky, whose name, along with Edward. R. Murrow’s, symbolizes what romantics call “the golden age of television.” Mr. Chayefsky was to the “original” television drama what Mr. Ibsen was to the “social drama,” which is to say that he was one of the first creators and certainly its most distinguished one. Like Mr. Ibsen, he achieved an almost perfect union of form and content. Critics have observed, for example, that the effects that Mr. Ibsen achieved in A Doll’s House and Ghosts were a function not only of his themes, with which audience were certainly familiar in 1879 and 1881, but also of the stark, simple, and economical form in which he stated them. #RandolphHarris 3 of 19

Social dramas had been written before Mr. Ibsen, but it remained for him to discover the form for dramatizing social problems. Mr. Chayefsky, of course, did not write for the stage behind a proscenium arch, viewed from a distance in a darkened theater. He wrote for a seventeen-inch screen situated in a family living room, on which the only colors were varying shades of gray. He also had to present his story, from start to finish, in fifty-two minutes, and he could make two assumptions with absolute assurance: that his play would be interrupted at least twice for commercial messages, and that he would have to attract his audience instantly or lose much of it to other channels. He knew, too, as did his director, Delbert Mann, that the picture on the television screen is considerably cruder in visual definition than that on a motion-picture screen. So Mr. Chayefsky wrote his plays in anticipation of the audience’s observing the players in almost unrelenting “close-up.” Mr. Chayefsky realized that some of these technical-aesthetic conditions could create, as could perhaps no other medium, a sense of utter and absolute reality; could create the illusion that what the audience was seeing was not a mere play but life as seen through a seventeen-inch, nearly square hole. Beginning with a play called Holiday Song, which dealt with a rabbi’s re-examination of one’s faith in God, Mr. Chayefsky created a series of dramas that have often been characterized as “small” masterpieces, sometimes referred to as “kitchen” dramas, since much of the action seemed to take place in family kitchens. In any case, they were plays about unexceptional situations. The plots were uncluttered, and undaring, and highly compressed. They had few unexpected turns, little action, no treachery, no perversion, and no heroic gestures (in the traditional sense). #RandolphHarris 4 of 20

Mr. Chayefsky’s stories were “small” very much as Sherwood Anderson’s stories are small. The setting was New York, not small-town Ohio, but like Mr. Anderson, Chayefsky explored in economical but meticulous detail the agonizing problems of small people. And thus he elevated the status of both the problems and the people who suffered them. In fact, Mr. Chayefsky once remarked that “Your mother, sister, brothers, cousins, friends—all of these are better subjects for drama than Iago.” He was talking, of course, about television drama. Mr. Chayefsky’s most known play, Marty, tells the story of an unmarried, inarticulate butcher who is attacked to a sensitive but homely woman. Marty’s friends attempt to dissuade him from seeing the woman because she is, in their words, “a dog.” His mother, who fears being abandoned resents the woman bitterly. Against a backdrop of such universal themes as man’s need of loving and being loved, his fear of living alone, and his need to communicate, Mr. Chayefsky pursued his “small” story with persistent literalness, concluding with an equally “small” crisis in which Marty decides, against the protests of his friends and family, to phone the woman and ask her for a date. On the stage of in a novel, the plot would be too flimsy to carry much dramatic weight. When the play was adapted for the movies, it required more “movement” or action and the addition of at least one subplot. On the television screen, however, they play was an artistic triumph, producing a disturbing and edifying illusion of intimacy. Perhaps no other medium is better suited to the “slice of life” drama than television, a fact that is apparently well known to Ingmar Berman. Although television was invented in the 1920s, it did not exist for any practical purposes until after World War II. It is easy to forget that advertising, at least on the scale we have come to know it, barely existed before then either. #RandolphHarris 5 of 20

In 1946, advertisers spent about $3 billion. For the previous two decades, advertising expenditure had been fairly constant at about that level. By 1975, however, the national advertising budget had grown by 1,000 percent to $30 billion. In 2021, the national advertising budget reached $82 billion (expected to around $95 billion by the end of 2022). In that same year the television advertising budget has skyrocketed to $68 billion, and could be approximately $80 billion by the end of 2022. As you see, most of the increases in advertising. However, what is significant is that within only tend years of its effective inauguration, television was absorbing 60 percent of all advertising spending and driving hundreds of newspapers, magazines and radio stations out of the market. A symbiotic relationship developed. Advertising financed television’s growth. Television was the greatest delivery system for advertising that had ever been invented. We could call it love at first sight, except in this case, the match may have been prearranged. If you are fortunate enough to recall, think back to the days immediately after World War II. Although I was only ten in 1945, I remember the expectant and uncertain feeling of the times very well. Everyone was relieved that the war was over and was expecting things to get back to normal, but what was normal? Memories of the Depression loomed. I remember listening to my parents talk with their friends on those backyard summer evenings of 1945, and I could feel the fear. Like most ordinary people, my parents know that the war had alleviated the Depression. During the war, American industrial capacity, lying fallow only a few years before, had actually expanded to build the military machine. My father’s own business was an example. Now there were no more uniforms to make, and no more tanks. The war had given men jobs as soldiers and women jobs as factor workers. Full employment had practically become a reality. Now Johnny was marching home again, jobless. #RandolphHarris 6 of 19

If this was the talk among ordinary people, one can only imagine what was said in industrial boardrooms and at the Department of Commerce. With industrial capacity and capital investment expanded as they were, the consequences of a drop in production could make the 1930s look like golden years. A long-standing criticism of capitalism—that it can stave off cyclic depression only through war-seemed about to be confirmed. Suddenly in 1946, government and industry started making identical pronouncements about regearing American life to consume commodities at a level never before contemplated. It was not that military production was about to be abandoned. Even now it remains the single most important factor in the United States of America’s economy. However, in 1946 with the war just over, it was not clear that the decline in military spending would be as temporary as it turned out to be. Some new offsetting factor was needed. Thus, a new vision was born that equated the good life with consumer goods. An accelerate economy, continuing booming expansion of wartime, added to a new consumer ideology achieved the greatest economic growth rate in the country’s history from 1946 to 1970. To make such growth possible, both ends of the transformation process described previously had to be hyped up. First, we needed to insure an abundant supply of raw material to convert into commodities. This led to a burst of American investment overseas as well as to enormous assistance programs for sympathetic “underdeveloped” countries. Often we secured our supply by the creation of client governments propped up with military assistance. Raising anticommunism to the status of a holy war in the 1940s and the 1950s formed the political foundation for these military and economic programs and underlay the assertion of the patriotic virtues of foreign investment. #RandolphHarris 7 of 19

At the other end of the transformation equation, an accelerated movement of commodities into consumers’ homes was critical. People had to be convinced that life without all these products was undesirable and unpatriotic. It was time to forget the rationing of the war years and consumer for your country. Advertising and television were the dynamic duo that would rededicate the consuming American. Advertising’s ability to create a passionate need for what is not needed was already well established. Since economic growth and a consumer economy had to be based upon selling far more commodities than were needed to meet actual needs, economic growth depended upon advertising. Television, which had been lying around in mothballs since the 1920s, was dusted off and enlisted as the means to deliver the advertising lifestyle fast, right into people’s homes and heads. Quick to spot any new technology that could assist their urgent cause, big advertisers immediately invested hundreds of millions of dollars in developing this idle sales tool. And so advertising gave birth to television, and television have advertising a whole new World to conquer. Together they made possible an enormous, though temporary, economic bonanza. Can you recall the TV advertising of the 1940s and 1950s? Smiling, happy people. Scrubbed children. Housewives showing their impossibly clean wash. Smiling junior-executive husbands emerging from their new cars, greeted at the picket fence by their clean, cheerful families? The happy mowing of the lawn. The happy faces reflected off the polished toasters? The nuclear family was idealized to a greater extend than ever before, because the family was the ideal consumption unit. Women had to get out of those factories and overalls and back into little pink dresses in the kitchen. #RandolphHarris 8 of 19

Those returning soldiers needed jobs. Rosie the Riveter gave way to June Allyson. Separate family units maximized production potential. Private homes. Private cars. Two cars. Private washing machines. Private television sets. Within a few years, the World started changing. The battery-operated lawn mower I saw on television one day appeared on my lawn the next week. So did the car. The whole neighborhood started looking like a television commercial. The woods near my house in disappeared and were replaced by hundreds of identical versions of my house. Neighborhoods everywhere started looking like each other. Freeways replaced country roads. Shopping centers replaced corner markets. Pavements covered everything. “Prosperity,” “security,” “happiness,” studded ads and presidential speeches alike. This incredible outpouring of commodities, this entire revamping of landscape, this filling of houses with gadgets was supposed to constitute some kind of Latter-Day Saints Kingdom of God. That is what everyone was thinking, saying, and believing. It was what made America America. One of my high school teachers during the 1950s told my class that it was America’s commitment to a consumption economy that made our country different and better than all others. He told us that by expanding our economy, we could soon make everyone wealthy. America was already the World’s only classless society, he said. Workers and managers were equal partners in a glorious process benefiting everyone. In America everyone was equal. Our standard of living made it that way. Everyone could have a car. Everyone could have a business. We are not developing nations, where the water is dangerous to drink, and there are few rich people and everyone else is poor and all of them wished they had what we had. Because of this prosperity, we did not have to deal with the chaotic times of psychological and spiritual upheaval nor have actual fear among people of witchcraft, sorcerers, and others who claimed to know how to consort with the demons. The medieval period had died, and the modern period was born. #RandolphHarris 9 of 19

A few years later at the Wharton School of Business at the University of Pennsylvania, I learned how and why this commodity life and the economic growth it produces was supposed to be so good for absolutely everyone. I learned that they had been talking about in these boardrooms and at the Department of Commerce. It was called the “trickle-down theory.” It goes more or less like this: Industrial expansion, rapid economic growth and the consumption economy benefit everyone. The theory—which is the basis of Keynesian American economics—has it that when people buy more and more commodities, they produce more profits for industry, enabling it to expand. When industry expands, more jobs result. This puts more money into circulation, enabling people to buy more commodities, expanding profits again, yielding more investments, more jobs and starting the cycle around on another turn. This is an oversimplified process, which leaves out such variables as savings, borrowing, and so on. The way it is presented here is more or less the way it is translated through the media and through out educational system into popular understanding: a beautiful circle of activity, everyone helping everyone else, labor and management rowing the boat together, all serving the common good and growing endlessly. It explained the patriotic urgency of people spending more and more on commodities. The benefits would “trickle down” to everyone in this country, including those at the bottom on the pyramid. Jobs, money, prosperity, happiness, security, democracy, equality were all lumped together as inevitable results of this cycle. Most people believe in this “trickle-down-theory” still. Presidents get elected based on whether they can convince the public that they will stimulate the beautiful cycle. President Trump was elected for doing it and he proved his word. #RandolphHarris 10 of 19

The tickle-down theory is the nice simple kind of economic model that can be sold to a mass population removed from any deeper understanding of how things really work. Trying to come to grips with economic nuance is for most of us no easier than trying to understand how much nuclear radiation is “safe.” Who knows? The “experts” know. Like every other organizing model in our society, economic processes have been removed from personal participation, appropriated into a nether World of flow charts, financial analyses, and circle graphs. Like scientific and technological systems, once economic systems reach a certain size and complexity, they can be controlled only by forces far outside the grasp of the individual and community. One explanation of them sounds as plausible as another. In the absence of a really thorough training in economics—a training which itself supports many arbitrary and fantastic theories—this trickle-down model of the benefits of a consumer society sounds perfectly valid. It certainly seemed valid for a little while. People had jobs, the economy was growing, and homes were filling up with every more intricate gadgets. Only now, thirty years after the trip was launched, can we see the process from the vantage point of joblessness, inflation, bankruptcy and default, and realize that something was terribly wrong somewhere. In fact, it was a fantasy. It was packaged and sold to us like the seven-piece matching living-room sets on the television screen. Buy now, pay later when you are richer than you are now. However, when later came, very few of us were richer (and that usually happens to everyone). It turned out that the pursuit of all those happy goodies did not produce happy people; it produced isolated, frustrated, alienated people. More important, the economic benefits did not trickle down to create some egalitarian democracy. The benefits tickled up. That is why President Trump also used the tickle charger. Not only did he cut taxes, but also infused the less affulent with supercharged unemployment benefits, and helped the veterns, disabled, retirement and others reciveing government transfer pays by sending the a large cash sum of money, and then a few other payments for less, and he also supported businesses get through the pandemic. So the economy was stimulated and had a few trickle charges to keep the market flowing well. #RandolphHarris 11 of 19

The democratic revolution succeeded in extending formal self-government and opportunity to nearly everybody, regardless of birth, property, or education. However, it gave up the ideal of the town meeting, with the initiative and personal involvement that alone could train people in self-government and give the practical knowledge of political issues. The actual result has been the formation of a class of politicians who govern, and who are themselves symbolic front figures. Correspondingly, the self-determination won by the American Revolution for the regional states, that should have made possible real political experimentation, soon gave way to a national conformity; nor has the nation as a whole conserved its resources and maintained its ideals. The result is a deadening centralism, with neither local patriotism nor national patriotism. The best people do not offer themselves for public office, and no one has the aim of serving the Republic. Typical is the fate of the hard-won Constitutional freedoms, such as freedom of speech. Editors and publishers have given up trying to give an effective voice to important but unpopular opinions. Anything can be printed, but the powerful interests have the big presses. Only the safe opinion is proclaimed and other opinion is swamped. The liberal revolution succeeded in shaking off onerous government controls on enterprise, but it did not persist to its goal of real public wealth as the result of free enterprise and honestly informed choice on the market. The actual result is an economy dominated by monopolies, in which the earnest individual entrepreneur or inventor, who could perform a public service, is actively discouraged; and consumer demand is increasingly synthetic. Conversely, the Jeffersonian ideal of a proud and independent productivity yeomanry, with natural family morals and a co-operative community spirit, did in fact energize settling the West and providing the basis for our abundance. #RandolphHarris 12 of 19

However, because it has failed to cope with technological changes and to withstand speculation, “farming as a way of life” has succumbed to cash cropping dependent on distant markets, and is ridden with mortgages, tenancy, and hired labor. Yet it maintains a narrow rural morality and isolationist politics, is a sucker for the mass culture of Madison Avenue and Hollywood, and in the new cities (exempli Gratia, in California, where farmers have migrated) is a bulwark against genuine city culture. Constitutional safeguards of person were won. However, despite the increasing concentration of state power and mass pressures, no effect was made to give to individuals and small groups new means easily to avail themselves of the safeguards. The result is that there is no longer the striking individuality of free men; even quiet nonconformity is hounded; and there is no asylum from coast to coast. Fraternity—this short-lived ideal of the French Revolution, animating a whole people and uniting all classes as a community, soon gave way to aa dangerous nationalism. The ideal somewhat revived as the solidarity of the working class, but this too has faded into either philanthropy or “belonging.” Brotherhood of races—the Civil War won formal rights for African Americans, but failed to win social justice and factual democracy. The actual result has been segregation, and fear and ignorance from various people of all races. However, in the 2020s, that stigma is fading. Pacificism—this revolution has been entirely missed. Acceleration not only makes facts obsolete but blunts some of the key tools we use when we think. Analogy provides a case in point. It is virtually impossible for us to think without relying on analogies. This “thought-tool” is based on identifying similarities in two or more phenomena and then drawing conclusions from one to apply to the other. Doctors, we noted, will often say “the heart is like a pump” and then describe its “values” and other components in mechanical terms. This model helps them conceptualize and treat the heart. Often this process yields powerful results. #RandolphHarris 13 of 19

However, once similarities are identified, it is typically taken for granted that the similarities continue. And in slow-change eras, they may do so for long periods. In today’s hyper-change environment, however, once-similar things also change and very often become markedly dissimilar, often making conclusions based on the analogy false and misleading. To deal with today, therefore, we need not only new knowledge but new ways to think about it. Yet too many economists, consciously or otherwise, cling to the belief that economics is analogous to physics. This notion arose centuries ago, when Newtonian ideas about equilibrium, causation and determinism dominated that science. Since then, of course, physicists have drastically revised their views about these matters. However, many economists still base their findings on crude Newtonian assumptions. Trained to think in industrial terms, many find it difficult to grapple with the odd character of knowledge—the fact that it is non-rival and non-depletable, that it is intangible and thus hard to measure. It is only when we set today’s failures of economics alongside the looming crisis in science that we begin to gauge their true significance. For together these two fields have the greatest—or at least the most direct—impact on how we create wealth. And both are heading for transformation. When it comes to relationships, a university teacher of liberal arts cannot help confronting special handicaps, a slight deformity of the spirit, in the students, ever more numerous, whose parents are divorced. I do not have the slightest doubt that they do as well as other sin all kinds of specialized subjects, but I find they are not as open to the serious study of philosophy and literature as some other students are. I would guess this is because they are less eager to look into the meaning of their lives, or to risk shaking their received opinions. #RandolphHarris 14 of 19

In order to live with the chaos of their experience, they tend to have rigid frameworks about what is right and what is wrong and how they ought to live. They are full of desperate platitudes about self-determination, respect for other people’s rights and decisions, the need to work out one’s individual values and commitments, etcetera. All this is a thin veneer over boundless seas of rage, doubt, and fear. Young people habitually are able to jettison their habits of belief for an exciting idea. They have little to lose. Although this is not really philosophy, because they are not aware of how high the stakes are, in this period of their lives they can experiment with the unconventional and acquire deeper habits of belief and some learning to go along with them. However, children of divorced parents often lack this intellectual daring because they lack the natural youthful confidence in the future. Fear of both isolation and attachment clouds their prospects. A large measure of their enthusiasm has been extinguished and replaced by self-protectiveness. Similarly, their open confidence in friendship as part of the newly discovered search for the good is somewhat stunted. The Glauconian eros for the discovery of nature has suffered more damage in them than in most. Such students can make their disarray in the cosmos the theme of their reflection and study. However, it is a grim and dangerous business, and more than any student I have known, they evoke pity. They are indeed victims. An additional factor in the state of these students’ souls is the fact that they have undergone therapy. They have been told how to feel and what to think about themselves by psychologists who are paid by their parents to make everything work out as painlessly as possible for the parents, as part of no-fault divorce. If ever there was a conflict of interest, that is it. There are big bucks for therapists in divorce, since the divorces are eager to get back to persecuting the wretches who smoke or to ending the arms face or to saving “civilization as we know it.” #RandolphHarris 15 of 19

Meanwhile, psychologists provide much of the ideology justifying divorce—exempli gratia, that it is worse for kids to stay in stressful homes (thus motivating the potential escapees—that is, the parents—to make it as unpleasant as possible there). Psychologists are the sworn enemies of guilt. And they have an artificial language for the artificial feelings with which they equip children. However, it unfortunately does not permit such children to get a firm grip on anything. Of course, not every psychologist who deals with these matters simply plays the tune called by those who pay the piper, but the givens of the market and the capacity for self-deception, called creativity, surely influence such therapy. After all, parents can shop around for a psychologist just as some Catholics used to shop for a confessor. When these students arrive at the university, they are not only reeling from the destructive effects of the overturning of faith and the ambiguity of loyalty that result from divorce, but deafened by self-serving lies and hypocrisies expressed in a pseudoscientific jargon. Modern psychology at its best has a questionable understanding of the soul. It has no place for the natural superiority of philosophic life, and no understanding of education. So children who are inclined to believe that philosophy live in a less enlightened state and have a long climb just to get back up to the cave, or the World of common sense, which is the proper beginning for their ascent toward wisdom. They do not have confidence in what they feel or what they see, and they have an ideology that provides not a reason but a rationalization for their timidity. These students are the symbols of the intellectual-political problems of our time. They represent in extreme form the spirit vortex set in motion by loss of contact with other human beings and with the natural order. #RandolphHarris 16 of 19

However, all students are affected, in the most practical everyday way, unaware that their situation is peculiar, because their education does not give them perspective on it. Now, Web sites routinely collect detailed data on visitor behavior, and those statistics underscore just how quickly we leap between pages when we are online. Over a period of two months in 2008, an Israeli company named ClickTale, which supplies software for analyzing how people use corporate Web pages, collected data on the behavior of a million visitors to sites maintained by its clients around the World. It found that in most countries people spend, on average, between nineteen and twenty-seven seconds looking at a page before moving on to the next one, including the time required for the page to load into their browser’s window. German and Canadian surfers spend about twenty-one second, Indians and Australians spend about twenty-four seconds, and the French spend about twenty-five seconds. On the Web, there is no such thing as leisurely browsing. We want to gather as much information as quickly as our eyes and fingers can move. That is true even when it comes to academic research. As part of a five-year study, a group from University College London examined computer logs documenting the behavior of visitors to two popular research sites, one operated by the British Library and one by a U.K. educational consortium. Both sites provided users with access to journal articles, e-books, and other sources of written information. The scholars found that people using the sites exhibited a distinctive “form of skimming activity” in which they would hop quickly from one source to another, rarely returning to any source they had already visited. They would typically read, at most, one or two pages of an article or book before “bouncing out” to another site. “It is clear that users are not reading online in the traditional sense,” the authors of the study reported; “indeed there are signs that new forms of ‘reading’ are emerging as users ‘power browse’ horizontally through titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid reading in the traditional sense.” #RandolphHarris 17 of 19

The shift in our approach to reading and research seems to be an inevitable consequence of our reliance on the technology of the Net, and it bespeaks a deeper change in our thinking. There is absolutely no question that modern search engines and cross-referenced websites have powerfully enabled research and communication efficiencies. There is also absolutely no question that our brains are engaged less directly and more shallowly in the synthesis of information when we use research strategies that are all about “efficiency,” “secondary (and out-of-context) referencing,” and “once over, lightly.” As people are falling in love with the Internet, reading and its mediums is reminiscence of some of Capellanus’s more universal rules. He believed that love is always in a flux, either growing or diminishing. Making it public usually kills it. Its very nature as next to impossible to consummate is also its most powerful stimulus, and during its fleeting lifetime, jealously will sharpen the intensity of the country lovers feelings. Courtly love is obsessive and best endured by constant contemplation of the beloved. By the fourteenth century, an anonymous poet was refining the notion of love. In his “Ten Commandments of Love,” he advocated faith or honesty, attentiveness, discretion, patience, secretness, prudence, perseverance, pity, measure or moderation, and mercy. The lover in Chaucer’s “Complaint to His Lady” is so excessively long-suffering that he swears to obey his lady in whatever she dies, would rather die than offend her, and begs only for a drop of her grace. Here is his version of courtly love: “But I, my lyf an deeth, to yew obeye, and with right buxom herte, hooly I preye, as [is] your moste pleasure, so doth by me; and therfor, swete, rewe on my peynes smerte, and of your grace, graunteth me some drope; for ells may me laste no blis no hope, no dwelle within my trouble careful herte.” #RandolpHarris 18 of 19

Courtly love was agonizing and admirable, the source of chivalrous virtue. For these same reasons, it was often chaste, both because the logistics of consummation defeated the would-be lovers and also because, in some manifestations, courtly love was inherently pure. As one troubadour sang, “Out of love comes chastity.” As enormous but logical stretch puts courtly love together with the secret feudal societies that adopted then institutionalized a collective devotion to an unattainable woman who inspired their members to deeds of greatest daring and valor. The woman? The Virgin Mary, whose immaculate conception the early medieval Church had just begun to celebrate. The most famous of these secret societies was the Knights Templar, excommunicated knights who swore oaths of poverty, obedience, and chastity and dedicated themselves to the (newly immaculately conceived) Virgin Mary. Unlike their secular counterparts, however, whose courtly love involved personal grooming as a token of respect to their lady loves, virginal or otherwise, the Knights of the Templar who were abstinent, according to St. Bernard of Clairvaux, “never combed, rarely washed, [and wore] their beards bushy, sweaty, and fusty, stained by their harness and the heat. Centuries of literature and lives imitating art transformed courtly into romantic love, intense and unattainable, a phenomenon too high—mindedly impractical to survive marriage and the trials of time, routine, and old age. The precious instant of recognizing the beloved, the stylized pursuit, the exchange of extravagant words penned on scented paper, the self-indulgently obsessive meditating on each other—these became the characteristic of this new kind of love. Attraction based on pleasures of the flesh fueled it, just as it had the courtliest of loves, but in this case as well, intimate passions dominated the lover’s agenda. As literature, romantic love flirted and seduced as it inflamed and seared, titillating its aficionados with its stately ritual of gallant chase, heartsick suffering, rapturous encounters, gushing epistles, all in the name of profoundest if evanescent love. Sometimes this love was chaste by intention. Even when it was not, pleasures of the flesh was usually overpowered by complications of plot and character that, depending on your point of view, either reprieved the lovers from the banality of pleasures of the flesh or condemned them to its nonconsummation. Centuries of courtly and romantic love challenged thousands of lovers. Ultimately, most emerged from its clutches with their virtue intact. If our World is made up of such changes, as these, is it strange that my heart is so sad. prophets. #RandolphHarris 19 of 19

Cresleigh Homes

Luxurious outdoor living requires porch space AND a spot for the littlest members of the household to enjoy the sunshine, too! 😍

Our home at #MillsStation Residence 4 is the largest home in the community, but that extra playhouse definitely gives it an edge. https://cresleigh.com/mills-station/residence-4/

The lounge off the entry amplifies this social core; optional bedroom enhances the choices. This design lends a little Victorian formal touch to the arrival for family and guests.

The beautiful quartz counter top island has an optional built-in quartz tablecounter, which allos plenty of island seating.

The abundant cabinet space highlights the kitchen, while gathered windows and sliding door generate seamless connectivity to the home’s outdoor entertainment and leisure spaces.













































































