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The Time of the World Disappears Before Eternity

Revolutionary wealth is not just about money. Civilization is one of those big, stuffy words that may intrigue philosophers and historians but puts most people to sleep. Unless it is used in a sentence like “Our Civilization is threatened”—at which point large numbers of people prepare to defend themselves. Today many people do, in fact, believe that their civilization is threatened—and that the United States of America may be doing the threatening. And it is. However, not in the way most of us think. Around the World, critics of the United States of America point to its military and its economy as the main sources of its predominance. It is, however, knowledge in the broadcast sense and new technologies based on it that integrate America’s military and financial power and propel both forward. It is true that America’s technological lead is threatened. According to the National Science Board, foreign students earn nearly 50 percent of all U.S. doctorates in mathematics, computer sciences and engineering. And American youth are showing less and less interests in these fields. NASA officials complain that there are three times as many scientists over sixty as there are under thirty in the space agency. Shirley Ann Jackson, then president of the American Association for the Advancement of Science, has cautioned that “centers of technology-based activity, training, and entrepreneurialism are rapidly spreading throughout the globe. Thus even the status quo for the U.S. represents a declining share of the global marketplace for innovation and ideas.” Nevertheless, America still leads in most fields of digital technology, in microbiology and in science generally. It spends 44 percent of the World budget for research and development. By most criteria, the United States of America is still the undisputed leader in the performance of basic and applied research. In addition, many international comparisons put the United States of America as a leader in applying research and innovation to improve economic performance.

In the latest IMD International World Competitiveness Yearbook, the United States of America ranks first in economic competitiveness, followed by Hong Kong and Singapore. The survey compares economic performance, government efficiency, business efficiency, and infrastructure. Larger economies are further behind, with Zhejiang (China’s wealthiest province), Japan, the United Kingdom, and Germany ranked 20 though 23, respectively. An extensive review by the Organization for Economic Co-operation and Development (OECD) concludes that since World War II, US leadership in science and engineering has driven its dominant strategic position, economic advantage, and quality of life. And at least for now, the United States of America remains the Word’s scientific powerhouse. Perhaps even more important is the speed with which scientific and technical findings from everywhere are converted into marketable applications or products and widely dispersed into manufacturing, finance, agriculture, defense, biotech and other sectors. All of which boosts economic productivity, further accelerates change, and increasing the U.S. ability to compete at the global level. However, knowledge is not only a matter of bits and bytes or science and technology. Part of the knowledge economy is the production of art and entertainment, and America is the World’s biggest exporter of popular culture. That culture include fashion, music, TV programming, books, movies and computer games. Americans have always been told that their most important message to the World is one of democracy, individual freedom, tolerance, concern for “the rights of man” and—more recently—the rights of women. In the last three decades, however, a U.S. media spread into formerly closed or nonexistent foreign markets, a very different set of messages has been communicated. Much of it targeted at young people.

Certainly not all, but a considerable amount of this material has disgustingly glorified pimps, gangster, drug lords, drug pushers, and hollow-eyed drug users. It has celebrated extremes of violence marked by unending car chases, over-the-top special effects and songs dripping with sexist venom. The impact of all this has been further intensified in the hard-sell, over-the-edge advertising used to promote these products. Hollywood, for example, has painted a fantasy America in which adolescent hedonism reigns supreme and authority figures—police, teachers, politicians, business leaders—are routinely satirized. Film after film, and TV shows one after another, tell young viewers what many of them hunger to hear: that adults are bumbling fools; that being “dumb and dumber” is okay; that “we do not need education”; that to be “bad” is really good; and that pleasures of the flesh, in infinite variety, is or should be nonstop. In this fantasy World, women are readily available, but they can also leap over giant buildings in a single bound (like Superman), shoot and kill (like James Bond) and practice martial arts (Like Jet Li). Extremes, we are repeatedly told, are good and restraint is bad; and, by the way, America is so rich that event its secretaries, police, clerks, and other ordinary working people live in high-rise penthouse apartments or Malibu mansions—images that set adolescent glands tingling from Taipei to Timbuktu. What few foreign critics of American’s pop culture seem to know is that ironically enough, many of the ostensibly American firms producing and disseminating the interesting and unusual of these programs either are, or were financed not by America, but by European and Japanese capital. Nor is it widely understood that shows are often made by, say, a European director with an Australian stary, a Chinese martial-arts consultant, an anime cartoonist from Japan or other foreign contributors.

In the meantime, however, the influence of these intriguing programs is so powerful that other societies fear for the survival of their own culture. Only if art threatens action, then terrorism can be advanced through art. For such a phenomenon as Aesthetic Terrorism to occur, aesthetic pursuit must become symbolic not of its own decadently solipsistic pleasures (exemplified in madness of des Esseintes in Huysmans’ Against Nature), but of action taken beyond the pale of art World confines. Terrorism is art is called the avant-garde. However, if this was once the case, it is no longer. Most avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde can no longer stimulate or even provoke. Dada and Futurist actions, which attempted to lead art out of the classroom and museum and into the streets, are simply appropriated by postmodernist facsimiles which capture the letter but little of the original essence. It hardly matters anyway. Avant-garde art has evolved into nothing more than a cultural benchwarmer, corporate tax write-off and public relations smokescreen. Art which openly espouses anti-corporate ideology is embraced as long as it hews to arbitrary standards invented by those taste-making and fortune-telling hirelings, the art critics. What could be wrong, after all, with a business World that allows people to say what they want (because it does not matter)? Aesthetic Terrorism is a term more realistically applied to the faceless regime of consumer culture than the avant-garde. The onslaught of Muzak, ad jingles, billboards, top 40 tunes, commercials, corporate logos, etcetera, all fit the terrorist dynamic of intrusion and coercion.

One almost forgets that aesthetics once implied a consensual relationship between the creators and appreciators of art. How often is it that one hears someone admitting a fondness for a media product “in spite” of oneself? How many times have you heard a slogan or rancid tune ring in your ears like a brain-eating mantra? When consumer terror’s avant-garde correlative, Pop Art, became indistinguishable from the object of its supposed social satire, it erased from big business its pejorative taint. Many of today’s avant-garde stars have emerged from or entered the business World, some enormously successful in the arcane number-juggling or speculation and commodities scams. Even freeloading on the state and private foundations is fair game only for those whose bureaucratic aptitude is matched by their shameless butt-kissing. It is not surprising that most grant recipients excel in little more than lawyerristic logorrhea and ingrained artistic timidity. Critic-centered postmodernism spawned the phrase-art hybrid of Barbara Kruger and Jenny Holzer in which an advertising-style slogan is combined with an implied message or visual cue (usually swiped from some old magazine). Their posture is a hip cynicism which is supposed to subvert the “thrall” of the advertising command. Kruger and Holzer play the market like skillful double-agents, boosting themselves into the public eye through clever steals from Madison Avenue behaviorist techniques yet simultaneously troweling on crypto-Marxist jive to secure the perks of critical and academic currency. Their self-promotions worked when they were at the sidelines of the establishment. However, not the social commentary grows increasingly hollow. Currently being groomed for jet-setting prominence by Soho millionairess Mary Boone, Kruger’s contribution to the Whitney Biennial in 1987, for which she is paid a handsome sum, featured nothing more than a socialite princess joke, “I Shop Therefore I Am.” Winking at and wagging the tail of establishment hierarchy is part of that I-rib-you-gently-you-pay-me-off confidence game artists have been playing the Renaissance courts.

These contemporary court artists, like many of the past centuries, smugly pretend t spit in the eye of the exploiters while allowing themselves to be pampered de-loused—and when they are not looking—de-clawed. There are, of course, those artists, usually fresh out of university, who are unaccomplished at filling out grant forms, and therefore consider themselves “subversives.” The majority of these art and rock magazines-styled rebels are playing out rebellion psychodramas to package and merchandize to consumerist sycophants. This strategy is (forgive them term) the simulacra of terrorism: the content seizes in the frozen attitudinizing of pose and goes no further. We must look to the true outsiders and not the would-be insiders for an artist truly capable of effective counter-terror against the insidious mantras of consumerist brainwash. Terror means a threat, and the outsider’s version of Aesthetic Terrorism belongs to those performances or arrangements of words and pictures that unleash the reactionary impulses of police and bourgeois artist/critic alike. The kind of art that evokes this wrath, fear and condemnation rejoices in its pagan spirit of schadenfreude which controverts the humanist piety of “enlightened victim.” Anti-social sadism rarely receives patronage, however. Outside the corrupting realm of societal handouts, the Aesthetic Terrorist—much as this definition may grate on him—is the last bastion of aesthetic purity. Operation Sun Devil is the name for a government action against computer wizards and assorted sharpies and super-smarts who were resourceful enough to figure out how to hack into the electronic files of Ma Bell. Those who know, claim the Sun Devil gambit as a terrified overreaction against intelligence by the plodding and stupid bureaucracy.

John Perry Barlow (Whole Earth Review, Fall 1990) describes a typical Sun Devil action against a teenage hacker: [A] father in New York […] opened the door at 6.00 a.m. and found a shotgun at his nose. A dozen agents entered. While one of the kept the man’s wife in a choke-hold, the rest made ready to shoot and entered the bedroom for their sleeping 14-year-old. Before leaving, they confiscated every piece of electronic equipment, including all the telephones. Fourth Amendment guarantees against unreasonable search and seizure are unheeded by the government agents who claim nerd computer hackers are terrorists and have “the ability to access and review the files of hospital patients. Furthermore, they could have added, deleted, or altered vital patient information, possibly causing life-threatening situations.” Meacorporate interests have staked claim to the entirety of cyberspace, and they are not about to tolerate the presence of digital interlopers. This may scare off some, but other pirates like the mysterious Legion of Doom and NuPrometheus league (who illegally circulated highly protected Macintosh computer source code) will rise to the challenge now that they have been provided a clearly delineated enemy to innovation, the individual, and personal freedom. It may come as a surprise to learn that a few artists are now producing work which finds itself classified as a thought crime, punishable by expulsion into a Siberia of non-distribution, and in some cases by litigation and imprisonment. Pure magazine, from Chicago, a xeroxed vehicle which extols child torture, murder, and extreme misogyny, tweaked too many civic-minded noses, and its editor, Peter Sotos, was tailed for nine months and underwent a lengthy trial process in which he was finally convicted for possession of some very illegal magazine. Soto’s case was the first successfully prosecuted new Illinois state law, enacted under the influence of the Meese Commission Report on pornography, an example of First Amendment revisionism par excellence.

Soto’s case is particularly disquieting because it proves that prison is in the offing for simple possession of controversial material. No doubt this legal precedent was established to open the doors for future roundups of other thought criminals. The expertly managed Gulf War (massacre), in which networks censored war casualty footage that might provoke a “Vietnam War syndrome,” provides a small window into the dynamics of mass control to come. Any thoughtful individual is undeniably malnourished by the current information diet. Whether this is due to a direct conspiracy of State or by design of the oligarchic marketplace matters little. However, it has upped the ante for a new American Samizdat in which “disreputable,” “crazy,” “hateful,” or “dangerous” topics are broached by individuals or small, autonomous groups that are not compromised or swayed by institutional priorities. Can “offensive interests become the political crime of future? Apparently so. When looking at the previous sentences one can compare and see that musicians have been arrested for obscene lyrics, anarchist individuals have been collared for burning the flag; parents have been arrested for photographing their toddlers in their birthday suits; painter and performer Joe Coleman was arrested in Boston for operating an “infernal machine” and in New York for killing a rat: museum curators were threatened with arrest for hanging homoerotic photos; G.G. Allian was jailed for some consensual sadomasochism with a girlfriend; the FBI have been “monitoring” certain groups who practice unorthodox pleasures of the flesh; and on and on. Even many of the books you read have come under widely publicized attack by authors such as Carl A. Raschke who advocated the revocation of First Amendment rights from those who spread “cultural terrorism.” Even globalization could be considered cultural terrorism.

It has become increasingly obvious that the aesthetic terrorist hobgoblins are nothing more than symbolic scapegoats to divert attention away from the real issues. For Americans, fear is not another form of awareness, it is just another form of gossip. As Charles Manson has stated, true subversive terror can only be actualized by turning off the TV sets. Until then, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorists will not involve themselves in the dubious rewards of celebrity. The best of them will work alone, already a part of the enemy camp, and in a chameleon-like stye master the fifth-column algorithms to subvert the ancient regime. We will not know them by name but their compensation will be to affect the outcome of the planet. Until then, there is a lot of work to be done. Under what conditions will cooperation emerge in a World of egoists without central authority? This question has intrigued people for a long time. And for good reason. We all know that people are not angels, and that they tend to look after themselves and their own first. Yet we also know that cooperation does occur and that our civilization is based upon it. However, in situations where each individual has an incentive to be selfish, how can cooperation ever develop? The answer each of us gives to this question has a fundamental effect on how we think and act in our social, political, and economic relations with others. And the answers that others give have a great effect on how ready they will be to cooperate with us.

The most famous answer was given over three hundred years ago by Thomas Hobbes. It was pessimistic. He argued that before governments existed, the state of nature was dominated by the problem of selfish individuals who competed on such ruthless terms that life was “solitary, poor, nasty, brutish, and short” (Hobbes 1651/1962, p. 100). In his view, cooperation could not develop without a central authority, and consequently a strong government was necessary. Ever since, arguments about the proper scope of government have often focused on whether one could, or could not, expect cooperation to emerge in a particular domain if there were not an authority to police situation. Today nations interact without central authority. Therefore the requirements for the emergence of cooperation have relevance to many of the central issues of international politics. The most important problem is the security dilemma: nations often seek their own security through means which challenge the security of others. This problem arises in such areas as escalation of local conflicts and arms races. Related problems occur in international relations in the form of competition with alliances, tariff negotiations, and communal conflict places like Cyprus. The Russian invasion of Ukraine in 2022 has presented the United States of American with a typical dilemma of choice. If the United States of American continued business as usual, Russian might be encouraged to try other forms of noncooperative behavior later one. On the other hand, any substantial lessening of United States of America’s cooperation risks some form of retaliation, which could then set off counter-retaliation, setting up a pattern of mutual hostility that could be difficult to end. Much of the domestic debate about international policy is concerned with problems of just this type. And properly so, since these are hard choices.

In everyday life, if they never invite us over in return, we may ask ourselves how many times we will invite acquaintances for dinner. An executive in an organization does favors for another executive in order to get favors in exchange. A journalist who has received a leaked news story gives favorable coverage to the source in the hope that further leaks will be forthcoming. A business firm in an industry with only one other major company charges high prices with expectation that the other firm will also maintain high prices—to their mutual advantage and at the expense of the consumer. For me, a typical case of the emergence of cooperation is the development of patterns of behavior in a legislative body of the United States Senate. Each senator has an incentive to appear effective to his or her constituents, even at the expense of conflicting with other senators who are trying to appear effective to their constituents. However, this is hardly a situation of completely opposing interests, a zero-sum game. On the contrary, there are many opportunities for mutually rewarding activities by two senators. These mutually rewarding actions have led to the creation of an elaborate set of norms, or folkways, in the Senate. Among the most important of these is the norm of reciprocity—a folkway which involves helping out a colleague and getting repaid in kind. It includes vote trading but extends to so many types of mutually rewarding behavior that “it is not an exaggeration to say that reciprocity is a way of life in the Senate” (Matthews 1960, p. 100; see also Mayhew 1975). Washington was not always like this. Early observers saw the members of the Washington community as quite unscrupulous, unreliable, and characterized by “falsehood, deceit, treachery” (Smith 1906, p. 190). In the 1980s the practice of reciprocity is well established. Even the significant changes in the Senate over the last two decades, tending toward more decentralization, more openness, and more equal distribution of power, have come without abating the folkway of reciprocity.

As will be seen, it is not necessary to assume that senators are more honest, more generous, or more public-spirited than in earlier years to explain how cooperation based on reciprocity has emerged or proved stable. The emergence of cooperation can be explained as a consequence of individual senators pursuing their own interest. We are investigating how individual pursuing their own interests will act, followed by an analysis of what effects this will have for the system as a whole. Put another way, the approach is to make some assumptions about individual motives and then deduce consequences for the behavior of the entire system. The case of the U.S. Senate is a good example, but the same style of reasoning can be applied to other settings. The object of this enterprise is to develop a theory of cooperation that can be used to discover what is necessary for cooperation to emerge. By understanding the conditions that allow it to emerge, appropriate actions can be taken to foster the development of cooperation in a specific setting. The Cooperation Theory that is presented here is based upon an investigation of individuals who pursue their own self-interest without the assistance of a central authority to force them to cooperate with each other. The reason for assuming self-interest is that it allows an examination of the difficult case in which cooperation is not completely based upon a concern for other or upon the welfare of the group as a whole. It must, however, be stressed that this assumption is actually much less restrictive than it appears. If a sister is concerned for the welfare of her brother, the sister’s self-interest can be thought of as including (among many other things) this concern for the welfare of her brother. However, this does not necessarily eliminate all potential for conflict between sister and brother.

Likewise a nation may act in part out of regard for the interests of its friends, but this regard does not mean that even friendly countries are always able to cooperate for their mutual benefit. So the assumption of self-interest is really just an assumption that concern for others does not completely solve the problem of when to cooperate with them and when not to. A good example of the fundamental problem of cooperation is the case where two industrial nations have erected trade barriers to each other’s exports. If barriers were eliminated, because of the mutual advantages of free trade, both countries would be better off. However, if either country were to unilaterally eliminate its barriers, it would find itself facing terms of trade that hurt its own economy. In fact, whatever one country does, the other country is better off retaining its own trade barriers. Therefore, the problem is that each country has an incentive to retain trade barriers, leading to a worse outcome than would have been possible had both countries cooperated with each other. This basic problem occurs when the pursuit of self-interest by each leads to a poor outcome for all. To make headway in understanding the vast array of specific situations which have this property, a way is needed to represent what is common to these situations without becoming bogged down in the details unique to each. Fortunately, there is such a representation available: the famous Prisoner’s Dilemma game. In the Prisoner’s Dilemma game, there are two players. Each has two choices, namely cooperate of defect. Each must make the choice without knowing what the other will do. No matter what the other does, defection yield a higher payoff than cooperation. If both defect, the dilemma is that both do worse than if both had cooperated. Cases typically result in one of four possible outcomes in the matrix. If both players cooperate, both do fairly well. Both get a reward for mutual cooperation.

However, if one player cooperates but the other defects, the defecting play get the temptation to defect, while the cooperating players gets the sucker’s payoff. If both defect, both get the punishment for mutual defection. What would you do in such a situation? That is basically the gamble of the Prisoner’s Dilemma. The Prisoner’s Dilemma is simply an abstract formulation of some very common and very interesting situations in which what is best for each person individually leads to mutual defection, whereas everyone would have been better off with mutual cooperation. The definition of Prisoner’s Dilemma requires that several relationships hold among the four different potential outcomes. The second part of the definition of the Prisoner’s Dilemma is that the players cannot get out of their dilemma by taking turns exploiting each other. This assumption means that an even chance of exploitation and being exploited is not as good an outcome for a player as mutual cooperation. It is therefore assumed that the reward for mutual cooperation is greater than the average temptation and the sucker’s payoff. This assumption, together with the rank ordering of the four payoffs, defines the Prisoner’s Dilemma. We have come back to the point where we began, where values take the place of good and evil. However, now we have made at least a hasty tour of the intellectual experiences connected with modern politics that made such a response compelling. How it looked to thoughtful Germans is most revealingly expressed in a famous passage by Max Weber, about God science and the irrational: Finally, although a naïve optimism may have celebrated science—that is, the technique of the mastery of life founded on science—as the path which would lead to happiness, I believe I can leave this entire question aside in light of the annihilating critique which Nietzsche has made of “the last men” who “have discovered happiness.” Who, then, still believes in this with the exception of a few big babies in university chairs or in editorial offices?

So penetrating and well informed an observer as Weber could say in 1919 that the scientific spirit at the heart of Western democracy was dead for all serious men and that Nietzsche had killed it, or had at least given it the coup de grace. The presentation of “the last man” in Thus Spake Zarathusta was so decisive that the old-style Enlightenment rationalism need not even be discussed anymore; and, Weber implies, all future discussion or study must proceed with the certainty that the perspective was a “naïve” failure. Reason cannot establish values, and its belief that it can is the stupidest and most pernicious illusion. This means, simply, that almost all Americans at that time, thinking American in particular, were “big babies” and remained so, long after the Continent had grown up. One need only think of John Dewey to recognize that he fits Weber’s description to a T, and then remember what his influence here once was. And not only Dewey, but everyone from the beginning of our regime, especially those who said, “We hold these truths to be self-evident,” shared the rationalist dream. Weber’s statement is so important because he made as much as more than anyone brought us into contact with the most advanced Continental criticisms of liberal democracy, and was the intermediary between Nietzsche and us Americans who were the most recalcitrant to one’s insight, perhaps because according to it we represent the worst or most hopeless and are therefore loath to see ourselves in that mirror. A very dark view of the future has been superimposed on our incorrigible optimism. We are children playing with adult toys. They have proved too much for us to handle. However, in our defense, we are probably not the only ones for whom they are too much. Perhaps you have caught yourself kissing another person as you first saw kissing in the movies or on television. My children have a phrase to describe this: “television kiss.”

It is fortunate for them that they have noted that there are television kisses and other kinds, because it will help protect them from absorbing it, taking it into themselves where it will come back out ten years, like a replay. Most of us did not make that distinction as we sat in darkened rooms or theaters as children. Since we did not see all that much real kissing, the media kiss became our image of kissing. We found ourselves producing that model of kiss later in life. I was fourteen-year-old when I tried to kiss for the first time. I imitated Brad Pitt’s kiss, but I did not feel it. Only later did I realize that perhaps Brad Pitt did not feel it either; he was merely kissing the way the director said he should. So there I was imitating a kiss that was never real in the first place, worried that there might be something wrong with me for lacking the appropriate feeling and failing to obtain the appropriate response. The journalist Jane Margold was driving home one night in Berkeley with her brother, Harlan. Suddenly a man crawled into the street right in front of them. They screeched to a stop and then, stunned, just sat there for a moment. They finally got out and cautiously went up to the man to find out that he had been stabbed several times in his upper body, was bleeding profusely and was in danger of dying right there. The man’s assailant was nowhere to be seen. In describing the event to me, Jane said that she instantly flipped into a media version of herself. She had never faced anything like it before and had no direct feelings. Instead, playing through her mind were images of similar events she had seen on television or in films. The media superseded her own responses, even to the point of removing her from the event. She was there, but sue did not experience herself as being there. She was seeing the event, but between her and it, floating in her mind, was an image of an implanted reality which would not get out of the way. Jane thought such thoughts as: “This is real; there is a wounded man lying here in from of me, bleeding to death, yet I have no feeling. It seems like a movie.”

In fact, it was they very movielike quality that eventually got her into action. Without feeling, she performed mechanical acts. She and her brother comforted the man, directed traffic, dispatched people to summon the police and an ambulance. She became extremely efficient, but throughout, she had the sense of performing a script. Apart from their economic implications, technologies create the ways in which people perceive reality, and such ways are the key to understanding diverse forms of social and mental life. As individual express their life, so they are. There are three stages in the development of technology: the age of technology of chance, the age of technology of the artisan, the age of technology of the technician. Cultures may be classified into three types: tool-using cultures, technocracies, and technopolies. At the present time, each type may be found somewhere on the planet, although the first is rapidly disappearing: we must travel to exotic places to find a tool-using culture. If we do, it is well to go armed with the knowledge that, until the seventeenth century, all cultures were tool-users. There was, of course, considerable variation from one culture to another in the tools that were available. Some had only spears and cooking utensils. Some had water mills and coal- and horsepower. However, the main characteristic of all tool-using cultures is that their tools were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow; or to serve the symbolic World of art, politics, myth, ritual, and religion, as in the construction of castles and cathedrals and the development of the mechanical clock. In either case, tools did not attack (or, more precisely, were not intended to attack) the dignity and integrity of the culture into which they were introduced.

With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization. These beliefs, in fact, directed the invention of tools and limited the uses to which they were put. Even in the case of military technology, spiritual ideas and social customs acted as controlling forces. It is well known, for example, that the uses of the sword by samurai warriors were meticulously governed by a set of ideals known as Bushido, or the Way of the warrior. The rules and rituals specificizing when, where, and how the warrior must use either his two swords (the katana, or long sword, and the wakizashi, or short sword) were precise, tied closely to the concept of honor, and included the requirement that the warrior commit seppuku or hara-kiri should his honor be compromised. This sort of governance of military technology was not unknow in the Western World. The use of the lethal crossbow was prohibited, under threat of anathema, by Pope Innocent II in the early twelfth century. The weapon was judged to be “hateful to God” and therefore could not be used against Christians. That it could be used against Muslims and other infidels does not invalidate the point that in a tool-using culture technology is not seen as autonomous, and is subject to the jurisdiction of some binding social or religious system. This is why power, which to a large extent defines us as individuals and as nations, is itself being redefined. A clue to this redefinition emerges when we look more closely at some of the unrelated changes. For we discover that they are not as random as they seem. Whether it is Japan’s meteoric rise, GM’s impressive rebound, or the American doctor’s fall from grace, a single common thread unites them.

Take the punctured power of the god-in-a-white coat. Throughout the heyday of doctor-dominance in America, physicians kept a tight choke-hold on medical knowledge. Prescriptions were written in Latin, providing the profession with a semi-secret code, as it were, which kept most patients in ignorance. Medical journals and texts were restricted to professional readers. Medical conferences were closed to the laity. Doctors controlled medical-school curricula and enrollments. Contrast this with the situation today, when patients have astonishing access to medical knowledge. With a personal computer and a WiFi, anyone from home can access data bases like Index Medicus, and obtain scientific papers on everything from Addison’s disease to zygomycosis, and, in fact, collect more information about a specific aliment or treatment than the ordinary doctor has time to read. Copies of the 2,354-page book knows as the PDR or Physicians’ Desk Reference are also readily available to anyone. Once a week on the Lifetime cable network, any televiewer can watch twelve uninterrupted hours of highly technical television programming designed specifically to educate doctors. Many of these programs carry a disclaimer to the effect that “some of this material may not be suited toa general audience.” However, that is for the viewer to decide. The rest of the week, hardly a single newscast is aired in America without a medical story or segment. A video version of the material from the Journal of the American Medical Association is now broadcast by three hundred stations on Thursday nights. The press reports on medical malpractice cases. Inexpensive paperbacks tell ordinary readers what drug side effect to watch for, what drugs not to mix, how to raise or lower cholesterol levels through diet. In addition, major medical breakthroughs, even if television news almost before the M.S. has even taken his subscription copy of journal out of the in-box. In short, the knowledge monopoly of the medical profession has been thoroughly smashed. And the doctor is no longer a god.

This case of the dethroned doctor is, however, only one small example of a more general process changing the entire relationship of knowledge to power in the high-tech nations. In many other fields, too, closely held specialists’ knowledge is slipping out of control and reaching ordinary citizens. Similarly, inside major corporations, employees are winning access to knowledge once monopolized by management. And as knowledge is redistributed, so, too, is the power based on it. A human is a “beast” and purifies one’s heart, and behold, God holds one by the hand. That is not a kind of humans. Purity of heart is a state of being. A man is not pure in kind, but one is able to be or become pure, rather one is only essentially pure when one has become pure, and even than one does not thereby belong to a kind of humans. The “wicked,” that is, the bad, are not contrasted with good humans. The good is to draw near Hod. One does not say that those near to God are good. However, one does call the bas those who are far from God. In the language of modern thought that means that there are humans who have no share in existence, but there are no humans who possess existence. Existence cannot be possessed, but only shared in. One does not rest in the lap of existence, but one draws near to it. Nearness is nothing but such a drawing and coming near continually and as long as the human person lives. The dynamic of fairness and nearness is broken by death when it breaks the life of the person. With death there vanished the heart, that inwardness of humanity, out of which arises the pictures of the imagination, and which rises up in defiance, but which can also be purified. Separate souls vanish, separation vanished. Time which has been lived by the soul vanished with the soul, we know of no duration in time. Only the rock in which the heart is concealed, only the rock of human hearts does not vanish. For it does not stand in time. The time of the World disappears before eternity, but existing humans die into eternity as into the perfect existence.

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Cresleigh Meadows is now selling! Found just north of Feather River Boulevard, Cresleigh Meadows is home of the largest neighborhood in Plumas Ranch as well as the popular Bear River Park. With four floor plans available, ranging from approximately 2,000 – 3,500 square feet offering, three to five bedrooms, we are certain you will find the home that fits your needs and lifestyle.

Popular design elements include open floor plans, large kitchen islands, and flex spaces are staples in Cresleigh homes. Multi-generational living options also available in select homes.

Homeowners will love the convenient commuter access to nearby Sacramento and Yuba City.

Best of all, each Cresleigh home comes fully equipped with an All Ready connected home! This smart home package comes included with your home and features great tools including: video door bell and digital deadbolt for the front door, connect home hub so you can set scenes and routines to make life just a little easier. Two smart switches and USB outlets are also included, plus we’ll gift you a Google Home Hub and Go. https://cresleigh.com/cresleigh-meadows-at-plumas-ranch/

Summoning Devils on Film and in Real Life

Much like the Winchester mansion and Mrs. Winchester, the Hellfire Clubs and medieval Sabbat believed that devils and demons should not be stern masters or slaves, but welcome house-guest, which is why Mrs. Winchester built what is now known as the Winchester Mystery House. It is easy to imagine how the combined grief of losing both a child and a spouse could be very crippling. However, if you had $20,000,000.00 (2022 inflation adjusted $556,305,882.35) and all the time in the World to help you cope, can you imagine what you would do? Mrs. Sarah L. Winchester’s response to the deaths of her child and husband left a bizarre and impressive architectural reflection of her psyche. The fascinating story of the Winchester Mystery House has its roots in the personal tragedies suffered by Mrs. Winchester and in the legacy of the Winchester rifle, “The Gun that Won the West.” The Winchester Mansion raised its castellated walls and towers in every direction commanding magnificent prospects; like emeralds in a setting of deeper green, gemmed the surface of the surface of the rural landscape and contributed to increase the beauty of scenery not surpassed in the World. Ages ago the voice of prayer and the song of praise used to ascend from this sacred estate. Presented on the estate was a happy country, none better calculated to inspire love and harmony. However, there was a lack of happiness in the circumstances of life for Mrs. Winchester. At first glance, there seems to be no degree of truth in this statement because of all the riches she inherited and her beautiful mansion. Many people assumes that for the rich, enjoying their riches, are likely to be contented and to look no further than this World. There were also a group of seven Victorian houses on the estate, not connected to the main house, of goodly size, and a Holy Cross. The seven Victorian Houses which, according to tradition, were built there under Mrs. Winchester’s direction, along with a graveyard on her 760 acres of land. #RandolphHarris 1 of 15

In the garden of the mansion was a curious stone cross, of considerable size, evidently monumental, though the inscription has been so defaced as to be illegible. On the front of the cross there is a deep indentation much resembling that made by the hoof of a cow in soft Earth, the bottom of the indentation being deepest at the sides and somewhat ridged in the middle. Concerning this cross and the depression in its face, the following legend was related by one of the farmers on the estate. “Mrs. Winchester built this mansion, houses, and the church, you see. When she lived, she owned all the land round about. But there was a devil here. If you had meet him on the grounds, you would know in a minute that it was himself and no other that was in it, and so make ready, either for to run away from him, or to fight him with praying as fast as you can, because, you see, it is no use for to strive with the devil any other way, seeing that no weapon can make the last dint on his carriage. In them days, and before the mansion was built, I am telling you, the devil was all as one as a man, a tall felly like a soldier, with a high hat coming to a pint and feathers on it, and fine boots and spurs and a short red jacket with a cloak over his shoulder and a sword by his side, as fine as any gentleman of the good old times. So he used to go about the country, desiring men and women, the latter being his choice as being easier to deceive, and taking them down with him to his own place, and it was a fine time he was having entirely, and everything his own way. As soon as Mrs. Winchester started construction on her mansion, the devil took up his quarters there, to make it as sure as he could. But when he heard what Mrs. Winchester was doing, a four-story mansion, of 500 or 600 rooms, and a nine-story observation tower, he came out to see the castle was rising before his eyes. He heard the construction singing and started cursing to himself, and at 5.13am on Wednesday April 18th, 1906, Satan stomped his cloven hoof into the ground causing a 7.9 Earthquake and brought down that tower. #RandolphHarris 2 of 15

After the Earthquake, while the devil was laying about in the bushes a-watching the work, and the tower of the big mansion was lifting itself above the trees, this time just not as high as it used to be. Everyone knows that Satan is slicker than a weasel, and has a memory like a miser’s box that takes in everything and lets nothing go out. When you do anything, sore a bit that it scrapes the devil, and he hugs it close till a time comes when he can make a club have it to bate you with, and so he does. You may think it is queer, but it is no wonder to one that understands it, for the devil can take any shape he pleases and look like any one he wants to, and so he does for the purpose of tempting us poor sinners to destruction, but there is one thing by which he always knows; when you have given up to him or when you have beaten him on the face, no matter which, he has got to throw off the disguise that is on him and show you who he is, and when he does it, it is not the elegant, dressed-up devil that you see and that I was just telling you about, but the rale, old, black anger with a rancorous, without a haporth of rages to the back of him, and his horns and tail a sticking out, and his eyes as big as an oxen’s and shinning like fire, and great bat’s wings on him, and, saving your presence, the most nefarious smell of sulfur you have smelled. However, before, he looks all right, no matter what face he has, and it is only the goodness of God that the devil is bound for to show himself to you, because, Glory be to God, it is his will that humans shall know who they are dealing with, and if they give up to the devil, and after finding out who is in it, go on with the bargain they have made, sure the fault is their own, and they go to hell with their eyes open, and if they bate him, he has got to show himself for to let them see what they have escaped. #RandolphHarris 3 of 15

Satan was flying around the Winchester mansion, there were the farmers all along the day job, and the construction workers were building as fast as they could and a bottle of holy water were at their side to throw at the devil when he would come. So he went from the and would fly back and forth watching then working, and they restored the Winchester mansion. Old beliefs die hard, especially when their speedy demise is a consummation devoutly to be wished. Magic is only a physical or psychological effect that has yet to be explained, which means for many it is uncomfortable to entertain now. All good occultists must be skeptical—believe nothing in preference to believing everything. All proto-sciences could be defined as magic. You can see the ritual chamber as a kind of intellectual decompression of chamber to prepare your mind for other atmospheres. People who limit themselves to the occult curricula and profess to be wizards are laughable—magic is an interdisciplinary pursuit. You must consider all the options—investigating like a police officer. To perform a summoning, for example, would involve finding the right environment, appropriate retrieval cues, the right atmospheric conditions. The effects of magic are demonstrable. A lot of simple magic is just to do with self-confidence, how much your antennae are up, how open you are to the World around you. Rituals and magical words are not necessary, merely tools or exercises to help train your mind. Scientists are now coming to the conclusion that there is a lot more interconnectedness between man and his environment than they originally supposed, which is a basic occultic concept. The only really dangerous characters are the ones who think they are generational Satanists and their grandfather told them with his dying breath what to do, or whatever. There are a lot of armies of one out there, a lot of coffee-bar revolutionaries. New information technology has bred a lot of desktop Satanists and bulletin boards mean that cyberspace seems to be just full of Satanists. The Christian heretics rarely get much further than designing letterheads. #RandolphHarris 4 of 15

Many Satanists are fans of people like Paris Hilton and Britney Spears and applaud their outrageous sexuality. They are also huge fans of Aaliyah for making that film Queen of the Damned. Many Satanists are quietly applying Church of Satan philosophy to their lives in their own fashion in a very real way. The best thing they could ask for is that people pass them a nod of respect. In the modern World, the spirit of the age often looms down upon us in strange, distorted forms from the cinema screen. Major production companies spend millions of dollars trying to trap the latest cultural trends on celluloid, while audiences make surprise blockbusters from movies which—accidentally or otherwise—tap into the anxieties and enthusiasms of the day. In the late 1960s and 1970s, 2000s the films which came to be regarded as four “Satanic blockbusters”—Rosemary’s Baby (1968), The Exorcist (1973), The Omen (1976), and Queen of the Damned (2002)—all took the box-office by storm, transforming themselves into cultural phenomena which attracted public interest far beyond that of most “mere” films. Cinema has been the most potent legend factory of the centuries. Despite constant predictions that TV would devour the silver screen, the spectable and ceremony of the cinema helped retain its status as the most sacred of modern temples. Film presents a super real version of the World—louder, larger, essentially more mythic. More people take cues on how to live, love, fight—even on how to die—from the silver screen than from the pulpit or the gospels. Pagan worship is alive and well and being practised at your local multiplex, with Hollywood stars as the gods of our age. And, just as cinema has given us new gods, so it has supplied us with a new hierarchy of devils. The relationship between Satan and the silver screen is a notable one. The father of fantastic cinema was a Frenchman named Georges Melies, who made delightful short films crawling with demons and devils. Melies was himself a Faustian figure, a stage conjurer and photographic illusionist who appeared out of the rump of the French Decadent era. Summoning devils on film, he defended this new sorcery in time-honoured fashion as “white magic.” #RandolphHarris 5 of 15

In The Laboratory of Mephistopheles (1897), Melies made Satan’s head detach itself and float around the room—to the enchantment and horror of audiences in darkened “picture palaces, resembling nothing so much as séance chambers. Hollywood’s dream factory was not even at the planning stage by the turning of the century, but the pioneer of US cinema, Edwin Porter (partner of the man who virtually invented the movies, Thomas Edison), produced his own version of Faust and Marguerite in 1900. The most striking cinematic fantasies came from Germany at this point—stark, angular exercises in shadow and nightmare. The Student of Prague was an updated version of the well-worn Faust tale, based on an Edgar Allan Poe story, which transformed the lead from an ambitious academic to a devil-may-care student and Mephistopheles into a rakish devil called Scapinelli. The story was retold onscreen in 1913, 1926, and 1936. The 1926 version was by the master of German Expressionist cinema, F.W. Murnua—the last film he made before leaving his artistic roots for Hollywood, where he met with a tragically early death. As a minor masterpiece, it was a suitably grandiose climax to a career which produced Nosferatu (1922), the first gothic vampire film. Now, it is always important to be safe on the road and sometimes to listen to the heartfelt advice of others. Jayne Mansfield, a buxom B-move actress died in a tragic car crash with her lawyer in and lover Sam Brody. Brody had disliked his beloved’s new guru from the start, and the friction led to LaVey placing a ritual curse on his rival. The Black Pope (Anton LaVey) warned the pugnacious lawyer—known to be a dangerous driver—that he would suffer a series of automobile accidents. It was no great surprise when a car crash ensued—but it made World headlines for taking the life of Jayne Mansfield, as well as the top of her cranium. LaVey grimly stated that on the night preceding the crash, as he cut out a newspaper clipping of Jayne, he accidently snipped off the top of the blonde beauty’s head. (By the way, I had no idea The Black Pope was dead, until today. I feel he is very much still alive. I have always felt like he is here, in San Francisco in his black church.) #RandolphHarris 6 of 15

The physical phenomena of spiritism are often closely connected with psychical manifestations, such as spiritistic visions, automatic writing, speaking in a trance, materializations, table lifting, tumbler moving and excursions of the psyche. There is no doubt that today, as in the time of Isaiah (Isaiah 6.1-5), Ezekiel (Ezekiel 1.4-28), Paul (Acts 9.1-8), Peter (Acts 10.9-16), and John (Revelation 1.10-18), God may give His people a genuine vision, particularly in great times of great stress. However, genuine experiences of this nature are always accompanied by true spiritual grace and modesty. Sensationalism betrays a lack of authenticity. Unfortunately, genuine experiences are rare, and counterfeit ones about. Christian counselors find that the “ratio is about nine to one over the genuine experiences.” Mrs. Winchester used to have visions. She reported that she saw visions of Christ at night, and it left her feeling a sense of uneasiness and fear. The so-called visions of Christ were mediumistic. They came as a warning. Weeks after the visions started, Mrs. Winchester saw her husband William Wirt Winchester’s spirit departing from his body as he expired in 1881. The visions of Mrs. Winchester bear evidence of the occult, as do the visions of Joseph Smith (1805-1844), who fathered Mormonism. Many of the founders and promulgators of modern cults have had alleged visions from God. However, some say these visions promote “doctrines of demons” (1 Timothy 4.1) among the credulous and those unable to discern spirits (1 Corinthians 12.10; 1 John 4.1-2). When humans depart from God’s Word, they supposedly expose themselves to demon imposture and deception. Automatic writing—some persons endowed with mediumistic powers are able—either in a waking state or trance to write letters, words, or sentences which spiritists consider to be message from the spirit World. This is how Mrs. Winchester came up with the architecture of her mansion, the blueprints were often dictated to her in her Blue Séance room as she took down the notes on napkin. Also, the persistent pain in her legs and back vanished whenever she sat down and dictated these blueprints. #RandolphHarris 7 of 15

One day as Mrs. Winchester was taking dictation, a spirit named Apollonius Tyannaeus appeared and said, “In the name of the Lord Jesus, our blessed and exalted Savior.” The spirit then told the woman that she had been chosen by God for special revelations. She would become a prophetess and bless humankind with these revelations. The case is patently that of a simple farm woman turned indeed into a spiritistic writing medium. Rudolf Tischner, a parapsychologist, points out the danger of automatic writing when practiced in immoderation. Although he regards these writing phenomena only as “motoric break up the integrated psychic structure with ensuing peril to mental and physical health. This simply means that occult enslavement can result from mediumistic writing, or from dependence upon the Ouija board or other spiritistic devices to obtain alleged messages from the spirit World. Speaking in a trance—a trance is a condition in which a spiritistic medium loses consciousness and passes under the control of demonic power to effect alleged communication with the dead. The demon (or demons) takes over and actually speaks through the spiritistic medium, deceptively imitating the deceased. As a result this ruse innumerable spiritistic clairvoyants claim communication with the dead, often with famous deceased people allegedly appearing to speak to the living. One evening, Mrs. Winchester went into a trace and soon the “Apostle Paul” approached and preached to the audience. The apostle was not visible but only spoke through the medium who lay in trance. Some critic said it was only another constant instance of deception by demons who ape the deceased but cannot produce them. Other believe it was real. Perhaps the most remarkable phenomena of spiritism are materializations. These are supernatural appearances and disappearances of material images in connection with the activities of a spiritistic medium. #RandolphHarris 8 of 15

Materializations have been exhaustively studied and photographed and have been found to be manifestations of various degrees of teleplastic morphogenesis. The first stage is the evolution of a gauzelike substance of rubbery consistency from the body cavities of the medium. The second stage is the forming of the various parts of the body in outline—arms, head, etcetera. Frequently in the case of teleplastic forms of this kind, a threadlike connection is maintained with the medium. The third stage consists of the composition into completely outlined forms, which are visible as phantoms near the medium. These three stages of materialization manifest purely visual phenomena. The fourth stage displays telekinetic phenomena. There is an energy output from the teleplasm (telekinesis), such as the ringing of a bell, at night, passers-by heard ghostly music wafting from the dark mansion. The bell in the belfry high in the gables tolled regularly at midnight to summon incoming flights of spirits. Later it tolled again to warn these visitors to return to their sepulchers. However, once a week, these departed ones relaxed and danced in the Great Ball Room. In other stages of materializations come automatic writing of a typewriter, and the automatic playing of a musical instrument. In addition to the active energy output of the materialization, there is frequently a passive pain experience of the teleplasm. The fifth stage of the materialization is the penetration of material substance. To his phase belong “apports,” that is, the appearing and disappearing of objects in closed rooms or chests and containers. From locked and cemented containers, for example, enclosed coins are brought out, or stones and other objects fall inexplicably from the ceiling. This often happens in the Winchester mansion, as documented by Mrs. Winchester. In this stage many mediums allegedly have the ability to penetrate solid material substance while they are in a trance. While Mrs. Winchester sat in a small cabinet, a phantom built itself up on the floor outside the cabinet and formed itself into a male person, who moved in and out among the participants of the séance. While the materialization extended his hand to one of those present and she held it, dematerialization began to occur before the eyes of all the participants. Soon there was only a lump on the floor and this rolled up into the cabinet. #RandolphHarris 9 of 15

Another example is during a séance, Mrs. Winchester was able to call and help the materializing of the spirit of the deceased German romantic poet, Johann Ludwig Uhland (1787-1862). At the memorable séance a white phantasm was seen, from which the audience demanded a poem. Instead of reciting a poem, the phantasm tore a page from a book in the library. With a pencil from a briefcase in the room, secured through the leather without opening the briefcase, the hand jotted down a few verses and vanished. The page was left and still exists. The examination of the mysterious writing by a graphologist proved to be sensational. He confirmed the ghost writing to be actually the handwriting of the deceased poet. Afterward there was a trial in Berlin over the ownership of the page. The court awarded it to the medium, who afterward kept it among her prized possessions. The phenomena of materialization and dematerialization in case of strong mediums illustrated the conversion of psychic energy into matter and matter changed back again into psychic energy. The problem is illustrated by nuclear physics. Einstein’s formula (E==MC^2), energy is equal to mass times the speed of light squared, simply declares that it is theoretically possible to convert energy to mass and back again to energy. We have historical evidence of materializations. Missionaries claim that Mrs. Winchester’s mansion was never actually built, but that it materialized itself on the grounds, and (re)construction only began after the Earthquake caused by Satan. Some say this mansion is to be regarded as a miracle of Satan (2 Thessalonians 2.8-10; Revelation 13.15). Many people used to wonder how Mrs. Winchester used to travel so fast back and forth from San Jose to San Francisco to pick up items she ordered from overseas. Researchers believed that she would be spiritually transported miles away, and this may have been an example of this phenomenon or simply a miracle of transportation of unaltered physical body. It is debatable rather if these are miracles of God or that of Satan. God says He is the Alpha and the Omega. I wonder what that means? #RandolphHarris 10 of 15

Mrs. Winchester was said to possess tremendous occult gift and was reported to be able to make tables fly through the air for a space of one hundred feet. Above all, she was extremely adept in telekinesis, materialization, levitation, and black magic. Where Satan’s power remains virtually unchecked, miracles of evil supernaturalism abound. In Victorian days, the supernatural predated the mass hysteria about Satanism. As you may know, long before Mrs. Winchester arrived in California, there was a Devil worshipping conspiracy at large. However, her mansion seamlessly blends the ordinary and nightmarishly surreal. It is a rare treat for fans of demonic conspiracy and occult synchronicity. Some people have believed themselves to be demonically possessed after visiting the Winchester Mystery House, others claimed to have spoken to Mrs. Winchester directly. Directors of the Queen of the Damned claimed that the film was a makeshift occultic ritual, and Aaliyah unleashed the demon within herself. They also said the film poses some kind of supernatural power and they had to edit and voiceover a lot of the footage because not only did the characters act their own version of the script, but there were also some subliminal sounds and images on print. When many of these errors were re-examined, they also saw footage of the original Winchester mansion on the negatives, but rumors began that the original print had been withdrawn, replaced by an expurgated cut to protect the filmgoers from the movie’s insidious effects. The powers behind these manifestations were no doubt demonic. The director faced a terrible psychic assault on 25th August 2001, before they finished filming the movie. However, when the reel was played, the directors found they had all the footage they needed, even some they did not remembering filming. It was so intensified that the demonic oppression became that he was compelled to give up making other Anne Rice books into movies, especially after Aaliyah’s plane crashed later that evening. Although the film was unfished, with the blessing of her family, it was released to the public in February of 2002. #RandolphHarris 11 of 15

Certain psychic clairvoyants claim that their souls can travel great distances at their command. They always said she makes a room come alive. Much like Mrs. Winchester, Aaliyah had a lot of psychic phenomena around her death. When directors took photos of Aaliyah and Queen Akasha to a clairvoyant, while concentrating on the photographs, the medium declared that one of the women was apparently dead, while the other one, reportedly killed in 2001, was still alive. After more concentration, the clairvoyant said: “I can get in touch with this woman (pointing to Queen Akasha). I see her in a great stone building southeast of Ireland.” By psychic excursion and by psychometry (selecting an object belonging to the missing person and beginning to search from there) the clairvoyant was able to establish contact by occult assistance. The cinema is the Devil’s lantern. In March of 1922, Mrs. Winchester said, “Though it should be borne in the mind that in the persecution of witches many women were put to death on the latter charge, albeit they were really benefactors of the human race; the more so as their skill in simples and knowledge of the medicinal virtue of herbs must have added in no small degree to the resources of our present pharmacopoeia.” In August of 1807 an extraordinary affair took place in the house of Mrs. Winchester. She had a cow which continued to give milk as usual, but of late no butter could be produced from it. An opinion was unfortunately instilled into the mind of Mrs. Winchester, that whenever such a thing occurred, it was occasioned by the cow having been bewitched. Her belief in this was strengthened by the fact that every woman on this estate was able to relate some story illustrative of what she had seen or heard of in times gone by with respect to the same. At length the Mrs. Winchester was informed of a woman named Mary Butters, who resided in Oakland at the Cohen Bray House. Mrs. Winchester went to her, and brought her to mansion for the purpose of curing the cow. About ten o’ clock that night war was declared against the unknown magicians. #RandolphHarris 12 of 15

Mary Butters ordered old Klaus and a young man named Konrad to go out to the cow-house, turn their waistcoats inside out, and in that dress to stand by the head of the cow until she sent for them, while the butler, the made, and an old woman named Klara Lee remained in the house with her. Klaus and his ally kept their lonely vigil until daybreak, when, becoming alarmed at receiving no summons, they left their post and knocked at the door, but obtained no response. They then looked through the kitchen window, and to their horror saw the four inmates stretched on the floor as dead. They immediately burst in the door, and found that the butler and the maid were actually dead, and the sorceress and Mrs. Winchester nearly so. The latter soon afterwards expired; Mary Butters was thrown out on a dung-heap, and a restorative administered to her in the shape of a few hearty kicks, when had the desired effect. The house had a sulphureous smell, and on the fire was a large pot in which were milk, needles, pins, and crooked nails. At the inquest held at the Winchester mansion on the 19th of August, Jurors stated that the three victims had come by their deaths from suffocation, owning to Mary Butters having made use of some noxious ingredients, after the manner of a charm, to recover the sick cow. She was up to The Great Asylum for the Insane, but was discharged by proclamation. Her various of the story was that a black man (usually indicates a demon or the devil, not one of African descent) was summoned through the floor with a huge club, with which he killed the three person and stunned herself. This paranoid horror fantasies terrified the congregations, as well as the gross superstition displayed by the participants as for its tragical ending, yet it seems to have aroused no feelings in the greater community than those of risibility and derision. However, there is also another version of events. #RandolphHarris 13 of 15

A farm-hand had brought an action against Mrs. Winchester for wages alleged to be due to him. It transpired in the course of the evidence that on one occasion he had been set to banish witches that were troubling the cows. His method of working illustrates the Winchester case. All left the house except Mrs. Winchester, and the farm-hand, who locked himself in, closed the windows, stopped al keyholes and apertures, and put sods on top of the chimneys. He then placed a large pot of sweet milk on the fire, into which he threw rows of pins that had never been used, and three packages of needles; all were allowed to boil together for half an hour, and, as there was no outlet for the smoke, the farm-hand narrowly escaped being suffocated. If the forces of darkness triumph, it is a warning not a celebration. Many religious people come close to depicting what evangelists are preaching from their pulpits, or TV shows. Does it not seem strange for fundamentalist Christians to attack them as sinful and dangerous? Sin sells, in a way that the bland platitudes of Christian morality never will. Many of these popular and historical figures will be remember long after the credits have rolled. You could say that it is an “inside job.” Satanism sells, it captures the metaphysics of fear. People like to be haunted and scared, but only when they consent to it. No one wants their house broken into, their children kidnapped, their cars constantly vandalized, or to be attack by a hate group who haunts them like demons of the night. People simply want to tune into a scarry movie or visited a haunted house and leave the fear behind when they walk out the door or turn the TV off. They do not want to fear for the lives like Sharon Tate did for years without anyone to protect them. Humans are often more harmful than any ghost, devil or demon you can ever imagine meeting. Satan, speaking through a beautiful serpent—perhaps as a parakeet “talks” to us—promises know that would make Eve “like God” if she would eat the fruit of the tree forbidden by God. #RandolphHarris 14 of 15

Meanwhile, if the view of the power and knowledge of the people is that “Satan” is evil and not themselves, what can human beings do? Persist being evil, or resist the “devil,” and allow him to feel from them? Or is it they cling to evil because the darkness comes from their insidious mind and depleted soul? Note that it is useless to try to resist the devil unless you have first submitted yourself to God! Maybe YOU are the evil, not Satan. Sitting there, manufacturing all these evil days, so you can laugh at the pain and suffering you have inflicted on others to make yourself feel better. Is that of Satan, or is that YOUR nature on display. It is estimated that there are about 100 million adherents to spiritism in the World. The word “spiritism” comes from the Latin “spiritus,” spirit. The movement of spiritism represents the endeavour to communicate with the dead in the spirit World. Historically, spiritism can also be traced back over thousands of years. We have testimonies concerning it in the Old Testament in 1 Samuel 28, and Deuteronomy 18. It is also evidenced in the history of the Christian Church. Spiritism seems to be strongly connected with religion and religions. In so-called Christian countries such a variety of spiritistic forms, and such a range of associated psychic troubles exist, that the need for clarification is a pressing issue. What God do you really worship for “Satan disguises himself as an angel of the light. So it is not strange if his servants also disguise themselves as servants of righteousness,” reports 2 Corinthians 11.14-15. In other words, many of you Christians who claim to serve “God” do evil things and then blame the devil when you are disguising yourselves as children of the light. And you do not repent because you do not fear punishment nor hell, so you must be children of your “devil” and not of God. We live in a World which has turned its back on God. The reason some people fear Jesus is because they feel unworthy, it is not because they are evil. This conviction of inner unworthiness is not to be confused with a feeling of fear. However, people who suffer from schizophrenia and like to go around lying, the psychiatrist will be interested in the question whether the practicing of spiritism was rather the effect than the cause of the ensuing mental and emotional disorders. #RandolphHarris 15 of 15

Winchester Mystery House

The front gardens of the Winchester Mystery House looked different in the 1970’s! The gardens were restored to what they are today about ten years later.

The sign reads: “The world’s oddest, mysterious, weirdest, and freakish dwelling. Planned and built by Sarah L. Winchester of Winchester Rifle Fame”

Have you ever listened to Alessandro Moreschi sing “Ave Maria,” at night in the Winchester Mystery House? Try it and let me know what you experience. I heard ghosts appear, people have cried and screamed, and some love it. I think I would probably run outside. He sounds like a ghost.

Come Explore the Victorian Gardens this weekend! Open all weekend until 4PM.

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻
The Medium is the Message–You Know a Rolex Don’t Tick

The modern officer building is the archetypal example of the mediated environment. It contains nothing that did nit first exist as a design plan in a human mind. The spaces are square, flat and small, eliminating a sense of height, depth and irregularity. The décor is rigidly controlled to a bland uniformity from room to room and floor to floor. The effect is to dampen all interest in the space one inhabits. Most modern office buildings have hermetically sealed windows. The air is processed, the temperature regulated. It is always the same. The body’s largest sense organ, the skin, feels no wind, no changes in temperature, and is dulled. Muzak homogenizes the sound of the environment. Some buildings even use “white noise,” a deliberate mix of electronic sounds that merge into a hum. Seemingly innocuous, it fills the ears with an even background tone, obscuring random noises or passing conversations which might arouse interest or create a diversion. The light remains constant from morning through not, from room to room until our awareness of light is as dulled as our awareness of temperature, and we are not aware of the passage of time. We are told that a constant level of light is good for our eyes, that it relieves strain. Is this true? What about the loss of a range of focus and the many changes in direction and intensity of light that our flexible eyes are designed to accommodate? Those who build artificial environments view the sense as single, monolithic things, rather than abilities that have a range of capacity for a reason. We know, for example, that out eyes can see from the extremely dark to the extremely bright, from far to near, from distinct to indistinct, from obvious to subtle. They perceive objects moving quickly and those that are still. They eye is a wonderfully flexible organ, able to adjust instantly to a dazzling array of information, constantly changing, multileveled, perceiving objects far and near moving at different speeds simultaneously. #RandolphHarris 1 of 19

A fully functioning visual capacity is equal to everything the natural environment offers as visual information. This would have to be so, since the interaction between the senses and the natural environment created the ranges of abilities that we needed to have. Sight did not just arrive one day, like Adam’s rib; it coevolved with the ingredients around it which it was designed to see. When our eyes are continually exercised, when flexibility and dynamism are encouraged, then they are equal to the variety of stimuli that night and day have to offer. It is probably not wise always to have “good light” or to be for very long at fixed distances from anything. The result will be lack of exercise and eventually atrophy of the eyes’ abilities. When we reduce an aspect of environment from varied and multidimensional to fixed, we also change the human being who lives within it. Humans give up the capacity to adjust, just as the person who walks cannot so easily handle the experience of running. The lungs, the heart and other muscles have not been exercised. The human being then becomes a creature with a narrower range of abilities and fewer feelings about the loss. We become grosser, simpler, less varied, like the environment. If we lose wide-spectrum sensory experience, the common response to this is that we gain a deeper mental experience. This is not true. We only have less nonmental experience so the mental life seems richer by comparison. In fact, mental life is more enriched by a fully functioning sensory life. In recent years, researchers have discovered some amazing things about the connections between mental and physical life by doing sensory-deprivation experiments. In such experiments, a human subject is cut off from as much sensory information as possible. This can be accomplished, for example, by a totally black environment—white walls, no furniture, no sounds, constant temperate, constant light, no food and no windows. #RandolphHarris 2 of 19

A more thorough method is to put the blindfolded subject inside a temperature, constant light, no food and no windows. A more thorough method is to put the blindfolded subject inside a temperature-controlled suit floating in a water tank with only tubes to provide air and water, which are lost at body temperature. This sensory-deprivation tank eliminates the tactile sense as well as an awareness of up and down. Researchers have found that when sensory stimuli are suppressed this way, the subject at first lives a mental life because mental images are the only stimulation. However, after a while, these images become disoriented and can be frightening. Disconnected from the World outside the mind, the subject is rootless and ungrounded. If the experience goes on long enough, a kind of madness develops which can be allayed only by reintroducing sensory stimuli, direct contact with the World outside the subject’s mind. Before total disorientation occurs, a second effect takes place. That is a dramatic increase in focus on any stimulus at all that is introduced. In such a deprived environment, one single stimulus acquires extraordinary power and importance. In the most literal sense, the subject loses perspective and cannot put the stimulus in context. Such experiments have proven to be effective in halting heavy smoking habits, for example, when the experimenter speaks instructions to stop smoking or describes to the subject through a microphone the harmful, unpleasant aspects of smoking. These experiments have shown that volunteers can be programmed to believe and do things they would not have done in a fully functional condition. The technique could be called brainwashing. It would be going too far to call our modern offices sensory deprivation chambers, but they are most certainly sensory-reduction chambers. They may not brainwash, but the eliminating of sensory stimuli definitely increases focus on the task at hand, the work to be done, to the exclusion of all else. Modern offices were designed for that very purpose by people who knew what they were doing. #RandolphHarris 3 of 19

If people’s senses were stimulated to experience anything approaching their potential range, it would be highly unlikely that people would sit for eight long hours at desks, reading memoranda, typing documents, studying columns of figures or pondering sales strategies. If birds were flying through the room, and wind were blowing the papers about, if the sun were shinning in there, or people were lolling about on chaise lounges or taking baths while listening to various musical presentations, this would certainly divert the office worker from the mental work he or she is there to do. In fact, if offices were so arranged, little business would get done. This is why they are not so arranged. Any awareness of the senses, aside from their singular uses in reading and sometimes talking and listening, would be disastrous for office environments that require people to stay focused within narrow and specific functional modes. Feeling is also discouraged by these environments. Reducing sensual variations is one good way of reducing feelings since the one stimulates the other. However, there is also a hierarchy of values which further the process. Objectivity is the highest value that can be exhibited by an executive in an office. Orderliness is the highest value for a subordinate office worker. If the human is effectively disconnected from the distractions of one’s senses, feelings, and intuitions, both of these are most easily achieved. With the field of experience so drastically reduced for office workers, the stimuli which remain—paper work, mental work, business—loom larger and obtain an importance they would not have in a wider, more varied, more stimulating environment. The worker gets interested in them largely because that is what is available to get interested in. Curiously, however, while eschewing feeling and intuition, business people often cannot resist using them. They come out as aberrations—fierce competitive drive, rage at small inconveniences, decisions that do not fit the models of objectivity. Such behavior in business sometimes makes me think of blades of grass growing upward through pavement. #RandolphHarris 4 of 19

A more poignant example, perhaps, is that modern offices have proven to be such hot environment of pleasures of the flesh. Aside from the occasional potted plant, the only creatures in offices with which it is possible to experience anything are other humans. With all other organic life absent and with the senses deprived of most possibilities for human experience, the occasional body which passes the desk becomes an especially potent sensual event, the only way out of the condition of suspended experience, and the only way to experience oneself as alive. In fact, the confinement of human beings within artificial environments may be a partial explanation of our new culture-wide obsession with and focus on pleasures of the flesh. We have been mainly speaking of cities. This has only been because their effects are most obvious. I do not want to create the impression that suburbs, retirement communities, recreational communities and the like offer any greater access to a wider range of experience. Those places do have large trees, for example, and more small animals. They sky is more visible, without giant buildings to alter the view. However, in most ways, suburban-type environments reveal less of natural processes than cities do. Cities, at least, offer a critical ingredient of the natural World, diversity albeit a diversity that is confined to only human life forms. It does not nearly approach the complexity of any acre of an ordinary forest. In suburbs the totality of experience is plotted in advance and then marketed on the basis of the plan. “We will have everything to serve the recreational needs of your family: playgrounds, ball fields, golf course, tennis courts, bowling alleys and picnic grounds.” This, plus a front lawn, a back lawn, two large trees, and an attentive police force makes up the total package. Human beings then live inside that package. Places formerly as diverse as forest, desert, marsh, plain and mountain have been unified into suburban tracts. The human sense, seeking outward for knowledge and stimulation, find only what has been prearranged by other humans. #RandolphHarris 5 of 19

In many ways the same can be said of rural environments. Land which once supported hundreds of varieties of plant and animal life has been transformed by agribusinesses. Insect life has been largely eliminated by massive spraying. For hundreds of square miles, the only living things are artichokes or tomatoes laid out in straight rows. The child seeking to know how nature works finds only spray planes, automated threshers, and miles of rows of a single crop. There are differences of opinion about what the critical moments were that led human beings away from the primary form of experience—between person and planet—into secondary mediated environments. Some go back as far as the control of fire, the domestication of animals, the invention of agriculture or the imposition of monotheism and patriarchy. In my opinion, however, the most significant recent moment came with the control of electricity for power, about seven generations ago. This made it possible to begin moving nearly all human functions indoors, and made the outdoors more like indoors. In less than seven generations out of an estimated one hundred thousand, we have fundamentally changed the nature of our interaction with the planet. Our environment no longer grows on its own, by its own design, in its own time. The environment in which we live has been totally reconstructed solely by human intention and creation. We find ourselves living inside a kind of nationwide room. We look around it and see only our own creations. We go through life believing we are experiencing the World when actually our experiences are confined within entirely human conceptions. Our World has been thought up. Our environment itself is the manifestation of the mental processes of other humans. Of all the species of the planet, and all the cultures of the human species, we twenty first century Americans have become the first in history to live predominantly inside projections of our own minds. #RandolphHarris 6 of 19

We live in a kind of maelstrom, going ever deeper into our own thought processes, into subterranean caverns, where nonhuman reality is up, up, away somewhere. We are within a system of ever smaller, ever deeper concentric circles, and we consider each new depth that we reach greater progress and greater knowledge. Our environment itself becomes an editor, filter and medium between ourselves and an alternative nonhuman, unedited, organic planetary reality. We ask the child to understand nature and care about it, to know the difference between what humans create and what the planet does, but how can the child know these things? The child lives with us in a room inside a room inside another room. The child sees an apple in a store and assumes that the apple and the store are organically connected. The child sees streets, buildings and a mountain and assumes it was all put there by humans. How can the child assume otherwise? That is the obvious conclusion in a World in which all reality is created by other humans. As adults, we assume we are not so vulnerable to this mistake, that we are educated and our minds can save us. We “know” the differences between natural and artificial. And yet, we have no greater contact with the wider World than the child has. Most people still give little importance to any of this. Those who take note of these changes usually speak of them in esoteric, aesthetic or philosophical terms. It makes good discussion at parties and in philosophy classes. As we go, however, I hope it will become apparent that the most compelling outcome of these sudden changes in the way we experience life is the inevitable political one. Living within artificial, reconstructed, arbitrary environments that are strictly the products of human conception, we have no way to be sure that we know what is true and what is not. We have lost context and perspective. What we know is what other humans tell us. Therefore, whoever controls the processes of re-creation, effectively redefines reality for everyone else, and creates the entire World of human experience, our field of knowledge. We become subject to them. The confinement of our experience becomes the basis of their control of us. #RandolphHarris 7 of 19

The role of the media in all this is to confirm the validity of the arbitrary World in which we live. The role of television is to project that World, via images, into our heads, all of us at the same time. A child takes a crayon from a box and scribbles a yellow circle in the corner of a sheet of paper: this is the sun. She takes another crayon and draws a green squiggle through the center of the page: this is the horizon. Cutting through the horizon she draws two brown lines that come together in a jagged peak: this is a mountain. Next to the mountain, she draws a lopsided black rectangle topped by a red triangle: this is her house. The child gets older, goes to school, and in her classroom she traces on a page, from memory, and outline of the shape of her country. She divides it, roughly, into a set of shapes that represent the states. And inside one of the states she draws a five-pointed star to mark the town she lives. The child grows up. She trains to be a surveyor. She buys a set of fine instruments and uses them to measure the boundaries and contours of a property. With the information, she draws a precise plot of the land, which is then made into a blueprint for others to use. Our intellectual maturation as individuals can be traced through the way we draw pictures, or maps, of our surroundings. We begin with primitive, literal renderings of the features of the land we see around us, and we advance to ever more accurate, and more abstract, representations of geographic and topographic space. We progress, in other words, from drawing what we see to drawing what we know. Vincent Virga, an expert on cartography affiliated with the Library of Congress, has observed that the stages in the development of our mapmaking skills closely parallel the general stages of childhood cognitive development delineated by the twentieth-century Swiss psychologist Jean Piaget. We progress from the infant’s egocentric, purely sensory perception of the World to the young adult’s more abstract and objective analysis. #RandolphHarris 8 of 19

“First,” writes Virga, in describing how children’s drawings of maps advance, “perceptions and representational abilities are not matched; only the simplest topographical relationships are presented, without regard for perspective or distances. Then an intellectual ‘realism’ evolves, one that depicts everything known with burgeoning proportional relationships. And finally, a visual ‘realism’ appears, [employing] scientific calculations to achieve it.” As we go through this process of intellectual maturation, we are also acting out of the entire history of mapmaking. Humankind’s first maps, scratched in the dirt with a stick or carved into a stone with another stone, were as rudimentary as the scribbles of toddlers. Eventually the drawings became more realistic, outlining the actual proportions of a space, a space that often extended well beyond what could be seen with the eye. As more time passed, the realism became scientific in both its precision and its abstraction. The mapmaker began to use sophisticated tool like the direction-finding compass and the angel-measuring theodolite and to rely on mathematical reckonings and formulas. Eventually, in a further intellectual leap, maps came to be used not only to represent vast regions of the Earth or Heavens in minute detail, but to express ideas—a plan of battle, an analysis of the spread of an epidemic, a forecast of population growth. “The intellectual process of transforming experience in space to abstraction of space is a revolution in modes of thinking,” writes Virga. The historical advances in cartography did not simply mirror the development of the human mind. They helped propel and guide the very intellectual advances that they documented. The map is a medium that not only stores and transmits information but also embodies a particular mode of seeing and thinking. As mapmaking progressed, the spread of maps also disseminated the mapmaker’s distinctive way of perceiving and making sense of the World. The more frequently and intensively people used maps, the more their minds came to understand reality in the maps’ terms. #RandolphHarris 9 of 19

The influence of maps went far beyond their practical employment in establishing property boundaries and charting routes. The use of a reduced, substitute space for reality is an impressive act in itself. However, what is even more impressive is how the map advances the evolution of abstract thinking throughout society. The combination of the reduction of reality and the construct of an analogical space is an attainment in abstract thinking of a very high order indeed for it enables one to discover structures that the World remain unknown if not mapped. The technology of the map gave to humans a new and more comprehending mind, better able to understand the unseen forces that shape his surroundings and his existence. What the map did for space—translate a natural phenomenon into an artificial and intellectual conception of that phenomenon—another technology, the mechanical clock did for time. For most of human history, people experienced time as a continuous, cyclical flow. To the extent that time was “kept,” the keeping was done by instruments that emphasized this natural process: sundials around which shadows would move, hourglasses down which sand would pour, clepsydras through which water would stream. There was no particular need to measure time with precision or to break a day up into little pieces. For most people, the movements of the sun, the moon, and the stars provided the only clocks they needed. Life was, in the words of the French medievalist Jacques Le Goff, “dominated by agrarian rhythms, free of haste, careless of exactitude, unconcerned by productivity.” That began to change in the latter half of the Middle Ages. The first people to demand a more precise measurement of time were Christian monks, whose lives revolved around a rigorous schedule of prayer. In the sixth century, Saint Benedict had ordered his followers to hold seven prayer services at specified times during day. #RandolphHarris 10 of 19

Six hundred years later, the Cistercians gave new emphasis to punctuality, dividing the day into a regimented sequence of activities and viewing any tardiness or other waste of time to be an affront to God. Spurred by the need for temporal exactitude, monks took the lead in pushing forward the technologies of timekeeping. It was in the monastery that the first mechanical clocks were assembled, their movements governed by the swinging of weights, and it was the bells in the church tower that first sounded the hours by which people would come to parcel out their lives. The desire for accurate timekeeping spread outward from the monastery. The royal and princely courts of Europe, brimming with riches and prizing the latest and most ingenious devices, began to cover clocks and invest in their refinement and manufacture. As people moved from the countryside to the town and started working in markets, mills, and factories rather than fields, their days came to be carved into ever more finely sliced segments, each announced by the tolling of a bell. Bells sounded for start of work, meal breaks, end of work, closing of gates, start of market, close of market, assembly, emergencies, council meetings, end of drink service, time for street cleaning, curfew, and so on through an extraordinary variety of special peals in individual towns and cities. The need for tighter scheduling and synchronization of work, transportation, devotion, and even leisure provided the impetus for rapid progress in clock technology. It was no longer enough for every town or parish to follow its own clock. Now, time had to be the same everywhere—or else commerce and industry would falter. Units of time became standardized—seconds, minutes, hours—and clock mechanisms were fine-tuned to measure those units with much greater accuracy. By the fourteenth century, the mechanical clock had become a commonplace, near-universal tool for coordinating the intricate workings of the new urban society. #RandolphHarris 11 of 19

Cities vied with one another to install the most elaborate clocks in the towers of their town halls, churches, or palaces. No European community felt able to hold up its head unless in its midst the planets wheeled in cycles and epicycles, while angels in its midst the planets wheeled in cycles and epicycle, while angels trumped, cocks crew, and apostles, kings and prophets marched and countermarched at the booming of the hours. Clocks did not just become more accurate and more ornate. They got smaller and less expensive. Advances in miniaturization led to the development of affordable timepieces that could fit into the rooms of people’s houses or even be carried on their person. If the proliferation of public clocks changed the way people worked, shopped, played, and otherwise behaved as members of an ever more regulated society, the spread of more personal tools for tracking time—chamber clocks, pocket watches, and, a little later, wristwatches—had more intimate consequences. The personal clock became an ever-visible, ever-audible companion and monitor. By continually reminding its owner of time used, times spent, time wasted, time lost, it became both prod and key to personal achievement and productivity. The personalization of precisely measured time was a major stimulus to the individualism that was an ever more salient aspect of Western civilization. The mechanical clock changed the way we saw ourselves. And like the map, it changed the way we thought. Once the clock had redefined time as a series of units of equal duration, our minds began to stress the methodical mental work of division and measurement. We began to see, in all things and phenomena, the pieces that composed the whole, and then we began to see the pieces of which the pieces were made. #RandolphHarris 12 of 19

Our thinking became Aristotelian in its emphasis on discerning abstract patterns behind the visible surfaces of the material World. The clock played a crucial role in propelling us out of the Middle Ages and into the Renaissance and then the Enlightenment. The clock helped create the belief in an independent World of mathematically measurable sequences. The abstract framework of divided time became the point of reference for both action and thought. Independent of the practical concerns that inspire the timekeeping machine’s creation and governed its day-to-day use, the clock’s methodical ticking helped bring into being the scientific mind and the scientific man. Which gets me to another concept, what is called reification. Reification means confusing words with things. It is a thinking error with multiple manifestations, some merely amusing, other extremely dangerous. This past summer in the sweltering New York heat, a student of mine looked at a thermometer in our classroom. “It is ninety-six degrees,” he said. “No wonder it is so hot!” He had it the wrong way around, of course, as many people do who have never learned or cannot remember these three simple notions: that there are things in the World and then there are our names for them; that there is no such thing as a real name; and that a name may or may not suggest the nature of the things named—as, for example, when the United States of America’s government called its South Pacific hydrogen-bomb experiments Operation Sunshine. What I am trying to say here is what Shakespeare said more eloquently in his life “A rose by any other name would smell as sweet.” However, Shakespeare was only half right, in that for many people a rose would not smell as sweet if it were called a “stinkweed.” And because this is so, because people confuse names with things, advertising is among the most consistently successful enterprises in the World today. #RandolphHarris 13 of 19

If it is called the “Lumbering Elephant,” advertisers know that no matter how excellent an automobile may be, it will not sell. Moreover, if it is called a “Vista Cruiser” or a “Phoenix” or “Grand Prix,” no matter how rotten a car may be, you can sell it. Politicians know this as well, and, sad to say, so do scholars, who far too often obscure the emptiness of what they are talking and writing about by affixing alluring names to what is not there. I suggest, therefore, that reification be given a prominent place in our studies, so that our students will know how it both knows. Furthermore, some attention must be given to the style and tone of language. Each Universe of discourse has its own special way of addressing its subject matter and its audience. Each subject in a curriculum is a special manner of speaking and writing, with its own rhetoric of knowledge, a characteristic way in which arguments, proofs, speculations, experiments, polemics, even humor, are expressed. Speaking and writing are, after all, performing arts, and each subject requires a somewhat different kind of performance. Historians, for example, do not speak or write history in the same way biologists speak or write biology. The differences have to do with the degree of precision their generalization permit, the types of facts they marshal, the traditions of their subject, and the nature of their training. It is worth remembering that many scholars have exerted influence as much through their manner as their matter—one thinks Veblen in sociology, Dr. Freud in psychology, Galbraith in economics. The point is that knowledge is a form of literature, and the various styles of knowledge ought to be studied and discussed, all the more because the language found in typical school textbooks tends to obscure this. Textbook language, which is apt to be the same from subject to subject, creates the false impression that systematic knowledge is always expressed in a dull, uninspired monotone. I have read recipes on the back of cereal boxes that were written with more style and conviction than textbook descriptions of the causes of the American Revolution. #RandolphHarris 14 of 19

Of the language of grammar books I will not even speak, for, to borrow from Shakespeare, it is unfit for a Christian ear to endure. However, the problem is not insurmountable. Teachers who are willing to take the time can find material that convey ideas in a form characteristic of their discipline. And while they are at it, they can help their students to see that what we call a prayer, a political speech, and an advertisement differ from each other now only in their content but in their styles and tone; one might say mostly in their style and tone and manners of address. Which brings us to another significant concept—what we shall call the principle of the non-neutrality of media. I mean by this what Marshall McLuhan meant to suggest when he said, “The medium is the message”: that the form in which information is coded has, itself, an inescapable bias. In a certain sense, this is an entirely familiar idea. We recognize, for example, that the World is somewhat different when we speak about it in English and when we speak about it in German. We might even say that the grammar of a language is an organ of perception and accounts for the variances in the World view that we find among different peoples. However, we have been slow to acknowledge that every extension of speech—from painting hieroglyphics to the alphabet to the printing press to television—also generates unique ways of apprehending the World, amplifying or obscuring different features of reality. Each medium, like language itself, classifies the World for us, sequences it, frames it, enlarges it, reduced it, argues a case for what the World is like. In the United States of America, for example, it is no longer possible for Republicans to be elected to high political office—not because our Constitution forbids it but because television forbids it, since television exalts the attractive visual image and has little patience with or love for the subtle or logical World. #RandolphHarris 15 of 19

Our students must understand two essential points about all this. Just as language itself creates culture in its own image, each new medium of communication re-creates or modifies culture in its image; and it is extreme naivete to believe that a medium of communication or, indeed, any technology is merely a tool, a way of doing. Each is also a way of seeing. To a man with a hammer, everything looks like a nail. To a man with a pencil, everything looks like a picture; and to a man with a computer, the whole World looks like data. To put it another way, and to paraphrase the philosopher Wittgenstein, a medium of communication may be a vehicle of thought but we must not forget that it is also the driver. A consideration of how the printing press of the telegraph or television or the computer does its driving and where it takes us must be included in our students’ education or else they will be disarmed and extremely vulnerable. There is one principle about language that is probably occurring to many of you right about now: namely, that one ought not to put up with any lecturer who takes more of your time than he has been allotted. And so I will conclude with three points. First, I trust you understand that the suggestions I have made are not directed exclusively or even primarily at language teachers, English or otherwise. This is a task for everyone. Second, I want to reiterate that to provide our students with a defense against the indefensible, it is neither necessary nor desirable to focus exclusively on political language. Whenever this is attempted, it is apt to be shallow and limited. The best defense is one with a wider reach, which has implications for all language transactions. And finally, I do not claim that my proposals will solve all our problems, or even provide full protection from indefensible discourse. They are only a reasonable beginning, and there is much more to be done. However, we have to start somewhere and, as Ray Bradbury once wrote, somewhere lies between the right ear and the left one. #RandolphHarris 16 of 19

Many people think youth is not a strong position and it can hardly work out well. The individual young man is threatened either with retreating back to the organized system or breaking down and sinking into the lumpen proletariat. Nevertheless, culturally there is a lot of strength here; let us try to see where it is. Consider directly, their politics are unimpressive. They could not be otherwise since they are so hip and sure that society cannot be different. Explicitly, they are pacifists, being especially vocal about the atom bomb. The Bomb is often mentioned by themselves and other commentators as an explanation of their religious crisis; but it is not convincing. Their own diatribes seem to be mostly polemical self-defense, as if to say: “You squares dropped the atom bombs, do not criticize my blasting music on top of Trump Tower.” In the play The Connection this is openly stated as a defense for a barbiturate. On the whole one does not observe that the youths are so concerned about nuclear weapons as many mothers of families or squares who have common sense. One of the youth spokesmen wrote a long dithyramb about the Bomb, of which the critic George Dennison remarked: “He seems miffed that people pay attention to the atom bomb instead of him.” At the same time, their peacefulness is genuine and their tolerance of differences is admirable, extending also to the squares, except for loathsome class enemies like Time, Housing, or gouging employment agencies. Their ability to occupy themselves in poverty on a high level or cultural and animal satisfaction is remarkable, with per-back books, odd records, and pleasures of the flesh. Their inventing of community creativity is unique. If we consider these achievements, we see that they are factual evidence for a political proposition of capital importance: People can go it on their own, without resentment, hostility, delinquency, or stupidity, better than when they move in the organized system and are subject to authority. (To be sure, the youth are not among the underprivileged to being with; they have some useful education and their poverty is in part voluntary; bit these are not circumstances unavailable to others.) They do not go far, they invite degeneration, they seem hard put to assume responsibility; but they do exist interestingly and peacefully. #RandolphHarris 17 of 19

In one important respect, their community culture could be made far more effective. I am referring to the Rap and Hip Hop in a community setting. They have chosen too primitive a model, exempli gratia, Haiti. If they would ponder on the Balinese dances, they might learn something—not the Bali dances on a stage on Broadway, but as they exist in their home villages where, to the music of the gamelan, the onlookers suddenly become entranced and fall down or become possessed and would do violence to themselves, except that they are rescued one and all by their friends of the community. Like prostitution, robbery, murder, and other crimes, castration was illegal in both Christian theology and Roman law. In the sixth century, the Byzantine emperor Justinian, who ruled from 527 to 565, decreed harsh punishment for the crime—if the surgery did not kill them, perpetrators could themselves be castrated, be sent to work in the mines, as well as have their property confiscated. However, such dire risks only helped drive up the value of eunuchs so that, also like prostitution, robbery, and murder, castration flourished, to the point where one writer descries the Byzantine empire as a “eunuch’s paradise.” In modern times, to deal with these increasingly complex and novel problems, economists have belatedly begun to call on psychologists, anthropologist, and sociologists—whose work they once disdained as insufficiently “hard” or quantitative. Whole new branches of economics have opened up—for instance, behavioral economics, neuroeconomics—and various sub-subspecialties. Economist are also working on many of the issues attending the rise of revolutionary wealth. For example, according to Eisenach, the cost-of-living index is now statistically corrected to take account of improved quality in successive versions of the same product. Economists have turned out a substantial literature on the cost of acquiring the information needed to make intelligent choices. And they are trying to cope with complex intellectual-property issues, asymmetric information and other aspects of revolutionary wealth. #RandolphHarris 18 of 19

Yet gaping holes still exist. For all the attention it receives, intellectual property remains inadequately understood, as does the non-rival and essentially inexhaustible character of knowledge. Other glaring questions cry out for answers. The last—and sometimes the first—word has not been written about the value of knowledge that proves valuable only when combined with other knowledge, or about the de-synchronization effect, or about what happens to trade patterns when wealth waves collide. For all the effort of individual economists or teams, the profession as a whole has yet to fully appreciate the enormousness of today’s runaway, revolutionary change. There is no systematic effort to map interdependent changes in our relationships to time, space and knowledge—let alone to the larger, full set of the deep fundamentals—all of which, as we have seen, are occurring at high speed. Half a century since the revolution began, they have yet to formulate the coherent, overarching theories about this historical stage of economic development to help us understand who we are and where we are going. “O Lord, to us belong confusion and shame of face—to our kings, to our princes, and to our fathers—because we have sinned against You. To the Lord our God belongs mercy and lovingkindness and forgiveness, for we have rebelled against Him; and we have not obeyed the voice of the Lord our God by walking in His laws which He set before us through His servants the prophets,” reports Daniel 9.8-10. Dear Lord in Heaven, in our arms take it, making good thoughts. House-God, be enchanted, that our children may grow into successful adults, happy, contented; beautifully walking the trail to old age. Having good thoughts of the Earth its mother, that she may give it the fruits of her being. Combine all the woes that temporal and ecclesiastical tyrannies have ever inflicted on men or nations, and you will not have reached the full measure of suffering with this martyr people was called upon to endure century upon century. If was as if all the powers of Earth had conspired—and they did so conspire—to exterminate the American people, or at least to transform it into a brutalized horde. History dare not pass over in silence these scenes of well nigh unutterable misery. It is her duty to give a true and vivid account of them, to evoke due admiration for the superhuman endurance of this suffering people, and to testify that American has striven with gods and men, and has prevailed. #RandolphHarris 19 of 19

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POV: you’re heading to your new #Havenwood home for the first time.

Each home comes with owned solar included – perfect for soaking up all those rays!

No appointment needed! Cresleigh Havenwood features four distinct floor plans ranging from 2,293 – 3,377 square feet and offering up to five bedrooms. Have you checked out our brand new community yet? See all the details at our link in bio!
#CresleighHomes

































































































































