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Summoned to Join the Waiting Throng of His Ancestors

Underneath all the stories there does lie something differ from the tales. How different? In this—that the thing which is invoked is an object of a different nature, however it may put on the appearance of the most beautiful and bizarre mansion in all of the World or indulge in its servants their human appetites. It is cold, it is hungry, it is mysterious, it is illusory. The warm blood of its visitors does not satisfy it. It wants something more and other; it wants “obedience,” it wants “souls,” and yet it pines for matter. The Winchester Mansions cost five million valuable dollars (2022 inflation adjusted $146,685,714.29 USD), with a million ($29,337,142.86) alone spent on materials. It contained 600 rooms with 160 still remaining, and has 10,000 windows, nine kitchens, and 47 fireplaces built of rosewood, cherry, mahogany, Italian marble, oak, teak, and pipestone; all hand-carved, and no two alike. For 38 years, 1884-1922, the sound of saw and hammer never ceased. Commonly, 16 carpenters were employed at one time, some having worked for 20 years without change. They produced the largest, most complicated and exclusively private residence in the United States of America. There are five different heating systems and three elevators. Some of the 13 bathrooms lacked privacy; they have glass doors! One rambling room has four fireplaces and five hot-air registers. A spiral stairway has 42 steps, each two inches high. Other stairways melt into blank walls. A second story door opens into the great outdoors and a 20-foot step. A linen closet has the area of a three-room apartment; a nearby cupboard is less than one-inch deep. A skylight is placed in the middle of a room, in the floor! Another floor is apparently a series of trap-doors. The visitor must stoop through one door to enter, the next gives clearance for an eight-foot giant. Many stairway turnposts are set upside down. Entire walls are built entirely of half-inch, “half-round” strips.

Everywhere prevails that strange deference to the number 13; 13 stairsteps, 13 hangers in closet, 13 wall panels, 13 lights in the chandeliers, 13 windows to a rom and if necessary to make that number, some placed in an inside wall. Perplexity is leavened by extravagant Victorian beauty scattered along each crooked path of exploration, but what else would you expect from the house built by spirits? It was not peaceful, but filled with demons in the shape of succulent young maidens. No casual visitor can see it all. In 1923, occupants gone, it was opened. The Inquisitors were certain that they had uncovered Satan’s lair. The number 13 has undoubtedly possessed great fascination for man throughout his historic and prehistoric past, and has taken on the aspects of a mystical number, embedded in his collective unconscious, just as the number 7 has been for time immemorial a number possessed of magical properties. Since 13 is the number following the perfect cycle of 12, it is symbolic of death or the unknown. It is quite possible that some covens might have been fixed at thirteen members. However, the evidence from the witch trials tends to corroborate the view that the number of members in covens varied, depending on how many members showed up. At night, passers-by heard ghostly music wafting from the dark mansion. Secrecy was imperative, for discovery meant certain death. The Devil himself invariably presided at the important Sabbats, in the personage of the Grand Master of the region. Seated on a black throne, Satan began the meeting by reading the roll call of members from a book he had in his possession. As their names were pronounced, witches reported their activities—their magical success or failure—since the last Sabbat. After the roll call, the Devil admitted new members. The initiate had to enter the cult of one’s own free will. The Devil demanded at the meetings that the witches bring children to the Sabbats for conversion.

The initiation requirement was that the initiate had to make a pact with the Devil, which usually involved signing a contract to do Satan’s work for a specified period of time. This vow of obedience usually employed as a writing fluid the blood of the signer, which was extracted from the arm or the finger. The symbolism behind this part of the ceremony is clear, blood being a traditional symbol for the life force, or the soul. The participants lined up in order to pay homage to Satan. The traditional bowing was followed by the osculum infame, of “Kiss of Shame,” a ritual kiss planted on the Devil where the sun don’t shine. After the black mass, the feast began. Some accounts state that the food was abundant and delicious, consisting of succulent meats, bread, and spirits. Most of the guests gorged themselves with food and drink before leaving the feast to dance. The dancing in the Grand Ball Room was an important part of the ceremony. Whoever stumbled on the occasion of this celebration must have seen something very unbelievable. They saw incoming flights of spirits glowing with sulfurous flames, and the Hand of Glory itself—the human hand with the fingers ignited as candles. They saw even a devil god, monstrously masked, with a candle spluttering between its horns. Then the bell in the belfry high in the gables tolled again to warn these visitors to return to their sepulchres. But once a week these departed ones relaxed and danced in the Great Ball Room. But even after the guests had departed, something it had spawned lived on, and the chanting could still be heard echoing through the caverns of the Winchester mansion. This left many in Santa Clara County bound together by a nihilistic belief that the World was in the throes of a bloody apocalypse, slowly purifying the overpopulated planet. From the mansion, doctrines from the dark undercurrents of the movement had rise to the surface: social Darwinism, the idea that the brutal laws of natural selection applied not just to the natural World but to human society.

There is so much of delicacy in this subject, that the mere resolve to handle it at all might seem to imply a lack of the sensitiveness necessary to its understanding; and it is certain that the more reverent the touch, the more irresistible will figure its opportunity to the common scepticism which is boneslave to its five senses. Mrs. Winchester was an heiress. She managed her considerable estate. She was an opened flower who had been left a green bud—a thing so rare and flawless that it seemed a sacrilege for Earthly passions to converse of her. She loved her husband dearly, wholly, it was plain. And for her part, fearless as nature, she made no secret of her love. She absorbed in, a captive to, William from the movement she met him and forever. What man could have resisted, on first appeal, the attraction of such a beauty, the flower of a radiant soul? The two were betrothed; William’s cup of happiness was brimmed. They were man and wife before God. She never doubted or questioned their mutual bondage, and would have died a maid for his sake. Something of sweet exultation only seemed to quicken the leap in her body, that her faith in her dear love was vindicated. But the joy came to an upset when Mrs. Sarah Winchester lost her daughter only four weeks after her birth. And about a decade later, Mr. William Winchester died in his early 40s. This destroyed Mrs. Winchester utterly. Psychics told her she was cursed by the Winchester fortune. Lonely in her huge mansion, unearthly cries of seabirds answered the questions of her widowed heart. She worked, sweet in charity, among her servants, a beautiful unearthly presence; and was especially to be found where infants and the troubles of child-bearing women called for her help and sympathy. Mrs. Winchester was so sweet a sanity; and indeed, many often noticed that her estate bred the souls of mysticism.

Guest once saw a mermaid bathing in the fountain at the Winchester mansion. At least, that was their instant impression. The creature sat coiled on the strand, combing her hair—that was certain, for they saw gold-green tresses of it whished by her action into rainbow threads. It appeared as certain that her upper half was flesh and her lower fish, and it was only on their nearer approach that this latter resolved itself into a pale green skirt, roped, owing to her posture, about her limbs, and the hem fanned out at her feet into a tail fin. It was plain enough now; yet the illusion for the moment had quite startled onlookers. As they came near, she paused in her strange business to canvass them. It was Mrs. Winchester herself. They guests had never seen so lovely a creature. Her eyes, as they regarded, were something to haunt a dream: so great in tragedy—not fathomless, but all in motion near their surfaces, it seemed, with green and rooted sorrows. They were the eyes of an Undine late-humanized, late awakened to the rapturous and troubled knowledge of the woman’s burden. Her forehead was most fair, and the glistening thatch divided on it like a golden cloud revealing the face of a wondering angel. They passed, and the rose garden stile their vision. The beautiful sight was gone when they returned. The Winchester mansion was full of ancient memories and apparitions. Mrs. Winchester’s manner was still quite youthfully thrilling. One morning succeeding the night after her guests had arrived, after breakfast she invited her guest to a séance in her Blue Séance Room, but even as guests spoke to her, her pretty features wavered and vanished. Where she had been, a gleam of iridescent dust seemed to show one moment before it sank and was extinguished in the falling cloud. Heaping an eternal chaos with nothingness, never to be seen again. But she left the sweetest memory behind her, for human charity, and an elf-like gift of loveliness.

When a family had moved into the Winchester mansion, both the husband and wife heard ghost like phenomena in the house. At night they heard footsteps about the house and at the weekend of Easter they heard such a lot of crashing and knocking that is sounded as if all the furniture was being smashed to pieces. On investigation they found nothing disturbed at all. The noises continued at other times and several guests heard them although they had never been told that the mansion was haunted. The residents prayed continuously about the disturbances and finally they decided to command the invisible powers in the name of Jesus to depart from the mansion. One morning this while it was still dark, they heard a noise as if all the bricks in the basement were being trapped, and this was followed by another noise comparable to hundreds of pigeons flying away. The man was now convinced that the ghosts had left. Later while investigating the possible causes of the ghost, it was discovered that this was the mansion of the spiritist Mrs. Sarah Winchester, who was cursed by the souls taken by the Winchester rifle. When it comes to a genuine haunting, the appearances always have their roots in the occult activity of those ho have previously lived in the house, and, although ghosts associated with particular places are more persistent than ghosts or apparitions associated with particular people. The occurrences are not to be explained away by some scientific explanation or other, but a metaphysical answer has to be sought for to understand the whole truth. The ghosts in the Winchester mansion are so vividly real and yet so fantastically original as to make an impression sometimes exceedingly startling. Some are kind, humorous, some grotesque, and some awe-inspiring even to sublimity, and chief among the last class is the weird-wailing Banshee, that sings by night her mournful cry, giving notice to the people who hear her that one of them will soon to be called to the spirit World.

The Banshee is really a disembodied soul, that of one, who, in life, was strongly attached to the family, or who had good reason to hate all its members. Thus, in different instances, the Banshee’s song may be inspired by opposite motives. When the Banshee loves those who she calls, the song is a low, soft chant, giving notice, indeed, of the close proximity of the angel of death, but with a tenderness of tone that reassures the one destined to die and comforts the survivors; rather a welcome than a warning, and having in its tones a thrill of exultation, as though the messenger spirit were bringing glad tidings to one summoned to join the waiting throng of his ancestors. If, during her lifetime, the Banshee was an enemy of the family, the cry is the scream of a fiend, howling with demoniac delight over the coming death-agony of another of her foes. There exists a belief that the spirits of the dead are not taken from Earth, nor do they lose all their former interest in Earthly affairs, but enjoy the happiness of the saved, or suffer the punishment imposed for their sins, in the neighborhood of the scenes among which they lived while clothed in flesh and blood. At particular crises in the affairs of mortals, these disenthralled spirits sometimes display joy and grief in such a manner as to attract the attention of living men and women. At weddings they are frequently unseen guests; at funerals they are always present; and sometimes, at both weddings and funerals, their presence is recognized by aerial voices or mysterious much know to be of unearthly origin. The spirits of the good wander with the living as guardian angels, but the spirits of the bad are restrained in their actions, and compelled to do penance at or near the places where their crimes where committed. Some are chained at the bottom of lakes, others are buried under ground, others confined in mountain gorges; some hang on the sides of precipices, others are transfixed on the tree-tops, while others haunt the homes of their ancestor, all waiting till the penance has been endured and the hour of release arrives.

The Winchester mansion, in San Jose, California USA is believed to be still inhabited by the spirit of a chief, who there atones for a horrid crime, while the mansion is similarly people by the wicked dead. The ghost of a sinful abbot walks and will continue to do so until his sin has been atoned for by the prayers he unceasingly mutters in his tireless march up and down the halls ways of the labyrinth. The Banshee is of the spirits who look with interested eyes on Earthly doings; and, deeply attached to the old families, or, on the contrary, regarding all their members with a hatred beyond that known to mortals, lingers about their dwellings to soften or to aggravate the sorrow of the approaching death. The Banshee attends only the old families, and though their descendants, through misfortune, may be brought down from high estate to the ranks of peasant-tenants, she never leaves nor forgets them till the last member has been gathered to his fathers in the churchyard. The song of the Banshee is commonly heard a day or two before the death of which it gives notice, though instances are cited that the song at the beginning of a course of conduct or line of undertaking that resulted fatally. Thus, in Winifred, a young servant at the Winchester mansion in the late 1880s, engaged herself to a youth, and at the moment her promise of marriage was given, both heard the low, sad wail above their heads. The young man deserted her, she died of a broken heart, and the night before her death, the Banshee’s song was heard blaring loud and clear, outside the window. The servants marched outside the mansion, and they filed through the gateway, the Banshee was heard high above the observation tower of the mansion. The next night he sang again, and was heard no more for a month, when one of the farmer’s wives heard the wail under her window, and on the following day his coworkers brought back his corpse. One of the farmers heard the Banshee as he started on a journey before daybreak, and was accidentally killed some time after, but while on the same journey.

The wail most frequently comes at night, although causes are cited of Banshees singing during the daytime, and the song is often inaudible to all save the one for whom the warning is intended. This, however, is not general, the death notice being for the family rather than for the doomed individual. The spirit is generally alone, though rarely several are heard singing in chorus. A maid, greatly loved for her social qualities, bebevolence, and piety, was some years ago, taken ill at the Winchester mansion, though no uneasiness was felt on her account, as her ailment seemed nothing more than a slight cold. After she had remained in-doors for a day or two several of her acquaintances came to her room to enliven her imprisonment, and while the little party were merrily chatting, strange sounds were heard, and all trembled and turned pale as they recognized the singing of a chorus of Banshees. The lady’s ailment developed into pleurisy, and she died a few days, the chorus being again heard in a sweet, plaintive requiem as the spirit was leaving her body. The honor of being warned by more than one Banshee is, however, very great, and comes only to the purest of the pure. The “hateful Banshee” is much dreaded by members of a family against which she has enmity. The Winchester mansion was attended by a Banshee of this description. This Banshee is the spirit of a young girl deceived and afterwards murdered by another servant. With her dying breath she cursed her murderer, and promised she would attend him forever. Many years passed, the chieftain reformed his ways, and his youthful crime was almost forgotten even by himself, when, one night, he and his family were seated by the fire of the mansion, and suddenly the most horrid shrieks were heard outside the mansion’s walls. All ran out, but saw nothing. During the night the screams continued as though the mansion was besieged by demons, and the unhappy mand recognized, in the cry of the Banshee, the voice of the young girl he had murdered. The next night he was assassinated by one of the construction workers, when again the wild, unearthly screams of the spirit were heard, exulting over his fate.

Since that night, the “hateful Banshee” has never failed to notify the family, with shrill cries of revengeful gladness, when the time of one of their number had arrived. Banshees are not often seen, but those that have made themselves visible differ as much in personal appearance as in the character of their cries. The “friendly Banshee” is a young and beautiful female spirit, with pale face, regular, well-formed features, hair sometimes coal-black, sometimes golden; eyes blue, brown, or black. Her long, white drapery falls below her feet as she floats in the air, chanting her weird warnings, lifting her hands as if in pitying tenderness bestowing a benediction on the soul she summons to the invisible World. The “hateful Banshee” is a horrible hag, with angry, distorted features: maledictions are written in every line of her wrinkled face, and her outstretched arms call down curses on the doomed member of the hated race. Though generally the only intimation of the presence of the Banshee is her cry, a notable instance of the contrary exists in the family of the Winchester’s, to the doomed member of which the Banshee always appears in the shape of an exceedingly beautiful woman, who sings a song so sweetly solemn as to reconcile him to his approaching fate. The prophetic spirit does not follow members of a family who go to a foreign land, but should death overtake them abroad, she gives notice of the misfortune to those at home. When Mr. Winchester died, the Banshee was heard wailing round the house of his ancestors. In fact, the night before the 1906 Earthquake, several Banshees were heard singing in the air over the Bay Area, the truth of their prophecy being verified by the death-toll and destruction of the next day. How the Banshee is able to obtain early and accurate information from foreign parts of the death in battles and natural disasters is yet undecided in mystical circles.

Some believe that there are, in addition to the two kinds of already mentioned, “silent Banshees,” who act as attendants to the members of old families, one to each member; that these silent spirits follow and observer, bringing back intelligence to the family Banshee at home, who then, at the proper seasons, sings her dolorous strain. A partial confirmation of this theory is seen in the fact that the Banshee has given notice at the family seat in Ireland of deaths in battles fought in every part of the World. From North America, the West Indies, Africa, Australia, India, China; from every point to which Irish regiments have followed the roll of the British drums, news of the prospective shedding of Irish blood has been brought home, and the slaughter preceded by a Banshee wail outside the ancestral windows. However, it is due to the reader to state, that this silent Banshee theory is by no means well or generally received, the burden of evidence going to show that there are only two kinds of Banshees, and that, in a supernatural way, they know the immediate future of those who they are interested, not being obliged to leave Ireland for the purpose of obtaining their information. Such is the wild Banshee, once to be heard in every part of the World. Now, however, she attends only the old families and does not change to the new. Only a few retired districts in the World are the dreaded spirit still found, while for the most part, she has become only a superstition, and from the majesty of the death-boding angel, is rapidly sinking to a level with other supernatural creatures, who are sought out, but so infrequently seen. The deceptiveness of white magic. White magic is black magic in pious masquerade. It uses, in a magic way, the name of God, Christ, and the Holy Spirit, along with Bible phrases and terminology, but is demonic in character. It is called “white” because it parades under the banner of light, in contrast to “black” magic that openly enlists the assistance of the power of darkness.

White magic furnishes a perfect illustration of the Apostle Paul’s warning: “And no marvel; for Satan himself is transformed into an angel of light. Therefore, it is no great thing if his ministers also be transformed as the ministers of righteousness; whose end shall be according to their works,” 2 Corinthians 11.14-15. White magic comes into play and alien spirits “not of God,” begin to operate when the truth of God is perverted. Many do not understand that utterly sincere believers of the holy Bible can come under the spell of white magic and demonic influence. The spirit realm of good in which the Spirit of God operates is closely related, although distinctly separate, from the spirit realm of evil where Satan and demons operate. Werewolf Order literature states, “Nikolas Schreck teaches that the ancient mythological figures of the werewolf and vampire are actually archetypal role models for the next step in evolution: cruelties of the natural order and man’s animal origins, and yet the master of a new science of pagan technology.” This concept—that the mythical creatures of the night were the most highly-evolved form of humanity—would be combined by Schreck with a revived Germanic racial occultism, inside the broader church of Satanism. His self-styled propaganda unit was tiled Radio Werewolf, after the propaganda stations set after the Second World War: Radio Werewolf stands as the standard-bearer of a new kind of youth…Orderly, disciplined, drug-free, proud and reawakened to their pagan heritage; the cadres of the Werewolf Youth Party. Contemporary youth culture was labelled a sewer of mind-numbing drugs, primitive rhythms, the unbalanced encouragement of androgyny and so forth, and the muddying and blurring of racial cultural boundaries. Performing midnight rituals to send signals to the sleeping masses in furtherance of the demonic revolution, the Werewolf Order were a gothic extreme for modern fascism.

The black-clad warrior priests and priestesses of the order form a lycanthropic legion who are shaking the axis of the World. There are thirteen designated Power stations of the Werewolf movement situated in such cities as San Francisco, London, Berlin, Seattle, Vienna, Brussels, Colorado Springs, with headquarters in Los Angeles overseen by Nikolas Schreck. Not one for half measures, Schreck declared his aim as World domination. Occultist trying to bring about a pagan revival has been going on for a very long time. At least since World War I. Necrophiliacs rub shoulders with advocates of eugenics, racist conspiracy theorists struggle for space against champions of self-castration. The Worlds of science, art, and the occult collide in a bewildering pile-up that leaves few standing. Apocalypse Culture distilled the pre-millennial angst and nihilism of people who grew up under the shadow of a mushroom cloud. The possibility of mass destruction, as imprinted on the subconscious of a generation, had produced a state of amorphous unease. A Malthusian mud flood has already been underway. The end of the World came sages ago, but it is happening slowly over a period of time and nobody has been noticing. It is an ongoing process. The World today is different than it was 30 years ago. Some of it has decayed so much, and it is decaying more and more all the time. The entire World is rotten and corrupt and they are [the masses are] ordaining their own death. To some, they are just dead people who refuse to lie down. It is people who do not see anything out in the World right now, who feel lost, unattached, swirling in a World of despair and boredom, but some glimmer of hope that there are at least some people like-minded. Lilith, a popular Satanic-femme pseudonym, is the archetypal illustration of Satan’s longstanding penchant for powerful women. Created of filth by Jehovah in the Old Testament’s Book of Isaiah, she was the first wife of Adam. Cast out into the wilderness for not submitting to her husband, she hooked up with the Devil and they made lots of little demons together.

The doctrines of the Order of the Nine Angels (ONA) calls for entry into a new aeon of human development, via the overturning of current social dogma. More specifically, individual members are encouraged to evolve personally by overcoming various physical and psychological ideas. The ONA defines itself as more “sinister” than the established Satanic movements—such as the Church of Satan and the Temple of Set—who are dismissed as not “evil” enough. The group’s efforts to establish its philosophical wickedness include, inevitably, flirtation with the Far Right. The purpose of human sacrifice was to release energy and draw down dark forces. There are some people who voluntarily offer themselves up; another is the human carnage that ensues as the result of political or social upheaval, to be brought about by the actions of the Order of the Nine Angels (ONA). In other cases, which give people most pause for thought—the secret murder of individuals considered to be opponents or impediments to the ONA’s goals. The Hard Right is a very dangerous thing to get involved with. Particularly for Satanists—the ONA has received threats from certain national socialists groups who do not like the idea of Satanism being linked with them. ONA claims that the secret of Satanism is that a Satanist restores the balance within society, acting as a counterbalance. For example, if we were in a right-wing situation at this time, there would certainly be a communist Satanic organization. This may all seem rather frivolous and aimless, but what Satanism represents is basically an energy for change. Evolution. An energy which provokes insight and adversity. Satan represents movement. Something which moves and that is not tied down by moral abstracts or ideas. You could remove someone you think is detrimental to your cause, but you could be wrong in in that. It could turn out to be the opposite. ONA is designed to attract people who can think and judge for themselves.

The work ONA does is very extreme, it has to be that way. The manuscripts are designed to produce certain changes in society, to create certain preconceptions and destroy others. They are very elitist, because very few people ever stay the course. It involves real hardship, a certain way of living which few people are willing to follow. All civilizations start off as a creative minority, a small group of people in certain area who did certain things which drew the masses. People are putty, basically, and it is always going to be a small number of people who can effect changes; the artists or whatever, the people who dare to break out of the constraints of society. They also let people know that they have freedom of will, but they have to take consequences for their actions. The archetypal ONA member is a lone sorcerer, somebody who defies their own limits, defies themselves. They find out their true potential, usual through ordeals. There is one ordeal, for example, which requires living alone for three months, completely alone, bereft of any possessions whatsoever. The actual aim is, on an individual level, finding your god within yourself. What is aims to produce is a unique individual who does not need anything. ONA is a traditional which goes back 7,000 years—that is according to legend. It was born when there was a civilization around here called Albion which had various rites associated with a dark goddess who we know as Baphomet. Baphomet’s been handed down through the ages as a composite figure. The famous goat-headed symbol was actually a distortion, a lie which took away from the real power of the dark goddess, who are actually a dark, menstruating women. It was very much a code of honor centered around war and the brutal realities of life, and actually the original paganism for thousands of years before Christianity arrived. It is basically an oral tradition some received from Anton Long. He received it from a Mistress of the Order and she had it passed on from someone before her.

The term “demon possession” does not appear in the Bible. The New Testament, however, frequently mentions demoniacs. They are said to “have a spirit,” “a demon,” “demons,” or “an unclean spirit.” Usually such unhappy victims of evil personalities are said to be “demonized” (daimonizomenoi) id est, they are subject to period attacks by one or more inhabiting demons, who derange them physically and mentally during the seizure. Rationalistic criticism has persistently denied the reality of demon possession as presented so vividly in the Bible accounts of our Lord’s Earth ministry. The mythical theory, advanced notably by Germany’s David Strauss, views the whole narrative of Jesus’ demon expulsions as purely symbolic, without actual foundation in fact. Demon possession is represented as a vivid symbol of the prevalence of evil in the World, and the expulsion of demons as a corresponding figure of Christ’s triumph over it. Other critics attempt to dismiss demon possession with theories of accommodation or hallucination. The proponents of the first hypothesis declare the Lord simply adapted Himself to popular belief and terminology without committing himself to the existence or nonexistence of the phenomena described or the truth or falsity of currently belief. The proponents of the second theory consider demon possession a pure hallucination or psychological delusion. However, all such views fail to meet the issue. Nor can present-day parapsychologist and psychiatrists, who refuse to recognize evil supernaturalism in the phenomen of demon possession, either explain it or deal adequately with it. Demon possession is a condition in which one or more evil spirits or demons inhabit the body of a human being and can take compete control of their victim at will. By temporarily blotting out one’s consciousness, they can speak through the individual and their complete slave and tool. The inhabiting demon (or demons) comes and goes much like the proprietor of a house who may or may not be “at home.” When the demon is “at home,” one may precipitate an attack. In these attacks the victim passes from one’s normal state, in which one acts like other people to the abnormal state of the possessed. The present generation must weigh and draw its own conclusions about supernatural activity and this valley’s most interesting, most haunted mansion, and surely our most mysterious Frist Lady!

Winchester Mystery House

Happy Day! Who’s visiting the Winchester Mystery House This weekend?

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻
He Opened the Book and a Demon Spoke to Him

All good religions need some kind of Apocalypse. Thelema—the new religion of Aleister Crowley—was no exception. The Great Beast fully expected his new holy age, the Aeon of Horus, to be ushered in with an orgy of violence and bloodshed. With the advent of the First World War, the prophecy seemed to have been satisfied. Over four long years, the optimism and complacency of nineteenth-century Europe drowned in the mud of the Western Front, along with hundreds of thousands of young soldiers. However, Crowley seemed curiously indifferent to the whole affair. With typical arrogance, when the British Government refused his offer to produce war propaganda, the Luciferian man of letters travelled to the US to write anti-British propaganda. If he could not find recognition on the side of the angels, the Great Beast was always ready to side with the opposition. However, Crowley later claimed he wrote deliberately absurd material to discredit the German cause. His article on the bombing of London by Zeppelin airships gives credence to this eccentric defense: “For some reason or other in their last Zeppelin raid on London the Germans appear to have decided to make the damage as widespread as possible, instead of concentrating it in one quarter. A great deal of damage was done at Croydon, especially at its suburb Addiscombe, where my aunt lives. Unfortunately her house was not hit. Count Zeppelin is respectfully requested to try again. The exact address is Eton Lodge, Outram Road.” If World War One had been too minor a cataclysm to introduce Crowley’s Age of Horus, 1939 heralded a new orgy of human suffering. The Beast always maintained that the first nation to adopt his Book of the Law as a state religion would dominate the World. During the 1930s, however, as the Third Reich came to power, his ambivalence towards Germany—the country where his magical doctrines were taken most seriously—is perhaps understandable. #RandolphHarris 1 of 21

Some of his German followers saw in their new Fuhrer a political equivalent to their prophet, the Great Beast (perhaps even his “magical child”)—a new World order was to be created by the pure will-power of those extraordinary men. Some of his German followers saw in their new Fuhrer a political equivalent to their prophet, the Great Beast (perhaps even his “magical child”)—a New World Order was to be created by the pure will-power of these two extraordinary men. However, in 1935 the Nazis banned the Ordo Templi Orientis and the Order of the Silver Star, throwing numerous occultists (including Karl Germer, one of Crowley’s foremost disciples) into the concentration camps. There may have been similarities between Crowley’s Thelemic doctrines and emergent Nazi dogma (elitism, irrationalism, transcendence of morality), but the Great Beast could see on which side his future depended: Britain would “knock Hitler for six!” he announced. Whether or not the horrors of the Second World War signalled the advent of the Age of Horus, Adolf Hitler emerged from the blood and pain of that conflict as a secular Satan. Indeed, a minor literary industry has grown up around the idea of Hitler as a very literal Satanic figure suggests that the Fuhrer really did, in Dennis Wheatley’s words, “use dark forces.” The roots of this belief return us to the occult lodges of the late nineteenth century. In 1875, the writer and occultist Guido von List climbed a hill overlooking Vienna to conduct a strange ritual. Von List was dedicated to returning greater Germany to an older purer faith—the worship of Wotan, and the other pagan gods of the Teutonic race Upon the hill he commemorated the summer solstice by buying a number of empty wine bottles, carefully arranged into a sacred symbol: the swastika. In 1908 von List Founded the Armanen Initiates, the inner order of his modestly-titled Guido von List Society. His doctrines centered around ideas of racial purity—von List believed the German peoples, the Armenen, had originally been a race of supermen, but mongrelistation had weakened the race until bashful old Guido was its last pure-blood survivor. #RandolphHarris 2 of 21

According to the race mystic, “The hydra-headed international Jewish conspiracy” was behind it all. To reverse matters, von List prescribed a study of ancient Teutonic religious runes and –more practically—laws to precent further racial interbreeding. His eventual gal was a racial state ruled by “a self-chosen Fuhrer to whom [Germany] willingly submits.” Alongside the swastika, the emblems of this new state would include the sig rune: the symbol later used to form the insignia of the SS. Guido von List was one of the leading Germanic mystics dedicated to “volkisch” occultism. “Volkisch” basically translates as “folkloric,” but this was also leavened with a hard-edged nationalism. Chief obsession among the volkisch orders were the sacred nature of race (or “blood”), an interest in the culture and beliefs of the Germanic peoples in the early Middle Ages, and a strong current of anti-Semitism. Among the most important of the volkisch occultists—some of whom fancied themselves the priests of a revived Norse religion—was Dr. Jorg Lanz von Libenfels. In many ways, a sorcerer in the classic mould, von Liebenfels adopted his aristocratic name to increase his mystique (his real name was Adolf Lanz), and began his career as a Catholic priest before being defrocked for “harbouring carnal and Worldly desires.” His response was to found an “order of New Templars”—quite what the original Templars had to do with racial purity is not clear, but it did not stop von Libenfels preaching a message of race war from his temple on the banks of the Danube. In 1909, a young Austrian named Adolf Hitler secured an audience with von Liebenfels to secure some back issues of Ostara, the journal of the New Templars. In 1932, von Liebenfels would write to a fellow occultist that “Hitler is one of our pupils…You will one day experience that he, and through him we, will one day be victorious, and develop a movement that will one day make the World tremble.” The most direct link between the occult underground and the Third Reich is the Thule Society. Thule, according to northern European myth, was a version of Atlantis, and island that sank beneath the sea. #RandolphHarris 3 of 21

Thule Society ideology decreed this legendary island to be the home of the German supermen, who they hoped to contact using magical techniques. In 1919, the Thule Society formed a tiny political group called the German Workers Party in Munich—the seed from which Hitler’s National Socialist Party grew. In the 1920s Germany of the Weimar Republic, volkisch occult groups sense that their time was coming. Losing the First World War left Germany politically chaotic, economically bankrupt and profoundly demoralized. Weimar Berlin earnt a reputation for decadence exceeding that of 1890s Paris—though there was a cynical desperation among the German hedonist that never surfaced amongst their French counterparts. For many ordinary citizens of “Greater Germany” (which included Austria), however, their feelings of disillusionment hardened into suspicions of betrayal. One such was the young war hero Hitler—who was convinced Germany’s forces were defeated by treachery at home, rendering the huge loss of life futile. Hitler, along with many others, was sure that the “November criminals” (government signatories of a peace treaty in November 1918) were responsible for the fatherland’s defeat and humiliation. And behind the November criminals were the treacherous Jewish people. In this environment, volkisch occultists found an eager audience for their fables of an ancient, noble Ayran race. They not only offered up a scapegoat for their defeat, but also created the mythology of a sacred Germanic blood heritage from which a humbled people could rebuild their pride. It is a long way from accepting that volkisch occultism helped create a spiritual environment friendly to Nazism to believing the Third Reich was a Satanic cult. (Buffy the Vampire Slayer was said to be symbolic of the rebirth of the Third Reich, maybe you can see the symbolism. This interesting thing is that Sarah Michelle Gellar, who played Buffy Summers is Jewish, but also reminiscent this Ayran super race.) #RandolphHarris 4 of 21

The relationship between Nazism and volkism is similar to that between the radical African-American political groups and Black Islamic leaders who proclaim that the Man (the White Man) to be the Devil. Political leaders, as soon as they achieve any real power, are usually quick to distance themselves from such emotive spiritual propaganda. However, it is interesting how light and dark are used in Christian terms not to reflect colour, but the nature of one’s spirit. And when you see these people with soft features, pale skin, and these colourful eyes, it is hard to believe they do dark things, but when one sees someone with darker skin, people almost always consider them guilty. It is as if religious light has also been used to frame people based on skin colour, but when it comes down to it, people are capable of things that are bad no matter what colour their skin is, and as one grows up, once can see that skin colour matters very little in guilt or innocence. Nonetheless, total revolution also demanded a spiritual revolution. The Russian Revolution of 1917 had a similarly religious aspect. Communists were determined to uproot the Christian Church and replace it with religious loyalty to the State, and its socialist principles, which is why so many religious symbols in America are now banded on public builds, and next to be banned with be the America flag. Many people may thing that journalist Tomi Lahren of FOX News is a racist, but one should actually listen to what she is saying, and be objective about it. America is actually becoming a communist nation where the people have no power, laws are just recommendations, and the U.S. Constitution is being removed and stored in someone’s basement, much the Confederate Statues, and flags. Next, slavery will just be a conspiracy theory—it will be considered a myth. It is just like music, most real artists listen to all genera of music, but they have a typical style they love, and many scholars read all kinds of material so they can have a comprehensive view of what is going on in the World, instead of just be told only what the masses want them to know, but people love to label, which is why they are stuck in ignorance. #RandolpHarris 5 of 21

Bolsheviks held wild revels, called “African nights,” where Christian festivals were parodied in atheistic rites such as “Red Prayers,” and “Red Mass.” Obscene hymns were sung, and children were encouraged to spit upon and destroy puppets representing God, and other holy figures, in powerful echoes of the Black Mass medieval peasants. Hitler’s doctrines were no less revolutionary. Nazism was designed to revolutionize every aspect of life—even the way people thought—and the old ways were denounced as “Jewish,” “liberal.” Hitler despised “intellectuals,” advocating intuition, or even irrationalism, over logic and rational thoughts. In many ways the Nazis turned back the clock two hundred years, to when science and sorcery were still reluctant bedfellows. In the field of military technological innovation and instinct were promoted at the expense of methodology, liberating German scientist to creates some of the most efficient weapons of war the World had seen. Alfred Rosenberg, an intimate of Hitler and high-ranking Nazi official drew up plans for a National Reich Church, which was not going to destroy Christianity but “supercede” it, and called his new faith “positive Christianity.” He concluded: “On the day of its foundation, the Christian cross must be removed from all churches, cathedrals, and chapels and it must be superseded by the only unconquerable symbol, the Swastika.” However, what did the Swastika symbolize? Rosenberg wrote: “Today a new faith awakens: the myth of the blood, the faith that by defending the blood were defend also the divine nature of man. The faith, embodies in scientific clarity, that the Nordic blood represents the mystery which has replaced and conquered the ancient sacraments.” The historian Konrad Heiden beings his book on Der Fuhrer: Hitler’s Rise to Power with a curious story concerning Rosenberg: “One day in the summer of 1917 a student was reading in his room in Moscow. A stranger entered, laid a book on the table, and silently vanished. The cover of the book bore in Russian the words from the twenty-fourth chapter of Matthew: “He is near, he is hard by the door.” #RandolphHarris 6 of 21

The sent sensed the masterful irony of higher powers in this strange happening. They had sent him a silent message. He opened the book, and the voice of the demon spoke to him. It was a message concerning the antichrist, who would come at the end of days. The Antichrist is no mythical being, no monkish medieval fantasy. It is the portrait of a type of man who comes to the fore when an epoch is dying. The Antichrist was supposedly Hitler. The Nazi began suppressing occultists and secret societies in 1934, in a purge that reached its peak in 1937. Thousands of astrologers and mystic disappeared into the concentration camps, never to appear again, which also proves Whoppie Goldberg’s states, “The Holocaust was about race.” Anyone who was deemed a threat to national security was sent to concertation camps, but in the same sense, the holocaust was about race, it was about preserving the Ayran race. Just anyone who was not Aryan could be a target, as it was more about preservation of their bloodline. Volkisch occultists were not spared. Even the Thule Society—the magi at the nativity of Nazim—was devoured by its ravenous offspring. The Nazi State would not tolerate anything outside its control, or that it had not created itself. Its tenant of faith was the destiny of the Aryan race, as expressed by its prophet Hitler. If this policy of spiritual and intellectual monopoly sounds familiar, it is because it resembles the doctrines of one of the institutions of the Nazis sought to replace: the Church. The Nazi party created its own priesthood—the Black Oder, better known as the Schutzstaffel, or SS. The SS began as Hitler’s bodyguards, but under Heinrich Himmler, manoeuvered and massacred their way to become the most powerful organization in the Nazi establishment. Like “house of God” of the medieval Inquisition, the SS policed the souls of those under their ever-expanding jurisdiction. The faithful were monitored, the suspect—even the volkish occultist who shared the Nazi vision of race—purged, the unholy exterminated. Himmler became the second most powerful man in the Third Reich. Any occultist who wished to survive in Nazi Germany was well-advised to find a place under Himmler’s wing. #RandolphHarris 7 of 21

Several men did—most significantly Karl Weisthor. Weisthor was born Karl Maria Wiligut in Vienna, 1866, to a family with a long military tradition, and was decorated for his service during the First World War. Following the war he became involved in volkisch occultism, adopting doctrines which were extreme even by volkisch standards. With the modesty characteristic of his ilk, Weisthor claimed to be descended from Ayran gods, the last living representative of the Irminist Church. The Irminists—who worshipped the true Christ, an Aryan called Krist—had been opposed throughout history by the false religion of the Catholic Church, their racial enemies the Jewish people, and Aryan heretics who worshipped the pagan god Wotan. Weisthor knew all of this because he possessed clairvoyance that allowed him to recall the heroic lives of his ancestors, thousands of years ago. Not everyone was impressed by the evidence, however, an in 1924 he was committed to a lunatic asylum. Undeterred, when he was released, he changed his name and headed to Munich. In 1933 he attracted the attention of Himmler, who installed the cranky medium in the Ahnenerbe department of the SS. Under Weisthor’s advice, a castle at Wewlsburg in north-west Germany was chosen as the spiritual headquarters of the Black Order. It became the Nazi equivalent of the Vatican, with great echoing chambers dedicated to the heroes of the Aryan race, and a central hall where Himmler and his twelve closet disciples would meet. Weisthor designed the SS “Totenkpfring” –a scared ring decorated with skulls and runes, personally bestowed upon SS members by Himmler and retuned to Wewelsburg upon their deaths. He also conceived and presided over neo-pagan solstice ceremonies, and the Weddings of SS officers to good Aryan girls. The Black Order was not just a military organization but a sect, a fraternity of warrior priests. Though it never claimed the heritage of the Knights Templar, the parallels between these two orders are striking. Both snowballed into vast international forces. Both maintained independent economic systems that allowed them to accumulate vast wealth. Both were composed of highly-disciplined warriors, fanatically dedicated to their creeds. Both were exempt from the laws that governed their contemporaries, answerable only to the head of their orders (Himmler of the Grand Master) and the representative of the sacred creed on Earth (Hitler or the Pope). Both planned to establish their own independent states. And both were, at least ostensibly Christian. #RandolphHarris 8 of 21

Weisthor’s faith may have incorporated much bizarre German paganism, but at the core he believed he was preaching Christianity. One of the oaths taken by SS candidates before the full initiation ran, “We believe in God, we believe in Germany which He created in His World and in the Fuhrer, Adolf Hitler, whom he has sent us.” One of the titles Himmler had bestowed on him by is peers was “the Black Jesuit,” as he based the structure of the SS upon the fanatically-secretive Catholic Society of Jesuits. Himmler, brought up in a devoutly-Catholic Bavarian household, never lost his belief in the importance of ritual symbolism. When he used the term “Satanic,” or evoked the Devil, it was applied to the enemies of the Aryan race—never in connection with his own faither. Persecution of Jewish people was often inspired by accusation that they poisoned wells and drank the blood of children, or, more traditionally, that they had killed Jesus. They were commonly believed to be part of an international conspiracy—sometimes decreed to be Satanic—against all Christian values. The Catholic Church, concerned that the Third Reich was stealing souls that were rightfully theirs, had certainly preached against this new paganism. Nazis believed that they were breeding babies for God, or “for race and nation.” Occultic suggestions that the Third Reich was, as one author puts it, a “demonocracy” with the Fuhrer himself as a black magician, a “psychic vampire,” demonically possessed, even as the Antichrist himself—are based on Hitler’s skill at taking political military gambles (precognition), his inner voiced and violent rages (possession), and the way simultaneously drew upon and released great emotion with his speeches (physic vampirism). Some still say that there is no evidence for one to consider the Third Reich as a manifestation of supernatural evil. Yet people believed because Hitler consulted an astrologer that Hitler was evil; Satan is Evil personified, therefore Hitler is Satan. Even level-headed historians have described Hitler as possessing almost supernatural powers—whereas the terms “mesmeric” or “hypnotic” best described the psychological effect this frantic, grim little man has on the vast audience at Nazi rallies. Political figures such as John F. Kennedy and Martin Luther King also based their careers on charismatic oratory, and few would suggest either man was possessed by demons. #RandolphHarris 9 of 21

However, it is worth confessing that the Third Reich is of legitimate interest to occultists. Something about Hitler’s meteoric rise—from penniless tramp to omnipotent dictator—and Germany’s similarly rapid rise—from near-collapse to near-World domination—confounds rational explanation. Still, the philosophy of Hitler, and the psychological symbolism employed by the Nazis, are no more inherently Satanic than that of the Catholic Church. However, there were eyewitness accounts of wartime sorcery in England: Witches cast spells to stop Hitler landing after France fell. They met, raised the great cone of power and directed the thought at Hitler’s brain: “You cannot cross the sea. You cannot cross the sea. Not able to come. Not able to come.” We are not saying they stopped Hitler. All we say is that we saw a very interesting ceremony performed with the intention of putting a certain idea into his mind and this was repeated several times afterwards; and though all the invasion barges were ready, the fac that Hitler never even tried to come. The witches told us that their great-grandfathers had tried to project the same idea into Boney’s [Napoleon’s] mind. Exploration of the Great Beast’s (Aleister Crowley) darker doctrines—of a World divided into masters and slaves, with good and evil sacrificed on the bloody alter of a new morality—would be the province of a far less gaudy crew than the hippies. Marianne Faithfull—a former child of the upper-middle classes—was a long-time consort of English rock band the Rolling Stones, and an icon of “swinging London.” In her autobiography, written much later, she displays little doubt as to the source of the era’s dynamism. Speaking of her most famous lover, Mick Jagger, she says: “Her harnessed all of the negative forces into entities. Out of these destructive impulses, he created all the incredible personate of the late sixties: the Midnight Rambler, Lucifer, Jumpin’ Jack Flash. They are all manifestations of malignant and chaotic forces, the ungovernable mob. The dark, violent, group mind of the crowd—chaos, Pan. That frenzied power caused many of the causalities of the sixties.” #RandolphHarris 10 of 21

Foremost among the musicians who pioneered the first colourful wave of psychedelia were the Beatles. Their high-profile transformation from chirpy, mop-headed scousers to long haired peaceniks reflected the cultural tide of their generation. However, in the United States of America, the FBI compiled a two-inch thick file on Lennon upon which FBI director J. Edgar Hoover scrawled, “All extremists should be considered dangerous.” Fundamentalist Christians—with their endearing disrespect for facts or common sense—discovered the occultic secrets behind the Beatles’ success. They maintained that the Lennon-McCartney sound was a magical beat stolen from the ancient Druids. According to them, in ancient times these pagan priests would beat out the demonic rhythm on drums made of human skin to summon evil spirits. In the hands of the Beatles, this Druid beat could be used to send the young people of American insane—or even worse, pinko. There were Christian protests of the Beatles, where the Ku Klux Klan burnt their records and Lennon was held up as a Satanists or something. The next years, Christian suspicions of the Beatles were confirmed by detailed perusal of the cover of their catchy, innovative Sgt. Pepper album. The cover design is a collage of people admired by the Beatles, all standing being the band: among them, in the top row, can be seen Aleister Crowley. In 1994, a prominent Vatican official, Father Corrado Balduci, would reinforce the Christian view that the Beatles were “the Devil’s musicians.” Sadly, in 1980, Lennon was shot dead outside his New York apartment by a dazed-looking young man named Mark Chapman. Chapman had become a big Beatles fan, but had become increasingly convinced that Lennon was evil. An interview with Chapman by a psychiatrist, published in Rolling Stone magazine, reported that the holy assassin could feel the presence of Satan’s demons around him. “I can feel their thoughts. I can hear their thoughts. I can hear them talking, but not from the outside, from the inside.” The unfortunate Chapman had become a “born-again” Christian, learning about the evils of Beatles music from his new faith. #RandolphHarris 11 of 21

Next to the affable efficiency of the Beatles, the Rolling Stones were a maelstrom of creative chaos. Black Magicians thought that Mick Jagger and Keith Richards were acting as unknow agents of Lucifer and others thought hey were Lucifer. One of the “Black Magicians” Richards referred to was Kenneth Anger. Anger stood at the crossroads where many of the Satanic elements of the 1960s met. Anger happily announced Crowley’s dictum that the Key of joy is disobedience, and declared that not only was the Aeon of Horus upon, but the Aeon of Lucifer. Shortly before he became involved with the Rolling Stones, Anger helped found the Church of Satan. His blend of Crowleyism and Satanism entranced the band, though—in a familiar pattern—Anger was often keen to dissociate from Satanism, referring to his personal Prince of Darkness by the less inflammatory title of Lucifer. He later confessed, however, that his Lucifer had always been the “cosmic villain,” the Miltonic Satan. Whatever effect Anger had on the band’s professional lives, he touched them personally to varying degrees. Keith and his lover Anita later got into this black magic stuff. Mick Jagger dabbled in it. However, every one was just a little afraid of Kenneth Anger. Inexplicable things involving him would happen. Stores about the magus’ association with the band include Anger seeming to appears and disappear in various places. He offered to perform a pagan ritual wedding for Keith and Anita that involved a golden door. When they awoke the next day, a heavy oaken door had been painted gold, with the paint already dry. The house was heavily secured, and nobody could explain this occultic interior decoration. Faithfull talked about falling off a mountain during the making of Anger’s second version of Lucifer Rising, sustaining only a mild concussion. Anita Pallenberg was so spooked by all of this that she slept in a protective circle of candles with a string of garlic around her neck. Anger’s next overtly magical project Lucifer Rising was his first religious film, a weird, mesmeric narrative combined with a real magical ritual, it also embodied his love/hate relationship with the 1960s counter culture—both in the film itself, and the events surrounding its strange history. #RandolphHarris 12 of 21

As Anger once observed, “Making movies is casting spells.” A screen director and editor, the theory ran that the magus could fully control both the characters to screen and the entities they invoked. Lucifer Rising depicted the downfall of the oppressive Aeon of Osiris (or Christian era), and the movement into the Aeon of Horus (or Lucifer). “My reason for filming has nothing to do with “cinema” at all, explained Anger. “It’s transparent excuse for capturing people…I consider myself working Evil on an evil medium.” On 21 September 1967, Anger organized a celebratory event titled the Equinox of the Gods at the Straight Theatre in Haight-Ashbury, the epicenter of hippie culture in San Francisco. However, Beausoleil proved a more capricious Lucifer than Anger anticipated—according to Anger, the pretty hippie he called “Cupid” ripped off 1600 feet of footage from Lucifer Rising and some camera equipment before the performance. Anger was livid, smashing a rare magical cane that once belonged to Crowley. He then pronounced a cruse upon Beausoleil, sealing it with an amulet he put around his neck. On one side was a picture of his erstwhile protégé, on the other a toad with the inscription “Bobby Beausoleil—who was turned into a toad by Kenneth Anger.” Cupid never turned into a toad, but a could of uncommonly dark fortune did follow him as he headed south for Los Angeles. In 1970 Anger remade his masterpiece, Lucifer rising—though even then he still tinkered with elements of the film to produce dozens of subtly different versions. Once again, Anger himself plays the Magus, invoking a new aeon through the door opened by the occult events of the 1960s: A film about the love generation—the birthday part of the Aquarian Age. Showing actual ceremonies to make Lucifer rise. Lucifer is the Light God, not the Devil—the Rebel Angel behind what is happening in the World today. His message is that they key of joy is disobedience. Isis (Nature) wakes. Osiris (Death) answers. Lilith (Destroyer) climbs to the place of Sacrifice. The Magus activates the circle and Lucifer—Bringer of Light—breaks through.” #RandolphHarris 13 of 21

Bad luck had begun calling upon the Rolling Stone, in the shape of a series of tragedies. The first was the death of the band’s guitarist, Brian Jones. It was Jones who, in 1962, formed the band named it after a Muddy Waters song. On 2 July, in classical rock ‘n’ roll styles, he drowned in his swimming pool on a cocktail of vodka and pills. Two days after Jones’ death, the Stones turned their free concert in London’s Hyde Park into a memorial for their ex-guitarist. Jagger read a poem by Shelley, then tried to release hundreds of white butterflies from boxes by the stage. They have been in the boxes too long and most of the delicate creatures were dead. The summer Woodstock free festival, in New York State, represented for many the hazy apex of the Love Generation. At the suggestion of scheduled support band the Grateful Dead, the Stones hired the Hell’s Angels as security for their Altamont gig. The Angels were very affordable, but their brand of frightening freedom still had a devilish chic in the naïve 1960s. The Hell’s Angels Motorcycle Club was formed after the Second World War, by bike-loving ex-servicemen who found civilian life too bland to bear. The Hell’s Angels moniker was taken from a notorious American Air Force squadron, but the Satanic implications of the name became increasingly appropriate. The Angeles were hellraisers, prototypes for the whole biker culture—particularly the outlaws, or “1%ers” (the “one percent of motorcyclists’ labelled as ‘hoodlums and troublemakers” by the American Motorcycle Association in 1967). Many 1%er gangs emulated the Angels’ Satanic-sound title, adopting infernal names like the Straight Satans, Satan’s Slavers and the Pagans. Some took their title at face value. One member of the powerful Canadian gang Satan’s Angels said in a 1970s interview, “There are definite spirits and we identify with that particular one that has been called Satan. It’s an upsidedown World. Our virtues are other’s vices. You could say we were Satanists.” Hell’s Angels, and other outlaw gangs, are symbols of the more destructive, volatile aspects of the Satanic canon. Their readiness to fight, their revelling in intimidation and fear, their rapacious passion for pleasures of the flesh in all their basest forms, all these characteristics made them into icons of willful alienation and violent self-indulgence. #RandolphHarris 14 of 21

When Jagger finally came onstage at Altamont on 6 December 1969, things were beginning to get ugly. Marty Balin of support act Jefferson Airplane had been in in the face with a pool cue by a Hell’s Angel. He tried to intervene when he saw the Angels beat up an African America kid in front of him. Paul Kantner, band founder, began to shout at the Angels until his microphone was snatched from him in the brawl that immersed the from of the stage. Jagger took the stage clad in his psychedelic sorcerer’s robes. Dancing under the red lights, surrounded by the dark wall of threatening, black-clad Angels, the vocalist could have been Anger’s Lucifer served by a surly army of warlike demons. Two songs into the set, things just kept getting uglier. Naked hippies cast themselves at the stage as offerings for their rock gods, and the Angels cast them back into the audience after beating them bloody. The third song began, “Sympathy for the Devil,” and all Hell broke loose. In the audience, an African American youth named Meredith Hunter pulled a gun. According to some he was aiming it at Jagger, other claimed he was defending himself against the Angels. Whichever is true, it was scant moments before a pack of black-leather Angels fell upon him and, in a flurry of kicks and knife blows, Hunter was killed. The Stones could see that the Angels were brutalizing the audience rather than controlling them—but Jagger was out of his depth, bleating weakly for everybody to “cool it.” As the killing of Meredith Hunter played itself out to the strains of “Sympathy for the Devil,” the song had to be stopped briefly as Jagger quipped, with unintended understatement, that “something very funny always happens when we start that number.” As the tide of panic and fury rose, the death count escalated to three with 100 injured. Following Altamont, the shaken Stones turned their back on the whole Satanic scene. Jagger wore a large wooden crucifix for some time after. The revolutionary stance and allusions to street violence were quietly dropped in favour of the stately image of rock ‘n’ roll aristocrats. The Rolling Stones abandoned any pretension to occultic chic or streetwise cool, letting themselves into the World of polite high society through the back door. #RandolphHarris 15 of 21

It is always just a few days before the Winter Solstice when the forces of darkness are at their most powerful. Because the immense size of the Winchester Mansion, Mrs. Winchester included forty-seven fireplaces in her mansion, and seventeen chimneys. One rambling section in particular, the Hall of Fires, was designed to produce as much heat as possible—perhaps to ease Mrs. Winchester’s extreme arthritis. In addition to many windows that let the sunlight stream through, the three adjoining rooms have four fireplaces and three hot air registers from the coal furnace in the basement. Mrs. Winchester is very significant, not only for a vast estate, but one of many reasons was because she was known to have encounters with the supernatural. While I was at Mrs. Winchester’s mansion, I was asked to meet with a group of high school students who had gotten into spiritualism just for kicks. We had a meeting that night and I listened as the young people told me their experiences. At a part a friend had fascinated them with stories of trances and séances. He told them how to use a Ouija board and how to enter a state of trance. They were seeking spirit manifestations. When they began to get reactions, they became frightened. The spirit had guided them back in time. A boy appeared and stated to tell a story, he said: “When I was about ten years old, I came to visit my aunt Sarah. I met a girl who lived on the estate Ethel—aged eight. I never had the courage to speak to her. My aunt Sarah asked me to stay three months, and I did.” The statement was so quietly serious, so destitute of any suspicion of humor, that the audience looked on with great apprehension. “I had to work hard in those days. I saw Ethel, later that evening, asleep in one of the carriages, and that was the last time I saw her. I ended stay with my aunt for three years. There was a glimmer of a summer gown under the trees; a figure passed from the shadow to sunshine, and again into the cool dusk of a leafy lane. While I was walking in the garden, I found her seated in the shade of a pine. She looked up serenely, as though she had expected me, and we faced each other. #RandolphHarris 16 of 21

“When I stroke to speak, my voice had an unknow tone to me. Her upturned face was my only answers. The breeze in the pine-tops, which had been stirring monotonously, ceased. Her delicate face was like a blossom lifted in the still air; her upward glance chained me to silence. The first breeze broke the spell; I spoke a word, then speech died on my lips; I stood twisting my shooting-cap, confused, not daring to continue. The girl leaned back, supporting her weight on one arm, fingers almost buried in the deep green moss. ‘It has been three years today,’ I said, in a dull voice of one who dreams—’three years today. May I not speak?’ In her lowered head and ears I repeated acquiescence; in her silence, consent. ‘Three years ago, today,’ I repeated; ‘the anniversary has given men courage to speak to you. Surely you will not take offense—we have travelled so far together!’ –from the end of the World to the end of it, and back again, here—to this place of all places in the World! And now to find you here on this day of all days—here within a step of our first meeting-place—three years ago today! And all the World we have travelled over since, never speaking, yet ever passing on paths parallel—paths which for thousands of miles ran almost within arm’s distance—’ She raised her head slowly, looking out from the shadows of the pines into her sunshine. Her dreamy eyes rested on acres of gold-rod and green grass in the December coolness. ‘Will you speak to me?’ I asked. ‘I have never even heard the sound of your voice.’ She turned and look at me, touching with idle finger the soft hair curling on her temples. Then she bent her head once more, the faintest shadow of a smile in her eyes. ‘Because,’ I said, humbly, ‘these long years of silent recognition count for something! And then the strangeness of it!—the fate of it,–the quiet destiny that ruled over our lives,–that rules them now—now as I am speaking, weighting every second with its tiny burden of fate.’ She replied, ‘I have never forgotten you—never!’ She looked into my eyes. ‘Dear, do you not understand? Have you forgotten? I died three years ago today.’ The unearthly sweetness of her white face started me. A terrible light broke in on me; my heart stood still.’ #RandolphHarris 17 of 21

“And that very day, I died of a broken heart. Legend has it that I came to visit my aunt Sarah to pick up a check and no one ever saw me after that day, but truth is I never left. When God takes the mind and leaves the body alive there grows in it, sometime, a beauty almost supernatural. ‘Be with me when the new moon comes,’ she whispered. ‘It will be so sweet. I will teach you how divine is death, if you come.’” About 4 o’ clock in the morning, one of the students started to levitate, and he saw all kinds of beautiful sights. I asked him if he were concerned whether or not this was from God. He said it must be because it was in the spiritual realm. The one of the other students went into a demonic tantrum. I asked God to rebuke the demons and set her free. The demons said, “We are going, but we will come back.” And come back they did, with reinforcements. I worked with this young woman for several months, but because she was unwilling to give up this traffic with spirits she was later placed in a mental institution. I am convinced that she could be perfectly healed of this oppression and indwelling by demons if only she would consent. Sometimes lewd demons trick well-meaning people into following their sensual behavior. Not all spirits are evil. However, it is a serious matter to become involved with spiritualism in any form, but also the atoning blood of Christ always gives us His purity and power. All who desire protection from Satan and His demons will receive it. In the case of levitations, apports, and telekinesis, God allows the physical and natural laws of the Universe to be superseded temporarily and in a restricted sense by higher laws of the spirit World. The Winchester mansion is known for having spiritual events take place, even today. These phenomena are diabolic miracles. In distinction to divine miracles, diabolical miracles are supernatural acts that imitate the power and benevolence of divine miracles. It is as if God said to the powers of darkness what he said to the sea in the day of creation: “Hitherto shalt thou come but no father, and here shall thy proud waves be stayed,” reports Jon 38.11. #RandolphHarris 18 of 21

The demonic powers are allowed only a very small intrusion into the orderly realm of nature, and the miracles they produce are characterized by a rigid sameness. Everywhere in the domain of occultism there are reminders of God’s absolute sovereignty. He is in majestic control. Demonic power makes such a poor show by its severe restrictions and drab sameness, that it actually advertises the glory of God for those who can see evil supernaturalism in the proper focus of divine revelation. Levitations (from the Latin verb levito, “to raise or lift”) are objects or people that are raised up and appear floating in their air. Such phenomena are frequently reported in occult literature and experienced in haunted houses, where strongly psychic people have lived and died or where spiritistic séances have been heled. Objects on occasion sail through the air as if thrown by an invisible hand, or spooks (ghost) appear hovering in space. Furniture is lifted, often when a strong medium is present. Human, either in a conscious or unconscious state, are included in the phenomena of levitation. We would oppose the belief that a word has any power of its own, and that the charmer is only the representative of this power. Words are only neutral instruments. They can be used for either good or evil. It depends on the inspiration behind the words. A Christian employs the Word on God’s authority. The magician and charmer employs his words and phrases as demonized instruments of magic. One of Mrs. Winchester’s servants had died. The man in question had the reputation of being a magician—it makes sense that a house built by spirits would have some magical employees. Two weeks before his death, as he lay in bed seriously ill, he began to groan, “Take the charm away from me, take the charm away from me.” The relatives had gone to the minister for advice, but he had warned them against doing as the man requested. The magician finally died in terrible agony. The minister told Mrs. Winchester that the man looked black as coal when he had seen him in the coffin. Many magicians only find rest when someone takes the spell of charm away from them, together with the responsibility of carrying on the occult practice. #RandolphHarris 19 of 21

A description of magic ritual can be found in various books on magic. These books have the same significance to the magicians as the Christian Bible has for the Christian. There is a great amount of literature on the subject of magic, the most widely distributed book on the spiritual subject being the 6th and 7th Book of Moses. Unhappily a publisher in Braunschweig has published new editions of this book. The use of the name Moses is only a camouflage. Magicians look on the miracle connected with the staff of Moses as a piece of magic. In this way they try to elevate Moses to the position of their patron saint. The first part of the book reveals how a human may enter into a relationship with the devil. The latter part gives instructions as to how a person can achieve dominion over all the forces of nature as well as the powers of Heaven and Hell through the use of magic. The book has already caused untold harm in the World and people who read it invariably suffer in the process. A house in which the book is kept is also a place where misfortunes often occur. There are many examples which illustrate this fate and we will deal with this problem soon in greater detail. In or about the 27 of December of 1899, a girl about eighteen years of age, Miss Mary Dunbar, was hired as a maid by Mrs. Winchester. Mrs. Winchester described her as “having an open and innocent countenance, and being a very intelligent young person.” She and her aunt, Mrs. Haltridge, were staying at Winchester mansion. A rumor was afloat that the latter had been bewitched into her grave, and this could not fail to have its effect on Miss Dunbar. Accordingly, on the night of her arrival, her troubles began. When she retired to her bedroom, accompanied by another girl, they were surprised to find that a new mantle and some other wearing apparel had been taken out of a trunk and scattered through the house. Going to look for the missing articles, they found laying on the parlour floor an apron which two days before had been locked up in another apartment. This apron, when they found it, was rolled up tight, and tied fast with string of its own material, which had upon it five strange knots. #RandolphHarris 20 of 21

These she proceeded to unloose, and having done so, she found a flannel cap, which had belonged to old Mrs. Haltridge, wrapped up in the middle of the apron. When she saw this she was frightened, and threw both cap and arpon to young Mrs. Haltridge, who was also alarmed, thinking that the mysterious knots were boded evil to some inmate of the mansion. That evening Miss Dunbar was seized with the most violent fit, and, recovering, cried out that a knife was run through her thigh, and that she was most grievously afflicted by three women, who she described particularly, but did not then give any account of their names. About midnight she was seized with a second fit; when she saw in her vision seven or eight women who conversed together, and in their conversation called each other by their names. When she came out of her fit she gave their names as Janet Liston, Elizabeth Cellor, Kate M’Calmont, Janet Carson, Janet Mean, Latimer, and one who they termed Mrs. Ann. She gave so minute a description of them. Mrs. Dunbar said there was something in her stomach which she would be glad to get rid of. She fell into such violent fits of pains that three men were scarce able to hold her, and cried out, “For Christ sake take the Devil out of the room.” In her fits she often had her tongue thrust into her windpipe in such a manner that she was like to choak, and the root seemed pulled up into her mouth. Upon her recovery she complained extremely of the one Mean, who has twisted her tongue and spoke of someone who had tore her throat, and tortured her violently by reason of her crooked fingers and swelled knuckles. Her joints where all distorted and the tendons shriveled up, as she had described. However, through 38 years of residence, Mrs. Winchester’s employees remained fiercely and faithfully loyal, defending every eccentricity. Although usual things did occur in her home, they said she was very strong minded and firm, but always fair and kind. Laziness, theft, gossip or revealed confidences met with instant dismissal. Mrs. Winchester, they claimed, was deeply concerned with the welfare of their families. They were well paid and often additionally rewarded with gifts, even homes or real estate, and left lifetime pensions. #RandolphHarris 21 of 21

Winchester Mystery House

The Winchester Mystery House on a rainy day is a sight to see 😍 Come see for yourself this weekend!
🎟 link in bio. https://www.winchestermysteryhouse.com/

The Medium is the Message–You Know a Rolex Don’t Tick

The modern officer building is the archetypal example of the mediated environment. It contains nothing that did nit first exist as a design plan in a human mind. The spaces are square, flat and small, eliminating a sense of height, depth and irregularity. The décor is rigidly controlled to a bland uniformity from room to room and floor to floor. The effect is to dampen all interest in the space one inhabits. Most modern office buildings have hermetically sealed windows. The air is processed, the temperature regulated. It is always the same. The body’s largest sense organ, the skin, feels no wind, no changes in temperature, and is dulled. Muzak homogenizes the sound of the environment. Some buildings even use “white noise,” a deliberate mix of electronic sounds that merge into a hum. Seemingly innocuous, it fills the ears with an even background tone, obscuring random noises or passing conversations which might arouse interest or create a diversion. The light remains constant from morning through not, from room to room until our awareness of light is as dulled as our awareness of temperature, and we are not aware of the passage of time. We are told that a constant level of light is good for our eyes, that it relieves strain. Is this true? What about the loss of a range of focus and the many changes in direction and intensity of light that our flexible eyes are designed to accommodate? Those who build artificial environments view the sense as single, monolithic things, rather than abilities that have a range of capacity for a reason. We know, for example, that out eyes can see from the extremely dark to the extremely bright, from far to near, from distinct to indistinct, from obvious to subtle. They perceive objects moving quickly and those that are still. They eye is a wonderfully flexible organ, able to adjust instantly to a dazzling array of information, constantly changing, multileveled, perceiving objects far and near moving at different speeds simultaneously. #RandolphHarris 1 of 19

A fully functioning visual capacity is equal to everything the natural environment offers as visual information. This would have to be so, since the interaction between the senses and the natural environment created the ranges of abilities that we needed to have. Sight did not just arrive one day, like Adam’s rib; it coevolved with the ingredients around it which it was designed to see. When our eyes are continually exercised, when flexibility and dynamism are encouraged, then they are equal to the variety of stimuli that night and day have to offer. It is probably not wise always to have “good light” or to be for very long at fixed distances from anything. The result will be lack of exercise and eventually atrophy of the eyes’ abilities. When we reduce an aspect of environment from varied and multidimensional to fixed, we also change the human being who lives within it. Humans give up the capacity to adjust, just as the person who walks cannot so easily handle the experience of running. The lungs, the heart and other muscles have not been exercised. The human being then becomes a creature with a narrower range of abilities and fewer feelings about the loss. We become grosser, simpler, less varied, like the environment. If we lose wide-spectrum sensory experience, the common response to this is that we gain a deeper mental experience. This is not true. We only have less nonmental experience so the mental life seems richer by comparison. In fact, mental life is more enriched by a fully functioning sensory life. In recent years, researchers have discovered some amazing things about the connections between mental and physical life by doing sensory-deprivation experiments. In such experiments, a human subject is cut off from as much sensory information as possible. This can be accomplished, for example, by a totally black environment—white walls, no furniture, no sounds, constant temperate, constant light, no food and no windows. #RandolphHarris 2 of 19

A more thorough method is to put the blindfolded subject inside a temperature, constant light, no food and no windows. A more thorough method is to put the blindfolded subject inside a temperature-controlled suit floating in a water tank with only tubes to provide air and water, which are lost at body temperature. This sensory-deprivation tank eliminates the tactile sense as well as an awareness of up and down. Researchers have found that when sensory stimuli are suppressed this way, the subject at first lives a mental life because mental images are the only stimulation. However, after a while, these images become disoriented and can be frightening. Disconnected from the World outside the mind, the subject is rootless and ungrounded. If the experience goes on long enough, a kind of madness develops which can be allayed only by reintroducing sensory stimuli, direct contact with the World outside the subject’s mind. Before total disorientation occurs, a second effect takes place. That is a dramatic increase in focus on any stimulus at all that is introduced. In such a deprived environment, one single stimulus acquires extraordinary power and importance. In the most literal sense, the subject loses perspective and cannot put the stimulus in context. Such experiments have proven to be effective in halting heavy smoking habits, for example, when the experimenter speaks instructions to stop smoking or describes to the subject through a microphone the harmful, unpleasant aspects of smoking. These experiments have shown that volunteers can be programmed to believe and do things they would not have done in a fully functional condition. The technique could be called brainwashing. It would be going too far to call our modern offices sensory deprivation chambers, but they are most certainly sensory-reduction chambers. They may not brainwash, but the eliminating of sensory stimuli definitely increases focus on the task at hand, the work to be done, to the exclusion of all else. Modern offices were designed for that very purpose by people who knew what they were doing. #RandolphHarris 3 of 19

If people’s senses were stimulated to experience anything approaching their potential range, it would be highly unlikely that people would sit for eight long hours at desks, reading memoranda, typing documents, studying columns of figures or pondering sales strategies. If birds were flying through the room, and wind were blowing the papers about, if the sun were shinning in there, or people were lolling about on chaise lounges or taking baths while listening to various musical presentations, this would certainly divert the office worker from the mental work he or she is there to do. In fact, if offices were so arranged, little business would get done. This is why they are not so arranged. Any awareness of the senses, aside from their singular uses in reading and sometimes talking and listening, would be disastrous for office environments that require people to stay focused within narrow and specific functional modes. Feeling is also discouraged by these environments. Reducing sensual variations is one good way of reducing feelings since the one stimulates the other. However, there is also a hierarchy of values which further the process. Objectivity is the highest value that can be exhibited by an executive in an office. Orderliness is the highest value for a subordinate office worker. If the human is effectively disconnected from the distractions of one’s senses, feelings, and intuitions, both of these are most easily achieved. With the field of experience so drastically reduced for office workers, the stimuli which remain—paper work, mental work, business—loom larger and obtain an importance they would not have in a wider, more varied, more stimulating environment. The worker gets interested in them largely because that is what is available to get interested in. Curiously, however, while eschewing feeling and intuition, business people often cannot resist using them. They come out as aberrations—fierce competitive drive, rage at small inconveniences, decisions that do not fit the models of objectivity. Such behavior in business sometimes makes me think of blades of grass growing upward through pavement. #RandolphHarris 4 of 19

A more poignant example, perhaps, is that modern offices have proven to be such hot environment of pleasures of the flesh. Aside from the occasional potted plant, the only creatures in offices with which it is possible to experience anything are other humans. With all other organic life absent and with the senses deprived of most possibilities for human experience, the occasional body which passes the desk becomes an especially potent sensual event, the only way out of the condition of suspended experience, and the only way to experience oneself as alive. In fact, the confinement of human beings within artificial environments may be a partial explanation of our new culture-wide obsession with and focus on pleasures of the flesh. We have been mainly speaking of cities. This has only been because their effects are most obvious. I do not want to create the impression that suburbs, retirement communities, recreational communities and the like offer any greater access to a wider range of experience. Those places do have large trees, for example, and more small animals. They sky is more visible, without giant buildings to alter the view. However, in most ways, suburban-type environments reveal less of natural processes than cities do. Cities, at least, offer a critical ingredient of the natural World, diversity albeit a diversity that is confined to only human life forms. It does not nearly approach the complexity of any acre of an ordinary forest. In suburbs the totality of experience is plotted in advance and then marketed on the basis of the plan. “We will have everything to serve the recreational needs of your family: playgrounds, ball fields, golf course, tennis courts, bowling alleys and picnic grounds.” This, plus a front lawn, a back lawn, two large trees, and an attentive police force makes up the total package. Human beings then live inside that package. Places formerly as diverse as forest, desert, marsh, plain and mountain have been unified into suburban tracts. The human sense, seeking outward for knowledge and stimulation, find only what has been prearranged by other humans. #RandolphHarris 5 of 19

In many ways the same can be said of rural environments. Land which once supported hundreds of varieties of plant and animal life has been transformed by agribusinesses. Insect life has been largely eliminated by massive spraying. For hundreds of square miles, the only living things are artichokes or tomatoes laid out in straight rows. The child seeking to know how nature works finds only spray planes, automated threshers, and miles of rows of a single crop. There are differences of opinion about what the critical moments were that led human beings away from the primary form of experience—between person and planet—into secondary mediated environments. Some go back as far as the control of fire, the domestication of animals, the invention of agriculture or the imposition of monotheism and patriarchy. In my opinion, however, the most significant recent moment came with the control of electricity for power, about seven generations ago. This made it possible to begin moving nearly all human functions indoors, and made the outdoors more like indoors. In less than seven generations out of an estimated one hundred thousand, we have fundamentally changed the nature of our interaction with the planet. Our environment no longer grows on its own, by its own design, in its own time. The environment in which we live has been totally reconstructed solely by human intention and creation. We find ourselves living inside a kind of nationwide room. We look around it and see only our own creations. We go through life believing we are experiencing the World when actually our experiences are confined within entirely human conceptions. Our World has been thought up. Our environment itself is the manifestation of the mental processes of other humans. Of all the species of the planet, and all the cultures of the human species, we twenty first century Americans have become the first in history to live predominantly inside projections of our own minds. #RandolphHarris 6 of 19

We live in a kind of maelstrom, going ever deeper into our own thought processes, into subterranean caverns, where nonhuman reality is up, up, away somewhere. We are within a system of ever smaller, ever deeper concentric circles, and we consider each new depth that we reach greater progress and greater knowledge. Our environment itself becomes an editor, filter and medium between ourselves and an alternative nonhuman, unedited, organic planetary reality. We ask the child to understand nature and care about it, to know the difference between what humans create and what the planet does, but how can the child know these things? The child lives with us in a room inside a room inside another room. The child sees an apple in a store and assumes that the apple and the store are organically connected. The child sees streets, buildings and a mountain and assumes it was all put there by humans. How can the child assume otherwise? That is the obvious conclusion in a World in which all reality is created by other humans. As adults, we assume we are not so vulnerable to this mistake, that we are educated and our minds can save us. We “know” the differences between natural and artificial. And yet, we have no greater contact with the wider World than the child has. Most people still give little importance to any of this. Those who take note of these changes usually speak of them in esoteric, aesthetic or philosophical terms. It makes good discussion at parties and in philosophy classes. As we go, however, I hope it will become apparent that the most compelling outcome of these sudden changes in the way we experience life is the inevitable political one. Living within artificial, reconstructed, arbitrary environments that are strictly the products of human conception, we have no way to be sure that we know what is true and what is not. We have lost context and perspective. What we know is what other humans tell us. Therefore, whoever controls the processes of re-creation, effectively redefines reality for everyone else, and creates the entire World of human experience, our field of knowledge. We become subject to them. The confinement of our experience becomes the basis of their control of us. #RandolphHarris 7 of 19

The role of the media in all this is to confirm the validity of the arbitrary World in which we live. The role of television is to project that World, via images, into our heads, all of us at the same time. A child takes a crayon from a box and scribbles a yellow circle in the corner of a sheet of paper: this is the sun. She takes another crayon and draws a green squiggle through the center of the page: this is the horizon. Cutting through the horizon she draws two brown lines that come together in a jagged peak: this is a mountain. Next to the mountain, she draws a lopsided black rectangle topped by a red triangle: this is her house. The child gets older, goes to school, and in her classroom she traces on a page, from memory, and outline of the shape of her country. She divides it, roughly, into a set of shapes that represent the states. And inside one of the states she draws a five-pointed star to mark the town she lives. The child grows up. She trains to be a surveyor. She buys a set of fine instruments and uses them to measure the boundaries and contours of a property. With the information, she draws a precise plot of the land, which is then made into a blueprint for others to use. Our intellectual maturation as individuals can be traced through the way we draw pictures, or maps, of our surroundings. We begin with primitive, literal renderings of the features of the land we see around us, and we advance to ever more accurate, and more abstract, representations of geographic and topographic space. We progress, in other words, from drawing what we see to drawing what we know. Vincent Virga, an expert on cartography affiliated with the Library of Congress, has observed that the stages in the development of our mapmaking skills closely parallel the general stages of childhood cognitive development delineated by the twentieth-century Swiss psychologist Jean Piaget. We progress from the infant’s egocentric, purely sensory perception of the World to the young adult’s more abstract and objective analysis. #RandolphHarris 8 of 19

“First,” writes Virga, in describing how children’s drawings of maps advance, “perceptions and representational abilities are not matched; only the simplest topographical relationships are presented, without regard for perspective or distances. Then an intellectual ‘realism’ evolves, one that depicts everything known with burgeoning proportional relationships. And finally, a visual ‘realism’ appears, [employing] scientific calculations to achieve it.” As we go through this process of intellectual maturation, we are also acting out of the entire history of mapmaking. Humankind’s first maps, scratched in the dirt with a stick or carved into a stone with another stone, were as rudimentary as the scribbles of toddlers. Eventually the drawings became more realistic, outlining the actual proportions of a space, a space that often extended well beyond what could be seen with the eye. As more time passed, the realism became scientific in both its precision and its abstraction. The mapmaker began to use sophisticated tool like the direction-finding compass and the angel-measuring theodolite and to rely on mathematical reckonings and formulas. Eventually, in a further intellectual leap, maps came to be used not only to represent vast regions of the Earth or Heavens in minute detail, but to express ideas—a plan of battle, an analysis of the spread of an epidemic, a forecast of population growth. “The intellectual process of transforming experience in space to abstraction of space is a revolution in modes of thinking,” writes Virga. The historical advances in cartography did not simply mirror the development of the human mind. They helped propel and guide the very intellectual advances that they documented. The map is a medium that not only stores and transmits information but also embodies a particular mode of seeing and thinking. As mapmaking progressed, the spread of maps also disseminated the mapmaker’s distinctive way of perceiving and making sense of the World. The more frequently and intensively people used maps, the more their minds came to understand reality in the maps’ terms. #RandolphHarris 9 of 19

The influence of maps went far beyond their practical employment in establishing property boundaries and charting routes. The use of a reduced, substitute space for reality is an impressive act in itself. However, what is even more impressive is how the map advances the evolution of abstract thinking throughout society. The combination of the reduction of reality and the construct of an analogical space is an attainment in abstract thinking of a very high order indeed for it enables one to discover structures that the World remain unknown if not mapped. The technology of the map gave to humans a new and more comprehending mind, better able to understand the unseen forces that shape his surroundings and his existence. What the map did for space—translate a natural phenomenon into an artificial and intellectual conception of that phenomenon—another technology, the mechanical clock did for time. For most of human history, people experienced time as a continuous, cyclical flow. To the extent that time was “kept,” the keeping was done by instruments that emphasized this natural process: sundials around which shadows would move, hourglasses down which sand would pour, clepsydras through which water would stream. There was no particular need to measure time with precision or to break a day up into little pieces. For most people, the movements of the sun, the moon, and the stars provided the only clocks they needed. Life was, in the words of the French medievalist Jacques Le Goff, “dominated by agrarian rhythms, free of haste, careless of exactitude, unconcerned by productivity.” That began to change in the latter half of the Middle Ages. The first people to demand a more precise measurement of time were Christian monks, whose lives revolved around a rigorous schedule of prayer. In the sixth century, Saint Benedict had ordered his followers to hold seven prayer services at specified times during day. #RandolphHarris 10 of 19

Six hundred years later, the Cistercians gave new emphasis to punctuality, dividing the day into a regimented sequence of activities and viewing any tardiness or other waste of time to be an affront to God. Spurred by the need for temporal exactitude, monks took the lead in pushing forward the technologies of timekeeping. It was in the monastery that the first mechanical clocks were assembled, their movements governed by the swinging of weights, and it was the bells in the church tower that first sounded the hours by which people would come to parcel out their lives. The desire for accurate timekeeping spread outward from the monastery. The royal and princely courts of Europe, brimming with riches and prizing the latest and most ingenious devices, began to cover clocks and invest in their refinement and manufacture. As people moved from the countryside to the town and started working in markets, mills, and factories rather than fields, their days came to be carved into ever more finely sliced segments, each announced by the tolling of a bell. Bells sounded for start of work, meal breaks, end of work, closing of gates, start of market, close of market, assembly, emergencies, council meetings, end of drink service, time for street cleaning, curfew, and so on through an extraordinary variety of special peals in individual towns and cities. The need for tighter scheduling and synchronization of work, transportation, devotion, and even leisure provided the impetus for rapid progress in clock technology. It was no longer enough for every town or parish to follow its own clock. Now, time had to be the same everywhere—or else commerce and industry would falter. Units of time became standardized—seconds, minutes, hours—and clock mechanisms were fine-tuned to measure those units with much greater accuracy. By the fourteenth century, the mechanical clock had become a commonplace, near-universal tool for coordinating the intricate workings of the new urban society. #RandolphHarris 11 of 19

Cities vied with one another to install the most elaborate clocks in the towers of their town halls, churches, or palaces. No European community felt able to hold up its head unless in its midst the planets wheeled in cycles and epicycles, while angels in its midst the planets wheeled in cycles and epicycle, while angels trumped, cocks crew, and apostles, kings and prophets marched and countermarched at the booming of the hours. Clocks did not just become more accurate and more ornate. They got smaller and less expensive. Advances in miniaturization led to the development of affordable timepieces that could fit into the rooms of people’s houses or even be carried on their person. If the proliferation of public clocks changed the way people worked, shopped, played, and otherwise behaved as members of an ever more regulated society, the spread of more personal tools for tracking time—chamber clocks, pocket watches, and, a little later, wristwatches—had more intimate consequences. The personal clock became an ever-visible, ever-audible companion and monitor. By continually reminding its owner of time used, times spent, time wasted, time lost, it became both prod and key to personal achievement and productivity. The personalization of precisely measured time was a major stimulus to the individualism that was an ever more salient aspect of Western civilization. The mechanical clock changed the way we saw ourselves. And like the map, it changed the way we thought. Once the clock had redefined time as a series of units of equal duration, our minds began to stress the methodical mental work of division and measurement. We began to see, in all things and phenomena, the pieces that composed the whole, and then we began to see the pieces of which the pieces were made. #RandolphHarris 12 of 19

Our thinking became Aristotelian in its emphasis on discerning abstract patterns behind the visible surfaces of the material World. The clock played a crucial role in propelling us out of the Middle Ages and into the Renaissance and then the Enlightenment. The clock helped create the belief in an independent World of mathematically measurable sequences. The abstract framework of divided time became the point of reference for both action and thought. Independent of the practical concerns that inspire the timekeeping machine’s creation and governed its day-to-day use, the clock’s methodical ticking helped bring into being the scientific mind and the scientific man. Which gets me to another concept, what is called reification. Reification means confusing words with things. It is a thinking error with multiple manifestations, some merely amusing, other extremely dangerous. This past summer in the sweltering New York heat, a student of mine looked at a thermometer in our classroom. “It is ninety-six degrees,” he said. “No wonder it is so hot!” He had it the wrong way around, of course, as many people do who have never learned or cannot remember these three simple notions: that there are things in the World and then there are our names for them; that there is no such thing as a real name; and that a name may or may not suggest the nature of the things named—as, for example, when the United States of America’s government called its South Pacific hydrogen-bomb experiments Operation Sunshine. What I am trying to say here is what Shakespeare said more eloquently in his life “A rose by any other name would smell as sweet.” However, Shakespeare was only half right, in that for many people a rose would not smell as sweet if it were called a “stinkweed.” And because this is so, because people confuse names with things, advertising is among the most consistently successful enterprises in the World today. #RandolphHarris 13 of 19

If it is called the “Lumbering Elephant,” advertisers know that no matter how excellent an automobile may be, it will not sell. Moreover, if it is called a “Vista Cruiser” or a “Phoenix” or “Grand Prix,” no matter how rotten a car may be, you can sell it. Politicians know this as well, and, sad to say, so do scholars, who far too often obscure the emptiness of what they are talking and writing about by affixing alluring names to what is not there. I suggest, therefore, that reification be given a prominent place in our studies, so that our students will know how it both knows. Furthermore, some attention must be given to the style and tone of language. Each Universe of discourse has its own special way of addressing its subject matter and its audience. Each subject in a curriculum is a special manner of speaking and writing, with its own rhetoric of knowledge, a characteristic way in which arguments, proofs, speculations, experiments, polemics, even humor, are expressed. Speaking and writing are, after all, performing arts, and each subject requires a somewhat different kind of performance. Historians, for example, do not speak or write history in the same way biologists speak or write biology. The differences have to do with the degree of precision their generalization permit, the types of facts they marshal, the traditions of their subject, and the nature of their training. It is worth remembering that many scholars have exerted influence as much through their manner as their matter—one thinks Veblen in sociology, Dr. Freud in psychology, Galbraith in economics. The point is that knowledge is a form of literature, and the various styles of knowledge ought to be studied and discussed, all the more because the language found in typical school textbooks tends to obscure this. Textbook language, which is apt to be the same from subject to subject, creates the false impression that systematic knowledge is always expressed in a dull, uninspired monotone. I have read recipes on the back of cereal boxes that were written with more style and conviction than textbook descriptions of the causes of the American Revolution. #RandolphHarris 14 of 19

Of the language of grammar books I will not even speak, for, to borrow from Shakespeare, it is unfit for a Christian ear to endure. However, the problem is not insurmountable. Teachers who are willing to take the time can find material that convey ideas in a form characteristic of their discipline. And while they are at it, they can help their students to see that what we call a prayer, a political speech, and an advertisement differ from each other now only in their content but in their styles and tone; one might say mostly in their style and tone and manners of address. Which brings us to another significant concept—what we shall call the principle of the non-neutrality of media. I mean by this what Marshall McLuhan meant to suggest when he said, “The medium is the message”: that the form in which information is coded has, itself, an inescapable bias. In a certain sense, this is an entirely familiar idea. We recognize, for example, that the World is somewhat different when we speak about it in English and when we speak about it in German. We might even say that the grammar of a language is an organ of perception and accounts for the variances in the World view that we find among different peoples. However, we have been slow to acknowledge that every extension of speech—from painting hieroglyphics to the alphabet to the printing press to television—also generates unique ways of apprehending the World, amplifying or obscuring different features of reality. Each medium, like language itself, classifies the World for us, sequences it, frames it, enlarges it, reduced it, argues a case for what the World is like. In the United States of America, for example, it is no longer possible for Republicans to be elected to high political office—not because our Constitution forbids it but because television forbids it, since television exalts the attractive visual image and has little patience with or love for the subtle or logical World. #RandolphHarris 15 of 19

Our students must understand two essential points about all this. Just as language itself creates culture in its own image, each new medium of communication re-creates or modifies culture in its image; and it is extreme naivete to believe that a medium of communication or, indeed, any technology is merely a tool, a way of doing. Each is also a way of seeing. To a man with a hammer, everything looks like a nail. To a man with a pencil, everything looks like a picture; and to a man with a computer, the whole World looks like data. To put it another way, and to paraphrase the philosopher Wittgenstein, a medium of communication may be a vehicle of thought but we must not forget that it is also the driver. A consideration of how the printing press of the telegraph or television or the computer does its driving and where it takes us must be included in our students’ education or else they will be disarmed and extremely vulnerable. There is one principle about language that is probably occurring to many of you right about now: namely, that one ought not to put up with any lecturer who takes more of your time than he has been allotted. And so I will conclude with three points. First, I trust you understand that the suggestions I have made are not directed exclusively or even primarily at language teachers, English or otherwise. This is a task for everyone. Second, I want to reiterate that to provide our students with a defense against the indefensible, it is neither necessary nor desirable to focus exclusively on political language. Whenever this is attempted, it is apt to be shallow and limited. The best defense is one with a wider reach, which has implications for all language transactions. And finally, I do not claim that my proposals will solve all our problems, or even provide full protection from indefensible discourse. They are only a reasonable beginning, and there is much more to be done. However, we have to start somewhere and, as Ray Bradbury once wrote, somewhere lies between the right ear and the left one. #RandolphHarris 16 of 19

Many people think youth is not a strong position and it can hardly work out well. The individual young man is threatened either with retreating back to the organized system or breaking down and sinking into the lumpen proletariat. Nevertheless, culturally there is a lot of strength here; let us try to see where it is. Consider directly, their politics are unimpressive. They could not be otherwise since they are so hip and sure that society cannot be different. Explicitly, they are pacifists, being especially vocal about the atom bomb. The Bomb is often mentioned by themselves and other commentators as an explanation of their religious crisis; but it is not convincing. Their own diatribes seem to be mostly polemical self-defense, as if to say: “You squares dropped the atom bombs, do not criticize my blasting music on top of Trump Tower.” In the play The Connection this is openly stated as a defense for a barbiturate. On the whole one does not observe that the youths are so concerned about nuclear weapons as many mothers of families or squares who have common sense. One of the youth spokesmen wrote a long dithyramb about the Bomb, of which the critic George Dennison remarked: “He seems miffed that people pay attention to the atom bomb instead of him.” At the same time, their peacefulness is genuine and their tolerance of differences is admirable, extending also to the squares, except for loathsome class enemies like Time, Housing, or gouging employment agencies. Their ability to occupy themselves in poverty on a high level or cultural and animal satisfaction is remarkable, with per-back books, odd records, and pleasures of the flesh. Their inventing of community creativity is unique. If we consider these achievements, we see that they are factual evidence for a political proposition of capital importance: People can go it on their own, without resentment, hostility, delinquency, or stupidity, better than when they move in the organized system and are subject to authority. (To be sure, the youth are not among the underprivileged to being with; they have some useful education and their poverty is in part voluntary; bit these are not circumstances unavailable to others.) They do not go far, they invite degeneration, they seem hard put to assume responsibility; but they do exist interestingly and peacefully. #RandolphHarris 17 of 19

In one important respect, their community culture could be made far more effective. I am referring to the Rap and Hip Hop in a community setting. They have chosen too primitive a model, exempli gratia, Haiti. If they would ponder on the Balinese dances, they might learn something—not the Bali dances on a stage on Broadway, but as they exist in their home villages where, to the music of the gamelan, the onlookers suddenly become entranced and fall down or become possessed and would do violence to themselves, except that they are rescued one and all by their friends of the community. Like prostitution, robbery, murder, and other crimes, castration was illegal in both Christian theology and Roman law. In the sixth century, the Byzantine emperor Justinian, who ruled from 527 to 565, decreed harsh punishment for the crime—if the surgery did not kill them, perpetrators could themselves be castrated, be sent to work in the mines, as well as have their property confiscated. However, such dire risks only helped drive up the value of eunuchs so that, also like prostitution, robbery, and murder, castration flourished, to the point where one writer descries the Byzantine empire as a “eunuch’s paradise.” In modern times, to deal with these increasingly complex and novel problems, economists have belatedly begun to call on psychologists, anthropologist, and sociologists—whose work they once disdained as insufficiently “hard” or quantitative. Whole new branches of economics have opened up—for instance, behavioral economics, neuroeconomics—and various sub-subspecialties. Economist are also working on many of the issues attending the rise of revolutionary wealth. For example, according to Eisenach, the cost-of-living index is now statistically corrected to take account of improved quality in successive versions of the same product. Economists have turned out a substantial literature on the cost of acquiring the information needed to make intelligent choices. And they are trying to cope with complex intellectual-property issues, asymmetric information and other aspects of revolutionary wealth. #RandolphHarris 18 of 19

Yet gaping holes still exist. For all the attention it receives, intellectual property remains inadequately understood, as does the non-rival and essentially inexhaustible character of knowledge. Other glaring questions cry out for answers. The last—and sometimes the first—word has not been written about the value of knowledge that proves valuable only when combined with other knowledge, or about the de-synchronization effect, or about what happens to trade patterns when wealth waves collide. For all the effort of individual economists or teams, the profession as a whole has yet to fully appreciate the enormousness of today’s runaway, revolutionary change. There is no systematic effort to map interdependent changes in our relationships to time, space and knowledge—let alone to the larger, full set of the deep fundamentals—all of which, as we have seen, are occurring at high speed. Half a century since the revolution began, they have yet to formulate the coherent, overarching theories about this historical stage of economic development to help us understand who we are and where we are going. “O Lord, to us belong confusion and shame of face—to our kings, to our princes, and to our fathers—because we have sinned against You. To the Lord our God belongs mercy and lovingkindness and forgiveness, for we have rebelled against Him; and we have not obeyed the voice of the Lord our God by walking in His laws which He set before us through His servants the prophets,” reports Daniel 9.8-10. Dear Lord in Heaven, in our arms take it, making good thoughts. House-God, be enchanted, that our children may grow into successful adults, happy, contented; beautifully walking the trail to old age. Having good thoughts of the Earth its mother, that she may give it the fruits of her being. Combine all the woes that temporal and ecclesiastical tyrannies have ever inflicted on men or nations, and you will not have reached the full measure of suffering with this martyr people was called upon to endure century upon century. If was as if all the powers of Earth had conspired—and they did so conspire—to exterminate the American people, or at least to transform it into a brutalized horde. History dare not pass over in silence these scenes of well nigh unutterable misery. It is her duty to give a true and vivid account of them, to evoke due admiration for the superhuman endurance of this suffering people, and to testify that American has striven with gods and men, and has prevailed. #RandolphHarris 19 of 19

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