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The Time of the World Disappears Before Eternity

Revolutionary wealth is not just about money. Civilization is one of those big, stuffy words that may intrigue philosophers and historians but puts most people to sleep. Unless it is used in a sentence like “Our Civilization is threatened”—at which point large numbers of people prepare to defend themselves. Today many people do, in fact, believe that their civilization is threatened—and that the United States of America may be doing the threatening. And it is. However, not in the way most of us think. Around the World, critics of the United States of America point to its military and its economy as the main sources of its predominance. It is, however, knowledge in the broadcast sense and new technologies based on it that integrate America’s military and financial power and propel both forward. It is true that America’s technological lead is threatened. According to the National Science Board, foreign students earn nearly 50 percent of all U.S. doctorates in mathematics, computer sciences and engineering. And American youth are showing less and less interests in these fields. NASA officials complain that there are three times as many scientists over sixty as there are under thirty in the space agency. Shirley Ann Jackson, then president of the American Association for the Advancement of Science, has cautioned that “centers of technology-based activity, training, and entrepreneurialism are rapidly spreading throughout the globe. Thus even the status quo for the U.S. represents a declining share of the global marketplace for innovation and ideas.” Nevertheless, America still leads in most fields of digital technology, in microbiology and in science generally. It spends 44 percent of the World budget for research and development. By most criteria, the United States of America is still the undisputed leader in the performance of basic and applied research. In addition, many international comparisons put the United States of America as a leader in applying research and innovation to improve economic performance.

In the latest IMD International World Competitiveness Yearbook, the United States of America ranks first in economic competitiveness, followed by Hong Kong and Singapore. The survey compares economic performance, government efficiency, business efficiency, and infrastructure. Larger economies are further behind, with Zhejiang (China’s wealthiest province), Japan, the United Kingdom, and Germany ranked 20 though 23, respectively. An extensive review by the Organization for Economic Co-operation and Development (OECD) concludes that since World War II, US leadership in science and engineering has driven its dominant strategic position, economic advantage, and quality of life. And at least for now, the United States of America remains the Word’s scientific powerhouse. Perhaps even more important is the speed with which scientific and technical findings from everywhere are converted into marketable applications or products and widely dispersed into manufacturing, finance, agriculture, defense, biotech and other sectors. All of which boosts economic productivity, further accelerates change, and increasing the U.S. ability to compete at the global level. However, knowledge is not only a matter of bits and bytes or science and technology. Part of the knowledge economy is the production of art and entertainment, and America is the World’s biggest exporter of popular culture. That culture include fashion, music, TV programming, books, movies and computer games. Americans have always been told that their most important message to the World is one of democracy, individual freedom, tolerance, concern for “the rights of man” and—more recently—the rights of women. In the last three decades, however, a U.S. media spread into formerly closed or nonexistent foreign markets, a very different set of messages has been communicated. Much of it targeted at young people.

Certainly not all, but a considerable amount of this material has disgustingly glorified pimps, gangster, drug lords, drug pushers, and hollow-eyed drug users. It has celebrated extremes of violence marked by unending car chases, over-the-top special effects and songs dripping with sexist venom. The impact of all this has been further intensified in the hard-sell, over-the-edge advertising used to promote these products. Hollywood, for example, has painted a fantasy America in which adolescent hedonism reigns supreme and authority figures—police, teachers, politicians, business leaders—are routinely satirized. Film after film, and TV shows one after another, tell young viewers what many of them hunger to hear: that adults are bumbling fools; that being “dumb and dumber” is okay; that “we do not need education”; that to be “bad” is really good; and that pleasures of the flesh, in infinite variety, is or should be nonstop. In this fantasy World, women are readily available, but they can also leap over giant buildings in a single bound (like Superman), shoot and kill (like James Bond) and practice martial arts (Like Jet Li). Extremes, we are repeatedly told, are good and restraint is bad; and, by the way, America is so rich that event its secretaries, police, clerks, and other ordinary working people live in high-rise penthouse apartments or Malibu mansions—images that set adolescent glands tingling from Taipei to Timbuktu. What few foreign critics of American’s pop culture seem to know is that ironically enough, many of the ostensibly American firms producing and disseminating the interesting and unusual of these programs either are, or were financed not by America, but by European and Japanese capital. Nor is it widely understood that shows are often made by, say, a European director with an Australian stary, a Chinese martial-arts consultant, an anime cartoonist from Japan or other foreign contributors.

In the meantime, however, the influence of these intriguing programs is so powerful that other societies fear for the survival of their own culture. Only if art threatens action, then terrorism can be advanced through art. For such a phenomenon as Aesthetic Terrorism to occur, aesthetic pursuit must become symbolic not of its own decadently solipsistic pleasures (exemplified in madness of des Esseintes in Huysmans’ Against Nature), but of action taken beyond the pale of art World confines. Terrorism is art is called the avant-garde. However, if this was once the case, it is no longer. Most avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde can no longer stimulate or even provoke. Dada and Futurist actions, which attempted to lead art out of the classroom and museum and into the streets, are simply appropriated by postmodernist facsimiles which capture the letter but little of the original essence. It hardly matters anyway. Avant-garde art has evolved into nothing more than a cultural benchwarmer, corporate tax write-off and public relations smokescreen. Art which openly espouses anti-corporate ideology is embraced as long as it hews to arbitrary standards invented by those taste-making and fortune-telling hirelings, the art critics. What could be wrong, after all, with a business World that allows people to say what they want (because it does not matter)? Aesthetic Terrorism is a term more realistically applied to the faceless regime of consumer culture than the avant-garde. The onslaught of Muzak, ad jingles, billboards, top 40 tunes, commercials, corporate logos, etcetera, all fit the terrorist dynamic of intrusion and coercion.

One almost forgets that aesthetics once implied a consensual relationship between the creators and appreciators of art. How often is it that one hears someone admitting a fondness for a media product “in spite” of oneself? How many times have you heard a slogan or rancid tune ring in your ears like a brain-eating mantra? When consumer terror’s avant-garde correlative, Pop Art, became indistinguishable from the object of its supposed social satire, it erased from big business its pejorative taint. Many of today’s avant-garde stars have emerged from or entered the business World, some enormously successful in the arcane number-juggling or speculation and commodities scams. Even freeloading on the state and private foundations is fair game only for those whose bureaucratic aptitude is matched by their shameless butt-kissing. It is not surprising that most grant recipients excel in little more than lawyerristic logorrhea and ingrained artistic timidity. Critic-centered postmodernism spawned the phrase-art hybrid of Barbara Kruger and Jenny Holzer in which an advertising-style slogan is combined with an implied message or visual cue (usually swiped from some old magazine). Their posture is a hip cynicism which is supposed to subvert the “thrall” of the advertising command. Kruger and Holzer play the market like skillful double-agents, boosting themselves into the public eye through clever steals from Madison Avenue behaviorist techniques yet simultaneously troweling on crypto-Marxist jive to secure the perks of critical and academic currency. Their self-promotions worked when they were at the sidelines of the establishment. However, not the social commentary grows increasingly hollow. Currently being groomed for jet-setting prominence by Soho millionairess Mary Boone, Kruger’s contribution to the Whitney Biennial in 1987, for which she is paid a handsome sum, featured nothing more than a socialite princess joke, “I Shop Therefore I Am.” Winking at and wagging the tail of establishment hierarchy is part of that I-rib-you-gently-you-pay-me-off confidence game artists have been playing the Renaissance courts.

These contemporary court artists, like many of the past centuries, smugly pretend t spit in the eye of the exploiters while allowing themselves to be pampered de-loused—and when they are not looking—de-clawed. There are, of course, those artists, usually fresh out of university, who are unaccomplished at filling out grant forms, and therefore consider themselves “subversives.” The majority of these art and rock magazines-styled rebels are playing out rebellion psychodramas to package and merchandize to consumerist sycophants. This strategy is (forgive them term) the simulacra of terrorism: the content seizes in the frozen attitudinizing of pose and goes no further. We must look to the true outsiders and not the would-be insiders for an artist truly capable of effective counter-terror against the insidious mantras of consumerist brainwash. Terror means a threat, and the outsider’s version of Aesthetic Terrorism belongs to those performances or arrangements of words and pictures that unleash the reactionary impulses of police and bourgeois artist/critic alike. The kind of art that evokes this wrath, fear and condemnation rejoices in its pagan spirit of schadenfreude which controverts the humanist piety of “enlightened victim.” Anti-social sadism rarely receives patronage, however. Outside the corrupting realm of societal handouts, the Aesthetic Terrorist—much as this definition may grate on him—is the last bastion of aesthetic purity. Operation Sun Devil is the name for a government action against computer wizards and assorted sharpies and super-smarts who were resourceful enough to figure out how to hack into the electronic files of Ma Bell. Those who know, claim the Sun Devil gambit as a terrified overreaction against intelligence by the plodding and stupid bureaucracy.

John Perry Barlow (Whole Earth Review, Fall 1990) describes a typical Sun Devil action against a teenage hacker: [A] father in New York […] opened the door at 6.00 a.m. and found a shotgun at his nose. A dozen agents entered. While one of the kept the man’s wife in a choke-hold, the rest made ready to shoot and entered the bedroom for their sleeping 14-year-old. Before leaving, they confiscated every piece of electronic equipment, including all the telephones. Fourth Amendment guarantees against unreasonable search and seizure are unheeded by the government agents who claim nerd computer hackers are terrorists and have “the ability to access and review the files of hospital patients. Furthermore, they could have added, deleted, or altered vital patient information, possibly causing life-threatening situations.” Meacorporate interests have staked claim to the entirety of cyberspace, and they are not about to tolerate the presence of digital interlopers. This may scare off some, but other pirates like the mysterious Legion of Doom and NuPrometheus league (who illegally circulated highly protected Macintosh computer source code) will rise to the challenge now that they have been provided a clearly delineated enemy to innovation, the individual, and personal freedom. It may come as a surprise to learn that a few artists are now producing work which finds itself classified as a thought crime, punishable by expulsion into a Siberia of non-distribution, and in some cases by litigation and imprisonment. Pure magazine, from Chicago, a xeroxed vehicle which extols child torture, murder, and extreme misogyny, tweaked too many civic-minded noses, and its editor, Peter Sotos, was tailed for nine months and underwent a lengthy trial process in which he was finally convicted for possession of some very illegal magazine. Soto’s case was the first successfully prosecuted new Illinois state law, enacted under the influence of the Meese Commission Report on pornography, an example of First Amendment revisionism par excellence.

Soto’s case is particularly disquieting because it proves that prison is in the offing for simple possession of controversial material. No doubt this legal precedent was established to open the doors for future roundups of other thought criminals. The expertly managed Gulf War (massacre), in which networks censored war casualty footage that might provoke a “Vietnam War syndrome,” provides a small window into the dynamics of mass control to come. Any thoughtful individual is undeniably malnourished by the current information diet. Whether this is due to a direct conspiracy of State or by design of the oligarchic marketplace matters little. However, it has upped the ante for a new American Samizdat in which “disreputable,” “crazy,” “hateful,” or “dangerous” topics are broached by individuals or small, autonomous groups that are not compromised or swayed by institutional priorities. Can “offensive interests become the political crime of future? Apparently so. When looking at the previous sentences one can compare and see that musicians have been arrested for obscene lyrics, anarchist individuals have been collared for burning the flag; parents have been arrested for photographing their toddlers in their birthday suits; painter and performer Joe Coleman was arrested in Boston for operating an “infernal machine” and in New York for killing a rat: museum curators were threatened with arrest for hanging homoerotic photos; G.G. Allian was jailed for some consensual sadomasochism with a girlfriend; the FBI have been “monitoring” certain groups who practice unorthodox pleasures of the flesh; and on and on. Even many of the books you read have come under widely publicized attack by authors such as Carl A. Raschke who advocated the revocation of First Amendment rights from those who spread “cultural terrorism.” Even globalization could be considered cultural terrorism.

It has become increasingly obvious that the aesthetic terrorist hobgoblins are nothing more than symbolic scapegoats to divert attention away from the real issues. For Americans, fear is not another form of awareness, it is just another form of gossip. As Charles Manson has stated, true subversive terror can only be actualized by turning off the TV sets. Until then, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorists will not involve themselves in the dubious rewards of celebrity. The best of them will work alone, already a part of the enemy camp, and in a chameleon-like stye master the fifth-column algorithms to subvert the ancient regime. We will not know them by name but their compensation will be to affect the outcome of the planet. Until then, there is a lot of work to be done. Under what conditions will cooperation emerge in a World of egoists without central authority? This question has intrigued people for a long time. And for good reason. We all know that people are not angels, and that they tend to look after themselves and their own first. Yet we also know that cooperation does occur and that our civilization is based upon it. However, in situations where each individual has an incentive to be selfish, how can cooperation ever develop? The answer each of us gives to this question has a fundamental effect on how we think and act in our social, political, and economic relations with others. And the answers that others give have a great effect on how ready they will be to cooperate with us.

The most famous answer was given over three hundred years ago by Thomas Hobbes. It was pessimistic. He argued that before governments existed, the state of nature was dominated by the problem of selfish individuals who competed on such ruthless terms that life was “solitary, poor, nasty, brutish, and short” (Hobbes 1651/1962, p. 100). In his view, cooperation could not develop without a central authority, and consequently a strong government was necessary. Ever since, arguments about the proper scope of government have often focused on whether one could, or could not, expect cooperation to emerge in a particular domain if there were not an authority to police situation. Today nations interact without central authority. Therefore the requirements for the emergence of cooperation have relevance to many of the central issues of international politics. The most important problem is the security dilemma: nations often seek their own security through means which challenge the security of others. This problem arises in such areas as escalation of local conflicts and arms races. Related problems occur in international relations in the form of competition with alliances, tariff negotiations, and communal conflict places like Cyprus. The Russian invasion of Ukraine in 2022 has presented the United States of American with a typical dilemma of choice. If the United States of American continued business as usual, Russian might be encouraged to try other forms of noncooperative behavior later one. On the other hand, any substantial lessening of United States of America’s cooperation risks some form of retaliation, which could then set off counter-retaliation, setting up a pattern of mutual hostility that could be difficult to end. Much of the domestic debate about international policy is concerned with problems of just this type. And properly so, since these are hard choices.

In everyday life, if they never invite us over in return, we may ask ourselves how many times we will invite acquaintances for dinner. An executive in an organization does favors for another executive in order to get favors in exchange. A journalist who has received a leaked news story gives favorable coverage to the source in the hope that further leaks will be forthcoming. A business firm in an industry with only one other major company charges high prices with expectation that the other firm will also maintain high prices—to their mutual advantage and at the expense of the consumer. For me, a typical case of the emergence of cooperation is the development of patterns of behavior in a legislative body of the United States Senate. Each senator has an incentive to appear effective to his or her constituents, even at the expense of conflicting with other senators who are trying to appear effective to their constituents. However, this is hardly a situation of completely opposing interests, a zero-sum game. On the contrary, there are many opportunities for mutually rewarding activities by two senators. These mutually rewarding actions have led to the creation of an elaborate set of norms, or folkways, in the Senate. Among the most important of these is the norm of reciprocity—a folkway which involves helping out a colleague and getting repaid in kind. It includes vote trading but extends to so many types of mutually rewarding behavior that “it is not an exaggeration to say that reciprocity is a way of life in the Senate” (Matthews 1960, p. 100; see also Mayhew 1975). Washington was not always like this. Early observers saw the members of the Washington community as quite unscrupulous, unreliable, and characterized by “falsehood, deceit, treachery” (Smith 1906, p. 190). In the 1980s the practice of reciprocity is well established. Even the significant changes in the Senate over the last two decades, tending toward more decentralization, more openness, and more equal distribution of power, have come without abating the folkway of reciprocity.

As will be seen, it is not necessary to assume that senators are more honest, more generous, or more public-spirited than in earlier years to explain how cooperation based on reciprocity has emerged or proved stable. The emergence of cooperation can be explained as a consequence of individual senators pursuing their own interest. We are investigating how individual pursuing their own interests will act, followed by an analysis of what effects this will have for the system as a whole. Put another way, the approach is to make some assumptions about individual motives and then deduce consequences for the behavior of the entire system. The case of the U.S. Senate is a good example, but the same style of reasoning can be applied to other settings. The object of this enterprise is to develop a theory of cooperation that can be used to discover what is necessary for cooperation to emerge. By understanding the conditions that allow it to emerge, appropriate actions can be taken to foster the development of cooperation in a specific setting. The Cooperation Theory that is presented here is based upon an investigation of individuals who pursue their own self-interest without the assistance of a central authority to force them to cooperate with each other. The reason for assuming self-interest is that it allows an examination of the difficult case in which cooperation is not completely based upon a concern for other or upon the welfare of the group as a whole. It must, however, be stressed that this assumption is actually much less restrictive than it appears. If a sister is concerned for the welfare of her brother, the sister’s self-interest can be thought of as including (among many other things) this concern for the welfare of her brother. However, this does not necessarily eliminate all potential for conflict between sister and brother.

Likewise a nation may act in part out of regard for the interests of its friends, but this regard does not mean that even friendly countries are always able to cooperate for their mutual benefit. So the assumption of self-interest is really just an assumption that concern for others does not completely solve the problem of when to cooperate with them and when not to. A good example of the fundamental problem of cooperation is the case where two industrial nations have erected trade barriers to each other’s exports. If barriers were eliminated, because of the mutual advantages of free trade, both countries would be better off. However, if either country were to unilaterally eliminate its barriers, it would find itself facing terms of trade that hurt its own economy. In fact, whatever one country does, the other country is better off retaining its own trade barriers. Therefore, the problem is that each country has an incentive to retain trade barriers, leading to a worse outcome than would have been possible had both countries cooperated with each other. This basic problem occurs when the pursuit of self-interest by each leads to a poor outcome for all. To make headway in understanding the vast array of specific situations which have this property, a way is needed to represent what is common to these situations without becoming bogged down in the details unique to each. Fortunately, there is such a representation available: the famous Prisoner’s Dilemma game. In the Prisoner’s Dilemma game, there are two players. Each has two choices, namely cooperate of defect. Each must make the choice without knowing what the other will do. No matter what the other does, defection yield a higher payoff than cooperation. If both defect, the dilemma is that both do worse than if both had cooperated. Cases typically result in one of four possible outcomes in the matrix. If both players cooperate, both do fairly well. Both get a reward for mutual cooperation.

However, if one player cooperates but the other defects, the defecting play get the temptation to defect, while the cooperating players gets the sucker’s payoff. If both defect, both get the punishment for mutual defection. What would you do in such a situation? That is basically the gamble of the Prisoner’s Dilemma. The Prisoner’s Dilemma is simply an abstract formulation of some very common and very interesting situations in which what is best for each person individually leads to mutual defection, whereas everyone would have been better off with mutual cooperation. The definition of Prisoner’s Dilemma requires that several relationships hold among the four different potential outcomes. The second part of the definition of the Prisoner’s Dilemma is that the players cannot get out of their dilemma by taking turns exploiting each other. This assumption means that an even chance of exploitation and being exploited is not as good an outcome for a player as mutual cooperation. It is therefore assumed that the reward for mutual cooperation is greater than the average temptation and the sucker’s payoff. This assumption, together with the rank ordering of the four payoffs, defines the Prisoner’s Dilemma. We have come back to the point where we began, where values take the place of good and evil. However, now we have made at least a hasty tour of the intellectual experiences connected with modern politics that made such a response compelling. How it looked to thoughtful Germans is most revealingly expressed in a famous passage by Max Weber, about God science and the irrational: Finally, although a naïve optimism may have celebrated science—that is, the technique of the mastery of life founded on science—as the path which would lead to happiness, I believe I can leave this entire question aside in light of the annihilating critique which Nietzsche has made of “the last men” who “have discovered happiness.” Who, then, still believes in this with the exception of a few big babies in university chairs or in editorial offices?

So penetrating and well informed an observer as Weber could say in 1919 that the scientific spirit at the heart of Western democracy was dead for all serious men and that Nietzsche had killed it, or had at least given it the coup de grace. The presentation of “the last man” in Thus Spake Zarathusta was so decisive that the old-style Enlightenment rationalism need not even be discussed anymore; and, Weber implies, all future discussion or study must proceed with the certainty that the perspective was a “naïve” failure. Reason cannot establish values, and its belief that it can is the stupidest and most pernicious illusion. This means, simply, that almost all Americans at that time, thinking American in particular, were “big babies” and remained so, long after the Continent had grown up. One need only think of John Dewey to recognize that he fits Weber’s description to a T, and then remember what his influence here once was. And not only Dewey, but everyone from the beginning of our regime, especially those who said, “We hold these truths to be self-evident,” shared the rationalist dream. Weber’s statement is so important because he made as much as more than anyone brought us into contact with the most advanced Continental criticisms of liberal democracy, and was the intermediary between Nietzsche and us Americans who were the most recalcitrant to one’s insight, perhaps because according to it we represent the worst or most hopeless and are therefore loath to see ourselves in that mirror. A very dark view of the future has been superimposed on our incorrigible optimism. We are children playing with adult toys. They have proved too much for us to handle. However, in our defense, we are probably not the only ones for whom they are too much. Perhaps you have caught yourself kissing another person as you first saw kissing in the movies or on television. My children have a phrase to describe this: “television kiss.”

It is fortunate for them that they have noted that there are television kisses and other kinds, because it will help protect them from absorbing it, taking it into themselves where it will come back out ten years, like a replay. Most of us did not make that distinction as we sat in darkened rooms or theaters as children. Since we did not see all that much real kissing, the media kiss became our image of kissing. We found ourselves producing that model of kiss later in life. I was fourteen-year-old when I tried to kiss for the first time. I imitated Brad Pitt’s kiss, but I did not feel it. Only later did I realize that perhaps Brad Pitt did not feel it either; he was merely kissing the way the director said he should. So there I was imitating a kiss that was never real in the first place, worried that there might be something wrong with me for lacking the appropriate feeling and failing to obtain the appropriate response. The journalist Jane Margold was driving home one night in Berkeley with her brother, Harlan. Suddenly a man crawled into the street right in front of them. They screeched to a stop and then, stunned, just sat there for a moment. They finally got out and cautiously went up to the man to find out that he had been stabbed several times in his upper body, was bleeding profusely and was in danger of dying right there. The man’s assailant was nowhere to be seen. In describing the event to me, Jane said that she instantly flipped into a media version of herself. She had never faced anything like it before and had no direct feelings. Instead, playing through her mind were images of similar events she had seen on television or in films. The media superseded her own responses, even to the point of removing her from the event. She was there, but sue did not experience herself as being there. She was seeing the event, but between her and it, floating in her mind, was an image of an implanted reality which would not get out of the way. Jane thought such thoughts as: “This is real; there is a wounded man lying here in from of me, bleeding to death, yet I have no feeling. It seems like a movie.”

In fact, it was they very movielike quality that eventually got her into action. Without feeling, she performed mechanical acts. She and her brother comforted the man, directed traffic, dispatched people to summon the police and an ambulance. She became extremely efficient, but throughout, she had the sense of performing a script. Apart from their economic implications, technologies create the ways in which people perceive reality, and such ways are the key to understanding diverse forms of social and mental life. As individual express their life, so they are. There are three stages in the development of technology: the age of technology of chance, the age of technology of the artisan, the age of technology of the technician. Cultures may be classified into three types: tool-using cultures, technocracies, and technopolies. At the present time, each type may be found somewhere on the planet, although the first is rapidly disappearing: we must travel to exotic places to find a tool-using culture. If we do, it is well to go armed with the knowledge that, until the seventeenth century, all cultures were tool-users. There was, of course, considerable variation from one culture to another in the tools that were available. Some had only spears and cooking utensils. Some had water mills and coal- and horsepower. However, the main characteristic of all tool-using cultures is that their tools were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow; or to serve the symbolic World of art, politics, myth, ritual, and religion, as in the construction of castles and cathedrals and the development of the mechanical clock. In either case, tools did not attack (or, more precisely, were not intended to attack) the dignity and integrity of the culture into which they were introduced.

With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization. These beliefs, in fact, directed the invention of tools and limited the uses to which they were put. Even in the case of military technology, spiritual ideas and social customs acted as controlling forces. It is well known, for example, that the uses of the sword by samurai warriors were meticulously governed by a set of ideals known as Bushido, or the Way of the warrior. The rules and rituals specificizing when, where, and how the warrior must use either his two swords (the katana, or long sword, and the wakizashi, or short sword) were precise, tied closely to the concept of honor, and included the requirement that the warrior commit seppuku or hara-kiri should his honor be compromised. This sort of governance of military technology was not unknow in the Western World. The use of the lethal crossbow was prohibited, under threat of anathema, by Pope Innocent II in the early twelfth century. The weapon was judged to be “hateful to God” and therefore could not be used against Christians. That it could be used against Muslims and other infidels does not invalidate the point that in a tool-using culture technology is not seen as autonomous, and is subject to the jurisdiction of some binding social or religious system. This is why power, which to a large extent defines us as individuals and as nations, is itself being redefined. A clue to this redefinition emerges when we look more closely at some of the unrelated changes. For we discover that they are not as random as they seem. Whether it is Japan’s meteoric rise, GM’s impressive rebound, or the American doctor’s fall from grace, a single common thread unites them.

Take the punctured power of the god-in-a-white coat. Throughout the heyday of doctor-dominance in America, physicians kept a tight choke-hold on medical knowledge. Prescriptions were written in Latin, providing the profession with a semi-secret code, as it were, which kept most patients in ignorance. Medical journals and texts were restricted to professional readers. Medical conferences were closed to the laity. Doctors controlled medical-school curricula and enrollments. Contrast this with the situation today, when patients have astonishing access to medical knowledge. With a personal computer and a WiFi, anyone from home can access data bases like Index Medicus, and obtain scientific papers on everything from Addison’s disease to zygomycosis, and, in fact, collect more information about a specific aliment or treatment than the ordinary doctor has time to read. Copies of the 2,354-page book knows as the PDR or Physicians’ Desk Reference are also readily available to anyone. Once a week on the Lifetime cable network, any televiewer can watch twelve uninterrupted hours of highly technical television programming designed specifically to educate doctors. Many of these programs carry a disclaimer to the effect that “some of this material may not be suited toa general audience.” However, that is for the viewer to decide. The rest of the week, hardly a single newscast is aired in America without a medical story or segment. A video version of the material from the Journal of the American Medical Association is now broadcast by three hundred stations on Thursday nights. The press reports on medical malpractice cases. Inexpensive paperbacks tell ordinary readers what drug side effect to watch for, what drugs not to mix, how to raise or lower cholesterol levels through diet. In addition, major medical breakthroughs, even if television news almost before the M.S. has even taken his subscription copy of journal out of the in-box. In short, the knowledge monopoly of the medical profession has been thoroughly smashed. And the doctor is no longer a god.

This case of the dethroned doctor is, however, only one small example of a more general process changing the entire relationship of knowledge to power in the high-tech nations. In many other fields, too, closely held specialists’ knowledge is slipping out of control and reaching ordinary citizens. Similarly, inside major corporations, employees are winning access to knowledge once monopolized by management. And as knowledge is redistributed, so, too, is the power based on it. A human is a “beast” and purifies one’s heart, and behold, God holds one by the hand. That is not a kind of humans. Purity of heart is a state of being. A man is not pure in kind, but one is able to be or become pure, rather one is only essentially pure when one has become pure, and even than one does not thereby belong to a kind of humans. The “wicked,” that is, the bad, are not contrasted with good humans. The good is to draw near Hod. One does not say that those near to God are good. However, one does call the bas those who are far from God. In the language of modern thought that means that there are humans who have no share in existence, but there are no humans who possess existence. Existence cannot be possessed, but only shared in. One does not rest in the lap of existence, but one draws near to it. Nearness is nothing but such a drawing and coming near continually and as long as the human person lives. The dynamic of fairness and nearness is broken by death when it breaks the life of the person. With death there vanished the heart, that inwardness of humanity, out of which arises the pictures of the imagination, and which rises up in defiance, but which can also be purified. Separate souls vanish, separation vanished. Time which has been lived by the soul vanished with the soul, we know of no duration in time. Only the rock in which the heart is concealed, only the rock of human hearts does not vanish. For it does not stand in time. The time of the World disappears before eternity, but existing humans die into eternity as into the perfect existence.

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Cresleigh Meadows is now selling! Found just north of Feather River Boulevard, Cresleigh Meadows is home of the largest neighborhood in Plumas Ranch as well as the popular Bear River Park. With four floor plans available, ranging from approximately 2,000 – 3,500 square feet offering, three to five bedrooms, we are certain you will find the home that fits your needs and lifestyle.

Popular design elements include open floor plans, large kitchen islands, and flex spaces are staples in Cresleigh homes. Multi-generational living options also available in select homes.

Homeowners will love the convenient commuter access to nearby Sacramento and Yuba City.

Best of all, each Cresleigh home comes fully equipped with an All Ready connected home! This smart home package comes included with your home and features great tools including: video door bell and digital deadbolt for the front door, connect home hub so you can set scenes and routines to make life just a little easier. Two smart switches and USB outlets are also included, plus we’ll gift you a Google Home Hub and Go. https://cresleigh.com/cresleigh-meadows-at-plumas-ranch/

Are You Brave Enough to Explore the House at Night?

The one problem with oral language is that after being handed down from generation to generation, the reasons for certain social laws are often forgotten and they become elevated to the stature of natural laws, the breaking of which is felt by humans to be detrimental to one’s survival as an organic entity. The laws begin to work independently of the reasons for their existence and in the process assume greater force. “Thou shalt not” is the basic of the concept of social evil. Thou shalt not kill, thou shalt not steal, thou shalt not covet they neighbor’s wife—all these are examples of social evils. If indulged, such acts are evil in that they would facilitate the breakdown of ties within the culture; they are prohibitions aimed at maintenance and control. Seldom have these evils been personified by any particular god, since they act in the capacity of universal laws and, as such, are mechanical, impersonal. Satan has not personified these social taboos in the same sense that Set personified the night and Horus personified the sun; he rather has skillfully manipulated these moral edicts in an attempt to undermine the forces of righteousness and good. Satan as personification of evil has beaten a consistent and clear path through the religious history of Western man and in each guise has been representative of the social type of evil. He has been uniformly antisocial, anti-humanity, anti-God throughout all the religious systems in which he has appeared, at least according to the tenants of the opposing side. However, only under one of the religions in which he appears, Christianity, did a separate movement materialize devoted to his worship as a symbol of the anti-God. The reason for this has been stated many times by writers and historians: historically, Satanism as a religion was the anomalous child of Christian repression.

The reason that Devil worship reached the degree of organization and the size that it did under Christianity, and under other monotheistic religious systems, is the Christian definition of evil. The idea of social evil for the Christians soon became aligned and synonymous with self-indulgence. The Christian idea of the Seven Deadly Sins (greed, pride, envy, anger, gluttony, lust, and sloth) is indicative of this aversion to self-indulgence. Pleasure came to be looked upon as being tainted. Man found it hard, nevertheless, to dissociate himself intellectually from self-indulgence and from his own carnality, from his emotions and from his physical delights. His self became divided and he found that he was being led in two directions at once. A gulf widened between man’s conscious and unconscious mind, and he found himself obsessed by images of his instinctual nature, his animal being. The Devil, conceived and cast in the form of the ubiquitous chtonic snake, functioning at an unconscious level as man’s animal being, was looked upon by the Christian theologians with stern foreboding. The people were told that the Devil was evil, that he represented carnality, pride, lust, gluttony, rebelliousness, all those centrifugal forces that would tend toward atomization and social disintegration. They were told that Satan was evil because he had dared to opposed God, the perfect and omnipotent creator of the Universe. The people nodded in agreement, for they knew that this was correct, but at a deeper level of consciousness something squirmed uncomfortably. It all struck a chord that was just a bit too familiar, for the Devil reminded them of somebody they knew very well—themselves. He was self-indulgent and so were they; he had great pride and so did they; he rebelled against tyrannical authority and so did they often use to.

Satan painted a colorful picture, to be sure, much more attractive than the one of an overpowering, intolerant, faultless God whom none could ever hope to approach in perfection. So the Devil remained intact as a symbol under Christianity; he was humanity in all its weakness, and it was from this manifestation that he originally derived all his strength. In other religions in which he played a major role, Satan had never achieved any great following simply because the theologians, in their mythmaking functions, were more careful in their social definitions of evil. All those religious systems in which Satan has appeared share one common trait: they are all monotheistic and, as such, need a negative balance for the beneficial construct of an all-powerful, all-good, and merciful God. Satan is necessary because there is no other way to dispose of the evil realities constantly confronting humanity. Since pestilence, famine, and death are formidable evils faced by all humans, and since it is difficult, to day the least, to attribute their origin to pure goodness, an evil source must be assumed to exist. In undertaking to relate some of my experiences in connection with the purchase and sale of haunted houses, I was successful in this class of business, but some of my adventures I went through were of such a character that I dared not continue. My nerves are fairly strong, but there are some things which I never wish to face again. I was first tempted to dabble in this unlucky class of business with what is now known as the Winchester Mystery House, which is an extravagant maze of beautiful Victorian craftmanship—marvelous, baffling, and eerily eccentric, to say the least. The Winchester Mystery House became known as “the house built by the spirits.” At the time of Mrs. Winchester’s death in 1922, there were rooms full of ornate treasures still waiting to find a niche in the massive home.

A client was anxious to see me one day, he wanted to make an immediate offer, at almost any price, for the most mysterious hose in the World. However, once he took a tour of the house, he said it was haunted and ran out the front door. The house became very hard to sell. It was all nonsense, of course; but the people in the neighborhood had it in their head that this was a haunted house; and now if any tenants come they are sure to hear of it directly, and get frightened. The result is that I had lost tenant after tenant, and the reputation of the Winchester mansion was so bad that I could not sell it. I assured the clients that the house was in thorough repair, but tended to be reluctant to answer the questions about the ghosts. Potential buyers would ask, “Are there any stories about the house?” Anything to account for its being haunted?” “No; no. What story should there be? It is a modern house—hardly been built for 36 years.” “And how long has it been your property?” “I bought it as soon as it was put up.” “And how long has it been haunted?” I frowned because I disliked to hear this word. “The hose has been talked about for some years now—20 or 30 years,” I replied. The client’s curiosity about the Winchester Mansion was so strong. When I took him on the tour of the estate, he was shocked at how beautiful it was. I had no, however, been able to find a caretaker because you must pay them for living in such a house. I had been trying to get someone to come and occupy it rent free for a time in order to live down its reputation, but often times the tenants would go missing. The client asked if there was any room particularly connected with the ghostly rumours. The grounds have their share of unexplained mysteries.

After a monetary hesitation, I led him upstairs into what was Mrs. Winchester’s principal bedroom. In the inner courtyard, there is a crescent shaped hedge that points to Mrs. Winchester’s bedroom—the one where she died. Coincidence? Maybe…but again, we will never know for sure. “Is this where the ghosts walk?” he asked as he glanced around the empty room. I was plainly annoyed by his insistence. “There are no ghosts, and they do not always anywhere,” I said irritably. I glanced up at the ceiling, and swiftly withdrew my eyes with a nervous tremor. I could tell the client was firmly persuaded that I had been the victim of some spectral horror, though I was anxiously trying to conceal it for fear of frightening him off. “Perhaps I had been not tell you anything,” I said, after considering a moment. “There is a great deal in the influence of suggestion, so it is said. If I were to tell you what the people who have slept in this room have seen, or dreamt they have seen, that might be enough to make you dream the same. Whereas, if a sensible man without any notions came and slept here, one would most likely never be disturbed.” Upstairs I showed him another room which was an unfinished attic space. The prospect from the widow showed hum that it was situated over the haunted chamber. “Is there something wrong with this room as well?” he demanded. “The servants do not like sleeping in it,” was my grudging admission. “It does very well as a boxroom.” The client was very anxious to secure an option to purchase the Winchester Mansion at the end of the month. My next step was to secure some attendance, and to send down some furniture for the many empty rooms which they mystery appeared to cling. All of Mrs. Winchester furniture had been sold at auction.

It took movers six weeks, six truck loads a day, to empty the mansion. Many of them often got lost. I was not very well pleased with the idea of taking the ghosts seriously. However, I knew that there were things in Nature which ordinary rules did not explain. I had seen things myself which could not be accounted for by natural means. I dared not tell the client that there had been a murderer lurking in the mansion ready to spring on potential clients and stab them. Suddenly, we heard a low moan—the moan of a creature in mortal terror, drawn out till it became a muffled scream. The moan was repeated, coming distinctly from the room below us. This is why I did not live having an open house at night. With candles in hand, as we reached the third floor landing the moan was repeated in a more terrible key—the key of horror instead of terror. At the same moment the door of one of the haunted rooms was thrown open, and suddenly Agnus, the maid, appeared on the threshold, with a cloak thrown over her shoulders, and a look of fear and distress on her face. “What is it?” I asked. “Merrill, she has seen something horrible, and I cannot get her to come to.” Without stopping to consider questions of etiquette, I dashed into the room. The gas had been turned full on, and by its light I saw the young lady lying stretched out on a couch at the foot of the bed, her features frozen into expression of one who looks upon some horrid sight, while from her parted lips there issued those appalling sounds which wounded like the stabs of a knife. I caught her by the shoulders and shook her, without making the slightest change in her swoon-like conditions. “Water!” I called out to Agnus, who stood wringing her hands, too dazed to act.

The water was brought, and I dashed half a glass in the face of the sufferer. At first it had no more effect than if she had been dead. Then came a startling change. The moans suddenly ceased, the victim opened her eyes, which showed the dull glassy stare of a somnambulist, and sitting half up, she commenced muttering so quickly and indistinctly that it was difficult to catch the words. “The blood, the blood, the blood, the blood, dripping, dripping, from the read lead in the ceiling, the red leak in the ceiling, in the ceiling, dripping on me, dripping on me, dripping on me!” The words rose into a wild shriek as her blank eyes were turned full on the ceiling overheard, the ceiling between the room she was in and the dressing room the size of three rooms. Involuntarily I looked up and the ceiling did not show the slightest mark. We lifted the unconscious lady and carried her out of the accursed room, and into one adjoining, where we laid her on the floor. Hardly had she passed the doorway of the haunted chamber when the dreadful screams began to die away, and the rigidity of the features to relax. In a short time the trance conditions passed away and we left Merrill to sleep. When she woke in the morning, we told her she had just has a bad dream, but she remembered nothing of what had passed in the night. At her own request, at breakfast, I described to her what had occurred, as minutely as possible. She was profoundly impressed. Of course, the client had bolted out of the house. However, Merrill, said with great conviction, “I am certain that what I saw represents something that actually happened in this house. Dreadful as it sounds, I firmly believe that somebody has been murdered in that attic with the witches cap, and that his blood did drip through the ceiling of the room below, as I saw it last night.”

As soon as the staff left the house, I went straight to a builder’s in the neighborhood, and engaged him to send some men to examine the flooring between two of the haunted rooms. The builder received my order with marked interest. “I knew there was something the matter with that house,” he observed. “It ain’t likely that tenant after tenant would come away sacred without something was wrong. Why, do you know, sir, in the last year since Mrs. Winchester died, I’ve white-washed one ceiling in the house thirteen times!” The builder’s interest led him to accompany his men, a carpenter and a plasterer, to the scene of action. I pointed out that place on the ceiling, as nearly as I could judge it, from which the ghostly dew had appeared to fall. Then men took measurements, and then, proceeding to the attic above, located a spot under the bed I used to sleep in. The bed was quickly removed, the flooring stripped off, and in the space between the joists there was exposed a mass of lime. Both the men, as well as their master, were quick to declare that the lime could not have been left there for no good,” the builder asserted. “If you want somethings hidden away and destroyed, there is nothing better than what lime is when it is fresh. It burns as well as fire, and makes no smoke.” “You mean a dead body?” I said shuddering. “I don’t say nothing about that,” the builder answered, pulling himself up. “It ain’t for me to say what that lime’s been used for. All I say is it wasn’t me that left it there, nor yet my men.” The two men began clearing the stuff away. The volatile element had evidently evaporated long ago. As they struck downward with their tools, one of them went through the plaster of the ceiling below, and a shaft of light came up.

An exclamation from one of the men followed. I bent down and peered into the cavity. On a large beam which here crossed the floor I saw a deep black stain, the stain of long-dried blood! A moment after the carpenter stood suddenly, griped about with one hand amid the woodwork, and drew forth to the light a small sharp stiletto, rusted with the same dismal stain. Nothing more was found. I gave the builder an order to entirely renew the flooring between these two haunted rooms. The most extraordinary part of the story remains to be told. The report of what had taken place having got abroad in the county, the local police came to me to obtain the stiletto, which I had been careful to preserve. By its means they were enabled to unearth a crime which had gone unsuspected till that hour, and to extort a confession from the murderer. Into the details of this terrible case, I do not care to enter. However, it is sufficient to say that the victim had perished while asleep in the attic, and that his blood had actually soaked through the ceiling into the room below, which was that of his murder—the Butler! Later that night, I was alone in the Winchester Mansion. A bright moon was out that night, and I heard a noise like a million soldiers, thrampin’ on the road, so I looked, and the hallway was full of little men, the length of my palm, with gray coats on, and all in rows like one of the regiments; each spoke with a pike on their shoulders and a shield on their arms. One was in front, byway he was the general, walking with his chin up as proud as a peacock. They marched right out the door-to-nowhere and there was another army of men with red coast. The two armies had the biggest fight you have even seen, the grays against the reds.

After looking on a bit, I got excited, for the grays were beating the reds like blazes. And then the sight left my eyes and I remembered no more until morning. I was laying on the floor, in the hallway, where I had seen them, as stuff as a crutch. Typically old castles, deserted graveyards, ruined churches, secluded glens in the mountains, springs, lakes, and caves all are the homes and resorts of fairies, as is very well known on the west coast. The better class of fairies are fond of human society and often act as guardians to those that they love. They are believed to living in the Winchester Mansion to receive the souls of dying and escort them to the gates of Heaven, not, however, being allowed to enter with them. On this account, fairies love graves and graveyards and of course this 160-room mansion built to appease the spirits who died at the hands of the Winchester rifle. They have often been seen walking to and fro among the rooms and gardens. There are, indeed, some accounts of faction fights among the fairy bands at or shortly after a new soul enters the mansion. The question in dispute being whether the soul of the departed belonged to one of the other faction. The amusements of the fairies consist of music, dancing, and ball playing. In music their skills exceed that of men, while their dancing is perfect, the only drawback being the fact that it blights the grass, “fairy-rings” of dead grass, apparently caused by a peculiar fungous growth. Mrs. Winchester used to host fairy balls in her Grand Ball Room, the music for which was furnished by an orchestra which the management had no doubt been at great pains expensive to secure and instruct. All around the fairies would dance like angels the fireflies giving them light to see by, and the moonbeams shinning on the lake for it was light to see by. Even now, staff who have been at the Winchester Mystery House sometimes hear the soft strains of their voices in the distance, and will hurry away least they discover one’s presence and be angry at the intrusion of their privacy.

When in unusually good spirits the fairies will sometimes admit a mortal to revels, but if one speaks, the scene at once vanished, one becomes insensible, and generally finds oneself by the roadside the next morning, with the drudgery of pains in one’s arms and legs and back, that if thirteen thousand devils were after one, one could not stir a toe to save the soul of one, that is what the fairies do be pinching and punching one for coming on them and speaking out loud. Black magic has not changed since the Middle Ages. The term “black art” was then applied to magic because the proficient in it were considered to be in league with the powers of darkness. The term “black magic” refers to the art of producing supernatural effect by direct league with Satan and demons. Frequently those who practice black magic make an actual pact with the powers of darkness, signing their allegiance to the devil in their own blood. This ceremony had come down from the Middle Ages to present-day Europe, where it is practiced in parts of Germany, France, and Switzerland. The ritual of signing an agreement involves a complete sell-out to the devil. Some magic involves the direct solicitation and help of demons, specifically the devil. It is the most terrible and powerful form of occult art, majoring in enchantment for persecution and vengeance, but also employing diabolical powers for defense and healing. An example of this nefarious practice is found in the death spells cast by witch doctors among aboriginal people, such as the Papuans on the island of New Guinea. Enchantment for persecution and vengeance, as well as for defense and healing, is still practiced today, not only in pagan cultures but also in civilized lands where occultism flourishes. Literature on magic was found in the Winchester Mansion and auctioned off with the rest of Mrs. Winchester’s belongings. There were incantations, charms, and spells.

One of the movers, who have never been troubled with psychic disturbances, returned home from taking the items to San Francisco to be auctioned off, and suddenly found himself suffering from acute fear dreams. He had the feeling during sleep that a neighbor lady, the mother of his coworker who was still missing after moving items out of the mansion, was strangling him. The tormented man went to an occultist who told him he was under magic persecution. The neighbor woman was seeking revenge on him for his good fortune in the light of her son’s bad fortune. With the occultist’s help, the terror-dreams creased. (That is why theft from the Winchester Estate is not tolerated. It is said to bring curses on those who remove sacred items without permission or payment.) Then the former mover found himself under a new attack: the neighbor was causing his cattle to die, head after head. The conjurer promised to remedy this new menace. Scraps of paper inscribed with magical formulae were to be mixed with the food of the cattle. The astonishing result was the cessation of the cattle epidemic. In addition to many cases of persecution and self-defense by black magic, occult healing are also common. A local farmer at the Winchester estate went to Mrs. Winchester for counseling and related the traffic results of charming by black magic. The farmer’s son had become paralyzed after an illness. The doctor could not help. However, Mrs. Winchester healed the boy through black magic, so that the paralysis disappeared completely. She had developed this skill after the death of her six-week-old daughter and her husband. Ancient and modern pagan religions, as well as those who subscribe to Christianity, have produced such psychically endowed mediums who have improved their gifts by the study and practice of the magical arts.

From what source people derive their power is not always clear—probably neither to they themselves nor their devotees have ever set themselves the task of unravelling that psychological problem. If they were turned wizards or witches, and indeed they only represented white witchcraft in a degenerate and colourless stage. Their entire time is not occupied with such work, nor, in the majority of cases, do they take payment for their services; they are ready to practice their art when occasion arises, but apart from such moment they pursue the ordinary avocations of rural life. The gift has come to them either as an accident of birth, or else the especial recipe or charm has descended from father to son, or has been bequeathed to them by the former owner; as a rule such is used for the benefit of their friends. Seen from the parapsychological point of view, magic persecution is a mediumistic problem similar to that of materialization. In the same way that a medium can emit energy that can be transformed into the phantasm of a man, so he is able to transform the same energy into the form of an animal. We have on record many cases of the materializations of dogs, cats, frogs, snakes, and even cases where the apparition was half man and half animal. If a phantasm is injured in some way at a spiritistic séance then the medium also suffers in a similar way. The same holds true in the case of animal phantasms. We are thus justified in coming to the conclusion that magic persecution is on the same level as materialization. Many methods of defence magic are based on this fact. If the victim is able to injure the phantasm that is assaulting one, it is reckoned that one has as good won the battle. We have seen then that certain forms of spiritistic offensive and defensive magic are based on materializations.

In 1888, a large black cat was found to be hanging around the Winchester mansion. In one of the cottages, on the estate, a farmer’s wife was about to give birth to a child. The cat would not go away until finally someone threw an axe at it, thereby injuring its leg. Next day it was discovered that an old woman on the estate also hurt her foot. The servants knew this woman to be a master of black magic, and indeed a few days later she took her revenge. On visiting the mother, Ida, of the new-born child, the witch murmured something and at the same time patted the child on the head. Thereafter the child cried continuously for days on end and could not be pacified. It was also discovered that as the child grew up its memory was particularly weak. Afterward the woman had three miscarriages, suffered the early death of her mother and disappearance of her father, but the source of her mental problems was far more spectacular than these mundane tragedies. Using hypnosis, Mrs. Winchester discovered that this mother to a new born had been repressing memories of an horrific past in which she had been an unwilling member of a murderous Satanic cult. Recollections would have convinced many mental-health professionals that she was suffering from pathological delusions. Her “memories” revealed a cult, led by the a monstrous Joris-Karl Huysmans, who indulged in acts of unbelievable brutality in the name of the Devil, such as blood-drinking, and other unspeakable acts. Mrs. Winchester considered the woman to be of nervous debility and easily influenced. When she had the servants cottage searched, they discovered a secret room, holding an apparently sacrificial altar with a wooden dagger suspended above a glass bowl.

In our files, there are about 40 examples involving cats, and almost all of them deal with the same problem, that of a person causing an apparition to appear in the Winchester Mystery House or elsewhere on the estate. Hamilton Howard was once hired for a job on the estate. The young man was on the verge of being dismissed because he very mysterious. He had a fair share of Satanic drawings in the cottage he was allowed to stay in, while working at a farm hand, and he never had meals with the other men. He belonged to a blood drinking cult. This might explain why stories began circulating about the carcasses of cows being discovered on Mrs. Winchester’s farm and other nearby farms drained of blood, with their eyes, lips, and private organ removed. The mystery of where the blood had cone, and how and why these animals had been operated on with seemingly surgical precision, gave birth to stories of Dracula in California and the California Cannibals. Occasionally, starving people have resorted to cannibalism for survival necessity. It is no secret, however, that Mrs. Winchester had her fair share of hauntings. One night, she heard footsteps going from the basement to the attic and then back again. There were also footsteps in the hall and at first, they thought that it was a burglar. Often her staff would search for an intruder. In addition to the footsteps the lights were sometimes turned on, and the gas too. No amount of careful investigation was able to produce any evidence as to the cause of the apparent haunting. One night, Mrs. Winchester had a séance in her Blue Séance Room. The spirit with whom she had made contact started that he had been a Catholic priest who had lived in the house 200 years before she renovated the original farm house and turned it into a mansion. He had murdered his housekeeper and had buried her in the basement. Since then, he had had to haunt the scene of his crime.

When asked in which room he had murdered the housekeeper the table suddenly began to move across the floor. It then hit the door of the room so hard that the wood was chopped. As Mrs. Winchester opened the door, the table rushed into the adjoining room and slid into the corner. In the course of doing this it hit an oak bedstead so hard that it left a permanent impression on it. The spirit was questioned further and when she asked is there was anything that could be done for him, he replied, “Yes, you can pray for me.” Mrs. Winchester did in fact pray for the restless ghost after that, and for a number of years the mansion was no longer haunted. The mansion has been haunted for several generations before its expansion. However, more than one ghost was attached to the property and it became a nexus for spiritual activity. Every person possesses one’s own home spiritually. This possession continues to live on in the house after the departure of the person concerned. Humans do not only leave behind their physical body when they die, but also a spiritual “larva.” When one dies, one leaves a spiritual complex behind that has an independent existence in the astral World, and which sometimes only disintegrates centuries later. This spiritual complex is supposed to cause the phenomen on ghost and apparitions. For some, the real of the dead is not so much a place as a state of being, and some think that there are times, as for example at one’s deathbed, when this realm of the dead becomes visible to our Earthly eyes. The idea that human beings have to remain in the mortal sphere after their death until they are freed from all the thing that once tied them to the World is widely accepted. This idea is similar to the popular opinion that criminals and other such people have to haunt the place of their crime until they are taken out of this sphere to a higher or lower level of existence. Ghosts do not occur only in connection with spiritism, but we have dealt with them here since the problem arose.

Winchester Mystery House

Are you brave enough to explore the house at night? 👀 The Winchester Mystery House is offering Friday the 13th Self-Guided Flashlight Tours. Tickets going fast! Click the link or hastage for tickets and more information.
I Have Enough Trouble Conjuring Myself Out of Bed in the Morning

Returning from her global trip, Mrs. Winchester arrived in San Francisco, California USA and finding this area seldom subject to thunderstorms, she purchased an unfinished farmhouse four miles west of San Jose. She hired an architect, a foreman and an army of carpenters and work began; architect and foremen quit the first day. The story of their fate was told by one generation to another, but in course of ages the natural cause, well known to the unfortunates at times of the calamity, was lost to view, and the story of the disaster began to assume supernatural features. There was a legend that Mrs. Winchester’s estate contains not only her mansion, but village of Victorian cottages. In the center of the hundred of acres of land was a fountain guarded by spirits, fairies, elves, and leprechawns, who guarded the Winchester Estate. Things went well, the fairies and the people on the estate sharing the benefits of Mrs. Winchester’s farmland, which included orchards of apricots, plums, and walnut trees to supplement Mrs. Winchester’s income. Mrs. Winchester’s financial resources were virtually unlimited; upon her husband’s death, she received $20,000,000 (2022 inflation adjusted $692,780,722.89) in cash and 777 shares of stock in the Winchester Repeating Arms Company. Upon her mother-in-law’s death in 1897, Mrs. Winchester received 2,000 more shared, which meant she owned under fifty percent of the company’s capital stock. This provided her with an income of $1,000 (2022 inflation adjusted $34,639.04) a day—back in the days before income taxes. The combination of her wealth and her eccentric building project gave rise to many rumors in the local community. It was the biggest house that most people had ever seen in their lives with, at the time, over 500 rooms, and 125,000 square feet, four stories high, and a nine-story observation tower.

On the Winchester Estate, there lived two woodcutters; Albert Jennings Fountain and Louis Le Prince. At the time of which I am speaking, Albert was an old man; and Louis, his apprentice, was a lad of twenty years. Every day they went together to a forest situated about a mile from the estate, which was still on Mrs. Winchester’s vast landholdings. On the way to that forest there used to be a wide lake to cross; and there was a boat. Albert and Louis were on their way home, one very cold evening, when a great rain storm overtook them. They reached the boat; and they found that the boatman had gone away, leaving the boat on the other side of the lake. It was no day for swimming; and the woodcutters took shelter in a cottage in the forest. There was a fire place in the cottage and a couple of bedrooms. At first they did not feel cold, but they made a fire anyway. They fastened the door, and lay down to rest with the blankets over them. They thought the storm would be over soon. Albert almost immediately fell asleep; but the boy, Louis, lay awake a long time, listening to the awful wind, and the continual slashing of the rain against the door. The lake was roaring; and the cottage made creaking noises. It was a terrible storm; and the air was every moment becoming colder, even though the fire was blazing in the fireplace; and Louis shivered under his blankets. However, at last, in spite of the cold, he too fell asleep. The door to the cottage was forced open; and, by the moonlit rain, he saw a woman in the room—a woman in all white. She was bending above Albert, and blowing her breath upon him—and her breath was like a bright white mist. Almost in the same moment she turned to Louis, and stopped over hum. He tried to cry out, but found that he could not utter any sound.

The white woman bent down over him, lower and lower, until her face almost touched him; and he saw that she was very beautiful—though her eyes made him afraid. For a little time she continued to look at him—then she smiled, and she whispered: “I intended to treat you like the other man. However, I cannot help feeling some pity for you—because you are so young. You are a pretty boy, Louis; and I will not hurt you now. However, if you ever tell anybody—even Mrs. Winchester—about what you have seen this night, I shall know it; and then you will regret it. Remember what I say!” With these words, she turned from him, and passed through the doorway. Then he found himself able to move; and he sprang up, and looked out. However, the woman was nowhere to be seen; and the rain was pouring hard. Louis closed the door, and secured it by fixing several billets of wood against it. He wondered if the wind had blown it open—he though that he might have been only dreaming, and might have mistaken the gleam of the moonlit rain in the doorway for the figure of a white woman: but he could not be sure. He called Albert, and was frightened because the old man did not answer. He put out his hand in the dark, and touched Albert’s face, and found that it was ice! Albert was stark and dead…by dawn the storm was over; and the boatman returned to his station, a little after sunrise, he found Louis lying senseless beside the frozen body of Albert. Louis was promptly care for, and soon came to himself; but he remained a long time ill from the effects of the cold of that terrible night. He had been greatly frightened also by the old man’s death; but he said nothing about the vision of the woman in white.

As soon as he got well again, he returned to his calling—going alone every morning to the forest, and coming back at nightfall with bundles of wood for Mrs. Winchester’s Hall of Fires. Because of the mansion’s immense size, it contained forty-seven fireplaces and seventeen chimney. One rambling section in particular, the Hall of Fire, was designed to produce as much heat as possible—perhaps to ease Mrs. Winchester’s extreme arthritis. In addition to many widows that let the sunlight stream through, the three adjoining rooms have four fireplaces and three hot air registers from the coal furnace in the basement. One evening, in December of the following year, as Louis was on his way to the Winchester mansion, he overtook a girl who happened to be travelling by the same road. She was a tall, slim young lady, very good-looking; and she answered Louis’s greeting in a voice as pleasant to the ear as the voice of a song-bird. Then he walked beside her; and they began to talk. The girl said her name was Theodosia Alston; that she had lately lost both her parents; and that she was going to visit Mrs. Winchester for tea, who might help her to find a situation as a servant. Albert soon felt charmed by this unusual girl; and the more that he looked at her, the more beautiful she appeared to be. He asked her whether she was yet betrothed; and she answered, laughingly, that she was free. Then, in turn, she asked Louis whether he was married, or pledged to marry; and he told her that, although he had only a windowed mother to support, the question of an “honourable daughter-in-law” had not yet been considered, as he was very young. After these confidences, they walked on for a long while without speaking; but you know the saying, “When the wish is there, the eyes can say as much as the mouth.”

By the time they reached the village, they had become very much pleased with each other; and then Louis asked Theodosia to rest awhile in his cottage on the estate. After some shy hesitation, she went there with him; and his mother made her welcome, and prepared a warm meal for her. Theodosia behaved so nicely that Louis’s mother took a sudden fancy to her, and persuaded her to speak to Mrs. Winchester about a job in the mansion. And the natural end of the matter was that Mrs. Winchester was very pleased with Theodosia and hired her right away. Later on Louis and Theodosia were married. She proved a very good maid and daughter-in-law. When Louis’s mother came to die—some two years later—her last words of affection and praise for the wife of her son. And Theodosia bore Louis thirteen children, boys and girls—handsome children all of them, and very fair of the skin. Mrs. Winchester’s staff thought Theodosia a wonderful person, by nature different from themselves. Most of the women on the estate aged early; but Theodosia, even after having become the mother of thirteen children, looked as young and fresh as on the day when she had first come to the estate. One night, after the children had gone to sleep, Theodosia was sewing by the light of Tiffany lamp; and Louis, watching her said: “To see you sewing there, with the light on your face, makes me thin of a strange thing that happened when I was a lad of twenty. I then saw somebody as beautiful and white as you are now—indeed, she was very like you.” Without lifting her eyes from her work, Theodosia responded: “Tell me about her…Where did you see her?” Then Louis told her about terrible night in the Victorian cottage in the forest—and about the White Woman that had stopped above him, smiling and whispering—and about the silent death of Albert.

And Louis said: “Asleep or awake, that was the only time that I saw a being as beautiful as you. Of course, she was not a human being; and I was afraid of her—very much afraid—but she was so white! Indeed, I have never been sure whether it was a dream that I saw, or the Ghost Woman of the Winchester. Theodosia flung down her sewing, and arose, and bowed above Louis where he sat, and shrieked into his face: “It was I-I-I! Theodosia it was! And I told you then that you would regret this if you ever said one word about it! But for those children asleep there, I would curse you right this moment! And now you had better take very, very good care of them; for if every they have reason to complain of you, I will treat you as you deserve!” Even as she screamed, her voice became thin, like a crying of winds—then she melted into a bright white mist that spired to the roof-beams, and shuddered away through a chimney. Never again was she seen. Soon after there were reports of graves being opened, and bodies stolen. Reports of rash cattle mutilations, and killing of two hundred dogs, cats, and pigs in that area. When Louis went back to the cottage, he found a fire containing animal bones, along with a crude Satanic altar, as a group of youth were interrupted conducting a conjuring spell. There were Satanic pentagrams on the walls. Some years later, a woman at the Winchester mansion believed that another desired to steal the butter she had just churned, flew in a passion, assaulted her and threw her down, breaking her arm in the fall. The woman was burnt, not because she was a witch, but in the belief that the real servant had been taken away and a fairy changeling substituted in her place; when the latter was subjected to the fire it would disappear, and the servant would be restored. Thus the underlying motive was kindness, but on, how terribly mistaken!

By chance there came onto the Estate an angel who had been sent from Heaven to observe the servants of the Winchester mansion and note their piety. In the garb and likeness of a man, weary and footsore with travel, the angel spied the castle (mansion) from the hills above the lake, came down, and boldly took a night’s lodging in Mrs. Winchester’s mansion. Mrs. Winchester asked him, “Where would you like to sleep, beautiful creature?” The angel pointed to a spot nearby the parlor, told Mrs. Winchester he would be happy there and to build and prosper; then, as the awe-stricken widow kneeled before him, his clothing became white and shining, wings appeared on his shoulders, he rose into the air and vanished. And one night, on a day of the thunder and lighting and big rain there did a ghost come into Mrs. Winchester’s mansion. Objects were thrown through the air and furniture moved around by its. A heavy oak wardrobe moved six feet across the room. Some knocking and scratching noises were heard in the house, and again objects were seen to fly through the rooms for no apparent reason. It was observed that the object sometimes travelled in a rectangular course which is physically impossible. These events grew even more complicated, and things began to appear and disappear in both closed rooms and containers. Mrs. Winchester was very annoyed as her bed started levitating. A lady came to her that night while she was elevated, she was dressed in white, with a wreath on her head, and said Mrs. Winchester was in danger. She then told the maid, “If you receive this woman’s pension-book without taking off her clothes and cleaning them, and putting out her bed and cleaning up the house, you will receive a curse. The ravings of this creature were accepted as gospel truth.

A torrent of rain fell from the sky, and drowned several of the farmers, and a lake was formed over the spot where they stood when the curse was pronounced. And sometimes, they say, when the mansion is quite still, one may hear the groans of the lost souls that where once chained at the bottom. A lot of supernatural activity happened on the estate than many cannot explain. Mrs. Winchester may have been trying to confuse evil spirits. There were no budget ceilings or deadlines to meet. This resulted in many of the 600 rooms, and features being dismantled, built around, or sealed over. Some rooms were remodeled many times. However, because so many rooms were redone, and astounding 160 rooms still remain today. This naturally resulted in some peculiar effects, such as stairs that lead to the ceiling, doors that ho nowhere and that open onto walls, and chimneys that stop just short of the roof! Mrs. Winchester once had some silverware stolen and she suspected a young mad who worked for her and who already had quite a bad reputation. Mrs. Winchester turned to a spiritist for help. This man was both a clairvoyant and a medium, and he also possessed the remarkable powers of materialization and dematerialization. This spiritist went with the woman into the back yard of her house and there put himself into a trance. Suddenly they were disturbed by a strange noise from the roof of the house, and then the stolen silverware fell from the roof on to a pile of hay beside the house. Mrs. Winchester had no idea how this was accomplished. One might be able to find a natural explanation for this occurrence, as for example someone throwing the stolen articles out of the skylight at that moment. It could not have been the maid though, for she had already been given notice. However, it could have been one of the other employees with whom she had been friendly, and who may have received the stolen articles from her.

The word “divine” is derived from the Latin divinus, meaning “divinely” inspired and pertaining to a deity (divus).” Thus a diviner is one who practices divination. One processes to predict future events or to reveal occult things by supernatural means. Divination is a specialized for of magic. In magic, demonic agencies are resorted for performing superhuman feats. In divination, magic is used to foresee the future. Divination relates to magic as prophecy relates to miracle. Both divination and prophecy imply special knowledge. In divination it is unclear if it is godly or demonic. However, magic is supposed to be Satan’s imitation of God’s miracles. Genuine fortune-telling or divination assumes the existence of superhuman spiritual beings. It also assumes that these beings possess knowledge which humans do not have and that they are willing, upon certain conditions that are familiar to diviners, to transmit this information to humans. In ancient times, the convictions prevailed widely that not only oracles but omens of all types were given to humans by the gods. In the cases of supernatural invention, the various forms of fortune-telling were real divinatory phenomena. Divination supposedly invites the activity of demon spirits because it seeks secret knowledge. Rock music has an incessant throbbing beat, the same beat that people in primitive cultures use in their demonic rites and dances. If the beat is monotonous enough it can induce a state of hypnosis. The fundamentalists and their allies attributed powers to rock music that were inherently supernatural, sorcery wrapped in a thin veil of pseudoscientific gibberish. Since its inception by British bands Black Sabbath and Led Zeppelin, heavy metal has always had a heady whiff of brimstone about it. As the genre took off, and mental bands have been filling stadiums with fans, the Devil increasingly symbolized their bombastic form of rebellion.

Satan translated from Hebrew means “accuser” or “adversary,” and that was precisely the role Satan played in Judaic angelology before the Persian influences. Satan was at the time, at the very most, slightly rebellious and resentful, perhaps wishing to work evil but forces to promote good due to the overriding influence of God. His function was to accuse humans before God, expose their infidelity, and then bring about their punishment—but only under the auspices of God Himself. To some, Satan symbolizes man’s evil inclinations. The sign of the devil’s horns—index and little fingers extended from a fist—replaced the peace sign as youth culture’s salute. Many may not know this, but AC/DC stands for “Away from Christ/the Devil Comes,” while KISS is “Kids in the Service of Satan.” Many artists are accused of producing backward, or “back-masking,” music on records. The back-masking myth contends that messages recorded backwards and camouflaged with music can enter a person’s mind without them knowing it, as a subliminal form of brainwashing. Like the hypnotic effects of the “druid beat,” many considered it as sorcery. In 1986, evangelist Jim Brown of Ohio led 75 young people in the mass burning of records containing the theme tune to Mr Ed, the popular TV comedy show about a talking horse. If the song “A Horse is a Horse” was played backwards, Mr. Brown explained, the message “Someone sung this song for Satan” could be heard. Some evangelist believe that all rock music was “a carefully masterminded plan instigated by Satan himself.” However, in dealing in the extraordinary phenomena that undulate between the natural and the supernatural, the physical and superphysical, some discount any theory that postulates evil supernaturalism. Yet, to be fully meaningful, the scientific studies in parapsychology must take into consideration the reality of the spirit World of evil (Satan and demons).

To limit the scientific to the natural plane of existence is to omit some of the data responsible for certain natural effects. The result of such study is a tendency to explain away rather than objectively explain supernatural events and to end up with learned theories that ignore part of the evidence. This is where current parapsychological studies stand. They are, however, exceedingly valuable in focusing scientific interest on the supernatural realities behind occultism. If they would recognize the influence of evil supernaturalism in psychic activities, they could advance to great achievements. As an ingredient of idol worship, magic goes back to antiquity. By virtue of their multiplicity and limited knowledge and power, the gods (demons) of paganism are incapable of establishing stability and security in society. This deficiency forced both gods and men to make use of magic—an inactive power independent of god and men, but which could be activized by the assistance of incantations and rituals in order to accomplish supernatural deeds. Magic—like divination—is the divinely forbidden art of bringing about results beyond human power by recourse to superhuman spirit agencies (Satan and demons). In the widest sense of this definition, divination is but a species of magic employed as a means of securing secret and illegitimate knowledge, especially of the future. If magic is genuine and not ere deception or hocus-pocus, it must be personal. Living, intelligent spirit beings become the real agents. Humans, by incantations and ceremonies, actually influence and even control these spirit agents. The activity of such superphysical agents of evil produces the extrasensory phenomena of magic, that is, occurrences the transcend the normal operation of physical law and the perception of human’s five senses. This is how the Winchester Mystery House became known as “the house built by the spirits.”


The Winchester Mystery House is open all weekend until 5PM! Ghostly tales are bountiful at Sarah Winchester’s Mystery House. Come explore the beautiful & bizarre Winchester Estate.
Summoning Devils on Film and in Real Life

Much like the Winchester mansion and Mrs. Winchester, the Hellfire Clubs and medieval Sabbat believed that devils and demons should not be stern masters or slaves, but welcome house-guest, which is why Mrs. Winchester built what is now known as the Winchester Mystery House. It is easy to imagine how the combined grief of losing both a child and a spouse could be very crippling. However, if you had $20,000,000.00 (2022 inflation adjusted $556,305,882.35) and all the time in the World to help you cope, can you imagine what you would do? Mrs. Sarah L. Winchester’s response to the deaths of her child and husband left a bizarre and impressive architectural reflection of her psyche. The fascinating story of the Winchester Mystery House has its roots in the personal tragedies suffered by Mrs. Winchester and in the legacy of the Winchester rifle, “The Gun that Won the West.” The Winchester Mansion raised its castellated walls and towers in every direction commanding magnificent prospects; like emeralds in a setting of deeper green, gemmed the surface of the surface of the rural landscape and contributed to increase the beauty of scenery not surpassed in the World. Ages ago the voice of prayer and the song of praise used to ascend from this sacred estate. Presented on the estate was a happy country, none better calculated to inspire love and harmony. However, there was a lack of happiness in the circumstances of life for Mrs. Winchester. At first glance, there seems to be no degree of truth in this statement because of all the riches she inherited and her beautiful mansion. Many people assumes that for the rich, enjoying their riches, are likely to be contented and to look no further than this World. There were also a group of seven Victorian houses on the estate, not connected to the main house, of goodly size, and a Holy Cross. The seven Victorian Houses which, according to tradition, were built there under Mrs. Winchester’s direction, along with a graveyard on her 760 acres of land. #RandolphHarris 1 of 15

In the garden of the mansion was a curious stone cross, of considerable size, evidently monumental, though the inscription has been so defaced as to be illegible. On the front of the cross there is a deep indentation much resembling that made by the hoof of a cow in soft Earth, the bottom of the indentation being deepest at the sides and somewhat ridged in the middle. Concerning this cross and the depression in its face, the following legend was related by one of the farmers on the estate. “Mrs. Winchester built this mansion, houses, and the church, you see. When she lived, she owned all the land round about. But there was a devil here. If you had meet him on the grounds, you would know in a minute that it was himself and no other that was in it, and so make ready, either for to run away from him, or to fight him with praying as fast as you can, because, you see, it is no use for to strive with the devil any other way, seeing that no weapon can make the last dint on his carriage. In them days, and before the mansion was built, I am telling you, the devil was all as one as a man, a tall felly like a soldier, with a high hat coming to a pint and feathers on it, and fine boots and spurs and a short red jacket with a cloak over his shoulder and a sword by his side, as fine as any gentleman of the good old times. So he used to go about the country, desiring men and women, the latter being his choice as being easier to deceive, and taking them down with him to his own place, and it was a fine time he was having entirely, and everything his own way. As soon as Mrs. Winchester started construction on her mansion, the devil took up his quarters there, to make it as sure as he could. But when he heard what Mrs. Winchester was doing, a four-story mansion, of 500 or 600 rooms, and a nine-story observation tower, he came out to see the castle was rising before his eyes. He heard the construction singing and started cursing to himself, and at 5.13am on Wednesday April 18th, 1906, Satan stomped his cloven hoof into the ground causing a 7.9 Earthquake and brought down that tower. #RandolphHarris 2 of 15

After the Earthquake, while the devil was laying about in the bushes a-watching the work, and the tower of the big mansion was lifting itself above the trees, this time just not as high as it used to be. Everyone knows that Satan is slicker than a weasel, and has a memory like a miser’s box that takes in everything and lets nothing go out. When you do anything, sore a bit that it scrapes the devil, and he hugs it close till a time comes when he can make a club have it to bate you with, and so he does. You may think it is queer, but it is no wonder to one that understands it, for the devil can take any shape he pleases and look like any one he wants to, and so he does for the purpose of tempting us poor sinners to destruction, but there is one thing by which he always knows; when you have given up to him or when you have beaten him on the face, no matter which, he has got to throw off the disguise that is on him and show you who he is, and when he does it, it is not the elegant, dressed-up devil that you see and that I was just telling you about, but the rale, old, black anger with a rancorous, without a haporth of rages to the back of him, and his horns and tail a sticking out, and his eyes as big as an oxen’s and shinning like fire, and great bat’s wings on him, and, saving your presence, the most nefarious smell of sulfur you have smelled. However, before, he looks all right, no matter what face he has, and it is only the goodness of God that the devil is bound for to show himself to you, because, Glory be to God, it is his will that humans shall know who they are dealing with, and if they give up to the devil, and after finding out who is in it, go on with the bargain they have made, sure the fault is their own, and they go to hell with their eyes open, and if they bate him, he has got to show himself for to let them see what they have escaped. #RandolphHarris 3 of 15

Satan was flying around the Winchester mansion, there were the farmers all along the day job, and the construction workers were building as fast as they could and a bottle of holy water were at their side to throw at the devil when he would come. So he went from the and would fly back and forth watching then working, and they restored the Winchester mansion. Old beliefs die hard, especially when their speedy demise is a consummation devoutly to be wished. Magic is only a physical or psychological effect that has yet to be explained, which means for many it is uncomfortable to entertain now. All good occultists must be skeptical—believe nothing in preference to believing everything. All proto-sciences could be defined as magic. You can see the ritual chamber as a kind of intellectual decompression of chamber to prepare your mind for other atmospheres. People who limit themselves to the occult curricula and profess to be wizards are laughable—magic is an interdisciplinary pursuit. You must consider all the options—investigating like a police officer. To perform a summoning, for example, would involve finding the right environment, appropriate retrieval cues, the right atmospheric conditions. The effects of magic are demonstrable. A lot of simple magic is just to do with self-confidence, how much your antennae are up, how open you are to the World around you. Rituals and magical words are not necessary, merely tools or exercises to help train your mind. Scientists are now coming to the conclusion that there is a lot more interconnectedness between man and his environment than they originally supposed, which is a basic occultic concept. The only really dangerous characters are the ones who think they are generational Satanists and their grandfather told them with his dying breath what to do, or whatever. There are a lot of armies of one out there, a lot of coffee-bar revolutionaries. New information technology has bred a lot of desktop Satanists and bulletin boards mean that cyberspace seems to be just full of Satanists. The Christian heretics rarely get much further than designing letterheads. #RandolphHarris 4 of 15

Many Satanists are fans of people like Paris Hilton and Britney Spears and applaud their outrageous sexuality. They are also huge fans of Aaliyah for making that film Queen of the Damned. Many Satanists are quietly applying Church of Satan philosophy to their lives in their own fashion in a very real way. The best thing they could ask for is that people pass them a nod of respect. In the modern World, the spirit of the age often looms down upon us in strange, distorted forms from the cinema screen. Major production companies spend millions of dollars trying to trap the latest cultural trends on celluloid, while audiences make surprise blockbusters from movies which—accidentally or otherwise—tap into the anxieties and enthusiasms of the day. In the late 1960s and 1970s, 2000s the films which came to be regarded as four “Satanic blockbusters”—Rosemary’s Baby (1968), The Exorcist (1973), The Omen (1976), and Queen of the Damned (2002)—all took the box-office by storm, transforming themselves into cultural phenomena which attracted public interest far beyond that of most “mere” films. Cinema has been the most potent legend factory of the centuries. Despite constant predictions that TV would devour the silver screen, the spectable and ceremony of the cinema helped retain its status as the most sacred of modern temples. Film presents a super real version of the World—louder, larger, essentially more mythic. More people take cues on how to live, love, fight—even on how to die—from the silver screen than from the pulpit or the gospels. Pagan worship is alive and well and being practised at your local multiplex, with Hollywood stars as the gods of our age. And, just as cinema has given us new gods, so it has supplied us with a new hierarchy of devils. The relationship between Satan and the silver screen is a notable one. The father of fantastic cinema was a Frenchman named Georges Melies, who made delightful short films crawling with demons and devils. Melies was himself a Faustian figure, a stage conjurer and photographic illusionist who appeared out of the rump of the French Decadent era. Summoning devils on film, he defended this new sorcery in time-honoured fashion as “white magic.” #RandolphHarris 5 of 15

In The Laboratory of Mephistopheles (1897), Melies made Satan’s head detach itself and float around the room—to the enchantment and horror of audiences in darkened “picture palaces, resembling nothing so much as séance chambers. Hollywood’s dream factory was not even at the planning stage by the turning of the century, but the pioneer of US cinema, Edwin Porter (partner of the man who virtually invented the movies, Thomas Edison), produced his own version of Faust and Marguerite in 1900. The most striking cinematic fantasies came from Germany at this point—stark, angular exercises in shadow and nightmare. The Student of Prague was an updated version of the well-worn Faust tale, based on an Edgar Allan Poe story, which transformed the lead from an ambitious academic to a devil-may-care student and Mephistopheles into a rakish devil called Scapinelli. The story was retold onscreen in 1913, 1926, and 1936. The 1926 version was by the master of German Expressionist cinema, F.W. Murnua—the last film he made before leaving his artistic roots for Hollywood, where he met with a tragically early death. As a minor masterpiece, it was a suitably grandiose climax to a career which produced Nosferatu (1922), the first gothic vampire film. Now, it is always important to be safe on the road and sometimes to listen to the heartfelt advice of others. Jayne Mansfield, a buxom B-move actress died in a tragic car crash with her lawyer in and lover Sam Brody. Brody had disliked his beloved’s new guru from the start, and the friction led to LaVey placing a ritual curse on his rival. The Black Pope (Anton LaVey) warned the pugnacious lawyer—known to be a dangerous driver—that he would suffer a series of automobile accidents. It was no great surprise when a car crash ensued—but it made World headlines for taking the life of Jayne Mansfield, as well as the top of her cranium. LaVey grimly stated that on the night preceding the crash, as he cut out a newspaper clipping of Jayne, he accidently snipped off the top of the blonde beauty’s head. (By the way, I had no idea The Black Pope was dead, until today. I feel he is very much still alive. I have always felt like he is here, in San Francisco in his black church.) #RandolphHarris 6 of 15

The physical phenomena of spiritism are often closely connected with psychical manifestations, such as spiritistic visions, automatic writing, speaking in a trance, materializations, table lifting, tumbler moving and excursions of the psyche. There is no doubt that today, as in the time of Isaiah (Isaiah 6.1-5), Ezekiel (Ezekiel 1.4-28), Paul (Acts 9.1-8), Peter (Acts 10.9-16), and John (Revelation 1.10-18), God may give His people a genuine vision, particularly in great times of great stress. However, genuine experiences of this nature are always accompanied by true spiritual grace and modesty. Sensationalism betrays a lack of authenticity. Unfortunately, genuine experiences are rare, and counterfeit ones about. Christian counselors find that the “ratio is about nine to one over the genuine experiences.” Mrs. Winchester used to have visions. She reported that she saw visions of Christ at night, and it left her feeling a sense of uneasiness and fear. The so-called visions of Christ were mediumistic. They came as a warning. Weeks after the visions started, Mrs. Winchester saw her husband William Wirt Winchester’s spirit departing from his body as he expired in 1881. The visions of Mrs. Winchester bear evidence of the occult, as do the visions of Joseph Smith (1805-1844), who fathered Mormonism. Many of the founders and promulgators of modern cults have had alleged visions from God. However, some say these visions promote “doctrines of demons” (1 Timothy 4.1) among the credulous and those unable to discern spirits (1 Corinthians 12.10; 1 John 4.1-2). When humans depart from God’s Word, they supposedly expose themselves to demon imposture and deception. Automatic writing—some persons endowed with mediumistic powers are able—either in a waking state or trance to write letters, words, or sentences which spiritists consider to be message from the spirit World. This is how Mrs. Winchester came up with the architecture of her mansion, the blueprints were often dictated to her in her Blue Séance room as she took down the notes on napkin. Also, the persistent pain in her legs and back vanished whenever she sat down and dictated these blueprints. #RandolphHarris 7 of 15

One day as Mrs. Winchester was taking dictation, a spirit named Apollonius Tyannaeus appeared and said, “In the name of the Lord Jesus, our blessed and exalted Savior.” The spirit then told the woman that she had been chosen by God for special revelations. She would become a prophetess and bless humankind with these revelations. The case is patently that of a simple farm woman turned indeed into a spiritistic writing medium. Rudolf Tischner, a parapsychologist, points out the danger of automatic writing when practiced in immoderation. Although he regards these writing phenomena only as “motoric break up the integrated psychic structure with ensuing peril to mental and physical health. This simply means that occult enslavement can result from mediumistic writing, or from dependence upon the Ouija board or other spiritistic devices to obtain alleged messages from the spirit World. Speaking in a trance—a trance is a condition in which a spiritistic medium loses consciousness and passes under the control of demonic power to effect alleged communication with the dead. The demon (or demons) takes over and actually speaks through the spiritistic medium, deceptively imitating the deceased. As a result this ruse innumerable spiritistic clairvoyants claim communication with the dead, often with famous deceased people allegedly appearing to speak to the living. One evening, Mrs. Winchester went into a trace and soon the “Apostle Paul” approached and preached to the audience. The apostle was not visible but only spoke through the medium who lay in trance. Some critic said it was only another constant instance of deception by demons who ape the deceased but cannot produce them. Other believe it was real. Perhaps the most remarkable phenomena of spiritism are materializations. These are supernatural appearances and disappearances of material images in connection with the activities of a spiritistic medium. #RandolphHarris 8 of 15

Materializations have been exhaustively studied and photographed and have been found to be manifestations of various degrees of teleplastic morphogenesis. The first stage is the evolution of a gauzelike substance of rubbery consistency from the body cavities of the medium. The second stage is the forming of the various parts of the body in outline—arms, head, etcetera. Frequently in the case of teleplastic forms of this kind, a threadlike connection is maintained with the medium. The third stage consists of the composition into completely outlined forms, which are visible as phantoms near the medium. These three stages of materialization manifest purely visual phenomena. The fourth stage displays telekinetic phenomena. There is an energy output from the teleplasm (telekinesis), such as the ringing of a bell, at night, passers-by heard ghostly music wafting from the dark mansion. The bell in the belfry high in the gables tolled regularly at midnight to summon incoming flights of spirits. Later it tolled again to warn these visitors to return to their sepulchers. However, once a week, these departed ones relaxed and danced in the Great Ball Room. In other stages of materializations come automatic writing of a typewriter, and the automatic playing of a musical instrument. In addition to the active energy output of the materialization, there is frequently a passive pain experience of the teleplasm. The fifth stage of the materialization is the penetration of material substance. To his phase belong “apports,” that is, the appearing and disappearing of objects in closed rooms or chests and containers. From locked and cemented containers, for example, enclosed coins are brought out, or stones and other objects fall inexplicably from the ceiling. This often happens in the Winchester mansion, as documented by Mrs. Winchester. In this stage many mediums allegedly have the ability to penetrate solid material substance while they are in a trance. While Mrs. Winchester sat in a small cabinet, a phantom built itself up on the floor outside the cabinet and formed itself into a male person, who moved in and out among the participants of the séance. While the materialization extended his hand to one of those present and she held it, dematerialization began to occur before the eyes of all the participants. Soon there was only a lump on the floor and this rolled up into the cabinet. #RandolphHarris 9 of 15

Another example is during a séance, Mrs. Winchester was able to call and help the materializing of the spirit of the deceased German romantic poet, Johann Ludwig Uhland (1787-1862). At the memorable séance a white phantasm was seen, from which the audience demanded a poem. Instead of reciting a poem, the phantasm tore a page from a book in the library. With a pencil from a briefcase in the room, secured through the leather without opening the briefcase, the hand jotted down a few verses and vanished. The page was left and still exists. The examination of the mysterious writing by a graphologist proved to be sensational. He confirmed the ghost writing to be actually the handwriting of the deceased poet. Afterward there was a trial in Berlin over the ownership of the page. The court awarded it to the medium, who afterward kept it among her prized possessions. The phenomena of materialization and dematerialization in case of strong mediums illustrated the conversion of psychic energy into matter and matter changed back again into psychic energy. The problem is illustrated by nuclear physics. Einstein’s formula (E==MC^2), energy is equal to mass times the speed of light squared, simply declares that it is theoretically possible to convert energy to mass and back again to energy. We have historical evidence of materializations. Missionaries claim that Mrs. Winchester’s mansion was never actually built, but that it materialized itself on the grounds, and (re)construction only began after the Earthquake caused by Satan. Some say this mansion is to be regarded as a miracle of Satan (2 Thessalonians 2.8-10; Revelation 13.15). Many people used to wonder how Mrs. Winchester used to travel so fast back and forth from San Jose to San Francisco to pick up items she ordered from overseas. Researchers believed that she would be spiritually transported miles away, and this may have been an example of this phenomenon or simply a miracle of transportation of unaltered physical body. It is debatable rather if these are miracles of God or that of Satan. God says He is the Alpha and the Omega. I wonder what that means? #RandolphHarris 10 of 15

Mrs. Winchester was said to possess tremendous occult gift and was reported to be able to make tables fly through the air for a space of one hundred feet. Above all, she was extremely adept in telekinesis, materialization, levitation, and black magic. Where Satan’s power remains virtually unchecked, miracles of evil supernaturalism abound. In Victorian days, the supernatural predated the mass hysteria about Satanism. As you may know, long before Mrs. Winchester arrived in California, there was a Devil worshipping conspiracy at large. However, her mansion seamlessly blends the ordinary and nightmarishly surreal. It is a rare treat for fans of demonic conspiracy and occult synchronicity. Some people have believed themselves to be demonically possessed after visiting the Winchester Mystery House, others claimed to have spoken to Mrs. Winchester directly. Directors of the Queen of the Damned claimed that the film was a makeshift occultic ritual, and Aaliyah unleashed the demon within herself. They also said the film poses some kind of supernatural power and they had to edit and voiceover a lot of the footage because not only did the characters act their own version of the script, but there were also some subliminal sounds and images on print. When many of these errors were re-examined, they also saw footage of the original Winchester mansion on the negatives, but rumors began that the original print had been withdrawn, replaced by an expurgated cut to protect the filmgoers from the movie’s insidious effects. The powers behind these manifestations were no doubt demonic. The director faced a terrible psychic assault on 25th August 2001, before they finished filming the movie. However, when the reel was played, the directors found they had all the footage they needed, even some they did not remembering filming. It was so intensified that the demonic oppression became that he was compelled to give up making other Anne Rice books into movies, especially after Aaliyah’s plane crashed later that evening. Although the film was unfished, with the blessing of her family, it was released to the public in February of 2002. #RandolphHarris 11 of 15

Certain psychic clairvoyants claim that their souls can travel great distances at their command. They always said she makes a room come alive. Much like Mrs. Winchester, Aaliyah had a lot of psychic phenomena around her death. When directors took photos of Aaliyah and Queen Akasha to a clairvoyant, while concentrating on the photographs, the medium declared that one of the women was apparently dead, while the other one, reportedly killed in 2001, was still alive. After more concentration, the clairvoyant said: “I can get in touch with this woman (pointing to Queen Akasha). I see her in a great stone building southeast of Ireland.” By psychic excursion and by psychometry (selecting an object belonging to the missing person and beginning to search from there) the clairvoyant was able to establish contact by occult assistance. The cinema is the Devil’s lantern. In March of 1922, Mrs. Winchester said, “Though it should be borne in the mind that in the persecution of witches many women were put to death on the latter charge, albeit they were really benefactors of the human race; the more so as their skill in simples and knowledge of the medicinal virtue of herbs must have added in no small degree to the resources of our present pharmacopoeia.” In August of 1807 an extraordinary affair took place in the house of Mrs. Winchester. She had a cow which continued to give milk as usual, but of late no butter could be produced from it. An opinion was unfortunately instilled into the mind of Mrs. Winchester, that whenever such a thing occurred, it was occasioned by the cow having been bewitched. Her belief in this was strengthened by the fact that every woman on this estate was able to relate some story illustrative of what she had seen or heard of in times gone by with respect to the same. At length the Mrs. Winchester was informed of a woman named Mary Butters, who resided in Oakland at the Cohen Bray House. Mrs. Winchester went to her, and brought her to mansion for the purpose of curing the cow. About ten o’ clock that night war was declared against the unknown magicians. #RandolphHarris 12 of 15

Mary Butters ordered old Klaus and a young man named Konrad to go out to the cow-house, turn their waistcoats inside out, and in that dress to stand by the head of the cow until she sent for them, while the butler, the made, and an old woman named Klara Lee remained in the house with her. Klaus and his ally kept their lonely vigil until daybreak, when, becoming alarmed at receiving no summons, they left their post and knocked at the door, but obtained no response. They then looked through the kitchen window, and to their horror saw the four inmates stretched on the floor as dead. They immediately burst in the door, and found that the butler and the maid were actually dead, and the sorceress and Mrs. Winchester nearly so. The latter soon afterwards expired; Mary Butters was thrown out on a dung-heap, and a restorative administered to her in the shape of a few hearty kicks, when had the desired effect. The house had a sulphureous smell, and on the fire was a large pot in which were milk, needles, pins, and crooked nails. At the inquest held at the Winchester mansion on the 19th of August, Jurors stated that the three victims had come by their deaths from suffocation, owning to Mary Butters having made use of some noxious ingredients, after the manner of a charm, to recover the sick cow. She was up to The Great Asylum for the Insane, but was discharged by proclamation. Her various of the story was that a black man (usually indicates a demon or the devil, not one of African descent) was summoned through the floor with a huge club, with which he killed the three person and stunned herself. This paranoid horror fantasies terrified the congregations, as well as the gross superstition displayed by the participants as for its tragical ending, yet it seems to have aroused no feelings in the greater community than those of risibility and derision. However, there is also another version of events. #RandolphHarris 13 of 15

A farm-hand had brought an action against Mrs. Winchester for wages alleged to be due to him. It transpired in the course of the evidence that on one occasion he had been set to banish witches that were troubling the cows. His method of working illustrates the Winchester case. All left the house except Mrs. Winchester, and the farm-hand, who locked himself in, closed the windows, stopped al keyholes and apertures, and put sods on top of the chimneys. He then placed a large pot of sweet milk on the fire, into which he threw rows of pins that had never been used, and three packages of needles; all were allowed to boil together for half an hour, and, as there was no outlet for the smoke, the farm-hand narrowly escaped being suffocated. If the forces of darkness triumph, it is a warning not a celebration. Many religious people come close to depicting what evangelists are preaching from their pulpits, or TV shows. Does it not seem strange for fundamentalist Christians to attack them as sinful and dangerous? Sin sells, in a way that the bland platitudes of Christian morality never will. Many of these popular and historical figures will be remember long after the credits have rolled. You could say that it is an “inside job.” Satanism sells, it captures the metaphysics of fear. People like to be haunted and scared, but only when they consent to it. No one wants their house broken into, their children kidnapped, their cars constantly vandalized, or to be attack by a hate group who haunts them like demons of the night. People simply want to tune into a scarry movie or visited a haunted house and leave the fear behind when they walk out the door or turn the TV off. They do not want to fear for the lives like Sharon Tate did for years without anyone to protect them. Humans are often more harmful than any ghost, devil or demon you can ever imagine meeting. Satan, speaking through a beautiful serpent—perhaps as a parakeet “talks” to us—promises know that would make Eve “like God” if she would eat the fruit of the tree forbidden by God. #RandolphHarris 14 of 15

Meanwhile, if the view of the power and knowledge of the people is that “Satan” is evil and not themselves, what can human beings do? Persist being evil, or resist the “devil,” and allow him to feel from them? Or is it they cling to evil because the darkness comes from their insidious mind and depleted soul? Note that it is useless to try to resist the devil unless you have first submitted yourself to God! Maybe YOU are the evil, not Satan. Sitting there, manufacturing all these evil days, so you can laugh at the pain and suffering you have inflicted on others to make yourself feel better. Is that of Satan, or is that YOUR nature on display. It is estimated that there are about 100 million adherents to spiritism in the World. The word “spiritism” comes from the Latin “spiritus,” spirit. The movement of spiritism represents the endeavour to communicate with the dead in the spirit World. Historically, spiritism can also be traced back over thousands of years. We have testimonies concerning it in the Old Testament in 1 Samuel 28, and Deuteronomy 18. It is also evidenced in the history of the Christian Church. Spiritism seems to be strongly connected with religion and religions. In so-called Christian countries such a variety of spiritistic forms, and such a range of associated psychic troubles exist, that the need for clarification is a pressing issue. What God do you really worship for “Satan disguises himself as an angel of the light. So it is not strange if his servants also disguise themselves as servants of righteousness,” reports 2 Corinthians 11.14-15. In other words, many of you Christians who claim to serve “God” do evil things and then blame the devil when you are disguising yourselves as children of the light. And you do not repent because you do not fear punishment nor hell, so you must be children of your “devil” and not of God. We live in a World which has turned its back on God. The reason some people fear Jesus is because they feel unworthy, it is not because they are evil. This conviction of inner unworthiness is not to be confused with a feeling of fear. However, people who suffer from schizophrenia and like to go around lying, the psychiatrist will be interested in the question whether the practicing of spiritism was rather the effect than the cause of the ensuing mental and emotional disorders. #RandolphHarris 15 of 15

Winchester Mystery House

The front gardens of the Winchester Mystery House looked different in the 1970’s! The gardens were restored to what they are today about ten years later.

The sign reads: “The world’s oddest, mysterious, weirdest, and freakish dwelling. Planned and built by Sarah L. Winchester of Winchester Rifle Fame”

Have you ever listened to Alessandro Moreschi sing “Ave Maria,” at night in the Winchester Mystery House? Try it and let me know what you experience. I heard ghosts appear, people have cried and screamed, and some love it. I think I would probably run outside. He sounds like a ghost.

Come Explore the Victorian Gardens this weekend! Open all weekend until 4PM.

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻
Lemming Truth Has Started Wars and Financial Collapse

To avoid the impression of overconfidence, one must keep the celebration quiet and dignified. Often times, events do not occur at the same time, and the remarks offered are offered with quite different intentions. Nonetheless, when juxtaposed, they provide us with a short but provocative dialogue on the state of the situation in general. There are an increasing number of people who are well educated, and who are using ideas in print. It is not always necessary to have the largest audience, but it is more important to have an extremely active audience. The eighteenth century was a revolution in the structure of the arts and that is when reading really commenced. It was characterized by the rise of the book as a mass medium, the emergence of public libraries, and the development of the general-interest periodical. As a consequence, there came into being a happy relationship between the best that was thought and written, and a mass audience prepared and eager to read it. That relationship broke down in the first two decades of the twentieth century, so that reading in the sense that Erasmus or Balzac or Jefferson or even Mark Twain would have understood the word is no longer an active of the lasses. The period from the French Revolution to the catastrophes of World War marks an oasis, an oasis of quality, in which very great literature, very great non-fiction did reach a mass audience. We have now passed the oasis and reentered the desert, with the result that we shall be left with three kinds of reading. The first is reading for distraction—which is what make the airport book so popular. The second is reading for information—which comes to mind when one is confronted by such terms as “computer printout,” “microcircuit,” and “teletext.” The third kind of reading is a residue of the great age of literacy, now receding rapidly under the compulsion of the Age of Information. It requires silence, patience, a ready capacity for reflection, the training to be challenged by complexity and, above all, a willingness to suspend from the distractions of the World so that reader and text may become a unity of time, space, and imagination. #RandolphHarris 1 of 17

This kind of reading is called hope for the future of the literate. However, many are concerned about reading in the old, archaic, private, silent sense. The concern is that this may become as specialized a skill and avocation as it was in the scriptoria and libraries of the monasteries during the so-called Dark Ages. That is why many magazines and authors are proceeding with a sense of gloomy uncertainty. The Columbian in 1786 was America’s first magazine in the same way that we settle upon Gutenberg’s Bible in 1456 as the beginning of the printed book. In addition to providing both a shape to and an outlet for the development of American literature, the nineteenth-century magazine made another important contribution to American culture, a contribution from which we have not yet recovered and perhaps never will: magazines created the advertising industry. Although magazine advertising was not unknown before the 1880s, the situation changed drastically when Congress passed the Postal Act of March 3, 1879, which gave magazines low-cost mailing privileges. As a consequence, they emerged as the best available conduits for national advertising. To give one example of how quickly both magazines and merchants seized their opportunities, the November 12, 1885, issue of The Independent ran ads for the following products and services: peas, baking powder, bikes, glue, R. H. Macy & Co., life insurance, pianos, rail travel, boots, picket fences, reversible collars, cuffs, cures for deafness, and the Grand Union Hotel in Saratoga Springs. Such advertising not only made the names of companies well known but also changes methods of manufacturing and distribution. Consumers turned away from home-made and local products and toward mass-produced, national brands sold to the largest possible market. When George Eastman invented the portable camera in 1888, he spent $25,000 advertising it in magazines. By 1895, “Kodak” and “camera” were synonymous, as to some extent they still are. Companies like Royal Baking Powder, Baker’s Chocolate, Ivory Soap, and Gillette moved into a national market by advertising their products in magazines. #RandolphHarris 2 of 17

Even magazines moved into a national market by advertising themselves in magazines, the most conspicuous examples being Ladies’ Home Journal. Its publisher, Cyrus H. K. Curtis, spent half a million dollars between 1883 and 1888 advertising his magazine in other magazines. By 1909, Ladies’ Home Journal had a circulation of over 1 million readers. Curtis’s enthusiasm for advertising notwithstanding, the most significant figure in mating advertising to the magazine was Frank Munsey, who upon his death in 1925 was eulogized by William Allen White with the following words: “Frank Munsey contributed to the journalism of his day the talent of a meat packer, the morals of a money changer and the manners of an undertaker. He and his kind have about succeeded in transforming a once-noble profession into an 8 percent security. May he rest in trust.” What was the sin of the malevolent Munsey? Simply, he made two discoveries. First, a large circulation could be achieved by selling a magazine for much less than it cost to produce; and, second, huge profits could be made from the high volume of advertising that a large circulation would attract. In October 1893, Munsey took out an ad in The New York Sun announcing that Munsey’s Magazine was cutting its price from 25 cents to 10 cents, and reducing a year’s subscription from $3 to $1. The first 10-cent issue claimed a circulation of 40,000; within four months, the circulation rose to 200,000; two months later, it was 500,000. Although Munsey’s was filled with pulp writing, his discoveries about how to conduct the business of magazines established the pattern for all magazines. The Harper’s contained more advertising than it had carried in all its preceding twenty-two years. With national advertising as its economic base, with the tradition of publishing the best being thought and written, and with a large, receptive readership, the magazine soared to new heights in the early years of this century. In the pages of The Smart Set, American Mercury, The New Yorker, The Saturday Review of Literature, Harper’s, The Atlantic Monthly, Vanity Fair, The Nation, and The New Republic, American prose—both fiction and non-fiction—sang with an unprecedented vibrancy and intensity. #RandolphHarris 3 of 17

Who would have dared to say then that this was a nightingale’s song, most brilliant and sweet as the singer nears the moment of death? Indeed, even now one holds back from saying it. However, there is no denying that underneath the melody, some new notes were sounding, playing a new kind of tune that would bring down the curtain—not perhaps on the general magazine but on its days of glory. What happened was the electric plug, to which were attached media of great variety and allure, all of them attacking the prestige, economics, and monopoly of the literate, general-interest magazine. Together, radio, movies, and television—“the media,” as they have become known—assaulted magazines from several different directions. First, they undermined their economic base by robbing them of advertising revenues. In 1950, for example, $515 million was spent on magazine advertising, or 9 percent of all advertising expenditures, and only $171 million, or 3 percent, was spent on television. By 1966, $1.295 billion was spent on magazines (7.8 percent) and $2.765 billion for television (16.7 percent). This trend has continued unabated. Radio also played a part in reducing magazines revenues, as did movies. Movies, of course, did not compete directly for advertising money but, instead, took a piece of the money and time people normally spent on other leisure activities. The second, related point is that the media altered the structure of leisure activities. Radio, for example, made it unnecessary for people to read to each other, or to read at all. Movies led people out of their homes; television brought them back but not to read. At the present time, approximately 90 million Americans are watching television every night during prime time. However, out of the 121 million TV homes in the United States of America, whilst the number of TV households continues to grow, pay TV is becoming less popular. The pay TV penetration in the United States of America was pegged at 71 percent in 2021, marking a drop of over 10 percent in just five years. The trend of consumers (especially younger generations) cutting the cord and instead moving online to streaming services has meant that many pay TV providers are struggling to keep afloat. #RandolphHarris 4 of 17

“Watching television” is something quite different from “watching a television program.” The latter implies a selection, the former a compulsion. The point is worth making because to some extent the general magazine addressed itself to an audience of compulsive readers, now replaced by compulsive screen watchers. Moreover, the availability of a variety of media (including the stereo and the much-understanding telephone) altered both the sound and distraction levels of the average home so that conditions for serious reading were degraded. Third, movies and television, assisted by the development of photography, helped to create a visual culture. To a great extent, the picture has replaced the word as the central mode of public discourse in America. Politicians, ministers, journalists, and judges are now known by their faces, not their words. Even worse, audiences have grown accustomed to receiving information in the form of images—indeed, rapidly moving images—and no longer have the patience or possibly the ability to process the fixed, lineal, abstract word. Moreover, the instantaneity of speed-of-light media has made the printed word seem obsolescent. Not only is yesterday’s newspaper old news but so is today’s newspaper. And finally, the media have drawn to themselves much of the talent that in an earlier time would have devoted itself to writing for magazines. Writing screenplays and television sit-coms holds the promise of a degree of fame and fortune with which magazine writing cannot compete. And so, as readers abandon the form as too complex or too slow or too out-of-date, writers abandon the form as too low-paying or too limited in audience. Where do we go from here? Eulogies, one hopes, are premature. For one thing, some magazines have changed their form to accommodate the new role of reading in people’s lives. Harper’s, for example, has reduced the length of its stories and articles to suit its readers’ impaired capacity for sustained concentration. For another, there is some accumulating evidence then television advertising. The corporate World be significantly strengthened. #RandolphHarris 5 of 17

Third, the spread of both illiteracy and aliteracy (the ability without the inclination to read) has, at long last, become visible as a national crisis. Educators and legislators have begun to offer solutions that may in the long run give substance to optimism. It has been suggested that we convert all our undergraduate colleges into schools of reading. There is even a cadre of educators who want to carry this proposal to the high school. And, of course, changes in the structure of education may yet do much to restore the importance of the printed word. There is nothing far-fetched about this possibility. After all, changes in the structure of education in the seventeenth and eighteenth centuries contributed enormously to the prestige and power of the printed word. And we may draw a small measure of optimism from the fact that there is no result of media change so inevitable that we can speak with certainty of the future. The study of media history reveals—time and again—that there are always surprises in store. Those who make predictions—either giddy or somber—about the demise of serious forms of literature may turn out to be quite wrong. Here, uncertainty is our friend. And so, with full appreciation of the struggle that the general-interest magazine is now engaged in, we may raise our colours in its behalf by honouring its two-hundred and thirtieth birthday and telling our young of its robust history. And, of course, by not failing to renew our subscriptions. The goal of conferences today, which are sponsored by the Environmental Education Program of the School of Natural Resources and the Division of Technology and Environment Education of the U.S. Department of Health, Education and Welfare is to provide guidelines to the government on how to grant money for environmental education projects. It became apparent that while these people speak about teaching others about an organic environment, the artificial environments that they are teaching is are saying that nature is irrelevant, separate from us, and of only intellectual value. If the natural environment exists anywhere, it is only in the minds, and memories of people being held in classrooms that look like traditional basements with no windows. #RandolphHarris 6 of 17

Of course, the cost of education is very high, and now for safety reasons and budget reasons, classrooms are not made to look like they are being held in resorts. Parents spend an average of $1,017.37 to $20,521.90 to send their children to public school. For a child attending public school from kindergarten to 12th Grade, parents can expect to spend a total of roughly $162,899.86 on their child’s education and related activities. For children attending private school, parents can expect to spend a total of $292,719.86. So, there is there is no such thing as a “free lunch,” it should be included in the program as a compliment. The state also contributes a total of $274.7 billion to K-12 public education or $6,789 per student. Local governments contribute $269.3 billion total or $6,656 per student. Federal public education funding is equivalent to 0.20 percent of total taxpayer income. State and local funding is equivalent to 2.62 percent. The average cost of attendance at any 4-year institution is $35,331. I think some time that people forget that education is not always a requirement, but is more of a luxury and students are not supposed to think they are in Palm Springs, but should be thankful they are receiving an education. As a result of expectation, many people do not have a sense of rightness or wrongness of each new technological wonder. We hear about a “green revolution,” which will feed the starving millions and we buy expert’s word, just as everyone else does. However, many people already forget that the World is overpopulated by 3 billion people as it is and we need more education about birth control and more methods of birth control to be put into use in our communities and developing nations. It is important to support feeding others, but we also have to remember, when people are eating, they will only produce more offspring. So a comprehensive vision needs to be in place. Without any experience with natural balance, we forget that things grow only so fast. If you accelerate the process artificially, something is lost. #RandolphHarris 7 of 17

We read studies by scientists which say that the ozone layer is safe despite aerosols, and we read other studies by scientists which say the ozone layer is in danger. We wonder which is true? Which scientists are correct? However, this wondering signifies that we have sold out instinctive knowledge. Obviously, any artificial alteration of the ozone layer changes the volume of radiation which reaches the planet, and is harmful. We read the whales and dolphins are beaching themselves and we wonder why. Scientists tell us that the leader whale or dolphin may have parasites in its brain, goes crazy and leads the other to the beach, some Wiccans believe the beaching is caused by someone using too much magic. Millions of people read the “official” story and find it logical, because their knowledge of whales is confined to the length, weight, mating habits, breeding ground, commercial uses, and optimum sustainable yield. And yet, the Solomon Islanders have long descriptions of whales and dolphins beaching themselves every year for thousands of years. The islanders say it is a human-animal communications ritual, part of a cycle which is obscure to us. If they are right, I do not know either. I do know that whales do not leaders—they operate in groups—and given their brain size they are probably the most intelligent mammals on Earth. I do not believe it is a parasite problem. Reading a textbook certainly does transmit a kind of knowledge, but there are also subjective informational-receptive modes. Walking through a forest is different from attending classes on forests because each others information of an entirely different sort; classes on forest can never help us “relate” to forests, or to care about them at all. If you do not care about a subject, you can never understand nor relate to the material. Only being in one can accomplish that, just as the only way to know what dancing is about is to dance. When we are inside the walls of our homes, we begin to think the natural World has nothing to teach us. We environmentalists suffer the same distorted notion of education that all Western people do. We think of education as objective, quantifiable and verbal. Our own words become our basis. #RandolphHarris 8 of 17

Put all our eggs into a single basket; we have assumed that empirical objectified process produce knowledge equal to what the environment offers as information. We have assumed our knowledge is growing. I am not so sure. This just sort of proves that there is a romanticism of the idea that the environment—whether windowless walls, or rivers—itself teaches. Teachers teach. Education is cerebral not sensory. It was our role to help the teachers know what to teach. We were the ones who know. We all know that nature is pleasant. However, as long as we are on an important mission, we may as well just get on with the work and cease the with the division. However, the other side of the argument is that when moving knowledge away from natural sources and deeper into the realm of the expert, in turn, this makes it easier for government and industry to expropriate it, alter it, and feed it back to us through the media in techno-jargon explicable only to techno-minds. With nature obscure, nearly everything we know comes to us processed and it may be right or it may be wrong. We know only what we are told. For most of us the TV news is now our source. Without any basis of comparison, as the news report changes, our understanding changes. Mother’s milk is unsanitary. Mice like cheese. Mars has life on it. Technology will cure cancer. The stars do not influence us. Nuclear power is safe. Nuclear power is not safe. Mars has no life on it. Food dyes are safe. Saccharin is safe. Technology causes cancer. Columbus proved the World was round. A little X ray is okay. The Vietnam War was not a civil war. We will have an epidemic of COVID. Mother’s milk is healthy. Technology will clean up pollution. Preservatives do not cause cancer. Economic growth is in the offing. Red food dyes are not safe. COVID vaccine is safe. The Viet Nam War was a civil war. Hierarchy is natural. Humans are the royalty of nature. Saccharin is not safe. COVID vaccine causes paralysis. We have the highest standard of living. Hormones in beef cause cancer. Hugging your children is good for them. Too much sun causes cancer. And so it goes. #RandolphHarris 9 of 17

Our modern media spring from a common source, an invention that is rarely mentioned today but that had as decisive a role in shaping society as the internal combustion engine or the incandescent lightbulb The invention was called the Audion. It was the first electronic audio amplifier, and the man who created it was Lee de Forest. Even when judged by the high standards set by America’s mad-genius investors, de Forest was an oddball. Nasty, ill-favored, and generally despised—in high school he was voted “homeliest boy” in his class—he was propelled by an enormous ego and an equally outsized inferiority complex. When he was not marrying or divorcing a wife, alienating a colleague, or leading a business to ruin, he was usually in court defending himself against charges of fraud or patent infringement—or pressing his own suit against one of his many enemies. De Forest grew up in Alabama, the son of a schoolmaster. After earing a doctorate in engineering from Yale in 1896, he spent a decade fiddling with the latest radio and telegraph technology, desperately seeking the breakthrough that would make his name and fortune. In 1906, his moment arrived. Without quite knowing what he was doing, he took a standard two-pole vacuum tube, which sent an electric current from one wire (the filament) to a second (the plate), and he added a third wire to it, turning the diode into a triode. He found that when he sent a small electric charge into the third wire—the grid—it boosted the strength of the current running between the filament and the plate. The device, he explained in a patent application, could be adapted “for amplifying feeble electric currents.” De Forest’s seemingly modest invention turned out to be a World changer. Because it could be used to amplify an electrical signal, it could also be used to amplify audio transmissions sent and received as radio waves. Up to then, radios had been of limited use because their signals faded so quickly. With the Audion to boost the signals, long-distance wireless transmissions because possible, setting the stage for radio broadcasting. The Audion became, as well, a critical component of the new telephone system, enabling people on opposite sides of the country, or the World, to hear each other talk. #RandolphHarris 10 of 17

De Forest could not have known it at the time, but he had inaugurated the age of electronics. Electric currents are, simply put, streams of electrons, and the Audion was the first device that allowed the intensity of those streams to be controlled with precision. As the twentieth century progressed, triode tubes came to form the technological heart of the modern communications, entertainment, and media industries. They could be found in radio transmitters and receivers, in hi-fi sets, in public address systems, in guitar amps. Arrays of tubes also served as the processing units and data storage systems in many early digital computers. The first mainframes often had tens of thousands of them. When, around 1950, vacuum tubes began to be replaced by smaller, cheaper, and more reliable solid-state transistors, the popularity of electronic appliances exploded. In the miniaturized form of the triode transistor, Lee de Forest’s invention became the workhorse of our information age. In the end, de Forest was not quite sure whether to be pleased or dismayed by the World he had helped bring into being. In “Dawn of the Electronic Age,” a 1952 article he wrote for Popular Mechanics, he crowed about his creation of the Audion, referring to its as “this small acorn from which has sprung the gigantic oak that is today World-embracing.” At the same time, he lamented the “moral depravity” of commercial broadcast media. “A melancholy view of our national mental level is obtained from a survey of the moronic quality of the majority of today’s radio programs,” he wrote. Looking ahead to future applications of electronics, he grew even gloomier. He believed that “electron physiologist” would eventually be able to monitor and analyze “thought or brain waves,” allowing “joy and grief [to] be measured in definite, quantitative units.” Ultimately, he concluded, “a professor may be able to implant knowledge into the reluctant brains of his 22-century pupils. What terrifying political possibilities may be lurking there! Let us be thankful that such things are only for posterity, not for us.” #RandolphHarris 11 of 17

Though students do not have books, they most emphatically do have music. Nothing is more singular about this generation than its addiction to music. This is the age of music and the states of soul that accompany it. To find a rival to this enthusiasm, one would have to go back at least a century to Germany and the passion for Wagner’s operas. They had the religious sense that Wagner was creating the meaning of life and that they were not merely listening to his works but experiencing that meaning. Today, a very large proportion of young people between the ages of ten and fifty live for music. It is their passion; nothing else excites them as it does; they cannot take seriously anything alien to music. When they are in school and with their families, they are longing to plug themselves back into their music. Nothing surrounding them—school, family, church—has anything to do with their musical World. At best that ordinary life is neutral, but mostly it is an impediment, drained of vital content, even a thing to be rebelled against. Of course, the enthusiasm for Wanger was limited to a small class, could be indulged only rarely and only in a few places, and had to wait on the composer’s slow output. The music of the new votaries, on the other hand, knows neither class nor nation. It is available twenty-four hours a day, everywhere. There is the stereo in the home, in the car, on the mobile phone; there are concerts; there are music videos, with special channels exclusively devoted to them, on the air nonstop; there are the Walkmans so that no place—not public transportation, not the library—prevents students from communing with the Muse, even while studying. And, above all, the musical soil had become tropically rich. No need to wait for one unpredictable genius. Now there are many geniuses, producing all the time, two new ones rising to take the place of every fallen hero. There is no dearth of the new and the startling. The power of music is in the soul. #RandolphHarris 12 of 17

Classical music is not dead among the young. This assertion will, I know, be hotly disputed by many who, unwilling to admit tidal changes, can point to the proliferation on campuses of classes in classical music appreciation and practice, as well as performance groups of all kinds. Their presence is undeniable, but they involve not more than 5 to 10 percent of the students. Classical music is now a special taste, like Greek language or pre-Columbian archeology, not a common culture of reciprocal communication and psychological shorthand. Thirty years ago, most middle-class families made some of the old European music a part of the home, partly because they liked it, partly because they thought it was good for the kids. University students usually had some early emotive association with Beethoven, Chopin and Brahms, which was a permanent part of their makeup and to which they were likely to respond throughout their lives. This was probably the only regularly recognizable class distinction between educated and uneducated in America. Many, or even most, of the young people of that generation also swung with Benny Goodman, but with an element of self-consciousness—to the hip, to prove they were not snobs, to show solidarity with the democratic ideal of a pop culture out of which would grow a new high culture. So there remained a class distinction between high and low, although private taste was beginning to create doubts about whether one really liked the high very much. However, all that has changed. Rock music is as unquestioned and unproblematic as the air the students breathe, and very few have any acquaintance at all with classical music. This is a constant surprise to me. And one of the strange aspects of my relations with good students I come to know well is that I frequently introduce them to Mozart. This is a pleasure for me, inasmuch as it is always pleasant to give people gifts that please them. It is interesting to see whether and in what ways their studies are complemented by such music. However, this is something utterly new to me as a teacher; formerly my students usually knew much more classical music than I did. #RandolphHarris 13 of 17

Music was not all that important for the generation of students preceding the current one. The romanticism that has dominated serious music since Beethoven appealed to refinements—perhaps overrefinements—of sentiments that are hardly to be found in the contemporary World. The lives people lead or wish to lead and their prevailing passions are of a different sort than those of the highly educated German and French bourgeoisie, who were avidly reading Rousseau and Baudelaire, Goethe and Heine, for their spiritual satisfaction. The music had been designed to produce, as well as to place, such exquisite sensibilities had a very tenuous relation to American lives of any kind. So romantic musical culture in America had had for a long time the character of a veneer, as easily susceptible to ridicule as were Margaret Dumont’s displays of coquettish chasteness, so aptly exploited by Groucho Marx in A Night At The Opera. I noticed this when I first started teaching and lived in a house for gifted students. The “good” ones studied their physics and then listened to classical music. The students who did not fit so easily into the groove, some of them just vulgar and restive under the cultural tyranny, but some of them also serious, were looking for things that really responses to their needs. Almost always they responded to the beat of the newly emerging rock music. They were a bit ashamed of their taste, for it was not respectable. However, I instinctively sided with this second ground, with real, if coarse, feelings as opposed to artificial and dead ones. Then their musical sans-culotteism won the revolution and reigns unabashed today. No classical music has been produced that can speak to this generation. Symptomatic of this change is how seriously students now take the famous passages on musical education in Plato’s Republic. In the past, students, good liberals that they always are, were indignant at the censorship of poetry, as a threat to free inquiry. However, they were really thinking of science and politics. They hardly paid attention to the discussion of the music itself and, to the extent that they even thought about it, were really puzzled by Plato’s devoting time to rhythm and melody in a serious treatise on political philosophy. Their experience of music was as an entertainment, a matter of indifference to political and moral life. #RandolphHarris 14 of 17

Students today, on the contrary, know exactly why Plato takes music so seriously. They know it affects life very profoundly and are indignant because Plato seems to want to rob them of their most intimate pleasure. They are drawn into argument with Plato about the experience of music, and the dispute centers on how to evaluate it and deal with it. This encounter not only helps to illuminate the phenomenon of contemporary music, but also provides a model of how contemporary students can profitably engage with a classic text. They very fact of their fury shows how much Plato threatens what is dear and intimate to them. They are little able to defend their experience, which has seemed unquestionable until questioned, and it is most resistant to cool analysis. Yet if a student can—and this is most difficult and unusual—draw back, get a critical distance on what he clings to, come to doubt the ultimate value of what he loves, he has taken the first and most difficult step toward the philosophic conversion. Indignation is the soul’s defense against the wound of doubt about its own; it reorders the cosmos to support the justice of its cause. It justifies putting Sokrates to death. Recognizing indignation for what it is constitutes knowledge of the soul, and is thus an experience more philosophic than the study of mathematic. It is Plato’s teaching that music, by its nature, encompasses all that is today most resistant to philosophy. So it may well be that through the thicket of our greatest corruptions runs the path to awareness of the oldest truths. Music is the medium of the human soil in its most ecstatic condition of wonder and terror. A mixture of the soul’s primitive and primacy speech, without articulate speech or reason, is not only irrational, but it is hostile to sensibility. Even when articulate speech is added, it is utterly subordinate to and determined by the music and the passion it expresses. #RandolphHarris 15 of 17

Civilization or, to say the same thing, education is the taming or domestication of the soul’s raw passions—not suppressing or excising them, which would deprive the soul of its energy—but forming and informing them as art. The goal of harmonizing the enthusiastic part of the soul with what develops later, the rational part, is perhaps impossible to attain. However, without it, humans can never be whole. Music, or poetry, which is what music becomes are reason emerges, always involves a delicate balance between passion and reason, and, even in its highest and most developed forms—religious, warlike and erotic—that balance is always tipped, if every so slightly, toward the passionate. Decisions, sometimes affecting the life or death of a business or even a person, are often based on obsolete, misleading, inaccurate or flat-out false knowledge. Today the computer, the Internet, the new hypermedia environment, special effects and other new tools make online fraud and fabrication easier, while the sheer mass of innocent, but just plain unverified and untrue, knowledge on the Web skyrockets. In consequence, questions that were once the province of philosophers, theologians and epistemologist will increasingly confront decision-makers in every field. Every estimate of risk, every consumer decision to buy or not to buy, every investor’s decision to invest or wait and every executive decision—to outsource or insource, quit or stay, hire or layoff, partner or go it alone—is ultimately based on torrents of data, information and knowledge. How, in the face of all that, can we know what is—or is not—true? There are at least six rival criteria by which most of us decide whether something is true. While different people and cultures may have used other tests of truth at one time or another, these six filters or screens are surely among the most prevalent. Ironically, market research, political pollsters, advertising agencies, survey firms and others go to great expensive length to ask people what they believe. Rarely do they ask the more revealing question: Why do they believe it? The answer largely depends on which of these six criteria is used for validation. #RandolphHarris 16 of 17

A lot of what we call truth is assumed to be correct because of consensus. It is conventional wisdom. Everyone “knows” X to be true, therefore, it must be true. We absorb consensus truth from family, friends, co-workers and the surrounding culture, usually without thinking twice. It forms the zeitgeist of the lemmings. Going alone with the crowd requires no thought. Even better, lemming truth is safely uncontroversial. If it turns out to be wrong, you do not look foolish. After all, everyone else believed it, too—even smart people. We saw lemming behavior in the herd of investors who stampeded into the early dot-coms—and them out again. We see it in the otherwise intelligent business executives who rush to adopt, then jettison, the latest managerial fad. New ideas whip through the ranks of senior management, are taken on, implemented, imposed on people and quickly discarded. They frequently have direct, destructive impacts on the economy, leading, for example, to illconsidered mass layoffs, imitative mergers and the like. Whole industries even now are being restructured or bent out of shape as a result of management reliance on “lemming truth.” Nor are disasters based on lemming truth limited to business and the economy. The U.S. Senate Intelligence Committee accused America spy agencies of “groupthink” in concluding Iraq had, or was about to acquire, weapons of mass destruction. In response to critics, the agencies noted that the friendly intelligence organizations of other nations had confirmed the information on which they based their conclusion. Consensus was doing its persuasive work. Only much later did the public learn that Iraqi defectors, eager for the United States to overthrow Saddam’s regime, had spread false information to the spy agencies of France, Germany, England, Spain, Denmark, Italy and Sweden, thus “gaming the system” and helping create the fake consensus on which the U.S agencies relied. Here lemming truth helped start a war. #RandolphHarris 17 of 17

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He Opened the Book and a Demon Spoke to Him

All good religions need some kind of Apocalypse. Thelema—the new religion of Aleister Crowley—was no exception. The Great Beast fully expected his new holy age, the Aeon of Horus, to be ushered in with an orgy of violence and bloodshed. With the advent of the First World War, the prophecy seemed to have been satisfied. Over four long years, the optimism and complacency of nineteenth-century Europe drowned in the mud of the Western Front, along with hundreds of thousands of young soldiers. However, Crowley seemed curiously indifferent to the whole affair. With typical arrogance, when the British Government refused his offer to produce war propaganda, the Luciferian man of letters travelled to the US to write anti-British propaganda. If he could not find recognition on the side of the angels, the Great Beast was always ready to side with the opposition. However, Crowley later claimed he wrote deliberately absurd material to discredit the German cause. His article on the bombing of London by Zeppelin airships gives credence to this eccentric defense: “For some reason or other in their last Zeppelin raid on London the Germans appear to have decided to make the damage as widespread as possible, instead of concentrating it in one quarter. A great deal of damage was done at Croydon, especially at its suburb Addiscombe, where my aunt lives. Unfortunately her house was not hit. Count Zeppelin is respectfully requested to try again. The exact address is Eton Lodge, Outram Road.” If World War One had been too minor a cataclysm to introduce Crowley’s Age of Horus, 1939 heralded a new orgy of human suffering. The Beast always maintained that the first nation to adopt his Book of the Law as a state religion would dominate the World. During the 1930s, however, as the Third Reich came to power, his ambivalence towards Germany—the country where his magical doctrines were taken most seriously—is perhaps understandable. #RandolphHarris 1 of 21

Some of his German followers saw in their new Fuhrer a political equivalent to their prophet, the Great Beast (perhaps even his “magical child”)—a new World order was to be created by the pure will-power of those extraordinary men. Some of his German followers saw in their new Fuhrer a political equivalent to their prophet, the Great Beast (perhaps even his “magical child”)—a New World Order was to be created by the pure will-power of these two extraordinary men. However, in 1935 the Nazis banned the Ordo Templi Orientis and the Order of the Silver Star, throwing numerous occultists (including Karl Germer, one of Crowley’s foremost disciples) into the concentration camps. There may have been similarities between Crowley’s Thelemic doctrines and emergent Nazi dogma (elitism, irrationalism, transcendence of morality), but the Great Beast could see on which side his future depended: Britain would “knock Hitler for six!” he announced. Whether or not the horrors of the Second World War signalled the advent of the Age of Horus, Adolf Hitler emerged from the blood and pain of that conflict as a secular Satan. Indeed, a minor literary industry has grown up around the idea of Hitler as a very literal Satanic figure suggests that the Fuhrer really did, in Dennis Wheatley’s words, “use dark forces.” The roots of this belief return us to the occult lodges of the late nineteenth century. In 1875, the writer and occultist Guido von List climbed a hill overlooking Vienna to conduct a strange ritual. Von List was dedicated to returning greater Germany to an older purer faith—the worship of Wotan, and the other pagan gods of the Teutonic race Upon the hill he commemorated the summer solstice by buying a number of empty wine bottles, carefully arranged into a sacred symbol: the swastika. In 1908 von List Founded the Armanen Initiates, the inner order of his modestly-titled Guido von List Society. His doctrines centered around ideas of racial purity—von List believed the German peoples, the Armenen, had originally been a race of supermen, but mongrelistation had weakened the race until bashful old Guido was its last pure-blood survivor. #RandolphHarris 2 of 21

According to the race mystic, “The hydra-headed international Jewish conspiracy” was behind it all. To reverse matters, von List prescribed a study of ancient Teutonic religious runes and –more practically—laws to precent further racial interbreeding. His eventual gal was a racial state ruled by “a self-chosen Fuhrer to whom [Germany] willingly submits.” Alongside the swastika, the emblems of this new state would include the sig rune: the symbol later used to form the insignia of the SS. Guido von List was one of the leading Germanic mystics dedicated to “volkisch” occultism. “Volkisch” basically translates as “folkloric,” but this was also leavened with a hard-edged nationalism. Chief obsession among the volkisch orders were the sacred nature of race (or “blood”), an interest in the culture and beliefs of the Germanic peoples in the early Middle Ages, and a strong current of anti-Semitism. Among the most important of the volkisch occultists—some of whom fancied themselves the priests of a revived Norse religion—was Dr. Jorg Lanz von Libenfels. In many ways, a sorcerer in the classic mould, von Liebenfels adopted his aristocratic name to increase his mystique (his real name was Adolf Lanz), and began his career as a Catholic priest before being defrocked for “harbouring carnal and Worldly desires.” His response was to found an “order of New Templars”—quite what the original Templars had to do with racial purity is not clear, but it did not stop von Libenfels preaching a message of race war from his temple on the banks of the Danube. In 1909, a young Austrian named Adolf Hitler secured an audience with von Liebenfels to secure some back issues of Ostara, the journal of the New Templars. In 1932, von Liebenfels would write to a fellow occultist that “Hitler is one of our pupils…You will one day experience that he, and through him we, will one day be victorious, and develop a movement that will one day make the World tremble.” The most direct link between the occult underground and the Third Reich is the Thule Society. Thule, according to northern European myth, was a version of Atlantis, and island that sank beneath the sea. #RandolphHarris 3 of 21

Thule Society ideology decreed this legendary island to be the home of the German supermen, who they hoped to contact using magical techniques. In 1919, the Thule Society formed a tiny political group called the German Workers Party in Munich—the seed from which Hitler’s National Socialist Party grew. In the 1920s Germany of the Weimar Republic, volkisch occult groups sense that their time was coming. Losing the First World War left Germany politically chaotic, economically bankrupt and profoundly demoralized. Weimar Berlin earnt a reputation for decadence exceeding that of 1890s Paris—though there was a cynical desperation among the German hedonist that never surfaced amongst their French counterparts. For many ordinary citizens of “Greater Germany” (which included Austria), however, their feelings of disillusionment hardened into suspicions of betrayal. One such was the young war hero Hitler—who was convinced Germany’s forces were defeated by treachery at home, rendering the huge loss of life futile. Hitler, along with many others, was sure that the “November criminals” (government signatories of a peace treaty in November 1918) were responsible for the fatherland’s defeat and humiliation. And behind the November criminals were the treacherous Jewish people. In this environment, volkisch occultists found an eager audience for their fables of an ancient, noble Ayran race. They not only offered up a scapegoat for their defeat, but also created the mythology of a sacred Germanic blood heritage from which a humbled people could rebuild their pride. It is a long way from accepting that volkisch occultism helped create a spiritual environment friendly to Nazism to believing the Third Reich was a Satanic cult. (Buffy the Vampire Slayer was said to be symbolic of the rebirth of the Third Reich, maybe you can see the symbolism. This interesting thing is that Sarah Michelle Gellar, who played Buffy Summers is Jewish, but also reminiscent this Ayran super race.) #RandolphHarris 4 of 21

The relationship between Nazism and volkism is similar to that between the radical African-American political groups and Black Islamic leaders who proclaim that the Man (the White Man) to be the Devil. Political leaders, as soon as they achieve any real power, are usually quick to distance themselves from such emotive spiritual propaganda. However, it is interesting how light and dark are used in Christian terms not to reflect colour, but the nature of one’s spirit. And when you see these people with soft features, pale skin, and these colourful eyes, it is hard to believe they do dark things, but when one sees someone with darker skin, people almost always consider them guilty. It is as if religious light has also been used to frame people based on skin colour, but when it comes down to it, people are capable of things that are bad no matter what colour their skin is, and as one grows up, once can see that skin colour matters very little in guilt or innocence. Nonetheless, total revolution also demanded a spiritual revolution. The Russian Revolution of 1917 had a similarly religious aspect. Communists were determined to uproot the Christian Church and replace it with religious loyalty to the State, and its socialist principles, which is why so many religious symbols in America are now banded on public builds, and next to be banned with be the America flag. Many people may thing that journalist Tomi Lahren of FOX News is a racist, but one should actually listen to what she is saying, and be objective about it. America is actually becoming a communist nation where the people have no power, laws are just recommendations, and the U.S. Constitution is being removed and stored in someone’s basement, much the Confederate Statues, and flags. Next, slavery will just be a conspiracy theory—it will be considered a myth. It is just like music, most real artists listen to all genera of music, but they have a typical style they love, and many scholars read all kinds of material so they can have a comprehensive view of what is going on in the World, instead of just be told only what the masses want them to know, but people love to label, which is why they are stuck in ignorance. #RandolpHarris 5 of 21

Bolsheviks held wild revels, called “African nights,” where Christian festivals were parodied in atheistic rites such as “Red Prayers,” and “Red Mass.” Obscene hymns were sung, and children were encouraged to spit upon and destroy puppets representing God, and other holy figures, in powerful echoes of the Black Mass medieval peasants. Hitler’s doctrines were no less revolutionary. Nazism was designed to revolutionize every aspect of life—even the way people thought—and the old ways were denounced as “Jewish,” “liberal.” Hitler despised “intellectuals,” advocating intuition, or even irrationalism, over logic and rational thoughts. In many ways the Nazis turned back the clock two hundred years, to when science and sorcery were still reluctant bedfellows. In the field of military technological innovation and instinct were promoted at the expense of methodology, liberating German scientist to creates some of the most efficient weapons of war the World had seen. Alfred Rosenberg, an intimate of Hitler and high-ranking Nazi official drew up plans for a National Reich Church, which was not going to destroy Christianity but “supercede” it, and called his new faith “positive Christianity.” He concluded: “On the day of its foundation, the Christian cross must be removed from all churches, cathedrals, and chapels and it must be superseded by the only unconquerable symbol, the Swastika.” However, what did the Swastika symbolize? Rosenberg wrote: “Today a new faith awakens: the myth of the blood, the faith that by defending the blood were defend also the divine nature of man. The faith, embodies in scientific clarity, that the Nordic blood represents the mystery which has replaced and conquered the ancient sacraments.” The historian Konrad Heiden beings his book on Der Fuhrer: Hitler’s Rise to Power with a curious story concerning Rosenberg: “One day in the summer of 1917 a student was reading in his room in Moscow. A stranger entered, laid a book on the table, and silently vanished. The cover of the book bore in Russian the words from the twenty-fourth chapter of Matthew: “He is near, he is hard by the door.” #RandolphHarris 6 of 21

The sent sensed the masterful irony of higher powers in this strange happening. They had sent him a silent message. He opened the book, and the voice of the demon spoke to him. It was a message concerning the antichrist, who would come at the end of days. The Antichrist is no mythical being, no monkish medieval fantasy. It is the portrait of a type of man who comes to the fore when an epoch is dying. The Antichrist was supposedly Hitler. The Nazi began suppressing occultists and secret societies in 1934, in a purge that reached its peak in 1937. Thousands of astrologers and mystic disappeared into the concentration camps, never to appear again, which also proves Whoppie Goldberg’s states, “The Holocaust was about race.” Anyone who was deemed a threat to national security was sent to concertation camps, but in the same sense, the holocaust was about race, it was about preserving the Ayran race. Just anyone who was not Aryan could be a target, as it was more about preservation of their bloodline. Volkisch occultists were not spared. Even the Thule Society—the magi at the nativity of Nazim—was devoured by its ravenous offspring. The Nazi State would not tolerate anything outside its control, or that it had not created itself. Its tenant of faith was the destiny of the Aryan race, as expressed by its prophet Hitler. If this policy of spiritual and intellectual monopoly sounds familiar, it is because it resembles the doctrines of one of the institutions of the Nazis sought to replace: the Church. The Nazi party created its own priesthood—the Black Oder, better known as the Schutzstaffel, or SS. The SS began as Hitler’s bodyguards, but under Heinrich Himmler, manoeuvered and massacred their way to become the most powerful organization in the Nazi establishment. Like “house of God” of the medieval Inquisition, the SS policed the souls of those under their ever-expanding jurisdiction. The faithful were monitored, the suspect—even the volkish occultist who shared the Nazi vision of race—purged, the unholy exterminated. Himmler became the second most powerful man in the Third Reich. Any occultist who wished to survive in Nazi Germany was well-advised to find a place under Himmler’s wing. #RandolphHarris 7 of 21

Several men did—most significantly Karl Weisthor. Weisthor was born Karl Maria Wiligut in Vienna, 1866, to a family with a long military tradition, and was decorated for his service during the First World War. Following the war he became involved in volkisch occultism, adopting doctrines which were extreme even by volkisch standards. With the modesty characteristic of his ilk, Weisthor claimed to be descended from Ayran gods, the last living representative of the Irminist Church. The Irminists—who worshipped the true Christ, an Aryan called Krist—had been opposed throughout history by the false religion of the Catholic Church, their racial enemies the Jewish people, and Aryan heretics who worshipped the pagan god Wotan. Weisthor knew all of this because he possessed clairvoyance that allowed him to recall the heroic lives of his ancestors, thousands of years ago. Not everyone was impressed by the evidence, however, an in 1924 he was committed to a lunatic asylum. Undeterred, when he was released, he changed his name and headed to Munich. In 1933 he attracted the attention of Himmler, who installed the cranky medium in the Ahnenerbe department of the SS. Under Weisthor’s advice, a castle at Wewlsburg in north-west Germany was chosen as the spiritual headquarters of the Black Order. It became the Nazi equivalent of the Vatican, with great echoing chambers dedicated to the heroes of the Aryan race, and a central hall where Himmler and his twelve closet disciples would meet. Weisthor designed the SS “Totenkpfring” –a scared ring decorated with skulls and runes, personally bestowed upon SS members by Himmler and retuned to Wewelsburg upon their deaths. He also conceived and presided over neo-pagan solstice ceremonies, and the Weddings of SS officers to good Aryan girls. The Black Order was not just a military organization but a sect, a fraternity of warrior priests. Though it never claimed the heritage of the Knights Templar, the parallels between these two orders are striking. Both snowballed into vast international forces. Both maintained independent economic systems that allowed them to accumulate vast wealth. Both were composed of highly-disciplined warriors, fanatically dedicated to their creeds. Both were exempt from the laws that governed their contemporaries, answerable only to the head of their orders (Himmler of the Grand Master) and the representative of the sacred creed on Earth (Hitler or the Pope). Both planned to establish their own independent states. And both were, at least ostensibly Christian. #RandolphHarris 8 of 21

Weisthor’s faith may have incorporated much bizarre German paganism, but at the core he believed he was preaching Christianity. One of the oaths taken by SS candidates before the full initiation ran, “We believe in God, we believe in Germany which He created in His World and in the Fuhrer, Adolf Hitler, whom he has sent us.” One of the titles Himmler had bestowed on him by is peers was “the Black Jesuit,” as he based the structure of the SS upon the fanatically-secretive Catholic Society of Jesuits. Himmler, brought up in a devoutly-Catholic Bavarian household, never lost his belief in the importance of ritual symbolism. When he used the term “Satanic,” or evoked the Devil, it was applied to the enemies of the Aryan race—never in connection with his own faither. Persecution of Jewish people was often inspired by accusation that they poisoned wells and drank the blood of children, or, more traditionally, that they had killed Jesus. They were commonly believed to be part of an international conspiracy—sometimes decreed to be Satanic—against all Christian values. The Catholic Church, concerned that the Third Reich was stealing souls that were rightfully theirs, had certainly preached against this new paganism. Nazis believed that they were breeding babies for God, or “for race and nation.” Occultic suggestions that the Third Reich was, as one author puts it, a “demonocracy” with the Fuhrer himself as a black magician, a “psychic vampire,” demonically possessed, even as the Antichrist himself—are based on Hitler’s skill at taking political military gambles (precognition), his inner voiced and violent rages (possession), and the way simultaneously drew upon and released great emotion with his speeches (physic vampirism). Some still say that there is no evidence for one to consider the Third Reich as a manifestation of supernatural evil. Yet people believed because Hitler consulted an astrologer that Hitler was evil; Satan is Evil personified, therefore Hitler is Satan. Even level-headed historians have described Hitler as possessing almost supernatural powers—whereas the terms “mesmeric” or “hypnotic” best described the psychological effect this frantic, grim little man has on the vast audience at Nazi rallies. Political figures such as John F. Kennedy and Martin Luther King also based their careers on charismatic oratory, and few would suggest either man was possessed by demons. #RandolphHarris 9 of 21

However, it is worth confessing that the Third Reich is of legitimate interest to occultists. Something about Hitler’s meteoric rise—from penniless tramp to omnipotent dictator—and Germany’s similarly rapid rise—from near-collapse to near-World domination—confounds rational explanation. Still, the philosophy of Hitler, and the psychological symbolism employed by the Nazis, are no more inherently Satanic than that of the Catholic Church. However, there were eyewitness accounts of wartime sorcery in England: Witches cast spells to stop Hitler landing after France fell. They met, raised the great cone of power and directed the thought at Hitler’s brain: “You cannot cross the sea. You cannot cross the sea. Not able to come. Not able to come.” We are not saying they stopped Hitler. All we say is that we saw a very interesting ceremony performed with the intention of putting a certain idea into his mind and this was repeated several times afterwards; and though all the invasion barges were ready, the fac that Hitler never even tried to come. The witches told us that their great-grandfathers had tried to project the same idea into Boney’s [Napoleon’s] mind. Exploration of the Great Beast’s (Aleister Crowley) darker doctrines—of a World divided into masters and slaves, with good and evil sacrificed on the bloody alter of a new morality—would be the province of a far less gaudy crew than the hippies. Marianne Faithfull—a former child of the upper-middle classes—was a long-time consort of English rock band the Rolling Stones, and an icon of “swinging London.” In her autobiography, written much later, she displays little doubt as to the source of the era’s dynamism. Speaking of her most famous lover, Mick Jagger, she says: “Her harnessed all of the negative forces into entities. Out of these destructive impulses, he created all the incredible personate of the late sixties: the Midnight Rambler, Lucifer, Jumpin’ Jack Flash. They are all manifestations of malignant and chaotic forces, the ungovernable mob. The dark, violent, group mind of the crowd—chaos, Pan. That frenzied power caused many of the causalities of the sixties.” #RandolphHarris 10 of 21

Foremost among the musicians who pioneered the first colourful wave of psychedelia were the Beatles. Their high-profile transformation from chirpy, mop-headed scousers to long haired peaceniks reflected the cultural tide of their generation. However, in the United States of America, the FBI compiled a two-inch thick file on Lennon upon which FBI director J. Edgar Hoover scrawled, “All extremists should be considered dangerous.” Fundamentalist Christians—with their endearing disrespect for facts or common sense—discovered the occultic secrets behind the Beatles’ success. They maintained that the Lennon-McCartney sound was a magical beat stolen from the ancient Druids. According to them, in ancient times these pagan priests would beat out the demonic rhythm on drums made of human skin to summon evil spirits. In the hands of the Beatles, this Druid beat could be used to send the young people of American insane—or even worse, pinko. There were Christian protests of the Beatles, where the Ku Klux Klan burnt their records and Lennon was held up as a Satanists or something. The next years, Christian suspicions of the Beatles were confirmed by detailed perusal of the cover of their catchy, innovative Sgt. Pepper album. The cover design is a collage of people admired by the Beatles, all standing being the band: among them, in the top row, can be seen Aleister Crowley. In 1994, a prominent Vatican official, Father Corrado Balduci, would reinforce the Christian view that the Beatles were “the Devil’s musicians.” Sadly, in 1980, Lennon was shot dead outside his New York apartment by a dazed-looking young man named Mark Chapman. Chapman had become a big Beatles fan, but had become increasingly convinced that Lennon was evil. An interview with Chapman by a psychiatrist, published in Rolling Stone magazine, reported that the holy assassin could feel the presence of Satan’s demons around him. “I can feel their thoughts. I can hear their thoughts. I can hear them talking, but not from the outside, from the inside.” The unfortunate Chapman had become a “born-again” Christian, learning about the evils of Beatles music from his new faith. #RandolphHarris 11 of 21

Next to the affable efficiency of the Beatles, the Rolling Stones were a maelstrom of creative chaos. Black Magicians thought that Mick Jagger and Keith Richards were acting as unknow agents of Lucifer and others thought hey were Lucifer. One of the “Black Magicians” Richards referred to was Kenneth Anger. Anger stood at the crossroads where many of the Satanic elements of the 1960s met. Anger happily announced Crowley’s dictum that the Key of joy is disobedience, and declared that not only was the Aeon of Horus upon, but the Aeon of Lucifer. Shortly before he became involved with the Rolling Stones, Anger helped found the Church of Satan. His blend of Crowleyism and Satanism entranced the band, though—in a familiar pattern—Anger was often keen to dissociate from Satanism, referring to his personal Prince of Darkness by the less inflammatory title of Lucifer. He later confessed, however, that his Lucifer had always been the “cosmic villain,” the Miltonic Satan. Whatever effect Anger had on the band’s professional lives, he touched them personally to varying degrees. Keith and his lover Anita later got into this black magic stuff. Mick Jagger dabbled in it. However, every one was just a little afraid of Kenneth Anger. Inexplicable things involving him would happen. Stores about the magus’ association with the band include Anger seeming to appears and disappear in various places. He offered to perform a pagan ritual wedding for Keith and Anita that involved a golden door. When they awoke the next day, a heavy oaken door had been painted gold, with the paint already dry. The house was heavily secured, and nobody could explain this occultic interior decoration. Faithfull talked about falling off a mountain during the making of Anger’s second version of Lucifer Rising, sustaining only a mild concussion. Anita Pallenberg was so spooked by all of this that she slept in a protective circle of candles with a string of garlic around her neck. Anger’s next overtly magical project Lucifer Rising was his first religious film, a weird, mesmeric narrative combined with a real magical ritual, it also embodied his love/hate relationship with the 1960s counter culture—both in the film itself, and the events surrounding its strange history. #RandolphHarris 12 of 21

As Anger once observed, “Making movies is casting spells.” A screen director and editor, the theory ran that the magus could fully control both the characters to screen and the entities they invoked. Lucifer Rising depicted the downfall of the oppressive Aeon of Osiris (or Christian era), and the movement into the Aeon of Horus (or Lucifer). “My reason for filming has nothing to do with “cinema” at all, explained Anger. “It’s transparent excuse for capturing people…I consider myself working Evil on an evil medium.” On 21 September 1967, Anger organized a celebratory event titled the Equinox of the Gods at the Straight Theatre in Haight-Ashbury, the epicenter of hippie culture in San Francisco. However, Beausoleil proved a more capricious Lucifer than Anger anticipated—according to Anger, the pretty hippie he called “Cupid” ripped off 1600 feet of footage from Lucifer Rising and some camera equipment before the performance. Anger was livid, smashing a rare magical cane that once belonged to Crowley. He then pronounced a cruse upon Beausoleil, sealing it with an amulet he put around his neck. On one side was a picture of his erstwhile protégé, on the other a toad with the inscription “Bobby Beausoleil—who was turned into a toad by Kenneth Anger.” Cupid never turned into a toad, but a could of uncommonly dark fortune did follow him as he headed south for Los Angeles. In 1970 Anger remade his masterpiece, Lucifer rising—though even then he still tinkered with elements of the film to produce dozens of subtly different versions. Once again, Anger himself plays the Magus, invoking a new aeon through the door opened by the occult events of the 1960s: A film about the love generation—the birthday part of the Aquarian Age. Showing actual ceremonies to make Lucifer rise. Lucifer is the Light God, not the Devil—the Rebel Angel behind what is happening in the World today. His message is that they key of joy is disobedience. Isis (Nature) wakes. Osiris (Death) answers. Lilith (Destroyer) climbs to the place of Sacrifice. The Magus activates the circle and Lucifer—Bringer of Light—breaks through.” #RandolphHarris 13 of 21

Bad luck had begun calling upon the Rolling Stone, in the shape of a series of tragedies. The first was the death of the band’s guitarist, Brian Jones. It was Jones who, in 1962, formed the band named it after a Muddy Waters song. On 2 July, in classical rock ‘n’ roll styles, he drowned in his swimming pool on a cocktail of vodka and pills. Two days after Jones’ death, the Stones turned their free concert in London’s Hyde Park into a memorial for their ex-guitarist. Jagger read a poem by Shelley, then tried to release hundreds of white butterflies from boxes by the stage. They have been in the boxes too long and most of the delicate creatures were dead. The summer Woodstock free festival, in New York State, represented for many the hazy apex of the Love Generation. At the suggestion of scheduled support band the Grateful Dead, the Stones hired the Hell’s Angels as security for their Altamont gig. The Angels were very affordable, but their brand of frightening freedom still had a devilish chic in the naïve 1960s. The Hell’s Angels Motorcycle Club was formed after the Second World War, by bike-loving ex-servicemen who found civilian life too bland to bear. The Hell’s Angels moniker was taken from a notorious American Air Force squadron, but the Satanic implications of the name became increasingly appropriate. The Angeles were hellraisers, prototypes for the whole biker culture—particularly the outlaws, or “1%ers” (the “one percent of motorcyclists’ labelled as ‘hoodlums and troublemakers” by the American Motorcycle Association in 1967). Many 1%er gangs emulated the Angels’ Satanic-sound title, adopting infernal names like the Straight Satans, Satan’s Slavers and the Pagans. Some took their title at face value. One member of the powerful Canadian gang Satan’s Angels said in a 1970s interview, “There are definite spirits and we identify with that particular one that has been called Satan. It’s an upsidedown World. Our virtues are other’s vices. You could say we were Satanists.” Hell’s Angels, and other outlaw gangs, are symbols of the more destructive, volatile aspects of the Satanic canon. Their readiness to fight, their revelling in intimidation and fear, their rapacious passion for pleasures of the flesh in all their basest forms, all these characteristics made them into icons of willful alienation and violent self-indulgence. #RandolphHarris 14 of 21

When Jagger finally came onstage at Altamont on 6 December 1969, things were beginning to get ugly. Marty Balin of support act Jefferson Airplane had been in in the face with a pool cue by a Hell’s Angel. He tried to intervene when he saw the Angels beat up an African America kid in front of him. Paul Kantner, band founder, began to shout at the Angels until his microphone was snatched from him in the brawl that immersed the from of the stage. Jagger took the stage clad in his psychedelic sorcerer’s robes. Dancing under the red lights, surrounded by the dark wall of threatening, black-clad Angels, the vocalist could have been Anger’s Lucifer served by a surly army of warlike demons. Two songs into the set, things just kept getting uglier. Naked hippies cast themselves at the stage as offerings for their rock gods, and the Angels cast them back into the audience after beating them bloody. The third song began, “Sympathy for the Devil,” and all Hell broke loose. In the audience, an African American youth named Meredith Hunter pulled a gun. According to some he was aiming it at Jagger, other claimed he was defending himself against the Angels. Whichever is true, it was scant moments before a pack of black-leather Angels fell upon him and, in a flurry of kicks and knife blows, Hunter was killed. The Stones could see that the Angels were brutalizing the audience rather than controlling them—but Jagger was out of his depth, bleating weakly for everybody to “cool it.” As the killing of Meredith Hunter played itself out to the strains of “Sympathy for the Devil,” the song had to be stopped briefly as Jagger quipped, with unintended understatement, that “something very funny always happens when we start that number.” As the tide of panic and fury rose, the death count escalated to three with 100 injured. Following Altamont, the shaken Stones turned their back on the whole Satanic scene. Jagger wore a large wooden crucifix for some time after. The revolutionary stance and allusions to street violence were quietly dropped in favour of the stately image of rock ‘n’ roll aristocrats. The Rolling Stones abandoned any pretension to occultic chic or streetwise cool, letting themselves into the World of polite high society through the back door. #RandolphHarris 15 of 21

It is always just a few days before the Winter Solstice when the forces of darkness are at their most powerful. Because the immense size of the Winchester Mansion, Mrs. Winchester included forty-seven fireplaces in her mansion, and seventeen chimneys. One rambling section in particular, the Hall of Fires, was designed to produce as much heat as possible—perhaps to ease Mrs. Winchester’s extreme arthritis. In addition to many windows that let the sunlight stream through, the three adjoining rooms have four fireplaces and three hot air registers from the coal furnace in the basement. Mrs. Winchester is very significant, not only for a vast estate, but one of many reasons was because she was known to have encounters with the supernatural. While I was at Mrs. Winchester’s mansion, I was asked to meet with a group of high school students who had gotten into spiritualism just for kicks. We had a meeting that night and I listened as the young people told me their experiences. At a part a friend had fascinated them with stories of trances and séances. He told them how to use a Ouija board and how to enter a state of trance. They were seeking spirit manifestations. When they began to get reactions, they became frightened. The spirit had guided them back in time. A boy appeared and stated to tell a story, he said: “When I was about ten years old, I came to visit my aunt Sarah. I met a girl who lived on the estate Ethel—aged eight. I never had the courage to speak to her. My aunt Sarah asked me to stay three months, and I did.” The statement was so quietly serious, so destitute of any suspicion of humor, that the audience looked on with great apprehension. “I had to work hard in those days. I saw Ethel, later that evening, asleep in one of the carriages, and that was the last time I saw her. I ended stay with my aunt for three years. There was a glimmer of a summer gown under the trees; a figure passed from the shadow to sunshine, and again into the cool dusk of a leafy lane. While I was walking in the garden, I found her seated in the shade of a pine. She looked up serenely, as though she had expected me, and we faced each other. #RandolphHarris 16 of 21

“When I stroke to speak, my voice had an unknow tone to me. Her upturned face was my only answers. The breeze in the pine-tops, which had been stirring monotonously, ceased. Her delicate face was like a blossom lifted in the still air; her upward glance chained me to silence. The first breeze broke the spell; I spoke a word, then speech died on my lips; I stood twisting my shooting-cap, confused, not daring to continue. The girl leaned back, supporting her weight on one arm, fingers almost buried in the deep green moss. ‘It has been three years today,’ I said, in a dull voice of one who dreams—’three years today. May I not speak?’ In her lowered head and ears I repeated acquiescence; in her silence, consent. ‘Three years ago, today,’ I repeated; ‘the anniversary has given men courage to speak to you. Surely you will not take offense—we have travelled so far together!’ –from the end of the World to the end of it, and back again, here—to this place of all places in the World! And now to find you here on this day of all days—here within a step of our first meeting-place—three years ago today! And all the World we have travelled over since, never speaking, yet ever passing on paths parallel—paths which for thousands of miles ran almost within arm’s distance—’ She raised her head slowly, looking out from the shadows of the pines into her sunshine. Her dreamy eyes rested on acres of gold-rod and green grass in the December coolness. ‘Will you speak to me?’ I asked. ‘I have never even heard the sound of your voice.’ She turned and look at me, touching with idle finger the soft hair curling on her temples. Then she bent her head once more, the faintest shadow of a smile in her eyes. ‘Because,’ I said, humbly, ‘these long years of silent recognition count for something! And then the strangeness of it!—the fate of it,–the quiet destiny that ruled over our lives,–that rules them now—now as I am speaking, weighting every second with its tiny burden of fate.’ She replied, ‘I have never forgotten you—never!’ She looked into my eyes. ‘Dear, do you not understand? Have you forgotten? I died three years ago today.’ The unearthly sweetness of her white face started me. A terrible light broke in on me; my heart stood still.’ #RandolphHarris 17 of 21

“And that very day, I died of a broken heart. Legend has it that I came to visit my aunt Sarah to pick up a check and no one ever saw me after that day, but truth is I never left. When God takes the mind and leaves the body alive there grows in it, sometime, a beauty almost supernatural. ‘Be with me when the new moon comes,’ she whispered. ‘It will be so sweet. I will teach you how divine is death, if you come.’” About 4 o’ clock in the morning, one of the students started to levitate, and he saw all kinds of beautiful sights. I asked him if he were concerned whether or not this was from God. He said it must be because it was in the spiritual realm. The one of the other students went into a demonic tantrum. I asked God to rebuke the demons and set her free. The demons said, “We are going, but we will come back.” And come back they did, with reinforcements. I worked with this young woman for several months, but because she was unwilling to give up this traffic with spirits she was later placed in a mental institution. I am convinced that she could be perfectly healed of this oppression and indwelling by demons if only she would consent. Sometimes lewd demons trick well-meaning people into following their sensual behavior. Not all spirits are evil. However, it is a serious matter to become involved with spiritualism in any form, but also the atoning blood of Christ always gives us His purity and power. All who desire protection from Satan and His demons will receive it. In the case of levitations, apports, and telekinesis, God allows the physical and natural laws of the Universe to be superseded temporarily and in a restricted sense by higher laws of the spirit World. The Winchester mansion is known for having spiritual events take place, even today. These phenomena are diabolic miracles. In distinction to divine miracles, diabolical miracles are supernatural acts that imitate the power and benevolence of divine miracles. It is as if God said to the powers of darkness what he said to the sea in the day of creation: “Hitherto shalt thou come but no father, and here shall thy proud waves be stayed,” reports Jon 38.11. #RandolphHarris 18 of 21

The demonic powers are allowed only a very small intrusion into the orderly realm of nature, and the miracles they produce are characterized by a rigid sameness. Everywhere in the domain of occultism there are reminders of God’s absolute sovereignty. He is in majestic control. Demonic power makes such a poor show by its severe restrictions and drab sameness, that it actually advertises the glory of God for those who can see evil supernaturalism in the proper focus of divine revelation. Levitations (from the Latin verb levito, “to raise or lift”) are objects or people that are raised up and appear floating in their air. Such phenomena are frequently reported in occult literature and experienced in haunted houses, where strongly psychic people have lived and died or where spiritistic séances have been heled. Objects on occasion sail through the air as if thrown by an invisible hand, or spooks (ghost) appear hovering in space. Furniture is lifted, often when a strong medium is present. Human, either in a conscious or unconscious state, are included in the phenomena of levitation. We would oppose the belief that a word has any power of its own, and that the charmer is only the representative of this power. Words are only neutral instruments. They can be used for either good or evil. It depends on the inspiration behind the words. A Christian employs the Word on God’s authority. The magician and charmer employs his words and phrases as demonized instruments of magic. One of Mrs. Winchester’s servants had died. The man in question had the reputation of being a magician—it makes sense that a house built by spirits would have some magical employees. Two weeks before his death, as he lay in bed seriously ill, he began to groan, “Take the charm away from me, take the charm away from me.” The relatives had gone to the minister for advice, but he had warned them against doing as the man requested. The magician finally died in terrible agony. The minister told Mrs. Winchester that the man looked black as coal when he had seen him in the coffin. Many magicians only find rest when someone takes the spell of charm away from them, together with the responsibility of carrying on the occult practice. #RandolphHarris 19 of 21

A description of magic ritual can be found in various books on magic. These books have the same significance to the magicians as the Christian Bible has for the Christian. There is a great amount of literature on the subject of magic, the most widely distributed book on the spiritual subject being the 6th and 7th Book of Moses. Unhappily a publisher in Braunschweig has published new editions of this book. The use of the name Moses is only a camouflage. Magicians look on the miracle connected with the staff of Moses as a piece of magic. In this way they try to elevate Moses to the position of their patron saint. The first part of the book reveals how a human may enter into a relationship with the devil. The latter part gives instructions as to how a person can achieve dominion over all the forces of nature as well as the powers of Heaven and Hell through the use of magic. The book has already caused untold harm in the World and people who read it invariably suffer in the process. A house in which the book is kept is also a place where misfortunes often occur. There are many examples which illustrate this fate and we will deal with this problem soon in greater detail. In or about the 27 of December of 1899, a girl about eighteen years of age, Miss Mary Dunbar, was hired as a maid by Mrs. Winchester. Mrs. Winchester described her as “having an open and innocent countenance, and being a very intelligent young person.” She and her aunt, Mrs. Haltridge, were staying at Winchester mansion. A rumor was afloat that the latter had been bewitched into her grave, and this could not fail to have its effect on Miss Dunbar. Accordingly, on the night of her arrival, her troubles began. When she retired to her bedroom, accompanied by another girl, they were surprised to find that a new mantle and some other wearing apparel had been taken out of a trunk and scattered through the house. Going to look for the missing articles, they found laying on the parlour floor an apron which two days before had been locked up in another apartment. This apron, when they found it, was rolled up tight, and tied fast with string of its own material, which had upon it five strange knots. #RandolphHarris 20 of 21

These she proceeded to unloose, and having done so, she found a flannel cap, which had belonged to old Mrs. Haltridge, wrapped up in the middle of the apron. When she saw this she was frightened, and threw both cap and arpon to young Mrs. Haltridge, who was also alarmed, thinking that the mysterious knots were boded evil to some inmate of the mansion. That evening Miss Dunbar was seized with the most violent fit, and, recovering, cried out that a knife was run through her thigh, and that she was most grievously afflicted by three women, who she described particularly, but did not then give any account of their names. About midnight she was seized with a second fit; when she saw in her vision seven or eight women who conversed together, and in their conversation called each other by their names. When she came out of her fit she gave their names as Janet Liston, Elizabeth Cellor, Kate M’Calmont, Janet Carson, Janet Mean, Latimer, and one who they termed Mrs. Ann. She gave so minute a description of them. Mrs. Dunbar said there was something in her stomach which she would be glad to get rid of. She fell into such violent fits of pains that three men were scarce able to hold her, and cried out, “For Christ sake take the Devil out of the room.” In her fits she often had her tongue thrust into her windpipe in such a manner that she was like to choak, and the root seemed pulled up into her mouth. Upon her recovery she complained extremely of the one Mean, who has twisted her tongue and spoke of someone who had tore her throat, and tortured her violently by reason of her crooked fingers and swelled knuckles. Her joints where all distorted and the tendons shriveled up, as she had described. However, through 38 years of residence, Mrs. Winchester’s employees remained fiercely and faithfully loyal, defending every eccentricity. Although usual things did occur in her home, they said she was very strong minded and firm, but always fair and kind. Laziness, theft, gossip or revealed confidences met with instant dismissal. Mrs. Winchester, they claimed, was deeply concerned with the welfare of their families. They were well paid and often additionally rewarded with gifts, even homes or real estate, and left lifetime pensions. #RandolphHarris 21 of 21

Winchester Mystery House

The Winchester Mystery House on a rainy day is a sight to see 😍 Come see for yourself this weekend!
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