Home » behaviour (Page 7)
Category Archives: behaviour
The Haunting Sweetness—I Have Nothing to Live for!

It may be—I do not say that it is—but it may be that it is as unreasonable to require a ghost to appear in an atmosphere of cold skepticism as to require a photograph to be developed in a blaze of sunlight. There is a stairway in the Winchester mansion that appears to lead to the ceiling and stop, but it does lead to somewhere. “This stairway,” Mrs. Winchester concluded, with the graceful movement of her arm, which seemed no less natural than the musical quaver in her tone—“this stairway leads to my son’s rooms.” For the first time in my brief experience of Mrs. Winchester the quiet serenity of expression which constituted one of the many charms of her beautiful face left it utterly. The large, deep brown eyes were visible to me now only through the screen of dropping lashes. The coils of her glorious brown hair were beneath my eyes. She had bent her heard with the manifest purpose of concealing some too poignant emotion. For the space of a minute I had to gaze vacantly at the sudden brownness of her smooth brow, the quick curl of her exquisite red lip. The change from the response of manner which made the mere presence of this lady soothing disconcerted me. I felt a sudden wonder that one so fair to behold should have remained a widow. Then I glanced over my shoulder at the stairway. Access to the wide flight of waxed wood steps was denied by a ceiling curiously at the top of the staircase. My eye followed the stairway to the ceiling. It was that of the top floor. Like everything connected with this Queen Anne Victorian mansion, the was mysterious and of a massive scale. They wound about the turn of the stairway at the top floor and were lost to view behind heavy green curtains of velvet. As I gazed curiously, I heard the notes of one of Beethoven’s most mystical compositions coming from the Grand Ball room. #RandolphHarris 1 of 18

My ears had but begun to drink in the rhythm when I experienced an uncanny shock of what I can only call suspicion. It was the sort of sensation I had had when, years before, I felt intuitively the presence of a person hiding in my room. The instinct had not misled me then. I was sure it did not mislead me now. There was no shadow of doubt in my mind that behind the curtain above us at the head of those stairs lurked an eavesdropper. There seems to linger in things material some trace of the personality of him or her by whose daily contact they once derived their atmosphere or their essence. I know not what term may best denote the subtle influence of the individual upon surrounding objects. A suggestion of it came vividly into my mind as my eye roved up the stair and was halted by the curtain. All objects here conveyed their messages as plainly as a whisper in the ear. The half light seemed charged with intimations of an unrevealed but not unsuspected presence. The very floor beneath my feet, like the ceiling overheard, was telling some story, and telling it in a way that thrilled. However, that lady at my side was moved, apparently, only by the music floating to us from behind the curtain. “That is William himself playing,” I heard her whisper. I withdrew my eyes from the stairway and gazed ne more at the widow’s pale face. Mrs. Winchester was always lovely to look upon, but each time she alluded to her son the light in her deep brown eyes made her seem young despite the wealth she had acquired. She withdrew noiselessly from the gate at the foot of the stairway, and I had no alternative but to follow. We were in the library below before she said another word. “You shall meet my son at dinner; that is, if he comes down to dinner.” She hesitated. Her soft hand clutched the handkerchief she held. “You will not mention that gate to my son?” #RandolphHarris 2 of 18

Her eyes framed a piteous appeal to me as she asked that. I bowed my head, fearing lest a word might wound her. “My son is a little—fanciful.” She brought out the last word by a visible effort. “No one goes to the top floor—not even myself—except the housekeeper.” I had no time to reply before she fled, leaving me to work among the books. Instead of delving at once among the mass of papers upon the library table, I mused for some minutes upon the mystery of the forbidden floor. I have never seen the young man who held such undisturbed possession there. My own connection with this household had begun only a day or two before. My presence in the mansion was due to the anxiety of Mrs. Winchester to give the World an authentic biography of her late distinguished husband. His career had been no less varied than it seemed brilliant. This splendour of his Civil War record and his presidency of the Winchester Repeating Arms Company caused his election to conspicuous public posts. He had served his native and in her diplomatic corps. Great financial enterprises owed their success to his administrative genius. One of his speeches was so perfect a specimen of a certain kind of oratory as to have found a place in the school readers. The widow of this brilliant man had been shocked by what he purported to be accurate versions of her husband’s career. These had been exploited in various periodicals and newspapers in a fashion calculated to discredit the motives of the dead man at one great crisis in the nation’s destiny. Mrs. Winchester burned to vindicate the good name of him whose memory was to her so sacred. The executors of her husband’s estate had made me a most flattering offer to undertake the task of a biographer. The prospect of a few months in the country amid surroundings so conducive to my personal comfort was too tempting to resist, quite apart from all considerations respecting the liberal stipend offered by the widow. #RandolphHarris 3 of 18

This was the second day of my residence in the Winchester mansion. I had no clue the character of the widow’s son. I gathered from the somewhat vague details supplied by the reticent lawyer who engaged me in the city that William Winchester II, was a gifted but somewhat fantastic young man, who wrote poetry and painted. From the elderly housekeeper who showed me to my room on the night of arrival, I derived the additional impression that he kept much to himself. It now appeared that he barred himself against intrusion behind a gate. For the extreme beauty of the widow, I had been totally unprepared. I had expected to find an ancient dame living in the past. I found, instead, a gracious lady, white-haired, to be sure, but seductive in the willowy lightness of her figure and irresistible through the fresh beauty of her face. It was time to dress for dinner when my preliminary inspection of the late president and general’s correspondence was completed. The intimacy of the relation revealed in the letters with men who have made our country’s history was astounding. It was obvious that a biograph of the eminent statesman would prove highly sensational, disclosing, as it must, unsuspected factors in the growth of our republic from an isolated nation to a position of supreme importance among the great powers of the World. One or two episodes of historical importance with which these letters were concerned made it imperative to consult not only the widow, but the son, before any details could be made public. I had not spent two hours in a study of the documents before me, yet I was already in possession of political secrets for which many a sensational publication would pay considerable sums. #RandolphHarris 4 of 18

My appreciation of this face made me a little uncomfortable. What if the facts now in my possession were disclosed prematurely through someone’s indiscretion? I might be accused of betraying a confidence. In much perplexity I restored the bundles of letter to the great desk at which I worked. I must consult the dead man’s son without delay. As I left the library for the dining room my ear caught the strains of music from the top of the house. I halted at the head of the stairs. The keys of a piano were evidently responding to the hand of a master. I could have listened for an hour. The air was quite unknow to me, although the rhythm vaguely suggested the Italian school. The thought flashed through my mind that I might be listening to one of the young man’s own compositions. In the event that, William Winchester II was a genius. My eye met that of the old house keeper. She stood mutely and with the rigidity of a statue, gazing down at my upturned face. I felt a moment’s annoyance. This old lady might be one of those disagreeable people whose aptitude for watching unobserved suggests a tendency to by sly. “Master William will not be down tonight, sir,” she said. Her tone was hushed. Her manner was respectful enough. I could not help thinking, as I studied her lined face, that she alone had access to the forbidden floor. With her last word she disappeared, and I went on down. Whatever intentions I had formed to discuss the matter perplexing me with Mrs. Winchester herself were foiled by the presence of guests. One of these was a graceful young lady, dark-eyed and tall with a becoming gravity of manner. The other was her father, a local judge, pompous and little, with that self-assertiveness which a career on the bench does so much to develop in a man. #RandolphHarris 5 of 18

“So you’re Mr. Axelrod, are you?” he snapped, seizing my hand. “Glad to meet you. I hope you’ll turn out a right account of my old friend, the Senator and President of Winchester Repeating arms.” With that he dropped my hand, or rather flung it from him. I was so extremely amused by his swelling port that I at once forgave the brusqueness of this little judge. One could have forgiven a man with such a daughter. Miss Parfrey soothed where her father ruffled. She deferred where he played bully. But she was hopelessly eclipsed by the dazzling beauty of the brown-haired woman. Mrs. Winchester wore a decollete dress of black and lace, which covered her all the way up to her neck down to her ankles. Her perfect arms were fluttering in motion. Her manifest regret at the absence of her son lent to the smile with which she favored us in turn an inexpressible melancholy that sweetened her face like a perfume. I understood that the judge was a widower. If he could be trying to court our hostess, I wondered. “So William won’t come down from the top of the house!” I heard the judge say as he finished his pot roast. “Gad! He’s behaving like his ancestress.” He looked about him at the rest of us while a broad grin creased his jowl on both sides. I had been exchanging ideas with Miss Parfery on the subject of Venice, but the loud tones in which His Honor proclaimed his impression challenged our attention. “His ancestress!” I repeated blankly, no one else having volunteered an observation. “His ancestress!” repeated Judge Parfrey, attacking the game just set in front of him. “She was to have been married from this very house to an officer of Washington’s army.” Mrs. Winchester proffered this observation in her musical tone. She had not shown much interest in the conversation until now. #RandolphHarris 6 of 18

“The Senator told me the story,” proceeded the judge. “The Revolutionary War was raging at that time.” I glanced at the countenance of Mrs. Winchester. A flushed which heightened her beauty a moment before had left her cheeks entirely. “Did the marriage of William’s ancestress take place?” she inquired faintly. “Gad, no!” cried the judge. “Her betrothed came to this very house a day or two before the wedding was to take place—” He hesitated. “And the British captured him?” I suggested. “They captured her,” replied the judge with a laugh. “Her lover caught her kissing Lord Cromwell’s aided-de-camp on the top floor.” “Then she married the Briton instead of the Yankee!” I made the observation as gaily as I could for the sake of lifting the pall which seemed to have dropped upon the subject. My effort was vain, for the retort of the judge seemed to extinguish us completely. “She married neither,” he said shortly. “Until the day of her death she never left that top floor.” I exchanged glances with Miss. Parfrey. Mrs. Winchester too a sip of coffee. The judge, unaware of the mischief he had done stuck to the theme all night. He was still pointing the moral of the legend when his car arrived to take him home. I heard him taking his noisy leave of his hostess at the door, his loud voice relieved at intervals by a brief remark from his daughter. In the matter of apparitions…popular and simple human testimony is of more considerable weight than is the purely scientific testimony. Mrs. Winchester was still very place when she came back to the dining-room. “I think I will say good night,” she observed faintly. I saw her clutch the back of the chair. In a moment I was at her side. “It is nothing,” I heard her cry. “I am afraid our conversation this evening upset you,” I ventured. However, she shook her head. “Arthur’s absence upset me.” I could just catch her whisper. “He seemed very much attached to her—once. Now he will not even come downstairs for a sight of her.” #RandolphHarris 7 of 18

I understood. I could only gaze in silent sympathy into her face. Then she extended her hand, bade me good night, and left the room. I lit a cigar and made my way to the library. It was close upon midnight as I sank into a great leather chair, yet the thought of bed made me restless. My purpose in coming to this house seemed defeated already. I smoked on in the darkness until I heard a clock behind me chime at the hour. The silver strokes beat the air one after another, until the toll of twelve reminded me that a new day was brining me a duty. I got upon my feet with a disconcerting sense that the location of the electric button that switched on the light was a mystery to be solved. I took a single step toward the window, when a moving something drew my eye to the great bookcase looming in the shadow against an opposite wall. Slowly and steadily the object grew luminous as I watched it. The wraith of a feminine form defined itself to my staring eyes with a loveliness so appealing that, in spite of the thrill, I felt at the root of each hair on my head I would not have sold the sight before me for a bag of gold. It is a mistake to think the giants rumored to lurk the halls of the Winchester mansion were all blood-sucking creatures as the causeway guides say, but, bare in mind they were in drink, were as peaceable as rabbits. I saw a pair of sloping shoulders beneath a firmly chiseled neck. I saw a rounded waist and a delicate hand pressed to a smooth cheek. The long robe forming the vestment of this apparition was twined about the curves of the figure after the fashion favored by all sculptors of Greek goddesses. Only the face was kept from me. I remained for the first few minutes of this experience as motionless as the fantom at which I stared. I did not stir until I saw it glide. The apparition darted and halted, darted and halted, making, it seemed, for the wide door at the extremity of the vast apartment. #RandolphHarris 8 of 18

As I kept pace with its advance I marveled at the ethereal grace revealed in every stage of this mute progress. The restless clock seemed eager to accompany us through the darkness, so quick was its ticking to my ear. I had never quivered with so icy a chill as now galvanized my limbs into a kind of movement so like that of this ghost before me that I seemed unearthly to myself. On, on we went, through the door and out upon the rug beyond. Not until the staircase halted the spectre for a moment did it turn. For the first time I looked into the face. Prepared though I was by the unspeakable perfection of form before me for a loveliness of feature which could alone accompany a presence so angelic, the countenance upon which I was allowed to gaze at last transformed me for the instant into a living statue. the chin, rounded with a beauty that told also of strength; the nose, straight, firm, positive, yet delicate, sensitive, tremulous; the brow, noble and serene—these details blended themselves into an expressiveness that caught its quality from a pair of eyes into which I could not look. They did not seem to evade me. The figure kept its gaze upon the floor. The light radiated from the eyes was that, I saw now, which lent its effulgence of the fantom. I realized by a species of intuition that one glance of these orbs meant the loss of consciousness for any upon whom it fell. No one could have endured the delicious shock of so much beauty. I followed to the very top of the next flight of stairs. The fantom climbed another storey, and on I stole. It made for the gated that afforded access to the forbidden floor. There it halted, and turned to beckon me. I saw the folds of its vesture broaden like a wide white wing as the moving arm it waved pointed on and upward. Then it climbed the stair. I was at the ceiling, too, now, and I could not open the door. An instant recollection of the mother’s warning words enabled me to take my eyes from the fantom for the first time. I could not go any further or search for a secret passageway without becoming guilty of a breach of trust. #RandolphHarris 9 of 18

Yet I could no more have gazed at all this grace and beauty, fantom and thing of shadow though it was, without slavish obedience to its least behest than Paris and the men on the walls of Troy could contemplate the loveliest of women without falling in homage at her feet. I put a hand to my brow as I stole guiltily down to the library with all the silence of the ghost I had just beheld. The spacious apartment allotted to me was directly off the library itself. I had but to grope my way to a corner familiar now and find my bed. I fell upon it like a log. The staring sun roused me with my clothes still on and the vapors of an indescribable intoxication in my head. I made haste to change my clothes. The water of my bath seemed oddly warm, although I took it cold. I was in the dining-room before it occurred to me to look at my watch. It was nearly noon. Master William still will not leave the top floor this day. As I passed Mrs. Winchester, the sweet widow was looking at her garden. “I was afraid you might grow fanciful after that anecdote the judge told us last night,” she began, as I crossed the parlor where she took. “Do you believe in Ghosts, Mr. Axelrod?” I gazed keenly into her eyes for a minute. She was smiling. “Do I look as if I had seen a ghost?” I put the question gaily, but I could feel the beating of my heart. “My family and my fortune are being haunted by spirits—in fact of American Indians, Civil War soldiers, and others killed by the Winchester riles. The untimely deaths of my daughter and husband were caused by these spirits, and some say I am the next victim. However, I have appeased the spirits by building a great mansion for them. As long as construction of my house never ceases, I can rest assured that my life will not be in danger. Building this house is even supposed to bring me eternal life. These spirits are a sort of heirloom.” #RandolphHarris 10 of 18

I could feel that thrill at the roots of my hair. “And what are these ghosts like?” “These ghosts can be friendly or not—but often show themselves in a variety of ways. They can become visible; they can speak or make noises, touch you or even emit an odor like perfume or cigar smoke, to let you know they are there. Sometimes there is a ghostly mist. The vaporous clouds usually appear several feet off the ground and can move swiftly or simply stay still—almost like it is orbiting. The noisy ghosts have the ability to move or knock things over, make noise and manipulate the physical environment. Sometimes I hear loud knocking sounds, lights turning on and off, door slamming, even fire breaking out mysteriously have all been attributed out to this type of a spiritual disturbance. These poltergeists become strong and dangerous. There are also orbs, they appear as a transparent or translucent ball of light that is hovering over the over the ground. It is believed that orbs are the soul of a human. This is what inspired the window I made. There are also ghosts that form cold spots and are kind of like a spiral of light. There are also demons in this mansion. They have powers to heal people who have been possessed and great supernatural abilities in exchange for worship and yielded service. However, if demon powers heal, they can also cause diseases. Their object is not to liberate the victim but to deceive and enslave him or her. They heal or cause sickness as it furthers their nefarious plans. What is more significant is that even when demons help heal physical diseases, they exact a price either in some type of occult oppression or psychic disturbance in their victim or by causing one to fall a prey to error. Demonic spirits always have Satan’s costly price tag attached to it. Once, I was overtaken by a witch doctor. He drew from a leather bag a bundle of papers on which were green and orange markings, an imitation of Arabic writing. He started to read to me from the book, and before I could stop him, he began nonsense reading in an ordinary voice. Then suddenly his voice changed. #RandolphHarris 11 of 18

“He was possessed, and I heard a demon through his lips telling me that I had a sick little girl in my house. (My daughter had been sick for several days after she was born, and as he was a total stranger it was unlikely that he would have heard it. Six weeks later she died,” said Mrs. Winchester. I withdrew to the library without even introducing the subject of that interview with William Winchester II for which I longed. He did not descend from the room above the stairs to the ceiling. I had the dining-room to myself that evening. Mrs. Winchester, or so the housekeeper said, was indisposed. As I seated myself in the library, after a solitary stroll through the shrubbery of the lawn, it occurred to me that, as the authorized biographer of the late General Winchester, I ought to look into his ancestry. It was an easy matter to find the family genealogy among the volumes on the well-stocked shelves. One county history dealt exclusively with the Winchester mansion in which I was now at work. The edifice was venerable—for America—and, inevitably, had served as the headquarters for spiritual séances. I was so deeply immersed in my historical reading as to let three full hours slip by. The stroke of twelve had caught me unawares. I thought of the night before and shivered. Then I switched off the light. The fantom arose from the ground at my very feet! Only the bell in the belfry of the dark mansion tolling reached my ear as I stood rigid in the fantom’s radiant presence. I gazed at the phantom. I was myself and not myself in feeling weirdly, supernaturally energized. The incompleteness of my life was extinguished in the full tide of a holier love than mortals have thrilled to. In the inspiring presence of this wraith, I felt capable of that faith which moves mountains. #RandolphHarris 12 of 18

The fleshly and the spiritual ceased to contend as I contemplated with reverence with the haunting sweetness before me. I could have conquered the World, founded empires—then I became the greatest of poets, endowed with a genius breathed into me by this irresistible ghost. There surged through me all imaginable ecstasies, glorious powers, finer perceptions than ever mortal had. I understood in a flash whatever in my past had baffled me with the mystery of the Winchester House. Strains of exquisite much floated through the mansion. One does not see a ghost, but surrenders to it as the wax yield to the flame. The occult subjection that results is from dabbling with occult literature. Magic is of a demonic character no matter under what name it is known. It is obvious that there is no mathematical proof that either God or the devil exist. Nevertheless there are many things that point to this demonic nature. The simple principal of cause and effect is hardly ever evident in a tangible enough form to prove by law that magic is the root case of some offence or crime, but also some very beautiful things. I did not come out of this trance until a movement of the fantom intimated subtly to me that I was to emerge from its enchantment. I grew aware that I was following the vision once again through the portal. The transcendent object of my infatuation conducted me straight to the forbidden floor. I was favored as before with its beauteous gesture. No thought of the ban so recently placed upon my presence here was in mind, even had I left any power to oppose my mortal will to this immortal spirit. I followed in unceasingly, unquestioningly. There was no physical obstacle to my progress anywhere. The mahogany entry affording access to the room above the stairs to the ceiling had been thrown open. #RandolphHarris 13 of 18

I set foot boldly upon the lowest step of the stair. The first contact seemed to afford me a definite sensation of personality in the very air. I can liken this feeling only to that bitter blast, the vague uneasiness, which is said to disseminate itself through the night as some vast iceberg skirts the coast of San Francisco. I had caught a chill, and I shivered. Nor for an instant did I halt. The stairway did not creak. By the time I had set foot upon its summit I was thrilling to some excitation, breathing in impressions like those one derives from moving passages of poetry or strong scenes in a play. I touched the wall only to find my feelings keener, my sensitiveness to the stimulation increased. All material objects exhaled the mystery stamped upon them by a person or an event in times past of which I was now absorbing impressions. I did not feel that murder had been done here. The tragedy was all of the heart, of the grief of a soul, of the perpetual and impotent longing of one who, loving, poured out an agony of sorrow to walls that caught the mood. The heart that had been crushed was a woman’s. This message, too, I was given by the impregnated air. The curtain at the summit of the stairway was pushed aside as if by a breath from some other World. I had attained a great quadrangular vestibule, tenantless except for the apparition and myself. The ghost, preceding me at an interval of some feet, was kneeling beside a wide window through which the warm night air came gently. I beheld a mass of the flowers in a vase upon a carved mahogany table with marble on its surface. I became conscious of the softness of Persian rugs beneath my feet. I moved as silently as the thing I followed. No attitude could express the forlornness of an indomitable grief more appealingly than that of the kneeling fantom. Magnetized by an attraction that made me daring, I touched the shoulder of the ghost. #RandolphHarris 14 of 18

The whiteness of one arm extended itself to my face. Slowly the vision grew toward me, folding itself closely about my neck and breast until the ghost literally rested in my arms. I could not see the features of my beloved as her unreal lips sought mine. I could not feel the long tresses I tried to stroke. I spoke no word as I vowed to cherish her in the World and prayed for death that I might be with her in the next. The mental and psychic damage done to me as a result of occultism was immense. I was infected by occultism. The time has passed in which witches and magicians were either burned or stoned to death. We must remember that magic itself is not to be understood by our five senses alone for it is rather a metaphysical and religious and extrasensory phenomenon. The tired moon that drooped prettily in the sky had sent a curious beam down here. My eye, habituated more and more to the sweet obscurity, caught now a sharper outline of the vase filled with flowers. The heavy table showed its carved proportions less reservedly. A mahogany chair, resisting as a sleeping monster might rest, upon the floor entered the enlarging field of my vision. The impression made by all these upon my spirits was one of personality radiating palpably from them. Not, indeed, that the objects had themselves this quality. I mean no more than that they emitted or effected suggestions of a personality with which they had been formerly in intimate contact. The darkness of that apartment, pierced by the beams from the window, seemed laden with such revelations. The great chair told of one who has reposed, and reposed gracefully, in its arms. The vase betrayed a secret it had caught concerning her who once delighted in its shapeliness. #RandolphHarris 15 of 18

Every emanation from the things around me was of evil purport. I was being warned. “And you will cherish me forever, beloved?” How I understood that she had put this question I can never tell. The words were not spoken. The language was not Earthly. A something within registered the appeal and responded to it. I told of my own unworthiness to be made the object of a celestial passion. I confessed my longing to reach the confines of the Universe in some high quest of a Holy Grail for her sake. I received the outpouring of her passionate regret that in an Earthly form years before she had cherished thoughts gross and material, the memory of which left her too sullied for the purity of my faith in her now. And her fantom arms were wreathed about my neck still, and her bowed head pillowed itself against me, and she quivered with ecstasies of which I partook as a leaf rises and falls with the breeze of a summer’s day. And her fantom arms were wreathed about my neck still, and her bowed head pillowed itself against me, and she quivered with ecstasies of which I partook as a leaf rises and falls with the breeze of a summer’s day. I besought her now to look into my eyes. I saw her head denying that petition. I received some mysterious intimation that the meeting of our gaze must entail an indescribable fatality, not to her but to me. I conveyed my sense of joy in such a circumstance. Here was the proof of my devotion awaiting her acceptance. Let me but gaze into those eyes and I would wander forever through the Universe a blissful spirit. However, she only kept her face buried upon my shoulder and held my head with her arms. I had begun a more impassioned plea when she rushed from my embrace, reeling to the window. I saw her fall upon her knees cowering. She covered her face with one hand, while, extending the other, she pointed to some object behind me. I turned and beheld—William Wirt Winchester II! #RandolphHarris 16 of 18

There was no mistaking those eyes, that slight forehead, the delicacy of each refined feature. He was his father’s son. For a terrible moment he and I glared into each other’s faces. I saw him raise an arm. He rushed forward. I threw myself between him and the fantom, but when I directed my gaze to its refuge the object of my infatuation had disappeared. The next moment William Winchester II had me by the throat. Then consciousness left me, but not for long. I was prone upon the floor when my senses returned and the arm of William Winchester II was about my head. “I saw her with you!” He spoke in the musical accents of his own mother, but grief never found utterance so wild. His tone was a revelation. I cried my reply with the voice of a man in panic. “She made your vows of an eternal love and you pledged yours in return.” He bowed his head once more. I realized the sense of betrayal that tortured him. The ghost had proved unfaithful. I was torn with his own jealously, but he proved to me that his ordeal had been worse than mine. “I saw her with you!” he said. “One torture has been spared you. You never saw her when her gaze rested upon—me!” I hated him for a second time. Then I conquered my worst self and pitied him. He had removed his arm from my head and was assisting me to my feet. “We shall never see her again.” It was I who said this. He buried his face in his hands. “She was too timid,” he murmured faintly, “to let us look into her eyes.” The question elicited from me by this remark led to further revelations. He, too, had held mysterious communion with the infatuating wraith; had confessed a longing to reach the confined of the Universe for her sake. To him, too, she had professed regret that in an Earthly form years before her thoughts were gross and material. #RandolphHarris 17 of 18

It is conceivable that emotions generated by a passed and passing life may be conditioned by the state of mind at dissolution. The living and the dying set up vibrations in the emotional atmosphere. These continue in agitation. The place grows haunted. An appropriate or corresponding vibration can alone can alone break the spell. When that meets this, the suspended chord is complete and comes to a full close. Or, an emotional scene which has translated itself, so to speak, into terms of a material plane can, like music in a phonograph, retranslate itself back again. I felt now that I had the clue to my ghost. The lady in seclusion on the forbidden floor so long ago had been true to her lover—in her fashion. He had, indeed, surprised her in the arms of another. It was a sentimental accident in her life. She was denied the opportunity to explain. She was possibly the victim of a man’s sudden impulse. My own infatuation with the rare and beauteous spirit had led me far. In any event the longing of the human soul to be understood—the craving of this lady to vindicate herself—persisted while she lived. It was her most vehement desire as she passed away. The very walls, the chair she sat in, the vase in which she arranged her daily nosegay, grew sick with this discarded lady’s longing. If telepathy from living mind to living mind is a force so mighty as to covey a visual image from Santa Clara to Oakland, is it not perfectly conceivable that a telepathic force which has been stored there by the terrific emotional impulse of original crimes—may be powerful enough to produce a visual image? It was so with me. I did not cease my scrutiny of the countenance of William Wirt Winchester II as these thoughts ran riot in my head. His mind was too manifestly overwhelmed by the shock it had sustained. He paled slightly and spoke at last in lone tones. “I have nothing to live for.” #RandolphHarris 18 of 18


I am enitrely convinced of the existence of the Spiritual World–that there are real intelligences in that World, and that it is possible for them under certain circumstances to communicate with this World.

Summer is *almost* here and it’s getting quite warm at the Winchester Estate! Have you ever experienced the house in the summertime?
The Time of the World Disappears Before Eternity

Revolutionary wealth is not just about money. Civilization is one of those big, stuffy words that may intrigue philosophers and historians but puts most people to sleep. Unless it is used in a sentence like “Our Civilization is threatened”—at which point large numbers of people prepare to defend themselves. Today many people do, in fact, believe that their civilization is threatened—and that the United States of America may be doing the threatening. And it is. However, not in the way most of us think. Around the World, critics of the United States of America point to its military and its economy as the main sources of its predominance. It is, however, knowledge in the broadcast sense and new technologies based on it that integrate America’s military and financial power and propel both forward. It is true that America’s technological lead is threatened. According to the National Science Board, foreign students earn nearly 50 percent of all U.S. doctorates in mathematics, computer sciences and engineering. And American youth are showing less and less interests in these fields. NASA officials complain that there are three times as many scientists over sixty as there are under thirty in the space agency. Shirley Ann Jackson, then president of the American Association for the Advancement of Science, has cautioned that “centers of technology-based activity, training, and entrepreneurialism are rapidly spreading throughout the globe. Thus even the status quo for the U.S. represents a declining share of the global marketplace for innovation and ideas.” Nevertheless, America still leads in most fields of digital technology, in microbiology and in science generally. It spends 44 percent of the World budget for research and development. By most criteria, the United States of America is still the undisputed leader in the performance of basic and applied research. In addition, many international comparisons put the United States of America as a leader in applying research and innovation to improve economic performance.

In the latest IMD International World Competitiveness Yearbook, the United States of America ranks first in economic competitiveness, followed by Hong Kong and Singapore. The survey compares economic performance, government efficiency, business efficiency, and infrastructure. Larger economies are further behind, with Zhejiang (China’s wealthiest province), Japan, the United Kingdom, and Germany ranked 20 though 23, respectively. An extensive review by the Organization for Economic Co-operation and Development (OECD) concludes that since World War II, US leadership in science and engineering has driven its dominant strategic position, economic advantage, and quality of life. And at least for now, the United States of America remains the Word’s scientific powerhouse. Perhaps even more important is the speed with which scientific and technical findings from everywhere are converted into marketable applications or products and widely dispersed into manufacturing, finance, agriculture, defense, biotech and other sectors. All of which boosts economic productivity, further accelerates change, and increasing the U.S. ability to compete at the global level. However, knowledge is not only a matter of bits and bytes or science and technology. Part of the knowledge economy is the production of art and entertainment, and America is the World’s biggest exporter of popular culture. That culture include fashion, music, TV programming, books, movies and computer games. Americans have always been told that their most important message to the World is one of democracy, individual freedom, tolerance, concern for “the rights of man” and—more recently—the rights of women. In the last three decades, however, a U.S. media spread into formerly closed or nonexistent foreign markets, a very different set of messages has been communicated. Much of it targeted at young people.

Certainly not all, but a considerable amount of this material has disgustingly glorified pimps, gangster, drug lords, drug pushers, and hollow-eyed drug users. It has celebrated extremes of violence marked by unending car chases, over-the-top special effects and songs dripping with sexist venom. The impact of all this has been further intensified in the hard-sell, over-the-edge advertising used to promote these products. Hollywood, for example, has painted a fantasy America in which adolescent hedonism reigns supreme and authority figures—police, teachers, politicians, business leaders—are routinely satirized. Film after film, and TV shows one after another, tell young viewers what many of them hunger to hear: that adults are bumbling fools; that being “dumb and dumber” is okay; that “we do not need education”; that to be “bad” is really good; and that pleasures of the flesh, in infinite variety, is or should be nonstop. In this fantasy World, women are readily available, but they can also leap over giant buildings in a single bound (like Superman), shoot and kill (like James Bond) and practice martial arts (Like Jet Li). Extremes, we are repeatedly told, are good and restraint is bad; and, by the way, America is so rich that event its secretaries, police, clerks, and other ordinary working people live in high-rise penthouse apartments or Malibu mansions—images that set adolescent glands tingling from Taipei to Timbuktu. What few foreign critics of American’s pop culture seem to know is that ironically enough, many of the ostensibly American firms producing and disseminating the interesting and unusual of these programs either are, or were financed not by America, but by European and Japanese capital. Nor is it widely understood that shows are often made by, say, a European director with an Australian stary, a Chinese martial-arts consultant, an anime cartoonist from Japan or other foreign contributors.

In the meantime, however, the influence of these intriguing programs is so powerful that other societies fear for the survival of their own culture. Only if art threatens action, then terrorism can be advanced through art. For such a phenomenon as Aesthetic Terrorism to occur, aesthetic pursuit must become symbolic not of its own decadently solipsistic pleasures (exemplified in madness of des Esseintes in Huysmans’ Against Nature), but of action taken beyond the pale of art World confines. Terrorism is art is called the avant-garde. However, if this was once the case, it is no longer. Most avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde art is viewed and created today as simply an enfolding reaction to its own history. This disingenuous game-playing guarantees that the avant-garde can no longer stimulate or even provoke. Dada and Futurist actions, which attempted to lead art out of the classroom and museum and into the streets, are simply appropriated by postmodernist facsimiles which capture the letter but little of the original essence. It hardly matters anyway. Avant-garde art has evolved into nothing more than a cultural benchwarmer, corporate tax write-off and public relations smokescreen. Art which openly espouses anti-corporate ideology is embraced as long as it hews to arbitrary standards invented by those taste-making and fortune-telling hirelings, the art critics. What could be wrong, after all, with a business World that allows people to say what they want (because it does not matter)? Aesthetic Terrorism is a term more realistically applied to the faceless regime of consumer culture than the avant-garde. The onslaught of Muzak, ad jingles, billboards, top 40 tunes, commercials, corporate logos, etcetera, all fit the terrorist dynamic of intrusion and coercion.

One almost forgets that aesthetics once implied a consensual relationship between the creators and appreciators of art. How often is it that one hears someone admitting a fondness for a media product “in spite” of oneself? How many times have you heard a slogan or rancid tune ring in your ears like a brain-eating mantra? When consumer terror’s avant-garde correlative, Pop Art, became indistinguishable from the object of its supposed social satire, it erased from big business its pejorative taint. Many of today’s avant-garde stars have emerged from or entered the business World, some enormously successful in the arcane number-juggling or speculation and commodities scams. Even freeloading on the state and private foundations is fair game only for those whose bureaucratic aptitude is matched by their shameless butt-kissing. It is not surprising that most grant recipients excel in little more than lawyerristic logorrhea and ingrained artistic timidity. Critic-centered postmodernism spawned the phrase-art hybrid of Barbara Kruger and Jenny Holzer in which an advertising-style slogan is combined with an implied message or visual cue (usually swiped from some old magazine). Their posture is a hip cynicism which is supposed to subvert the “thrall” of the advertising command. Kruger and Holzer play the market like skillful double-agents, boosting themselves into the public eye through clever steals from Madison Avenue behaviorist techniques yet simultaneously troweling on crypto-Marxist jive to secure the perks of critical and academic currency. Their self-promotions worked when they were at the sidelines of the establishment. However, not the social commentary grows increasingly hollow. Currently being groomed for jet-setting prominence by Soho millionairess Mary Boone, Kruger’s contribution to the Whitney Biennial in 1987, for which she is paid a handsome sum, featured nothing more than a socialite princess joke, “I Shop Therefore I Am.” Winking at and wagging the tail of establishment hierarchy is part of that I-rib-you-gently-you-pay-me-off confidence game artists have been playing the Renaissance courts.

These contemporary court artists, like many of the past centuries, smugly pretend t spit in the eye of the exploiters while allowing themselves to be pampered de-loused—and when they are not looking—de-clawed. There are, of course, those artists, usually fresh out of university, who are unaccomplished at filling out grant forms, and therefore consider themselves “subversives.” The majority of these art and rock magazines-styled rebels are playing out rebellion psychodramas to package and merchandize to consumerist sycophants. This strategy is (forgive them term) the simulacra of terrorism: the content seizes in the frozen attitudinizing of pose and goes no further. We must look to the true outsiders and not the would-be insiders for an artist truly capable of effective counter-terror against the insidious mantras of consumerist brainwash. Terror means a threat, and the outsider’s version of Aesthetic Terrorism belongs to those performances or arrangements of words and pictures that unleash the reactionary impulses of police and bourgeois artist/critic alike. The kind of art that evokes this wrath, fear and condemnation rejoices in its pagan spirit of schadenfreude which controverts the humanist piety of “enlightened victim.” Anti-social sadism rarely receives patronage, however. Outside the corrupting realm of societal handouts, the Aesthetic Terrorist—much as this definition may grate on him—is the last bastion of aesthetic purity. Operation Sun Devil is the name for a government action against computer wizards and assorted sharpies and super-smarts who were resourceful enough to figure out how to hack into the electronic files of Ma Bell. Those who know, claim the Sun Devil gambit as a terrified overreaction against intelligence by the plodding and stupid bureaucracy.

John Perry Barlow (Whole Earth Review, Fall 1990) describes a typical Sun Devil action against a teenage hacker: [A] father in New York […] opened the door at 6.00 a.m. and found a shotgun at his nose. A dozen agents entered. While one of the kept the man’s wife in a choke-hold, the rest made ready to shoot and entered the bedroom for their sleeping 14-year-old. Before leaving, they confiscated every piece of electronic equipment, including all the telephones. Fourth Amendment guarantees against unreasonable search and seizure are unheeded by the government agents who claim nerd computer hackers are terrorists and have “the ability to access and review the files of hospital patients. Furthermore, they could have added, deleted, or altered vital patient information, possibly causing life-threatening situations.” Meacorporate interests have staked claim to the entirety of cyberspace, and they are not about to tolerate the presence of digital interlopers. This may scare off some, but other pirates like the mysterious Legion of Doom and NuPrometheus league (who illegally circulated highly protected Macintosh computer source code) will rise to the challenge now that they have been provided a clearly delineated enemy to innovation, the individual, and personal freedom. It may come as a surprise to learn that a few artists are now producing work which finds itself classified as a thought crime, punishable by expulsion into a Siberia of non-distribution, and in some cases by litigation and imprisonment. Pure magazine, from Chicago, a xeroxed vehicle which extols child torture, murder, and extreme misogyny, tweaked too many civic-minded noses, and its editor, Peter Sotos, was tailed for nine months and underwent a lengthy trial process in which he was finally convicted for possession of some very illegal magazine. Soto’s case was the first successfully prosecuted new Illinois state law, enacted under the influence of the Meese Commission Report on pornography, an example of First Amendment revisionism par excellence.

Soto’s case is particularly disquieting because it proves that prison is in the offing for simple possession of controversial material. No doubt this legal precedent was established to open the doors for future roundups of other thought criminals. The expertly managed Gulf War (massacre), in which networks censored war casualty footage that might provoke a “Vietnam War syndrome,” provides a small window into the dynamics of mass control to come. Any thoughtful individual is undeniably malnourished by the current information diet. Whether this is due to a direct conspiracy of State or by design of the oligarchic marketplace matters little. However, it has upped the ante for a new American Samizdat in which “disreputable,” “crazy,” “hateful,” or “dangerous” topics are broached by individuals or small, autonomous groups that are not compromised or swayed by institutional priorities. Can “offensive interests become the political crime of future? Apparently so. When looking at the previous sentences one can compare and see that musicians have been arrested for obscene lyrics, anarchist individuals have been collared for burning the flag; parents have been arrested for photographing their toddlers in their birthday suits; painter and performer Joe Coleman was arrested in Boston for operating an “infernal machine” and in New York for killing a rat: museum curators were threatened with arrest for hanging homoerotic photos; G.G. Allian was jailed for some consensual sadomasochism with a girlfriend; the FBI have been “monitoring” certain groups who practice unorthodox pleasures of the flesh; and on and on. Even many of the books you read have come under widely publicized attack by authors such as Carl A. Raschke who advocated the revocation of First Amendment rights from those who spread “cultural terrorism.” Even globalization could be considered cultural terrorism.

It has become increasingly obvious that the aesthetic terrorist hobgoblins are nothing more than symbolic scapegoats to divert attention away from the real issues. For Americans, fear is not another form of awareness, it is just another form of gossip. As Charles Manson has stated, true subversive terror can only be actualized by turning off the TV sets. Until then, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorism will be orchestrated by those already in command against insubstantial or non-existent villains. And in the future, while the dumb show of bohemianism plays itself out in the cookie cutter shape of the politically correct martyr/victim, aesthetic terrorists will not involve themselves in the dubious rewards of celebrity. The best of them will work alone, already a part of the enemy camp, and in a chameleon-like stye master the fifth-column algorithms to subvert the ancient regime. We will not know them by name but their compensation will be to affect the outcome of the planet. Until then, there is a lot of work to be done. Under what conditions will cooperation emerge in a World of egoists without central authority? This question has intrigued people for a long time. And for good reason. We all know that people are not angels, and that they tend to look after themselves and their own first. Yet we also know that cooperation does occur and that our civilization is based upon it. However, in situations where each individual has an incentive to be selfish, how can cooperation ever develop? The answer each of us gives to this question has a fundamental effect on how we think and act in our social, political, and economic relations with others. And the answers that others give have a great effect on how ready they will be to cooperate with us.

The most famous answer was given over three hundred years ago by Thomas Hobbes. It was pessimistic. He argued that before governments existed, the state of nature was dominated by the problem of selfish individuals who competed on such ruthless terms that life was “solitary, poor, nasty, brutish, and short” (Hobbes 1651/1962, p. 100). In his view, cooperation could not develop without a central authority, and consequently a strong government was necessary. Ever since, arguments about the proper scope of government have often focused on whether one could, or could not, expect cooperation to emerge in a particular domain if there were not an authority to police situation. Today nations interact without central authority. Therefore the requirements for the emergence of cooperation have relevance to many of the central issues of international politics. The most important problem is the security dilemma: nations often seek their own security through means which challenge the security of others. This problem arises in such areas as escalation of local conflicts and arms races. Related problems occur in international relations in the form of competition with alliances, tariff negotiations, and communal conflict places like Cyprus. The Russian invasion of Ukraine in 2022 has presented the United States of American with a typical dilemma of choice. If the United States of American continued business as usual, Russian might be encouraged to try other forms of noncooperative behavior later one. On the other hand, any substantial lessening of United States of America’s cooperation risks some form of retaliation, which could then set off counter-retaliation, setting up a pattern of mutual hostility that could be difficult to end. Much of the domestic debate about international policy is concerned with problems of just this type. And properly so, since these are hard choices.

In everyday life, if they never invite us over in return, we may ask ourselves how many times we will invite acquaintances for dinner. An executive in an organization does favors for another executive in order to get favors in exchange. A journalist who has received a leaked news story gives favorable coverage to the source in the hope that further leaks will be forthcoming. A business firm in an industry with only one other major company charges high prices with expectation that the other firm will also maintain high prices—to their mutual advantage and at the expense of the consumer. For me, a typical case of the emergence of cooperation is the development of patterns of behavior in a legislative body of the United States Senate. Each senator has an incentive to appear effective to his or her constituents, even at the expense of conflicting with other senators who are trying to appear effective to their constituents. However, this is hardly a situation of completely opposing interests, a zero-sum game. On the contrary, there are many opportunities for mutually rewarding activities by two senators. These mutually rewarding actions have led to the creation of an elaborate set of norms, or folkways, in the Senate. Among the most important of these is the norm of reciprocity—a folkway which involves helping out a colleague and getting repaid in kind. It includes vote trading but extends to so many types of mutually rewarding behavior that “it is not an exaggeration to say that reciprocity is a way of life in the Senate” (Matthews 1960, p. 100; see also Mayhew 1975). Washington was not always like this. Early observers saw the members of the Washington community as quite unscrupulous, unreliable, and characterized by “falsehood, deceit, treachery” (Smith 1906, p. 190). In the 1980s the practice of reciprocity is well established. Even the significant changes in the Senate over the last two decades, tending toward more decentralization, more openness, and more equal distribution of power, have come without abating the folkway of reciprocity.

As will be seen, it is not necessary to assume that senators are more honest, more generous, or more public-spirited than in earlier years to explain how cooperation based on reciprocity has emerged or proved stable. The emergence of cooperation can be explained as a consequence of individual senators pursuing their own interest. We are investigating how individual pursuing their own interests will act, followed by an analysis of what effects this will have for the system as a whole. Put another way, the approach is to make some assumptions about individual motives and then deduce consequences for the behavior of the entire system. The case of the U.S. Senate is a good example, but the same style of reasoning can be applied to other settings. The object of this enterprise is to develop a theory of cooperation that can be used to discover what is necessary for cooperation to emerge. By understanding the conditions that allow it to emerge, appropriate actions can be taken to foster the development of cooperation in a specific setting. The Cooperation Theory that is presented here is based upon an investigation of individuals who pursue their own self-interest without the assistance of a central authority to force them to cooperate with each other. The reason for assuming self-interest is that it allows an examination of the difficult case in which cooperation is not completely based upon a concern for other or upon the welfare of the group as a whole. It must, however, be stressed that this assumption is actually much less restrictive than it appears. If a sister is concerned for the welfare of her brother, the sister’s self-interest can be thought of as including (among many other things) this concern for the welfare of her brother. However, this does not necessarily eliminate all potential for conflict between sister and brother.

Likewise a nation may act in part out of regard for the interests of its friends, but this regard does not mean that even friendly countries are always able to cooperate for their mutual benefit. So the assumption of self-interest is really just an assumption that concern for others does not completely solve the problem of when to cooperate with them and when not to. A good example of the fundamental problem of cooperation is the case where two industrial nations have erected trade barriers to each other’s exports. If barriers were eliminated, because of the mutual advantages of free trade, both countries would be better off. However, if either country were to unilaterally eliminate its barriers, it would find itself facing terms of trade that hurt its own economy. In fact, whatever one country does, the other country is better off retaining its own trade barriers. Therefore, the problem is that each country has an incentive to retain trade barriers, leading to a worse outcome than would have been possible had both countries cooperated with each other. This basic problem occurs when the pursuit of self-interest by each leads to a poor outcome for all. To make headway in understanding the vast array of specific situations which have this property, a way is needed to represent what is common to these situations without becoming bogged down in the details unique to each. Fortunately, there is such a representation available: the famous Prisoner’s Dilemma game. In the Prisoner’s Dilemma game, there are two players. Each has two choices, namely cooperate of defect. Each must make the choice without knowing what the other will do. No matter what the other does, defection yield a higher payoff than cooperation. If both defect, the dilemma is that both do worse than if both had cooperated. Cases typically result in one of four possible outcomes in the matrix. If both players cooperate, both do fairly well. Both get a reward for mutual cooperation.

However, if one player cooperates but the other defects, the defecting play get the temptation to defect, while the cooperating players gets the sucker’s payoff. If both defect, both get the punishment for mutual defection. What would you do in such a situation? That is basically the gamble of the Prisoner’s Dilemma. The Prisoner’s Dilemma is simply an abstract formulation of some very common and very interesting situations in which what is best for each person individually leads to mutual defection, whereas everyone would have been better off with mutual cooperation. The definition of Prisoner’s Dilemma requires that several relationships hold among the four different potential outcomes. The second part of the definition of the Prisoner’s Dilemma is that the players cannot get out of their dilemma by taking turns exploiting each other. This assumption means that an even chance of exploitation and being exploited is not as good an outcome for a player as mutual cooperation. It is therefore assumed that the reward for mutual cooperation is greater than the average temptation and the sucker’s payoff. This assumption, together with the rank ordering of the four payoffs, defines the Prisoner’s Dilemma. We have come back to the point where we began, where values take the place of good and evil. However, now we have made at least a hasty tour of the intellectual experiences connected with modern politics that made such a response compelling. How it looked to thoughtful Germans is most revealingly expressed in a famous passage by Max Weber, about God science and the irrational: Finally, although a naïve optimism may have celebrated science—that is, the technique of the mastery of life founded on science—as the path which would lead to happiness, I believe I can leave this entire question aside in light of the annihilating critique which Nietzsche has made of “the last men” who “have discovered happiness.” Who, then, still believes in this with the exception of a few big babies in university chairs or in editorial offices?

So penetrating and well informed an observer as Weber could say in 1919 that the scientific spirit at the heart of Western democracy was dead for all serious men and that Nietzsche had killed it, or had at least given it the coup de grace. The presentation of “the last man” in Thus Spake Zarathusta was so decisive that the old-style Enlightenment rationalism need not even be discussed anymore; and, Weber implies, all future discussion or study must proceed with the certainty that the perspective was a “naïve” failure. Reason cannot establish values, and its belief that it can is the stupidest and most pernicious illusion. This means, simply, that almost all Americans at that time, thinking American in particular, were “big babies” and remained so, long after the Continent had grown up. One need only think of John Dewey to recognize that he fits Weber’s description to a T, and then remember what his influence here once was. And not only Dewey, but everyone from the beginning of our regime, especially those who said, “We hold these truths to be self-evident,” shared the rationalist dream. Weber’s statement is so important because he made as much as more than anyone brought us into contact with the most advanced Continental criticisms of liberal democracy, and was the intermediary between Nietzsche and us Americans who were the most recalcitrant to one’s insight, perhaps because according to it we represent the worst or most hopeless and are therefore loath to see ourselves in that mirror. A very dark view of the future has been superimposed on our incorrigible optimism. We are children playing with adult toys. They have proved too much for us to handle. However, in our defense, we are probably not the only ones for whom they are too much. Perhaps you have caught yourself kissing another person as you first saw kissing in the movies or on television. My children have a phrase to describe this: “television kiss.”

It is fortunate for them that they have noted that there are television kisses and other kinds, because it will help protect them from absorbing it, taking it into themselves where it will come back out ten years, like a replay. Most of us did not make that distinction as we sat in darkened rooms or theaters as children. Since we did not see all that much real kissing, the media kiss became our image of kissing. We found ourselves producing that model of kiss later in life. I was fourteen-year-old when I tried to kiss for the first time. I imitated Brad Pitt’s kiss, but I did not feel it. Only later did I realize that perhaps Brad Pitt did not feel it either; he was merely kissing the way the director said he should. So there I was imitating a kiss that was never real in the first place, worried that there might be something wrong with me for lacking the appropriate feeling and failing to obtain the appropriate response. The journalist Jane Margold was driving home one night in Berkeley with her brother, Harlan. Suddenly a man crawled into the street right in front of them. They screeched to a stop and then, stunned, just sat there for a moment. They finally got out and cautiously went up to the man to find out that he had been stabbed several times in his upper body, was bleeding profusely and was in danger of dying right there. The man’s assailant was nowhere to be seen. In describing the event to me, Jane said that she instantly flipped into a media version of herself. She had never faced anything like it before and had no direct feelings. Instead, playing through her mind were images of similar events she had seen on television or in films. The media superseded her own responses, even to the point of removing her from the event. She was there, but sue did not experience herself as being there. She was seeing the event, but between her and it, floating in her mind, was an image of an implanted reality which would not get out of the way. Jane thought such thoughts as: “This is real; there is a wounded man lying here in from of me, bleeding to death, yet I have no feeling. It seems like a movie.”

In fact, it was they very movielike quality that eventually got her into action. Without feeling, she performed mechanical acts. She and her brother comforted the man, directed traffic, dispatched people to summon the police and an ambulance. She became extremely efficient, but throughout, she had the sense of performing a script. Apart from their economic implications, technologies create the ways in which people perceive reality, and such ways are the key to understanding diverse forms of social and mental life. As individual express their life, so they are. There are three stages in the development of technology: the age of technology of chance, the age of technology of the artisan, the age of technology of the technician. Cultures may be classified into three types: tool-using cultures, technocracies, and technopolies. At the present time, each type may be found somewhere on the planet, although the first is rapidly disappearing: we must travel to exotic places to find a tool-using culture. If we do, it is well to go armed with the knowledge that, until the seventeenth century, all cultures were tool-users. There was, of course, considerable variation from one culture to another in the tools that were available. Some had only spears and cooking utensils. Some had water mills and coal- and horsepower. However, the main characteristic of all tool-using cultures is that their tools were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow; or to serve the symbolic World of art, politics, myth, ritual, and religion, as in the construction of castles and cathedrals and the development of the mechanical clock. In either case, tools did not attack (or, more precisely, were not intended to attack) the dignity and integrity of the culture into which they were introduced.

With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization. These beliefs, in fact, directed the invention of tools and limited the uses to which they were put. Even in the case of military technology, spiritual ideas and social customs acted as controlling forces. It is well known, for example, that the uses of the sword by samurai warriors were meticulously governed by a set of ideals known as Bushido, or the Way of the warrior. The rules and rituals specificizing when, where, and how the warrior must use either his two swords (the katana, or long sword, and the wakizashi, or short sword) were precise, tied closely to the concept of honor, and included the requirement that the warrior commit seppuku or hara-kiri should his honor be compromised. This sort of governance of military technology was not unknow in the Western World. The use of the lethal crossbow was prohibited, under threat of anathema, by Pope Innocent II in the early twelfth century. The weapon was judged to be “hateful to God” and therefore could not be used against Christians. That it could be used against Muslims and other infidels does not invalidate the point that in a tool-using culture technology is not seen as autonomous, and is subject to the jurisdiction of some binding social or religious system. This is why power, which to a large extent defines us as individuals and as nations, is itself being redefined. A clue to this redefinition emerges when we look more closely at some of the unrelated changes. For we discover that they are not as random as they seem. Whether it is Japan’s meteoric rise, GM’s impressive rebound, or the American doctor’s fall from grace, a single common thread unites them.

Take the punctured power of the god-in-a-white coat. Throughout the heyday of doctor-dominance in America, physicians kept a tight choke-hold on medical knowledge. Prescriptions were written in Latin, providing the profession with a semi-secret code, as it were, which kept most patients in ignorance. Medical journals and texts were restricted to professional readers. Medical conferences were closed to the laity. Doctors controlled medical-school curricula and enrollments. Contrast this with the situation today, when patients have astonishing access to medical knowledge. With a personal computer and a WiFi, anyone from home can access data bases like Index Medicus, and obtain scientific papers on everything from Addison’s disease to zygomycosis, and, in fact, collect more information about a specific aliment or treatment than the ordinary doctor has time to read. Copies of the 2,354-page book knows as the PDR or Physicians’ Desk Reference are also readily available to anyone. Once a week on the Lifetime cable network, any televiewer can watch twelve uninterrupted hours of highly technical television programming designed specifically to educate doctors. Many of these programs carry a disclaimer to the effect that “some of this material may not be suited toa general audience.” However, that is for the viewer to decide. The rest of the week, hardly a single newscast is aired in America without a medical story or segment. A video version of the material from the Journal of the American Medical Association is now broadcast by three hundred stations on Thursday nights. The press reports on medical malpractice cases. Inexpensive paperbacks tell ordinary readers what drug side effect to watch for, what drugs not to mix, how to raise or lower cholesterol levels through diet. In addition, major medical breakthroughs, even if television news almost before the M.S. has even taken his subscription copy of journal out of the in-box. In short, the knowledge monopoly of the medical profession has been thoroughly smashed. And the doctor is no longer a god.

This case of the dethroned doctor is, however, only one small example of a more general process changing the entire relationship of knowledge to power in the high-tech nations. In many other fields, too, closely held specialists’ knowledge is slipping out of control and reaching ordinary citizens. Similarly, inside major corporations, employees are winning access to knowledge once monopolized by management. And as knowledge is redistributed, so, too, is the power based on it. A human is a “beast” and purifies one’s heart, and behold, God holds one by the hand. That is not a kind of humans. Purity of heart is a state of being. A man is not pure in kind, but one is able to be or become pure, rather one is only essentially pure when one has become pure, and even than one does not thereby belong to a kind of humans. The “wicked,” that is, the bad, are not contrasted with good humans. The good is to draw near Hod. One does not say that those near to God are good. However, one does call the bas those who are far from God. In the language of modern thought that means that there are humans who have no share in existence, but there are no humans who possess existence. Existence cannot be possessed, but only shared in. One does not rest in the lap of existence, but one draws near to it. Nearness is nothing but such a drawing and coming near continually and as long as the human person lives. The dynamic of fairness and nearness is broken by death when it breaks the life of the person. With death there vanished the heart, that inwardness of humanity, out of which arises the pictures of the imagination, and which rises up in defiance, but which can also be purified. Separate souls vanish, separation vanished. Time which has been lived by the soul vanished with the soul, we know of no duration in time. Only the rock in which the heart is concealed, only the rock of human hearts does not vanish. For it does not stand in time. The time of the World disappears before eternity, but existing humans die into eternity as into the perfect existence.

CRESLEIGH MEADOWS AT PLUMAS RANCH
Plumas Lake, CA |
Now Selling!

Cresleigh Meadows is now selling! Found just north of Feather River Boulevard, Cresleigh Meadows is home of the largest neighborhood in Plumas Ranch as well as the popular Bear River Park. With four floor plans available, ranging from approximately 2,000 – 3,500 square feet offering, three to five bedrooms, we are certain you will find the home that fits your needs and lifestyle.

Popular design elements include open floor plans, large kitchen islands, and flex spaces are staples in Cresleigh homes. Multi-generational living options also available in select homes.

Homeowners will love the convenient commuter access to nearby Sacramento and Yuba City.

Best of all, each Cresleigh home comes fully equipped with an All Ready connected home! This smart home package comes included with your home and features great tools including: video door bell and digital deadbolt for the front door, connect home hub so you can set scenes and routines to make life just a little easier. Two smart switches and USB outlets are also included, plus we’ll gift you a Google Home Hub and Go. https://cresleigh.com/cresleigh-meadows-at-plumas-ranch/

Are You Brave Enough to Explore the House at Night?

The one problem with oral language is that after being handed down from generation to generation, the reasons for certain social laws are often forgotten and they become elevated to the stature of natural laws, the breaking of which is felt by humans to be detrimental to one’s survival as an organic entity. The laws begin to work independently of the reasons for their existence and in the process assume greater force. “Thou shalt not” is the basic of the concept of social evil. Thou shalt not kill, thou shalt not steal, thou shalt not covet they neighbor’s wife—all these are examples of social evils. If indulged, such acts are evil in that they would facilitate the breakdown of ties within the culture; they are prohibitions aimed at maintenance and control. Seldom have these evils been personified by any particular god, since they act in the capacity of universal laws and, as such, are mechanical, impersonal. Satan has not personified these social taboos in the same sense that Set personified the night and Horus personified the sun; he rather has skillfully manipulated these moral edicts in an attempt to undermine the forces of righteousness and good. Satan as personification of evil has beaten a consistent and clear path through the religious history of Western man and in each guise has been representative of the social type of evil. He has been uniformly antisocial, anti-humanity, anti-God throughout all the religious systems in which he has appeared, at least according to the tenants of the opposing side. However, only under one of the religions in which he appears, Christianity, did a separate movement materialize devoted to his worship as a symbol of the anti-God. The reason for this has been stated many times by writers and historians: historically, Satanism as a religion was the anomalous child of Christian repression.

The reason that Devil worship reached the degree of organization and the size that it did under Christianity, and under other monotheistic religious systems, is the Christian definition of evil. The idea of social evil for the Christians soon became aligned and synonymous with self-indulgence. The Christian idea of the Seven Deadly Sins (greed, pride, envy, anger, gluttony, lust, and sloth) is indicative of this aversion to self-indulgence. Pleasure came to be looked upon as being tainted. Man found it hard, nevertheless, to dissociate himself intellectually from self-indulgence and from his own carnality, from his emotions and from his physical delights. His self became divided and he found that he was being led in two directions at once. A gulf widened between man’s conscious and unconscious mind, and he found himself obsessed by images of his instinctual nature, his animal being. The Devil, conceived and cast in the form of the ubiquitous chtonic snake, functioning at an unconscious level as man’s animal being, was looked upon by the Christian theologians with stern foreboding. The people were told that the Devil was evil, that he represented carnality, pride, lust, gluttony, rebelliousness, all those centrifugal forces that would tend toward atomization and social disintegration. They were told that Satan was evil because he had dared to opposed God, the perfect and omnipotent creator of the Universe. The people nodded in agreement, for they knew that this was correct, but at a deeper level of consciousness something squirmed uncomfortably. It all struck a chord that was just a bit too familiar, for the Devil reminded them of somebody they knew very well—themselves. He was self-indulgent and so were they; he had great pride and so did they; he rebelled against tyrannical authority and so did they often use to.

Satan painted a colorful picture, to be sure, much more attractive than the one of an overpowering, intolerant, faultless God whom none could ever hope to approach in perfection. So the Devil remained intact as a symbol under Christianity; he was humanity in all its weakness, and it was from this manifestation that he originally derived all his strength. In other religions in which he played a major role, Satan had never achieved any great following simply because the theologians, in their mythmaking functions, were more careful in their social definitions of evil. All those religious systems in which Satan has appeared share one common trait: they are all monotheistic and, as such, need a negative balance for the beneficial construct of an all-powerful, all-good, and merciful God. Satan is necessary because there is no other way to dispose of the evil realities constantly confronting humanity. Since pestilence, famine, and death are formidable evils faced by all humans, and since it is difficult, to day the least, to attribute their origin to pure goodness, an evil source must be assumed to exist. In undertaking to relate some of my experiences in connection with the purchase and sale of haunted houses, I was successful in this class of business, but some of my adventures I went through were of such a character that I dared not continue. My nerves are fairly strong, but there are some things which I never wish to face again. I was first tempted to dabble in this unlucky class of business with what is now known as the Winchester Mystery House, which is an extravagant maze of beautiful Victorian craftmanship—marvelous, baffling, and eerily eccentric, to say the least. The Winchester Mystery House became known as “the house built by the spirits.” At the time of Mrs. Winchester’s death in 1922, there were rooms full of ornate treasures still waiting to find a niche in the massive home.

A client was anxious to see me one day, he wanted to make an immediate offer, at almost any price, for the most mysterious hose in the World. However, once he took a tour of the house, he said it was haunted and ran out the front door. The house became very hard to sell. It was all nonsense, of course; but the people in the neighborhood had it in their head that this was a haunted house; and now if any tenants come they are sure to hear of it directly, and get frightened. The result is that I had lost tenant after tenant, and the reputation of the Winchester mansion was so bad that I could not sell it. I assured the clients that the house was in thorough repair, but tended to be reluctant to answer the questions about the ghosts. Potential buyers would ask, “Are there any stories about the house?” Anything to account for its being haunted?” “No; no. What story should there be? It is a modern house—hardly been built for 36 years.” “And how long has it been your property?” “I bought it as soon as it was put up.” “And how long has it been haunted?” I frowned because I disliked to hear this word. “The hose has been talked about for some years now—20 or 30 years,” I replied. The client’s curiosity about the Winchester Mansion was so strong. When I took him on the tour of the estate, he was shocked at how beautiful it was. I had no, however, been able to find a caretaker because you must pay them for living in such a house. I had been trying to get someone to come and occupy it rent free for a time in order to live down its reputation, but often times the tenants would go missing. The client asked if there was any room particularly connected with the ghostly rumours. The grounds have their share of unexplained mysteries.

After a monetary hesitation, I led him upstairs into what was Mrs. Winchester’s principal bedroom. In the inner courtyard, there is a crescent shaped hedge that points to Mrs. Winchester’s bedroom—the one where she died. Coincidence? Maybe…but again, we will never know for sure. “Is this where the ghosts walk?” he asked as he glanced around the empty room. I was plainly annoyed by his insistence. “There are no ghosts, and they do not always anywhere,” I said irritably. I glanced up at the ceiling, and swiftly withdrew my eyes with a nervous tremor. I could tell the client was firmly persuaded that I had been the victim of some spectral horror, though I was anxiously trying to conceal it for fear of frightening him off. “Perhaps I had been not tell you anything,” I said, after considering a moment. “There is a great deal in the influence of suggestion, so it is said. If I were to tell you what the people who have slept in this room have seen, or dreamt they have seen, that might be enough to make you dream the same. Whereas, if a sensible man without any notions came and slept here, one would most likely never be disturbed.” Upstairs I showed him another room which was an unfinished attic space. The prospect from the widow showed hum that it was situated over the haunted chamber. “Is there something wrong with this room as well?” he demanded. “The servants do not like sleeping in it,” was my grudging admission. “It does very well as a boxroom.” The client was very anxious to secure an option to purchase the Winchester Mansion at the end of the month. My next step was to secure some attendance, and to send down some furniture for the many empty rooms which they mystery appeared to cling. All of Mrs. Winchester furniture had been sold at auction.

It took movers six weeks, six truck loads a day, to empty the mansion. Many of them often got lost. I was not very well pleased with the idea of taking the ghosts seriously. However, I knew that there were things in Nature which ordinary rules did not explain. I had seen things myself which could not be accounted for by natural means. I dared not tell the client that there had been a murderer lurking in the mansion ready to spring on potential clients and stab them. Suddenly, we heard a low moan—the moan of a creature in mortal terror, drawn out till it became a muffled scream. The moan was repeated, coming distinctly from the room below us. This is why I did not live having an open house at night. With candles in hand, as we reached the third floor landing the moan was repeated in a more terrible key—the key of horror instead of terror. At the same moment the door of one of the haunted rooms was thrown open, and suddenly Agnus, the maid, appeared on the threshold, with a cloak thrown over her shoulders, and a look of fear and distress on her face. “What is it?” I asked. “Merrill, she has seen something horrible, and I cannot get her to come to.” Without stopping to consider questions of etiquette, I dashed into the room. The gas had been turned full on, and by its light I saw the young lady lying stretched out on a couch at the foot of the bed, her features frozen into expression of one who looks upon some horrid sight, while from her parted lips there issued those appalling sounds which wounded like the stabs of a knife. I caught her by the shoulders and shook her, without making the slightest change in her swoon-like conditions. “Water!” I called out to Agnus, who stood wringing her hands, too dazed to act.

The water was brought, and I dashed half a glass in the face of the sufferer. At first it had no more effect than if she had been dead. Then came a startling change. The moans suddenly ceased, the victim opened her eyes, which showed the dull glassy stare of a somnambulist, and sitting half up, she commenced muttering so quickly and indistinctly that it was difficult to catch the words. “The blood, the blood, the blood, the blood, dripping, dripping, from the read lead in the ceiling, the red leak in the ceiling, in the ceiling, dripping on me, dripping on me, dripping on me!” The words rose into a wild shriek as her blank eyes were turned full on the ceiling overheard, the ceiling between the room she was in and the dressing room the size of three rooms. Involuntarily I looked up and the ceiling did not show the slightest mark. We lifted the unconscious lady and carried her out of the accursed room, and into one adjoining, where we laid her on the floor. Hardly had she passed the doorway of the haunted chamber when the dreadful screams began to die away, and the rigidity of the features to relax. In a short time the trance conditions passed away and we left Merrill to sleep. When she woke in the morning, we told her she had just has a bad dream, but she remembered nothing of what had passed in the night. At her own request, at breakfast, I described to her what had occurred, as minutely as possible. She was profoundly impressed. Of course, the client had bolted out of the house. However, Merrill, said with great conviction, “I am certain that what I saw represents something that actually happened in this house. Dreadful as it sounds, I firmly believe that somebody has been murdered in that attic with the witches cap, and that his blood did drip through the ceiling of the room below, as I saw it last night.”

As soon as the staff left the house, I went straight to a builder’s in the neighborhood, and engaged him to send some men to examine the flooring between two of the haunted rooms. The builder received my order with marked interest. “I knew there was something the matter with that house,” he observed. “It ain’t likely that tenant after tenant would come away sacred without something was wrong. Why, do you know, sir, in the last year since Mrs. Winchester died, I’ve white-washed one ceiling in the house thirteen times!” The builder’s interest led him to accompany his men, a carpenter and a plasterer, to the scene of action. I pointed out that place on the ceiling, as nearly as I could judge it, from which the ghostly dew had appeared to fall. Then men took measurements, and then, proceeding to the attic above, located a spot under the bed I used to sleep in. The bed was quickly removed, the flooring stripped off, and in the space between the joists there was exposed a mass of lime. Both the men, as well as their master, were quick to declare that the lime could not have been left there for no good,” the builder asserted. “If you want somethings hidden away and destroyed, there is nothing better than what lime is when it is fresh. It burns as well as fire, and makes no smoke.” “You mean a dead body?” I said shuddering. “I don’t say nothing about that,” the builder answered, pulling himself up. “It ain’t for me to say what that lime’s been used for. All I say is it wasn’t me that left it there, nor yet my men.” The two men began clearing the stuff away. The volatile element had evidently evaporated long ago. As they struck downward with their tools, one of them went through the plaster of the ceiling below, and a shaft of light came up.

An exclamation from one of the men followed. I bent down and peered into the cavity. On a large beam which here crossed the floor I saw a deep black stain, the stain of long-dried blood! A moment after the carpenter stood suddenly, griped about with one hand amid the woodwork, and drew forth to the light a small sharp stiletto, rusted with the same dismal stain. Nothing more was found. I gave the builder an order to entirely renew the flooring between these two haunted rooms. The most extraordinary part of the story remains to be told. The report of what had taken place having got abroad in the county, the local police came to me to obtain the stiletto, which I had been careful to preserve. By its means they were enabled to unearth a crime which had gone unsuspected till that hour, and to extort a confession from the murderer. Into the details of this terrible case, I do not care to enter. However, it is sufficient to say that the victim had perished while asleep in the attic, and that his blood had actually soaked through the ceiling into the room below, which was that of his murder—the Butler! Later that night, I was alone in the Winchester Mansion. A bright moon was out that night, and I heard a noise like a million soldiers, thrampin’ on the road, so I looked, and the hallway was full of little men, the length of my palm, with gray coats on, and all in rows like one of the regiments; each spoke with a pike on their shoulders and a shield on their arms. One was in front, byway he was the general, walking with his chin up as proud as a peacock. They marched right out the door-to-nowhere and there was another army of men with red coast. The two armies had the biggest fight you have even seen, the grays against the reds.

After looking on a bit, I got excited, for the grays were beating the reds like blazes. And then the sight left my eyes and I remembered no more until morning. I was laying on the floor, in the hallway, where I had seen them, as stuff as a crutch. Typically old castles, deserted graveyards, ruined churches, secluded glens in the mountains, springs, lakes, and caves all are the homes and resorts of fairies, as is very well known on the west coast. The better class of fairies are fond of human society and often act as guardians to those that they love. They are believed to living in the Winchester Mansion to receive the souls of dying and escort them to the gates of Heaven, not, however, being allowed to enter with them. On this account, fairies love graves and graveyards and of course this 160-room mansion built to appease the spirits who died at the hands of the Winchester rifle. They have often been seen walking to and fro among the rooms and gardens. There are, indeed, some accounts of faction fights among the fairy bands at or shortly after a new soul enters the mansion. The question in dispute being whether the soul of the departed belonged to one of the other faction. The amusements of the fairies consist of music, dancing, and ball playing. In music their skills exceed that of men, while their dancing is perfect, the only drawback being the fact that it blights the grass, “fairy-rings” of dead grass, apparently caused by a peculiar fungous growth. Mrs. Winchester used to host fairy balls in her Grand Ball Room, the music for which was furnished by an orchestra which the management had no doubt been at great pains expensive to secure and instruct. All around the fairies would dance like angels the fireflies giving them light to see by, and the moonbeams shinning on the lake for it was light to see by. Even now, staff who have been at the Winchester Mystery House sometimes hear the soft strains of their voices in the distance, and will hurry away least they discover one’s presence and be angry at the intrusion of their privacy.

When in unusually good spirits the fairies will sometimes admit a mortal to revels, but if one speaks, the scene at once vanished, one becomes insensible, and generally finds oneself by the roadside the next morning, with the drudgery of pains in one’s arms and legs and back, that if thirteen thousand devils were after one, one could not stir a toe to save the soul of one, that is what the fairies do be pinching and punching one for coming on them and speaking out loud. Black magic has not changed since the Middle Ages. The term “black art” was then applied to magic because the proficient in it were considered to be in league with the powers of darkness. The term “black magic” refers to the art of producing supernatural effect by direct league with Satan and demons. Frequently those who practice black magic make an actual pact with the powers of darkness, signing their allegiance to the devil in their own blood. This ceremony had come down from the Middle Ages to present-day Europe, where it is practiced in parts of Germany, France, and Switzerland. The ritual of signing an agreement involves a complete sell-out to the devil. Some magic involves the direct solicitation and help of demons, specifically the devil. It is the most terrible and powerful form of occult art, majoring in enchantment for persecution and vengeance, but also employing diabolical powers for defense and healing. An example of this nefarious practice is found in the death spells cast by witch doctors among aboriginal people, such as the Papuans on the island of New Guinea. Enchantment for persecution and vengeance, as well as for defense and healing, is still practiced today, not only in pagan cultures but also in civilized lands where occultism flourishes. Literature on magic was found in the Winchester Mansion and auctioned off with the rest of Mrs. Winchester’s belongings. There were incantations, charms, and spells.

One of the movers, who have never been troubled with psychic disturbances, returned home from taking the items to San Francisco to be auctioned off, and suddenly found himself suffering from acute fear dreams. He had the feeling during sleep that a neighbor lady, the mother of his coworker who was still missing after moving items out of the mansion, was strangling him. The tormented man went to an occultist who told him he was under magic persecution. The neighbor woman was seeking revenge on him for his good fortune in the light of her son’s bad fortune. With the occultist’s help, the terror-dreams creased. (That is why theft from the Winchester Estate is not tolerated. It is said to bring curses on those who remove sacred items without permission or payment.) Then the former mover found himself under a new attack: the neighbor was causing his cattle to die, head after head. The conjurer promised to remedy this new menace. Scraps of paper inscribed with magical formulae were to be mixed with the food of the cattle. The astonishing result was the cessation of the cattle epidemic. In addition to many cases of persecution and self-defense by black magic, occult healing are also common. A local farmer at the Winchester estate went to Mrs. Winchester for counseling and related the traffic results of charming by black magic. The farmer’s son had become paralyzed after an illness. The doctor could not help. However, Mrs. Winchester healed the boy through black magic, so that the paralysis disappeared completely. She had developed this skill after the death of her six-week-old daughter and her husband. Ancient and modern pagan religions, as well as those who subscribe to Christianity, have produced such psychically endowed mediums who have improved their gifts by the study and practice of the magical arts.

From what source people derive their power is not always clear—probably neither to they themselves nor their devotees have ever set themselves the task of unravelling that psychological problem. If they were turned wizards or witches, and indeed they only represented white witchcraft in a degenerate and colourless stage. Their entire time is not occupied with such work, nor, in the majority of cases, do they take payment for their services; they are ready to practice their art when occasion arises, but apart from such moment they pursue the ordinary avocations of rural life. The gift has come to them either as an accident of birth, or else the especial recipe or charm has descended from father to son, or has been bequeathed to them by the former owner; as a rule such is used for the benefit of their friends. Seen from the parapsychological point of view, magic persecution is a mediumistic problem similar to that of materialization. In the same way that a medium can emit energy that can be transformed into the phantasm of a man, so he is able to transform the same energy into the form of an animal. We have on record many cases of the materializations of dogs, cats, frogs, snakes, and even cases where the apparition was half man and half animal. If a phantasm is injured in some way at a spiritistic séance then the medium also suffers in a similar way. The same holds true in the case of animal phantasms. We are thus justified in coming to the conclusion that magic persecution is on the same level as materialization. Many methods of defence magic are based on this fact. If the victim is able to injure the phantasm that is assaulting one, it is reckoned that one has as good won the battle. We have seen then that certain forms of spiritistic offensive and defensive magic are based on materializations.

In 1888, a large black cat was found to be hanging around the Winchester mansion. In one of the cottages, on the estate, a farmer’s wife was about to give birth to a child. The cat would not go away until finally someone threw an axe at it, thereby injuring its leg. Next day it was discovered that an old woman on the estate also hurt her foot. The servants knew this woman to be a master of black magic, and indeed a few days later she took her revenge. On visiting the mother, Ida, of the new-born child, the witch murmured something and at the same time patted the child on the head. Thereafter the child cried continuously for days on end and could not be pacified. It was also discovered that as the child grew up its memory was particularly weak. Afterward the woman had three miscarriages, suffered the early death of her mother and disappearance of her father, but the source of her mental problems was far more spectacular than these mundane tragedies. Using hypnosis, Mrs. Winchester discovered that this mother to a new born had been repressing memories of an horrific past in which she had been an unwilling member of a murderous Satanic cult. Recollections would have convinced many mental-health professionals that she was suffering from pathological delusions. Her “memories” revealed a cult, led by the a monstrous Joris-Karl Huysmans, who indulged in acts of unbelievable brutality in the name of the Devil, such as blood-drinking, and other unspeakable acts. Mrs. Winchester considered the woman to be of nervous debility and easily influenced. When she had the servants cottage searched, they discovered a secret room, holding an apparently sacrificial altar with a wooden dagger suspended above a glass bowl.

In our files, there are about 40 examples involving cats, and almost all of them deal with the same problem, that of a person causing an apparition to appear in the Winchester Mystery House or elsewhere on the estate. Hamilton Howard was once hired for a job on the estate. The young man was on the verge of being dismissed because he very mysterious. He had a fair share of Satanic drawings in the cottage he was allowed to stay in, while working at a farm hand, and he never had meals with the other men. He belonged to a blood drinking cult. This might explain why stories began circulating about the carcasses of cows being discovered on Mrs. Winchester’s farm and other nearby farms drained of blood, with their eyes, lips, and private organ removed. The mystery of where the blood had cone, and how and why these animals had been operated on with seemingly surgical precision, gave birth to stories of Dracula in California and the California Cannibals. Occasionally, starving people have resorted to cannibalism for survival necessity. It is no secret, however, that Mrs. Winchester had her fair share of hauntings. One night, she heard footsteps going from the basement to the attic and then back again. There were also footsteps in the hall and at first, they thought that it was a burglar. Often her staff would search for an intruder. In addition to the footsteps the lights were sometimes turned on, and the gas too. No amount of careful investigation was able to produce any evidence as to the cause of the apparent haunting. One night, Mrs. Winchester had a séance in her Blue Séance Room. The spirit with whom she had made contact started that he had been a Catholic priest who had lived in the house 200 years before she renovated the original farm house and turned it into a mansion. He had murdered his housekeeper and had buried her in the basement. Since then, he had had to haunt the scene of his crime.

When asked in which room he had murdered the housekeeper the table suddenly began to move across the floor. It then hit the door of the room so hard that the wood was chopped. As Mrs. Winchester opened the door, the table rushed into the adjoining room and slid into the corner. In the course of doing this it hit an oak bedstead so hard that it left a permanent impression on it. The spirit was questioned further and when she asked is there was anything that could be done for him, he replied, “Yes, you can pray for me.” Mrs. Winchester did in fact pray for the restless ghost after that, and for a number of years the mansion was no longer haunted. The mansion has been haunted for several generations before its expansion. However, more than one ghost was attached to the property and it became a nexus for spiritual activity. Every person possesses one’s own home spiritually. This possession continues to live on in the house after the departure of the person concerned. Humans do not only leave behind their physical body when they die, but also a spiritual “larva.” When one dies, one leaves a spiritual complex behind that has an independent existence in the astral World, and which sometimes only disintegrates centuries later. This spiritual complex is supposed to cause the phenomen on ghost and apparitions. For some, the real of the dead is not so much a place as a state of being, and some think that there are times, as for example at one’s deathbed, when this realm of the dead becomes visible to our Earthly eyes. The idea that human beings have to remain in the mortal sphere after their death until they are freed from all the thing that once tied them to the World is widely accepted. This idea is similar to the popular opinion that criminals and other such people have to haunt the place of their crime until they are taken out of this sphere to a higher or lower level of existence. Ghosts do not occur only in connection with spiritism, but we have dealt with them here since the problem arose.

Winchester Mystery House

Are you brave enough to explore the house at night? 👀 The Winchester Mystery House is offering Friday the 13th Self-Guided Flashlight Tours. Tickets going fast! Click the link or hastage for tickets and more information.
Kitchen Dramas—Are they Arms Race or Saving Civilization as We Know it?

One a person experiences the full impact of the conflict in consciousness, one turns in an accusing rage on the target object. During the past several years, I have spent a good deal of my time blaming television for many of the more obvious dysfunctions from which Western culture—and especially America—is now suffering. It has been pointed out to me that I do this because I am by nature a negative person, always ready to condemn what is wrong rather than to praise what is right. Several of my students have even gone so far as to observe that had I lived during the period of incunabula—during the first fifty years of the printing press—I would have burdened everyone with a long list of depressing prophecies about the dangers of the machine-made book and universal literacy. However, my students are only half right. Assuming I had the brains to see what was happening in the year 1500, I would certainly have warned the Holy See that the printing press would place the word of God on every Christian’s kitchen table, and, as a consequence, the authority of the Church hierarchy would be put in jeopardy. Had I been granted a papal audience, I would have warned the Pop that armed with a printing press, Martin Luther was more than a malcontent priest suffering from a bad case of constipation. The printed word made him a serious revolutionary. I might also have warned the local princes that their days were numbered, that printing would give form to a new idea of nationhood which would make local potentates obsolete. And if the Brotherhood of Alchemists had allowed me to give the keynote address at their annual convention, I would have told them to go into another line of work, that printing would give great impetus to inductive science and that alchemy would not stand against the glare of publicly shared scientific knowledge. #RandolphHarris 1 of 20

I would also have told any wandering bards who came my way that within a hundred years their trade would lie in ruins, that tribal lays and epic poetry were doomed, and that they would be wise to urge their trainees to turn their talents to writing essays and reading novels. Now, not every one of these prophecies foretells a bad thing. That is why I said my students are only half right. Whether or not a prophecy is negative depends on your point of view. For example, since most of you are Lutherans, you probably would have cheered the breakup of the Holy Roman Empire. The Catholics of those times would, of course, have mourned it passing. In any case, there are some changes brought about by new media benefit some, harm others, and to a few do not make much of a difference. This is as true of television as it was of the printing press or any other important medium, although in the case of television there are very few indeed who are not affected in one way of another. For most of you here, television will provide a gratifying career. On the other hand, and in the long run, television may bring an end to the careers of schoolteachers, since school itself was an invention of the printing press and must stand or fall on the issue of how much importance the printed word will have in the future. New media break up old knowledge monopolies; indeed, create new conceptions of knowledge, even new conceptions of politics. If not for television, Joe Biden, for example, would not be President of the United of America, which is good for him and the interests he represents, but not so good for the poor and vulnerable. However, television can people good as it creates a true theater of the masses. For example, between the years 1948 and 1958, approximately 1,500 fifty-two-minute plays were performed “live” on American television. #RandolphHarris 2 of 19

“Live” means that these plays were performed at the precise moment they were seen by the television audience, a condition which since the advent of videotape and the widespread use of film has become increasingly rare; “fifty-two minutes” describes the actual running time of the play, eight minutes of the hour being subtracted for commercial messages, the listing of credits, and publicity for the next week’s play. There is no doubt that American television’s finest dramatic moments were provided by fifty-two-minute hours, particularly by such weekly series as the Kraft Television Theater (1947-58), the Philco-Goodyear Playhouse (1948-50), and the Studio One (1948-57). These programs began by presenting adaptations of classic and established contemporary novels but by 1950 had shifted to original dramatic work. By that time, such producers and directors as Worthington Miner, Fred Coe, Delbert Mann, Arthur Penn, and John Frankenheimer has assembled about them several gifted young writers who were prepared to devote their collective talents to a serious exploration of television’s artistic resources. Included in that group, among others, were Reginal Rose, Tad Mosel, Robert Alan Aurthur, Horton Foote, Rob Serling, J.P. Miller, and Gore Vidal. None, however, wrote more fittingly for television than Paddy Chayefsky, whose name, along with Edward. R. Murrow’s, symbolizes what romantics call “the golden age of television.” Mr. Chayefsky was to the “original” television drama what Mr. Ibsen was to the “social drama,” which is to say that he was one of the first creators and certainly its most distinguished one. Like Mr. Ibsen, he achieved an almost perfect union of form and content. Critics have observed, for example, that the effects that Mr. Ibsen achieved in A Doll’s House and Ghosts were a function not only of his themes, with which audience were certainly familiar in 1879 and 1881, but also of the stark, simple, and economical form in which he stated them. #RandolphHarris 3 of 19

Social dramas had been written before Mr. Ibsen, but it remained for him to discover the form for dramatizing social problems. Mr. Chayefsky, of course, did not write for the stage behind a proscenium arch, viewed from a distance in a darkened theater. He wrote for a seventeen-inch screen situated in a family living room, on which the only colors were varying shades of gray. He also had to present his story, from start to finish, in fifty-two minutes, and he could make two assumptions with absolute assurance: that his play would be interrupted at least twice for commercial messages, and that he would have to attract his audience instantly or lose much of it to other channels. He knew, too, as did his director, Delbert Mann, that the picture on the television screen is considerably cruder in visual definition than that on a motion-picture screen. So Mr. Chayefsky wrote his plays in anticipation of the audience’s observing the players in almost unrelenting “close-up.” Mr. Chayefsky realized that some of these technical-aesthetic conditions could create, as could perhaps no other medium, a sense of utter and absolute reality; could create the illusion that what the audience was seeing was not a mere play but life as seen through a seventeen-inch, nearly square hole. Beginning with a play called Holiday Song, which dealt with a rabbi’s re-examination of one’s faith in God, Mr. Chayefsky created a series of dramas that have often been characterized as “small” masterpieces, sometimes referred to as “kitchen” dramas, since much of the action seemed to take place in family kitchens. In any case, they were plays about unexceptional situations. The plots were uncluttered, and undaring, and highly compressed. They had few unexpected turns, little action, no treachery, no perversion, and no heroic gestures (in the traditional sense). #RandolphHarris 4 of 20

Mr. Chayefsky’s stories were “small” very much as Sherwood Anderson’s stories are small. The setting was New York, not small-town Ohio, but like Mr. Anderson, Chayefsky explored in economical but meticulous detail the agonizing problems of small people. And thus he elevated the status of both the problems and the people who suffered them. In fact, Mr. Chayefsky once remarked that “Your mother, sister, brothers, cousins, friends—all of these are better subjects for drama than Iago.” He was talking, of course, about television drama. Mr. Chayefsky’s most known play, Marty, tells the story of an unmarried, inarticulate butcher who is attacked to a sensitive but homely woman. Marty’s friends attempt to dissuade him from seeing the woman because she is, in their words, “a dog.” His mother, who fears being abandoned resents the woman bitterly. Against a backdrop of such universal themes as man’s need of loving and being loved, his fear of living alone, and his need to communicate, Mr. Chayefsky pursued his “small” story with persistent literalness, concluding with an equally “small” crisis in which Marty decides, against the protests of his friends and family, to phone the woman and ask her for a date. On the stage of in a novel, the plot would be too flimsy to carry much dramatic weight. When the play was adapted for the movies, it required more “movement” or action and the addition of at least one subplot. On the television screen, however, they play was an artistic triumph, producing a disturbing and edifying illusion of intimacy. Perhaps no other medium is better suited to the “slice of life” drama than television, a fact that is apparently well known to Ingmar Berman. Although television was invented in the 1920s, it did not exist for any practical purposes until after World War II. It is easy to forget that advertising, at least on the scale we have come to know it, barely existed before then either. #RandolphHarris 5 of 20

In 1946, advertisers spent about $3 billion. For the previous two decades, advertising expenditure had been fairly constant at about that level. By 1975, however, the national advertising budget had grown by 1,000 percent to $30 billion. In 2021, the national advertising budget reached $82 billion (expected to around $95 billion by the end of 2022). In that same year the television advertising budget has skyrocketed to $68 billion, and could be approximately $80 billion by the end of 2022. As you see, most of the increases in advertising. However, what is significant is that within only tend years of its effective inauguration, television was absorbing 60 percent of all advertising spending and driving hundreds of newspapers, magazines and radio stations out of the market. A symbiotic relationship developed. Advertising financed television’s growth. Television was the greatest delivery system for advertising that had ever been invented. We could call it love at first sight, except in this case, the match may have been prearranged. If you are fortunate enough to recall, think back to the days immediately after World War II. Although I was only ten in 1945, I remember the expectant and uncertain feeling of the times very well. Everyone was relieved that the war was over and was expecting things to get back to normal, but what was normal? Memories of the Depression loomed. I remember listening to my parents talk with their friends on those backyard summer evenings of 1945, and I could feel the fear. Like most ordinary people, my parents know that the war had alleviated the Depression. During the war, American industrial capacity, lying fallow only a few years before, had actually expanded to build the military machine. My father’s own business was an example. Now there were no more uniforms to make, and no more tanks. The war had given men jobs as soldiers and women jobs as factor workers. Full employment had practically become a reality. Now Johnny was marching home again, jobless. #RandolphHarris 6 of 19

If this was the talk among ordinary people, one can only imagine what was said in industrial boardrooms and at the Department of Commerce. With industrial capacity and capital investment expanded as they were, the consequences of a drop in production could make the 1930s look like golden years. A long-standing criticism of capitalism—that it can stave off cyclic depression only through war-seemed about to be confirmed. Suddenly in 1946, government and industry started making identical pronouncements about regearing American life to consume commodities at a level never before contemplated. It was not that military production was about to be abandoned. Even now it remains the single most important factor in the United States of America’s economy. However, in 1946 with the war just over, it was not clear that the decline in military spending would be as temporary as it turned out to be. Some new offsetting factor was needed. Thus, a new vision was born that equated the good life with consumer goods. An accelerate economy, continuing booming expansion of wartime, added to a new consumer ideology achieved the greatest economic growth rate in the country’s history from 1946 to 1970. To make such growth possible, both ends of the transformation process described previously had to be hyped up. First, we needed to insure an abundant supply of raw material to convert into commodities. This led to a burst of American investment overseas as well as to enormous assistance programs for sympathetic “underdeveloped” countries. Often we secured our supply by the creation of client governments propped up with military assistance. Raising anticommunism to the status of a holy war in the 1940s and the 1950s formed the political foundation for these military and economic programs and underlay the assertion of the patriotic virtues of foreign investment. #RandolphHarris 7 of 19

At the other end of the transformation equation, an accelerated movement of commodities into consumers’ homes was critical. People had to be convinced that life without all these products was undesirable and unpatriotic. It was time to forget the rationing of the war years and consumer for your country. Advertising and television were the dynamic duo that would rededicate the consuming American. Advertising’s ability to create a passionate need for what is not needed was already well established. Since economic growth and a consumer economy had to be based upon selling far more commodities than were needed to meet actual needs, economic growth depended upon advertising. Television, which had been lying around in mothballs since the 1920s, was dusted off and enlisted as the means to deliver the advertising lifestyle fast, right into people’s homes and heads. Quick to spot any new technology that could assist their urgent cause, big advertisers immediately invested hundreds of millions of dollars in developing this idle sales tool. And so advertising gave birth to television, and television have advertising a whole new World to conquer. Together they made possible an enormous, though temporary, economic bonanza. Can you recall the TV advertising of the 1940s and 1950s? Smiling, happy people. Scrubbed children. Housewives showing their impossibly clean wash. Smiling junior-executive husbands emerging from their new cars, greeted at the picket fence by their clean, cheerful families? The happy mowing of the lawn. The happy faces reflected off the polished toasters? The nuclear family was idealized to a greater extend than ever before, because the family was the ideal consumption unit. Women had to get out of those factories and overalls and back into little pink dresses in the kitchen. #RandolphHarris 8 of 19

Those returning soldiers needed jobs. Rosie the Riveter gave way to June Allyson. Separate family units maximized production potential. Private homes. Private cars. Two cars. Private washing machines. Private television sets. Within a few years, the World started changing. The battery-operated lawn mower I saw on television one day appeared on my lawn the next week. So did the car. The whole neighborhood started looking like a television commercial. The woods near my house in disappeared and were replaced by hundreds of identical versions of my house. Neighborhoods everywhere started looking like each other. Freeways replaced country roads. Shopping centers replaced corner markets. Pavements covered everything. “Prosperity,” “security,” “happiness,” studded ads and presidential speeches alike. This incredible outpouring of commodities, this entire revamping of landscape, this filling of houses with gadgets was supposed to constitute some kind of Latter-Day Saints Kingdom of God. That is what everyone was thinking, saying, and believing. It was what made America America. One of my high school teachers during the 1950s told my class that it was America’s commitment to a consumption economy that made our country different and better than all others. He told us that by expanding our economy, we could soon make everyone wealthy. America was already the World’s only classless society, he said. Workers and managers were equal partners in a glorious process benefiting everyone. In America everyone was equal. Our standard of living made it that way. Everyone could have a car. Everyone could have a business. We are not developing nations, where the water is dangerous to drink, and there are few rich people and everyone else is poor and all of them wished they had what we had. Because of this prosperity, we did not have to deal with the chaotic times of psychological and spiritual upheaval nor have actual fear among people of witchcraft, sorcerers, and others who claimed to know how to consort with the demons. The medieval period had died, and the modern period was born. #RandolphHarris 9 of 19

A few years later at the Wharton School of Business at the University of Pennsylvania, I learned how and why this commodity life and the economic growth it produces was supposed to be so good for absolutely everyone. I learned that they had been talking about in these boardrooms and at the Department of Commerce. It was called the “trickle-down theory.” It goes more or less like this: Industrial expansion, rapid economic growth and the consumption economy benefit everyone. The theory—which is the basis of Keynesian American economics—has it that when people buy more and more commodities, they produce more profits for industry, enabling it to expand. When industry expands, more jobs result. This puts more money into circulation, enabling people to buy more commodities, expanding profits again, yielding more investments, more jobs and starting the cycle around on another turn. This is an oversimplified process, which leaves out such variables as savings, borrowing, and so on. The way it is presented here is more or less the way it is translated through the media and through out educational system into popular understanding: a beautiful circle of activity, everyone helping everyone else, labor and management rowing the boat together, all serving the common good and growing endlessly. It explained the patriotic urgency of people spending more and more on commodities. The benefits would “trickle down” to everyone in this country, including those at the bottom on the pyramid. Jobs, money, prosperity, happiness, security, democracy, equality were all lumped together as inevitable results of this cycle. Most people believe in this “trickle-down-theory” still. Presidents get elected based on whether they can convince the public that they will stimulate the beautiful cycle. President Trump was elected for doing it and he proved his word. #RandolphHarris 10 of 19

The tickle-down theory is the nice simple kind of economic model that can be sold to a mass population removed from any deeper understanding of how things really work. Trying to come to grips with economic nuance is for most of us no easier than trying to understand how much nuclear radiation is “safe.” Who knows? The “experts” know. Like every other organizing model in our society, economic processes have been removed from personal participation, appropriated into a nether World of flow charts, financial analyses, and circle graphs. Like scientific and technological systems, once economic systems reach a certain size and complexity, they can be controlled only by forces far outside the grasp of the individual and community. One explanation of them sounds as plausible as another. In the absence of a really thorough training in economics—a training which itself supports many arbitrary and fantastic theories—this trickle-down model of the benefits of a consumer society sounds perfectly valid. It certainly seemed valid for a little while. People had jobs, the economy was growing, and homes were filling up with every more intricate gadgets. Only now, thirty years after the trip was launched, can we see the process from the vantage point of joblessness, inflation, bankruptcy and default, and realize that something was terribly wrong somewhere. In fact, it was a fantasy. It was packaged and sold to us like the seven-piece matching living-room sets on the television screen. Buy now, pay later when you are richer than you are now. However, when later came, very few of us were richer (and that usually happens to everyone). It turned out that the pursuit of all those happy goodies did not produce happy people; it produced isolated, frustrated, alienated people. More important, the economic benefits did not trickle down to create some egalitarian democracy. The benefits tickled up. That is why President Trump also used the tickle charger. Not only did he cut taxes, but also infused the less affulent with supercharged unemployment benefits, and helped the veterns, disabled, retirement and others reciveing government transfer pays by sending the a large cash sum of money, and then a few other payments for less, and he also supported businesses get through the pandemic. So the economy was stimulated and had a few trickle charges to keep the market flowing well. #RandolphHarris 11 of 19

The democratic revolution succeeded in extending formal self-government and opportunity to nearly everybody, regardless of birth, property, or education. However, it gave up the ideal of the town meeting, with the initiative and personal involvement that alone could train people in self-government and give the practical knowledge of political issues. The actual result has been the formation of a class of politicians who govern, and who are themselves symbolic front figures. Correspondingly, the self-determination won by the American Revolution for the regional states, that should have made possible real political experimentation, soon gave way to a national conformity; nor has the nation as a whole conserved its resources and maintained its ideals. The result is a deadening centralism, with neither local patriotism nor national patriotism. The best people do not offer themselves for public office, and no one has the aim of serving the Republic. Typical is the fate of the hard-won Constitutional freedoms, such as freedom of speech. Editors and publishers have given up trying to give an effective voice to important but unpopular opinions. Anything can be printed, but the powerful interests have the big presses. Only the safe opinion is proclaimed and other opinion is swamped. The liberal revolution succeeded in shaking off onerous government controls on enterprise, but it did not persist to its goal of real public wealth as the result of free enterprise and honestly informed choice on the market. The actual result is an economy dominated by monopolies, in which the earnest individual entrepreneur or inventor, who could perform a public service, is actively discouraged; and consumer demand is increasingly synthetic. Conversely, the Jeffersonian ideal of a proud and independent productivity yeomanry, with natural family morals and a co-operative community spirit, did in fact energize settling the West and providing the basis for our abundance. #RandolphHarris 12 of 19

However, because it has failed to cope with technological changes and to withstand speculation, “farming as a way of life” has succumbed to cash cropping dependent on distant markets, and is ridden with mortgages, tenancy, and hired labor. Yet it maintains a narrow rural morality and isolationist politics, is a sucker for the mass culture of Madison Avenue and Hollywood, and in the new cities (exempli Gratia, in California, where farmers have migrated) is a bulwark against genuine city culture. Constitutional safeguards of person were won. However, despite the increasing concentration of state power and mass pressures, no effect was made to give to individuals and small groups new means easily to avail themselves of the safeguards. The result is that there is no longer the striking individuality of free men; even quiet nonconformity is hounded; and there is no asylum from coast to coast. Fraternity—this short-lived ideal of the French Revolution, animating a whole people and uniting all classes as a community, soon gave way to aa dangerous nationalism. The ideal somewhat revived as the solidarity of the working class, but this too has faded into either philanthropy or “belonging.” Brotherhood of races—the Civil War won formal rights for African Americans, but failed to win social justice and factual democracy. The actual result has been segregation, and fear and ignorance from various people of all races. However, in the 2020s, that stigma is fading. Pacificism—this revolution has been entirely missed. Acceleration not only makes facts obsolete but blunts some of the key tools we use when we think. Analogy provides a case in point. It is virtually impossible for us to think without relying on analogies. This “thought-tool” is based on identifying similarities in two or more phenomena and then drawing conclusions from one to apply to the other. Doctors, we noted, will often say “the heart is like a pump” and then describe its “values” and other components in mechanical terms. This model helps them conceptualize and treat the heart. Often this process yields powerful results. #RandolphHarris 13 of 19

However, once similarities are identified, it is typically taken for granted that the similarities continue. And in slow-change eras, they may do so for long periods. In today’s hyper-change environment, however, once-similar things also change and very often become markedly dissimilar, often making conclusions based on the analogy false and misleading. To deal with today, therefore, we need not only new knowledge but new ways to think about it. Yet too many economists, consciously or otherwise, cling to the belief that economics is analogous to physics. This notion arose centuries ago, when Newtonian ideas about equilibrium, causation and determinism dominated that science. Since then, of course, physicists have drastically revised their views about these matters. However, many economists still base their findings on crude Newtonian assumptions. Trained to think in industrial terms, many find it difficult to grapple with the odd character of knowledge—the fact that it is non-rival and non-depletable, that it is intangible and thus hard to measure. It is only when we set today’s failures of economics alongside the looming crisis in science that we begin to gauge their true significance. For together these two fields have the greatest—or at least the most direct—impact on how we create wealth. And both are heading for transformation. When it comes to relationships, a university teacher of liberal arts cannot help confronting special handicaps, a slight deformity of the spirit, in the students, ever more numerous, whose parents are divorced. I do not have the slightest doubt that they do as well as other sin all kinds of specialized subjects, but I find they are not as open to the serious study of philosophy and literature as some other students are. I would guess this is because they are less eager to look into the meaning of their lives, or to risk shaking their received opinions. #RandolphHarris 14 of 19

In order to live with the chaos of their experience, they tend to have rigid frameworks about what is right and what is wrong and how they ought to live. They are full of desperate platitudes about self-determination, respect for other people’s rights and decisions, the need to work out one’s individual values and commitments, etcetera. All this is a thin veneer over boundless seas of rage, doubt, and fear. Young people habitually are able to jettison their habits of belief for an exciting idea. They have little to lose. Although this is not really philosophy, because they are not aware of how high the stakes are, in this period of their lives they can experiment with the unconventional and acquire deeper habits of belief and some learning to go along with them. However, children of divorced parents often lack this intellectual daring because they lack the natural youthful confidence in the future. Fear of both isolation and attachment clouds their prospects. A large measure of their enthusiasm has been extinguished and replaced by self-protectiveness. Similarly, their open confidence in friendship as part of the newly discovered search for the good is somewhat stunted. The Glauconian eros for the discovery of nature has suffered more damage in them than in most. Such students can make their disarray in the cosmos the theme of their reflection and study. However, it is a grim and dangerous business, and more than any student I have known, they evoke pity. They are indeed victims. An additional factor in the state of these students’ souls is the fact that they have undergone therapy. They have been told how to feel and what to think about themselves by psychologists who are paid by their parents to make everything work out as painlessly as possible for the parents, as part of no-fault divorce. If ever there was a conflict of interest, that is it. There are big bucks for therapists in divorce, since the divorces are eager to get back to persecuting the wretches who smoke or to ending the arms face or to saving “civilization as we know it.” #RandolphHarris 15 of 19

Meanwhile, psychologists provide much of the ideology justifying divorce—exempli gratia, that it is worse for kids to stay in stressful homes (thus motivating the potential escapees—that is, the parents—to make it as unpleasant as possible there). Psychologists are the sworn enemies of guilt. And they have an artificial language for the artificial feelings with which they equip children. However, it unfortunately does not permit such children to get a firm grip on anything. Of course, not every psychologist who deals with these matters simply plays the tune called by those who pay the piper, but the givens of the market and the capacity for self-deception, called creativity, surely influence such therapy. After all, parents can shop around for a psychologist just as some Catholics used to shop for a confessor. When these students arrive at the university, they are not only reeling from the destructive effects of the overturning of faith and the ambiguity of loyalty that result from divorce, but deafened by self-serving lies and hypocrisies expressed in a pseudoscientific jargon. Modern psychology at its best has a questionable understanding of the soul. It has no place for the natural superiority of philosophic life, and no understanding of education. So children who are inclined to believe that philosophy live in a less enlightened state and have a long climb just to get back up to the cave, or the World of common sense, which is the proper beginning for their ascent toward wisdom. They do not have confidence in what they feel or what they see, and they have an ideology that provides not a reason but a rationalization for their timidity. These students are the symbols of the intellectual-political problems of our time. They represent in extreme form the spirit vortex set in motion by loss of contact with other human beings and with the natural order. #RandolphHarris 16 of 19

However, all students are affected, in the most practical everyday way, unaware that their situation is peculiar, because their education does not give them perspective on it. Now, Web sites routinely collect detailed data on visitor behavior, and those statistics underscore just how quickly we leap between pages when we are online. Over a period of two months in 2008, an Israeli company named ClickTale, which supplies software for analyzing how people use corporate Web pages, collected data on the behavior of a million visitors to sites maintained by its clients around the World. It found that in most countries people spend, on average, between nineteen and twenty-seven seconds looking at a page before moving on to the next one, including the time required for the page to load into their browser’s window. German and Canadian surfers spend about twenty-one second, Indians and Australians spend about twenty-four seconds, and the French spend about twenty-five seconds. On the Web, there is no such thing as leisurely browsing. We want to gather as much information as quickly as our eyes and fingers can move. That is true even when it comes to academic research. As part of a five-year study, a group from University College London examined computer logs documenting the behavior of visitors to two popular research sites, one operated by the British Library and one by a U.K. educational consortium. Both sites provided users with access to journal articles, e-books, and other sources of written information. The scholars found that people using the sites exhibited a distinctive “form of skimming activity” in which they would hop quickly from one source to another, rarely returning to any source they had already visited. They would typically read, at most, one or two pages of an article or book before “bouncing out” to another site. “It is clear that users are not reading online in the traditional sense,” the authors of the study reported; “indeed there are signs that new forms of ‘reading’ are emerging as users ‘power browse’ horizontally through titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid reading in the traditional sense.” #RandolphHarris 17 of 19

The shift in our approach to reading and research seems to be an inevitable consequence of our reliance on the technology of the Net, and it bespeaks a deeper change in our thinking. There is absolutely no question that modern search engines and cross-referenced websites have powerfully enabled research and communication efficiencies. There is also absolutely no question that our brains are engaged less directly and more shallowly in the synthesis of information when we use research strategies that are all about “efficiency,” “secondary (and out-of-context) referencing,” and “once over, lightly.” As people are falling in love with the Internet, reading and its mediums is reminiscence of some of Capellanus’s more universal rules. He believed that love is always in a flux, either growing or diminishing. Making it public usually kills it. Its very nature as next to impossible to consummate is also its most powerful stimulus, and during its fleeting lifetime, jealously will sharpen the intensity of the country lovers feelings. Courtly love is obsessive and best endured by constant contemplation of the beloved. By the fourteenth century, an anonymous poet was refining the notion of love. In his “Ten Commandments of Love,” he advocated faith or honesty, attentiveness, discretion, patience, secretness, prudence, perseverance, pity, measure or moderation, and mercy. The lover in Chaucer’s “Complaint to His Lady” is so excessively long-suffering that he swears to obey his lady in whatever she dies, would rather die than offend her, and begs only for a drop of her grace. Here is his version of courtly love: “But I, my lyf an deeth, to yew obeye, and with right buxom herte, hooly I preye, as [is] your moste pleasure, so doth by me; and therfor, swete, rewe on my peynes smerte, and of your grace, graunteth me some drope; for ells may me laste no blis no hope, no dwelle within my trouble careful herte.” #RandolpHarris 18 of 19

Courtly love was agonizing and admirable, the source of chivalrous virtue. For these same reasons, it was often chaste, both because the logistics of consummation defeated the would-be lovers and also because, in some manifestations, courtly love was inherently pure. As one troubadour sang, “Out of love comes chastity.” As enormous but logical stretch puts courtly love together with the secret feudal societies that adopted then institutionalized a collective devotion to an unattainable woman who inspired their members to deeds of greatest daring and valor. The woman? The Virgin Mary, whose immaculate conception the early medieval Church had just begun to celebrate. The most famous of these secret societies was the Knights Templar, excommunicated knights who swore oaths of poverty, obedience, and chastity and dedicated themselves to the (newly immaculately conceived) Virgin Mary. Unlike their secular counterparts, however, whose courtly love involved personal grooming as a token of respect to their lady loves, virginal or otherwise, the Knights of the Templar who were abstinent, according to St. Bernard of Clairvaux, “never combed, rarely washed, [and wore] their beards bushy, sweaty, and fusty, stained by their harness and the heat. Centuries of literature and lives imitating art transformed courtly into romantic love, intense and unattainable, a phenomenon too high—mindedly impractical to survive marriage and the trials of time, routine, and old age. The precious instant of recognizing the beloved, the stylized pursuit, the exchange of extravagant words penned on scented paper, the self-indulgently obsessive meditating on each other—these became the characteristic of this new kind of love. Attraction based on pleasures of the flesh fueled it, just as it had the courtliest of loves, but in this case as well, intimate passions dominated the lover’s agenda. As literature, romantic love flirted and seduced as it inflamed and seared, titillating its aficionados with its stately ritual of gallant chase, heartsick suffering, rapturous encounters, gushing epistles, all in the name of profoundest if evanescent love. Sometimes this love was chaste by intention. Even when it was not, pleasures of the flesh was usually overpowered by complications of plot and character that, depending on your point of view, either reprieved the lovers from the banality of pleasures of the flesh or condemned them to its nonconsummation. Centuries of courtly and romantic love challenged thousands of lovers. Ultimately, most emerged from its clutches with their virtue intact. If our World is made up of such changes, as these, is it strange that my heart is so sad. prophets. #RandolphHarris 19 of 19

Cresleigh Homes

Luxurious outdoor living requires porch space AND a spot for the littlest members of the household to enjoy the sunshine, too! 😍

Our home at #MillsStation Residence 4 is the largest home in the community, but that extra playhouse definitely gives it an edge. https://cresleigh.com/mills-station/residence-4/

The lounge off the entry amplifies this social core; optional bedroom enhances the choices. This design lends a little Victorian formal touch to the arrival for family and guests.

The beautiful quartz counter top island has an optional built-in quartz tablecounter, which allos plenty of island seating.

The abundant cabinet space highlights the kitchen, while gathered windows and sliding door generate seamless connectivity to the home’s outdoor entertainment and leisure spaces.

Summoning Devils on Film and in Real Life

Much like the Winchester mansion and Mrs. Winchester, the Hellfire Clubs and medieval Sabbat believed that devils and demons should not be stern masters or slaves, but welcome house-guest, which is why Mrs. Winchester built what is now known as the Winchester Mystery House. It is easy to imagine how the combined grief of losing both a child and a spouse could be very crippling. However, if you had $20,000,000.00 (2022 inflation adjusted $556,305,882.35) and all the time in the World to help you cope, can you imagine what you would do? Mrs. Sarah L. Winchester’s response to the deaths of her child and husband left a bizarre and impressive architectural reflection of her psyche. The fascinating story of the Winchester Mystery House has its roots in the personal tragedies suffered by Mrs. Winchester and in the legacy of the Winchester rifle, “The Gun that Won the West.” The Winchester Mansion raised its castellated walls and towers in every direction commanding magnificent prospects; like emeralds in a setting of deeper green, gemmed the surface of the surface of the rural landscape and contributed to increase the beauty of scenery not surpassed in the World. Ages ago the voice of prayer and the song of praise used to ascend from this sacred estate. Presented on the estate was a happy country, none better calculated to inspire love and harmony. However, there was a lack of happiness in the circumstances of life for Mrs. Winchester. At first glance, there seems to be no degree of truth in this statement because of all the riches she inherited and her beautiful mansion. Many people assumes that for the rich, enjoying their riches, are likely to be contented and to look no further than this World. There were also a group of seven Victorian houses on the estate, not connected to the main house, of goodly size, and a Holy Cross. The seven Victorian Houses which, according to tradition, were built there under Mrs. Winchester’s direction, along with a graveyard on her 760 acres of land. #RandolphHarris 1 of 15

In the garden of the mansion was a curious stone cross, of considerable size, evidently monumental, though the inscription has been so defaced as to be illegible. On the front of the cross there is a deep indentation much resembling that made by the hoof of a cow in soft Earth, the bottom of the indentation being deepest at the sides and somewhat ridged in the middle. Concerning this cross and the depression in its face, the following legend was related by one of the farmers on the estate. “Mrs. Winchester built this mansion, houses, and the church, you see. When she lived, she owned all the land round about. But there was a devil here. If you had meet him on the grounds, you would know in a minute that it was himself and no other that was in it, and so make ready, either for to run away from him, or to fight him with praying as fast as you can, because, you see, it is no use for to strive with the devil any other way, seeing that no weapon can make the last dint on his carriage. In them days, and before the mansion was built, I am telling you, the devil was all as one as a man, a tall felly like a soldier, with a high hat coming to a pint and feathers on it, and fine boots and spurs and a short red jacket with a cloak over his shoulder and a sword by his side, as fine as any gentleman of the good old times. So he used to go about the country, desiring men and women, the latter being his choice as being easier to deceive, and taking them down with him to his own place, and it was a fine time he was having entirely, and everything his own way. As soon as Mrs. Winchester started construction on her mansion, the devil took up his quarters there, to make it as sure as he could. But when he heard what Mrs. Winchester was doing, a four-story mansion, of 500 or 600 rooms, and a nine-story observation tower, he came out to see the castle was rising before his eyes. He heard the construction singing and started cursing to himself, and at 5.13am on Wednesday April 18th, 1906, Satan stomped his cloven hoof into the ground causing a 7.9 Earthquake and brought down that tower. #RandolphHarris 2 of 15

After the Earthquake, while the devil was laying about in the bushes a-watching the work, and the tower of the big mansion was lifting itself above the trees, this time just not as high as it used to be. Everyone knows that Satan is slicker than a weasel, and has a memory like a miser’s box that takes in everything and lets nothing go out. When you do anything, sore a bit that it scrapes the devil, and he hugs it close till a time comes when he can make a club have it to bate you with, and so he does. You may think it is queer, but it is no wonder to one that understands it, for the devil can take any shape he pleases and look like any one he wants to, and so he does for the purpose of tempting us poor sinners to destruction, but there is one thing by which he always knows; when you have given up to him or when you have beaten him on the face, no matter which, he has got to throw off the disguise that is on him and show you who he is, and when he does it, it is not the elegant, dressed-up devil that you see and that I was just telling you about, but the rale, old, black anger with a rancorous, without a haporth of rages to the back of him, and his horns and tail a sticking out, and his eyes as big as an oxen’s and shinning like fire, and great bat’s wings on him, and, saving your presence, the most nefarious smell of sulfur you have smelled. However, before, he looks all right, no matter what face he has, and it is only the goodness of God that the devil is bound for to show himself to you, because, Glory be to God, it is his will that humans shall know who they are dealing with, and if they give up to the devil, and after finding out who is in it, go on with the bargain they have made, sure the fault is their own, and they go to hell with their eyes open, and if they bate him, he has got to show himself for to let them see what they have escaped. #RandolphHarris 3 of 15

Satan was flying around the Winchester mansion, there were the farmers all along the day job, and the construction workers were building as fast as they could and a bottle of holy water were at their side to throw at the devil when he would come. So he went from the and would fly back and forth watching then working, and they restored the Winchester mansion. Old beliefs die hard, especially when their speedy demise is a consummation devoutly to be wished. Magic is only a physical or psychological effect that has yet to be explained, which means for many it is uncomfortable to entertain now. All good occultists must be skeptical—believe nothing in preference to believing everything. All proto-sciences could be defined as magic. You can see the ritual chamber as a kind of intellectual decompression of chamber to prepare your mind for other atmospheres. People who limit themselves to the occult curricula and profess to be wizards are laughable—magic is an interdisciplinary pursuit. You must consider all the options—investigating like a police officer. To perform a summoning, for example, would involve finding the right environment, appropriate retrieval cues, the right atmospheric conditions. The effects of magic are demonstrable. A lot of simple magic is just to do with self-confidence, how much your antennae are up, how open you are to the World around you. Rituals and magical words are not necessary, merely tools or exercises to help train your mind. Scientists are now coming to the conclusion that there is a lot more interconnectedness between man and his environment than they originally supposed, which is a basic occultic concept. The only really dangerous characters are the ones who think they are generational Satanists and their grandfather told them with his dying breath what to do, or whatever. There are a lot of armies of one out there, a lot of coffee-bar revolutionaries. New information technology has bred a lot of desktop Satanists and bulletin boards mean that cyberspace seems to be just full of Satanists. The Christian heretics rarely get much further than designing letterheads. #RandolphHarris 4 of 15

Many Satanists are fans of people like Paris Hilton and Britney Spears and applaud their outrageous sexuality. They are also huge fans of Aaliyah for making that film Queen of the Damned. Many Satanists are quietly applying Church of Satan philosophy to their lives in their own fashion in a very real way. The best thing they could ask for is that people pass them a nod of respect. In the modern World, the spirit of the age often looms down upon us in strange, distorted forms from the cinema screen. Major production companies spend millions of dollars trying to trap the latest cultural trends on celluloid, while audiences make surprise blockbusters from movies which—accidentally or otherwise—tap into the anxieties and enthusiasms of the day. In the late 1960s and 1970s, 2000s the films which came to be regarded as four “Satanic blockbusters”—Rosemary’s Baby (1968), The Exorcist (1973), The Omen (1976), and Queen of the Damned (2002)—all took the box-office by storm, transforming themselves into cultural phenomena which attracted public interest far beyond that of most “mere” films. Cinema has been the most potent legend factory of the centuries. Despite constant predictions that TV would devour the silver screen, the spectable and ceremony of the cinema helped retain its status as the most sacred of modern temples. Film presents a super real version of the World—louder, larger, essentially more mythic. More people take cues on how to live, love, fight—even on how to die—from the silver screen than from the pulpit or the gospels. Pagan worship is alive and well and being practised at your local multiplex, with Hollywood stars as the gods of our age. And, just as cinema has given us new gods, so it has supplied us with a new hierarchy of devils. The relationship between Satan and the silver screen is a notable one. The father of fantastic cinema was a Frenchman named Georges Melies, who made delightful short films crawling with demons and devils. Melies was himself a Faustian figure, a stage conjurer and photographic illusionist who appeared out of the rump of the French Decadent era. Summoning devils on film, he defended this new sorcery in time-honoured fashion as “white magic.” #RandolphHarris 5 of 15

In The Laboratory of Mephistopheles (1897), Melies made Satan’s head detach itself and float around the room—to the enchantment and horror of audiences in darkened “picture palaces, resembling nothing so much as séance chambers. Hollywood’s dream factory was not even at the planning stage by the turning of the century, but the pioneer of US cinema, Edwin Porter (partner of the man who virtually invented the movies, Thomas Edison), produced his own version of Faust and Marguerite in 1900. The most striking cinematic fantasies came from Germany at this point—stark, angular exercises in shadow and nightmare. The Student of Prague was an updated version of the well-worn Faust tale, based on an Edgar Allan Poe story, which transformed the lead from an ambitious academic to a devil-may-care student and Mephistopheles into a rakish devil called Scapinelli. The story was retold onscreen in 1913, 1926, and 1936. The 1926 version was by the master of German Expressionist cinema, F.W. Murnua—the last film he made before leaving his artistic roots for Hollywood, where he met with a tragically early death. As a minor masterpiece, it was a suitably grandiose climax to a career which produced Nosferatu (1922), the first gothic vampire film. Now, it is always important to be safe on the road and sometimes to listen to the heartfelt advice of others. Jayne Mansfield, a buxom B-move actress died in a tragic car crash with her lawyer in and lover Sam Brody. Brody had disliked his beloved’s new guru from the start, and the friction led to LaVey placing a ritual curse on his rival. The Black Pope (Anton LaVey) warned the pugnacious lawyer—known to be a dangerous driver—that he would suffer a series of automobile accidents. It was no great surprise when a car crash ensued—but it made World headlines for taking the life of Jayne Mansfield, as well as the top of her cranium. LaVey grimly stated that on the night preceding the crash, as he cut out a newspaper clipping of Jayne, he accidently snipped off the top of the blonde beauty’s head. (By the way, I had no idea The Black Pope was dead, until today. I feel he is very much still alive. I have always felt like he is here, in San Francisco in his black church.) #RandolphHarris 6 of 15

The physical phenomena of spiritism are often closely connected with psychical manifestations, such as spiritistic visions, automatic writing, speaking in a trance, materializations, table lifting, tumbler moving and excursions of the psyche. There is no doubt that today, as in the time of Isaiah (Isaiah 6.1-5), Ezekiel (Ezekiel 1.4-28), Paul (Acts 9.1-8), Peter (Acts 10.9-16), and John (Revelation 1.10-18), God may give His people a genuine vision, particularly in great times of great stress. However, genuine experiences of this nature are always accompanied by true spiritual grace and modesty. Sensationalism betrays a lack of authenticity. Unfortunately, genuine experiences are rare, and counterfeit ones about. Christian counselors find that the “ratio is about nine to one over the genuine experiences.” Mrs. Winchester used to have visions. She reported that she saw visions of Christ at night, and it left her feeling a sense of uneasiness and fear. The so-called visions of Christ were mediumistic. They came as a warning. Weeks after the visions started, Mrs. Winchester saw her husband William Wirt Winchester’s spirit departing from his body as he expired in 1881. The visions of Mrs. Winchester bear evidence of the occult, as do the visions of Joseph Smith (1805-1844), who fathered Mormonism. Many of the founders and promulgators of modern cults have had alleged visions from God. However, some say these visions promote “doctrines of demons” (1 Timothy 4.1) among the credulous and those unable to discern spirits (1 Corinthians 12.10; 1 John 4.1-2). When humans depart from God’s Word, they supposedly expose themselves to demon imposture and deception. Automatic writing—some persons endowed with mediumistic powers are able—either in a waking state or trance to write letters, words, or sentences which spiritists consider to be message from the spirit World. This is how Mrs. Winchester came up with the architecture of her mansion, the blueprints were often dictated to her in her Blue Séance room as she took down the notes on napkin. Also, the persistent pain in her legs and back vanished whenever she sat down and dictated these blueprints. #RandolphHarris 7 of 15

One day as Mrs. Winchester was taking dictation, a spirit named Apollonius Tyannaeus appeared and said, “In the name of the Lord Jesus, our blessed and exalted Savior.” The spirit then told the woman that she had been chosen by God for special revelations. She would become a prophetess and bless humankind with these revelations. The case is patently that of a simple farm woman turned indeed into a spiritistic writing medium. Rudolf Tischner, a parapsychologist, points out the danger of automatic writing when practiced in immoderation. Although he regards these writing phenomena only as “motoric break up the integrated psychic structure with ensuing peril to mental and physical health. This simply means that occult enslavement can result from mediumistic writing, or from dependence upon the Ouija board or other spiritistic devices to obtain alleged messages from the spirit World. Speaking in a trance—a trance is a condition in which a spiritistic medium loses consciousness and passes under the control of demonic power to effect alleged communication with the dead. The demon (or demons) takes over and actually speaks through the spiritistic medium, deceptively imitating the deceased. As a result this ruse innumerable spiritistic clairvoyants claim communication with the dead, often with famous deceased people allegedly appearing to speak to the living. One evening, Mrs. Winchester went into a trace and soon the “Apostle Paul” approached and preached to the audience. The apostle was not visible but only spoke through the medium who lay in trance. Some critic said it was only another constant instance of deception by demons who ape the deceased but cannot produce them. Other believe it was real. Perhaps the most remarkable phenomena of spiritism are materializations. These are supernatural appearances and disappearances of material images in connection with the activities of a spiritistic medium. #RandolphHarris 8 of 15

Materializations have been exhaustively studied and photographed and have been found to be manifestations of various degrees of teleplastic morphogenesis. The first stage is the evolution of a gauzelike substance of rubbery consistency from the body cavities of the medium. The second stage is the forming of the various parts of the body in outline—arms, head, etcetera. Frequently in the case of teleplastic forms of this kind, a threadlike connection is maintained with the medium. The third stage consists of the composition into completely outlined forms, which are visible as phantoms near the medium. These three stages of materialization manifest purely visual phenomena. The fourth stage displays telekinetic phenomena. There is an energy output from the teleplasm (telekinesis), such as the ringing of a bell, at night, passers-by heard ghostly music wafting from the dark mansion. The bell in the belfry high in the gables tolled regularly at midnight to summon incoming flights of spirits. Later it tolled again to warn these visitors to return to their sepulchers. However, once a week, these departed ones relaxed and danced in the Great Ball Room. In other stages of materializations come automatic writing of a typewriter, and the automatic playing of a musical instrument. In addition to the active energy output of the materialization, there is frequently a passive pain experience of the teleplasm. The fifth stage of the materialization is the penetration of material substance. To his phase belong “apports,” that is, the appearing and disappearing of objects in closed rooms or chests and containers. From locked and cemented containers, for example, enclosed coins are brought out, or stones and other objects fall inexplicably from the ceiling. This often happens in the Winchester mansion, as documented by Mrs. Winchester. In this stage many mediums allegedly have the ability to penetrate solid material substance while they are in a trance. While Mrs. Winchester sat in a small cabinet, a phantom built itself up on the floor outside the cabinet and formed itself into a male person, who moved in and out among the participants of the séance. While the materialization extended his hand to one of those present and she held it, dematerialization began to occur before the eyes of all the participants. Soon there was only a lump on the floor and this rolled up into the cabinet. #RandolphHarris 9 of 15

Another example is during a séance, Mrs. Winchester was able to call and help the materializing of the spirit of the deceased German romantic poet, Johann Ludwig Uhland (1787-1862). At the memorable séance a white phantasm was seen, from which the audience demanded a poem. Instead of reciting a poem, the phantasm tore a page from a book in the library. With a pencil from a briefcase in the room, secured through the leather without opening the briefcase, the hand jotted down a few verses and vanished. The page was left and still exists. The examination of the mysterious writing by a graphologist proved to be sensational. He confirmed the ghost writing to be actually the handwriting of the deceased poet. Afterward there was a trial in Berlin over the ownership of the page. The court awarded it to the medium, who afterward kept it among her prized possessions. The phenomena of materialization and dematerialization in case of strong mediums illustrated the conversion of psychic energy into matter and matter changed back again into psychic energy. The problem is illustrated by nuclear physics. Einstein’s formula (E==MC^2), energy is equal to mass times the speed of light squared, simply declares that it is theoretically possible to convert energy to mass and back again to energy. We have historical evidence of materializations. Missionaries claim that Mrs. Winchester’s mansion was never actually built, but that it materialized itself on the grounds, and (re)construction only began after the Earthquake caused by Satan. Some say this mansion is to be regarded as a miracle of Satan (2 Thessalonians 2.8-10; Revelation 13.15). Many people used to wonder how Mrs. Winchester used to travel so fast back and forth from San Jose to San Francisco to pick up items she ordered from overseas. Researchers believed that she would be spiritually transported miles away, and this may have been an example of this phenomenon or simply a miracle of transportation of unaltered physical body. It is debatable rather if these are miracles of God or that of Satan. God says He is the Alpha and the Omega. I wonder what that means? #RandolphHarris 10 of 15

Mrs. Winchester was said to possess tremendous occult gift and was reported to be able to make tables fly through the air for a space of one hundred feet. Above all, she was extremely adept in telekinesis, materialization, levitation, and black magic. Where Satan’s power remains virtually unchecked, miracles of evil supernaturalism abound. In Victorian days, the supernatural predated the mass hysteria about Satanism. As you may know, long before Mrs. Winchester arrived in California, there was a Devil worshipping conspiracy at large. However, her mansion seamlessly blends the ordinary and nightmarishly surreal. It is a rare treat for fans of demonic conspiracy and occult synchronicity. Some people have believed themselves to be demonically possessed after visiting the Winchester Mystery House, others claimed to have spoken to Mrs. Winchester directly. Directors of the Queen of the Damned claimed that the film was a makeshift occultic ritual, and Aaliyah unleashed the demon within herself. They also said the film poses some kind of supernatural power and they had to edit and voiceover a lot of the footage because not only did the characters act their own version of the script, but there were also some subliminal sounds and images on print. When many of these errors were re-examined, they also saw footage of the original Winchester mansion on the negatives, but rumors began that the original print had been withdrawn, replaced by an expurgated cut to protect the filmgoers from the movie’s insidious effects. The powers behind these manifestations were no doubt demonic. The director faced a terrible psychic assault on 25th August 2001, before they finished filming the movie. However, when the reel was played, the directors found they had all the footage they needed, even some they did not remembering filming. It was so intensified that the demonic oppression became that he was compelled to give up making other Anne Rice books into movies, especially after Aaliyah’s plane crashed later that evening. Although the film was unfished, with the blessing of her family, it was released to the public in February of 2002. #RandolphHarris 11 of 15

Certain psychic clairvoyants claim that their souls can travel great distances at their command. They always said she makes a room come alive. Much like Mrs. Winchester, Aaliyah had a lot of psychic phenomena around her death. When directors took photos of Aaliyah and Queen Akasha to a clairvoyant, while concentrating on the photographs, the medium declared that one of the women was apparently dead, while the other one, reportedly killed in 2001, was still alive. After more concentration, the clairvoyant said: “I can get in touch with this woman (pointing to Queen Akasha). I see her in a great stone building southeast of Ireland.” By psychic excursion and by psychometry (selecting an object belonging to the missing person and beginning to search from there) the clairvoyant was able to establish contact by occult assistance. The cinema is the Devil’s lantern. In March of 1922, Mrs. Winchester said, “Though it should be borne in the mind that in the persecution of witches many women were put to death on the latter charge, albeit they were really benefactors of the human race; the more so as their skill in simples and knowledge of the medicinal virtue of herbs must have added in no small degree to the resources of our present pharmacopoeia.” In August of 1807 an extraordinary affair took place in the house of Mrs. Winchester. She had a cow which continued to give milk as usual, but of late no butter could be produced from it. An opinion was unfortunately instilled into the mind of Mrs. Winchester, that whenever such a thing occurred, it was occasioned by the cow having been bewitched. Her belief in this was strengthened by the fact that every woman on this estate was able to relate some story illustrative of what she had seen or heard of in times gone by with respect to the same. At length the Mrs. Winchester was informed of a woman named Mary Butters, who resided in Oakland at the Cohen Bray House. Mrs. Winchester went to her, and brought her to mansion for the purpose of curing the cow. About ten o’ clock that night war was declared against the unknown magicians. #RandolphHarris 12 of 15

Mary Butters ordered old Klaus and a young man named Konrad to go out to the cow-house, turn their waistcoats inside out, and in that dress to stand by the head of the cow until she sent for them, while the butler, the made, and an old woman named Klara Lee remained in the house with her. Klaus and his ally kept their lonely vigil until daybreak, when, becoming alarmed at receiving no summons, they left their post and knocked at the door, but obtained no response. They then looked through the kitchen window, and to their horror saw the four inmates stretched on the floor as dead. They immediately burst in the door, and found that the butler and the maid were actually dead, and the sorceress and Mrs. Winchester nearly so. The latter soon afterwards expired; Mary Butters was thrown out on a dung-heap, and a restorative administered to her in the shape of a few hearty kicks, when had the desired effect. The house had a sulphureous smell, and on the fire was a large pot in which were milk, needles, pins, and crooked nails. At the inquest held at the Winchester mansion on the 19th of August, Jurors stated that the three victims had come by their deaths from suffocation, owning to Mary Butters having made use of some noxious ingredients, after the manner of a charm, to recover the sick cow. She was up to The Great Asylum for the Insane, but was discharged by proclamation. Her various of the story was that a black man (usually indicates a demon or the devil, not one of African descent) was summoned through the floor with a huge club, with which he killed the three person and stunned herself. This paranoid horror fantasies terrified the congregations, as well as the gross superstition displayed by the participants as for its tragical ending, yet it seems to have aroused no feelings in the greater community than those of risibility and derision. However, there is also another version of events. #RandolphHarris 13 of 15

A farm-hand had brought an action against Mrs. Winchester for wages alleged to be due to him. It transpired in the course of the evidence that on one occasion he had been set to banish witches that were troubling the cows. His method of working illustrates the Winchester case. All left the house except Mrs. Winchester, and the farm-hand, who locked himself in, closed the windows, stopped al keyholes and apertures, and put sods on top of the chimneys. He then placed a large pot of sweet milk on the fire, into which he threw rows of pins that had never been used, and three packages of needles; all were allowed to boil together for half an hour, and, as there was no outlet for the smoke, the farm-hand narrowly escaped being suffocated. If the forces of darkness triumph, it is a warning not a celebration. Many religious people come close to depicting what evangelists are preaching from their pulpits, or TV shows. Does it not seem strange for fundamentalist Christians to attack them as sinful and dangerous? Sin sells, in a way that the bland platitudes of Christian morality never will. Many of these popular and historical figures will be remember long after the credits have rolled. You could say that it is an “inside job.” Satanism sells, it captures the metaphysics of fear. People like to be haunted and scared, but only when they consent to it. No one wants their house broken into, their children kidnapped, their cars constantly vandalized, or to be attack by a hate group who haunts them like demons of the night. People simply want to tune into a scarry movie or visited a haunted house and leave the fear behind when they walk out the door or turn the TV off. They do not want to fear for the lives like Sharon Tate did for years without anyone to protect them. Humans are often more harmful than any ghost, devil or demon you can ever imagine meeting. Satan, speaking through a beautiful serpent—perhaps as a parakeet “talks” to us—promises know that would make Eve “like God” if she would eat the fruit of the tree forbidden by God. #RandolphHarris 14 of 15

Meanwhile, if the view of the power and knowledge of the people is that “Satan” is evil and not themselves, what can human beings do? Persist being evil, or resist the “devil,” and allow him to feel from them? Or is it they cling to evil because the darkness comes from their insidious mind and depleted soul? Note that it is useless to try to resist the devil unless you have first submitted yourself to God! Maybe YOU are the evil, not Satan. Sitting there, manufacturing all these evil days, so you can laugh at the pain and suffering you have inflicted on others to make yourself feel better. Is that of Satan, or is that YOUR nature on display. It is estimated that there are about 100 million adherents to spiritism in the World. The word “spiritism” comes from the Latin “spiritus,” spirit. The movement of spiritism represents the endeavour to communicate with the dead in the spirit World. Historically, spiritism can also be traced back over thousands of years. We have testimonies concerning it in the Old Testament in 1 Samuel 28, and Deuteronomy 18. It is also evidenced in the history of the Christian Church. Spiritism seems to be strongly connected with religion and religions. In so-called Christian countries such a variety of spiritistic forms, and such a range of associated psychic troubles exist, that the need for clarification is a pressing issue. What God do you really worship for “Satan disguises himself as an angel of the light. So it is not strange if his servants also disguise themselves as servants of righteousness,” reports 2 Corinthians 11.14-15. In other words, many of you Christians who claim to serve “God” do evil things and then blame the devil when you are disguising yourselves as children of the light. And you do not repent because you do not fear punishment nor hell, so you must be children of your “devil” and not of God. We live in a World which has turned its back on God. The reason some people fear Jesus is because they feel unworthy, it is not because they are evil. This conviction of inner unworthiness is not to be confused with a feeling of fear. However, people who suffer from schizophrenia and like to go around lying, the psychiatrist will be interested in the question whether the practicing of spiritism was rather the effect than the cause of the ensuing mental and emotional disorders. #RandolphHarris 15 of 15

Winchester Mystery House

The front gardens of the Winchester Mystery House looked different in the 1970’s! The gardens were restored to what they are today about ten years later.

The sign reads: “The world’s oddest, mysterious, weirdest, and freakish dwelling. Planned and built by Sarah L. Winchester of Winchester Rifle Fame”

Have you ever listened to Alessandro Moreschi sing “Ave Maria,” at night in the Winchester Mystery House? Try it and let me know what you experience. I heard ghosts appear, people have cried and screamed, and some love it. I think I would probably run outside. He sounds like a ghost.

Come Explore the Victorian Gardens this weekend! Open all weekend until 4PM.

A 160-room mansion built to appease the spirits who died at the hands of the Winchester Rifle 👻




























































































