As far as aggression is biologically given in human genes, it is not spontaneous, but a defense against threats to human vital interests, that of one’s growth and one’s species’ survival. This defensive aggression was relatively small under certain primitive conditions—when no human was much of a threat to another human. Humans have gone through an extraordinary development since then. It is legitimate to imagine that humans will complete the full circle and construct a society in which no one is threatened: not the child by the parent; not the parent by the superior; no social class by another; no nation by a superpower. To achieve this aim is tremendously difficult for economic, political, cultural, and psychological reasons—and the added difficulty that the nations of the World worship idols—and different idols—and thus do not understand each other, even though they understand each other’s languages. To ignore these difficulties is folly; but if the political and psychological roadblocks are removed, the empirical study of all data shows that a real possibility exists to build such a World in the foreseeable future. The malignant forms of aggression, on the other hand—sadism and necrophilia—are not innate; hence, they can be substantially reduced when the socioeconomic conditions are replaced by conditions that are favourable to the full development of human’s genuine needs and capacities: to development of human self-activity and human’s creative power as its own ends. #RandolphHarris 1 of 20

Exploitation and manipulation produce boredom and triviality; they cripple humans, and all factors that make humans into psychic cripples turn the also into a sadist or a destroyer. Witchcraft and sorcery are taboo subject matter. However, witchcraft actually did exist and was widely practiced in seventeenth-century New England, as it was in Europe at that time (and still is, for that matter, among the unlearned majority of humankind). It worked then as it works now in witchcraft societies like those of the West Indies, through psychogenic rather than occult means, commonly producing hysterical symptoms as a result of the victim’s fear, and sometimes, when fear was succeeded by a profound sense of hopelessness, even producing death. The behaviour of the afflicted person was not fraudulent but pathological. They were hysterics, and in the clinical rather than the popular sense of that term. These people were not merely overexcited; they were mentally ill. Furthermore, they were ill long before any clergyman got to them. The general populace did reach that state of public excitement inaccurately called “mass hysteria,” but this was due to the popular fear of witchcraft rather than to the preachings of the clergy.  The public excitement continued well after the leadership, both clerical and secular, had called a halt to the witchcraft proceedings. In fact the clergy were, from beginning to end, the chief opponents to the events at Salem, Massachusetts USA. #RandolphHarris 2 of 20

In particular, Cotton Mather was anything but the wild-eyed fanatic of tradition. Throughout most of the proceedings, Mr. Mather was a model of restraint and caution, and at one point he went further than any of his colleagues dared go in proposing a method to protect the innocent. The executions at Salem were by no means unique. Belief in witchcraft was quite as common among seventeenth century Anglicans, Quakers, Lutherans, and Catholics as it was among Puritans. Executions for witchcraft reached their height in Western civilization during the seventeenth century and continued in Europe until the end of the following century, more than a hundred years after the outbreak at Salem. Many writers have taken exception to one point or another in the traditional interpretation. The point raised most often has been that witchcraft trials were not at all unusual in the seventeenth century; that they were in fact typical of Western civilization at the time. The Salem outbreak was not due to Puritanism; it is not assignable to any particular temper on the part of our New England ancestors; it is no sign of exceptional bigotry or abnormal superstition. Our forefathers believed in witchcraft, not because they were Puritans, not because they were Colonials, but because they were New Englanders,–but because they were men of their time. They shared the feelings and beliefs of the best hearts and wisest head of the seventeenth century. What more can be asked of them? #RandolphHarris 3 of 20

It is hard to satisfy modern writers on witchcraft, who insist on censuring the sixteenth and seventeenth century on a basis of modern rationalism. If some of these who now sit in judgement on the witch-prosecutors had been witch judges, it is quite certain that no defendant would have escaped. The common scholar as well as the common human has continued to believe that there was something peculiarly puritanical about the Salem trials. Most significantly, a few persons have recognized that image magic was actually employed in Massachusetts, and at least two have wondered whether there might not have been something behind the charges of witchcraft after all. The belief in the supernatural has even led some people to believe that perhaps Adolph Hitler, the most powerful man in Europe, who was admired by many Germans (and not few other people), had special talents and gifts. There are many reports mentioning the magnetic qualities of Hitler’s eyes.  People often said that they saw a particular glitter in his eyes that gave them the appearance of great intensity, otherworldliness, and devotion that allowed him to whip up the audience’s emotions, and open the floodgates of his hate. Well-educated and intelligent people were fascinated by him and his extremely wide range of subjects on which Hitler talked with such self-assurance. It was these qualities that entranced a nation and that is why people felt that he may have had some supernatural powers, much like the women in Salem. #RandolphHarris 4 of 20

David R. Proper, formerly librarian of Essex Institute, tells us that English professor George Lyman Kitteridge of Harvard University suspected that there might have been witchcraft practiced at Salem. Early in the year 1692 several girls of Salem Village (now Danvers), Massachusetts, began to sicken and display alarming symptoms. The most disturbing and most frequent of these symptoms was convulsive fits: fits so grotesque and so violent that eyewitnesses agreed the girls could not possibly be acting. “Their motions in the fits,” wrote Reverend Deodat Lawson, “are so preternatural, both as to the manner, which is so strange as a well person could not screw their body into; and as to the violence also it is preternatural, being much beyond the ordinary force of the same person when they are in their right mind.” The Reverend John Hale of Beverly confirmed Lawson’s description. “Their arms, necks, and back,” he wrote, “were turned this way and that way, and returned back again, so as it was impossible for them to do of themselves, and beyond the power of any epileptic fits, or natural disease to effect.” There were other symptoms almost equally alarming: temporary loss of hearing, speech, and sight; loss of memory, so that some girls could not recall what had happened to them in their fits; a choking sensation in the throat; loss of appetite. #RandolphHarris 5 of 20

Later there were terrifying hallucinations; they saw spectors who tormented them in a variety of ingenious and cruel ways. They felt themselves pinched and bitten, and often there were actual marks upon their skin. Dr. William Griggs of Salem Village—produced a diagnosis. “The evil hand,” he announced, “is upon them”; the girls were victims of malefic witchcraft. The diagnosis was in no way unusual. The overwhelming majority of seventeenth-century physicians, like other learned men, believed in witchcraft and considered it the cause of some of the diseases. Sir Thomas Brown shared the same opinion, “That these swooning fits were natural, and nothing else but what they call the mother, but only heightened to a great excess by the subtlety of the Devil, co-operating with the malice of these which we term witches, at whose instance he doth these villainies.” “The mother” was the common abbreviation for “the suffocation of the mother,” one of the seventeenth-century English terms for hysteria; it referred to the choking sensation in the throat that was one of the commoner systems. Thus, Sir Thomas Browne was entirely correct in his identification of the illness, and it is quite possible that Dr. Griggs, too, was right in whatever identification he made of the Salem symptoms. What is more surprising is that Dr. Griggs was probably also correct in his identification of the cause. It does seem to have been witchcraft that was responsible for the girls’ afflictions. #RandolphHarris 6 of 20

Witchcraft is not easy to define, because it is not, like the major formal religions, a coherent body of belief. However, in the New World civilization since prehistoric times there has been a loosely grouped body of magical lore—charms, spells, and so forth—having to do primarily with fertility and infertility, and with healthy and sickness, as well as a series of more marginal concerns, including the foretelling of the future. If tenuous, such lore has obvious connections with pre-Christian fertility worship, whose tutelary deity was a fertility god. Probably the commonest of such gods has been the deified sun, but the next most common was the deified herd animal, the cow, or, more often (because of his reputation for lechery) the goat. Half human and half bestial, with horns and cloven hooves, he appeared as Dionysus or Bacchus, the chief fertility god of the classical World, and was also to be found in the pantheons of northern Europe. Apparently the early Christians thought him the most abominable of all the pagan deities; they gave his attributes, his horns and cloven hooves, to the Devil, adding to these the wings of the fallen Angel. That he was once an extraordinarily powerful god cannot be doubted; there are instances of his survival in pre-Christian form as late as the twentieth century. A traveler in southern Ireland during the nineteen thirties reported seeing villagers dance in a ring around a goat those horns and hooves had been painted gold. #RandolphHarris 7 of 20

They informed him that on the coming Sunday they would roast and eat the goat, because “they had done it always.” I myself have seen one survival of the horned god: the Austrian Krampus. He has now degenerated into a bogeyman for children. Black and furry, with horns and a contorted face, he is the companion of St, Nicholas, and attends to bad children while St. Nicholas attends the good. The horned god’s power may also be seen in the fact that medieval and renaissance artists frequently forgot to give him his Christian attribute, the fallen Angel’s wins, but never forgot his horns, the attribute that made him a fertility god. This is true not only of provincial works of art but also of those created for the centers of Western civilization. In the dome of the baptistery at Florence for example, is a mosaic “Last Judgment,” and at the center of its Hell sits Devil who is wingless but conspicuously horned. The same is trye of the Devil in Giotto’s “Last Judgment” in the Arena Chapel in Padua. If the tutelary deity of witchcraft was deified herd animal, this does not mean that everyone who has used a charm was a formal worshipper of Satan. Nevertheless, not much more than two centuries ago everyone who used a charm believed one was making an appeal to dangerous occult forces, and at possible peril to one’s soul. However, the degree of peril was relative, and proportionate to the degree of witchcraft which like murder, comes in three degrees. The first is the practice of white magic—charms or spells used for benevolent purposes. Carrying a rabbit’s foot (the rabbit, like the goa, is notorious for its fertility) is white magic. So is nailing a horseshoe over the door (the open end must be upward, so the shape will suggest the horns of the herd animal). #RandolphHarris 8 of 20

Since the intention was innocent, the practice of white magic was seldom a cause for official concern. It was, of course, an appeal to occult forces that were specifically non-Christian, and as such it could, and sometimes did, draw a stern verbal rebuke from the clergy. However, that was all. The second degree of witchcraft is black magic—magic used maliciously—and in the seventeenth century black magic was very serious indeed; it was an appeal to the Prince of Evil in order to accomplish evil. The third degree is pact, where the witch is no longer merely invoking the Devil’s assistance through one’s charms and spells, but actually believes one has made a contract to serve him. The penalties for witchcraft were relatively light in the early years of Christian history. In the seventh century Theodore, Archbishop of Canterbury, in his Liber Poentientialis, considered the penance appropriate to a person who has been imitating “a stage or a bull; that is, making oneself into a wild animal and dressing in the skin of a herd animal, and putting on the heads of beasts.” To “those who in such wise transform themselves into the appearance of a wild animal” he assigned “penance for three years because this is devilish.” At this time paganism was still so widespread and Christianity so new that, according to the Venerable Bede, King Redwald of East Anglia “had in the same temple an altar to sacrifice to Christ and another to offer victims to demons.” Elements of paganism remained strong throughout the Middle Ages, inside the church as well as out. In 1282 the priest of Inverkeithing led a fertility dance around the churchyard. #RandolphHarris 9 of 20

And Giraldus Cambrensis (ca. 1146-ca. 1220) reported, “though I say it with tears,” that there were priests who celebrate “masses over images of wax, to curse someone.” The remedy for such an appalling situation, Giraldus thought was to ordain fewer priests and more care in their selection. His advice, of course, was not followed, and members of the clergy continued to practice black arts as late as the eighteenth century. Toward the end of the Middle Ages and the beginning of the Renaissance both church and state began to take witchcraft more seriously. The crucial century was the fifteenth, which saw a number of important trials, including those of Joan of Arc, Gilles de Rais, and the Duchess of Gloucester. At the end of this century, in 1490, Malleus Maleficarum (The Hammer of Witches) was published. The authors were James Sprenger and Henry Kramer, two German Dominicans, and their book published with the Papal Bull by which Innocent VIII gave them jurisdiction as Inquisitors for the Germanic countries. Malleus gave a thorough definition of witchcraft with rules on how to investigate, try, and judge cases of witchcraft. It remained an important work for more than two hundred years; Increase Mather knew of it and referred to it. The publication of Malleus Maleficarum gives us a convenient date for opening of that general war against the Devil which occupied all Christendom during the sixteenth and seventeenth centuries. #RandolphHarris 10 of 20

The full horror of that warfare will never be known in all of its detail. Even the statistics of convicted witches who were executed vary widely from one authority to another. However, it is clear that the battle reached its height during the first half of the seventeenth century, when, for example, approximately nine hundred witches were burned in the single city of Bamberg, and approximately five thousand in the single province of Alsace. It was Boyle who proposed that English miners be interviewed as to whether they “meet with any subterraneous demons; and if they do, in what shape and manner they appear; what they portend, and what they do. Newton, the greatest scientist of his age, spent more of his time on the occult than he did in the study of physics. He explicated, for example, apocalyptic passages in the Bible, and interpreted the measurements of Solomon’s temple, hoping in both cases that a mystic reading of the scriptures would lead him to the inmost secrets of the Universe. We should remember also that the seventeenth century firmly believed in a dualistic Universe: in a material or visible World, and a spiritual or invisible Worlds as well. Heaven was still a concrete reality, as were the Angels who inhabited it; so was Hell and its Devil. As John Locke argued in his Essay Concerning Human Understanding: “If this notion of immaterial spirit may have, perhaps, some difficulties in it not easily to be explained, we have therefore no more reason to deny or doubt the existence of such spirits, than we have to deny or doubt the existence of body; because the notion of body is cumbered with some difficulties very hard, and perhaps impossible to be explained or understood by us.” #RandolphHarris 11 of 20

Like other learned men of his time, Locke not only believed in a World of spirits, but that the spirits can appear in this material World: “that Spirits can assume to themselves bodies of different bulk, figure, and conformations of parts.” To be sure, Locke warned that “universal certainty” concerning the World of spirits was beyond us; we could know it, he thought, only as it impinges on our senses. However, that, of course, is precisely what was thought to happen in witchcraft. Thomas Hobbes was a skeptic, but his skepticism was rather different in character from that of the nineteenth or twentieth century. “As for witches,” he wrote in his Leviathan, “I think not that their witchcraft is any real power; but yet that they are justly punished, for the false belief they have that they can do such mischief, joined with their purpose to do it if they can; their trade being nearer to a new religion than to a craft or science.” (The last clause is remarkably perceptive, although it was, of course, survivals of old religion rather than anything new that were to be found in witchcraft.) If you had been sticking pins in your neighbour’s image or casting spells on his cow, you would not have wanted Thomas Hobbes to be your judge. He would not have believed in your occult powers, but he would have hanged you anyway, for your heresy and malice. We must bear in mind that in a society which believes in witchcraft, it works. If you believe in witchcraft and you discover that someone has been melting your wax image over a slow fire or muttering charms over your nail-parings, the probability is that you will get extremely sick. #RandolphHarris 12 of 20

To be sure, your symptoms will be psychosomatic rather than organic. However, the fact that they are obviously not organic will make them only more terrible, since they will seem the result of malefic and demonic power. So it was in seventeenth-century Europe, and so it was in seventeenth-century Massachusetts. The hideous convulsive fits were thought to be the result of witches and demons wrenching the bodies of their victims into tortuous postures. The loss of hearing, speech, sight, appetite, and memory were deprivations caused by Satan himself. The contradiction of the throat—the globus hystericus—was seen as an attempt by demons to make the victim swallow occult poisons. And when she swallowed rapidly and her belly welled (what s actually involved here is a kind of accelerated ulcer formation), it was thought the demons had succeeded. When blisters appeared upon the skin (many skin diseases are functional rather than organic), they were thought to have been raised by brimstone out of Hell. Many of these symptoms, including the skin lesions, would pass fairly rapidly. Cotton Mather, who was a Fellow of the Royal Society, a former medical student, and a thorough and careful observer, remarked more than once on the surprising rapidity with which “witch-wounds” healed. However, other symptoms would persist. And a new fit would bring a repetition of the old afflictions, or new ones equally alarming. #RandolphHarris 13 of 20

The cause of these hysterical symptoms, of course, was not witchcraft itself but the victim’s fear of it, and that is why so many innocent persons were executed. It is impossible now, and was in many instances impossible then, to tell how many of the persons executed for witchcraft were actually guilty of practicing it. It is surely no exaggeration to say that the majority, even the vast majority, were innocent victims of hysterical fears. However, we should again be wary of converting a statistical truth into a general principle. While it is clearly true that the majority of persons executed for witchcraft were innocent, it is equally true that some of them, in Massachusetts and elsewhere, were guilty. For those who look back on it, the Victorian age seems to be invested with a peculiar quality of difference—heightened by tis relative proximity in time—that is reflected in its ghost. It was an age shaped, perhaps more than any other previous period, by the forces of transition. In 1884, Mrs. Winchester left New Haven, Connecticut, and the graves of her husband and only child, moved to San Jose, California, and began the obsession that was to last for the rest of her life. She purchased an unfinished eight-room farmhouse outside the small agricultural town, and for the next 38 years, the sound of construction on Mrs. Winchester’s mansion never stopped. With the shadow of change falling across virtually every area of life and thought, the receding past became a focus for anxiety, and in literature the ghost story offered a way of anchoring the past to an unsettled present by operating in a continuum of life and death. #RandolphHarris 14 of 20

Mrs. Winchester hired carpenters to work around the clock building and rebuilding room after room, as the spirits—or her mood—directed. The house was furnished with the finest materials and was a showcase of Victorian elegance and taste. Mrs. Winchester passed away peacefully in her sleep on September 5, 1922, and work on the still uncompleted mansion stopped. Why did Mrs. Winchester build the World’s most beautiful and bizarre mansion? Was she following the advice of psychics who told her to provide a home for the spirits of those killed by the Winchester rifles? Was she told she would live forever, so long as construction never stopped? We may never know Mrs. Winchester’s real motivations, since she took the secret with her to her grace. So we leave to you to decide for yourself the mystery of the Winchester Mystery House. In the ghost story, obligations do not cease with death, and the past is never a closed book. What has been can be again, though often terribly transformed. For a progressive age (progressing to what?), the idea of a vindictive past held an especial potential for terror. In personal terms, ghosts were obvious, though still potent, images of the lost past—past sins, past promises, past attachments, past regrets—and could be used to confront, and exorcize, the demons of guilt and fear. We know that we are to be shown a climatic interaction between the living and the dead, and usually expect to be unsettled by the experience. #RandolphHarris 15 of 20

Mrs. Winchester’s mansion was said to be a very grand place. Driving up to the mansion, it was like one left all signs of a town, or even a village, and were then inside the gates of a large Victorian park—not like the parks here in the north, but with rocks, and the noise of running water, and beautiful thorn-trees, and old oaks, all white and peeled with age. The road went up about two miles, and then one would see a great and stately house, with many trees close around it, so close that in some places their branches dragged against the walls when the wind blew. The great oval drive was without a weed and two palm trees, in plain view a 7 story tower, along with two statues of a Greek goddesses, at the many-windowed front; at both sides of which a wing projected, which were each the ends of other side fronts; for the house was grander than most expected. There was also a little old-fashioned flower-garden. When people rode up to the great front entrance of Winchester mansion in their carriage, and went into the hall they thought they should be lost—it was so large, and vast, and grand. There was a chandelier all of bronze, hanging down from the middle of the ceiling; and many have never seen one before, and looked at it all in amaze. Then, at once end of the hall, was a great fireplace, as large as the sides of the houses in many countries, with massy andirons and Greek goddesses to hold the wood; and by it were heavy French provincial sofas. At the opposite end of the hall, to the left as you went in—on the western side—was an organ built into the wall, and so large that it filled up the best part of that end. Beyond it, on the same side, was a door; and opposite, on each side of the fireplace, were also doors leading to the east front; but those I never went through as long as I stayed in the house, so I cannot tell you what lay beyond. #RandolphHarris 16 of 20

Mrs. Winchester held very tight to me, as if she were scared and lost in that great place, and for myself, I was not much better. The west drawing-room was very cheerful-looking, with a warm fire in it, and plenty of good, comfortable future about it. So we went out of that great drawing-room, and into another sitting-room, and out of that, and then up a great flight of stairs, and along a broad gallery—which was something like a library, having books all down one side, and windows and writing-tables all down the other—till we came to the room I would be staying in, which I was not sorry to hear was just over the kitchens; for I began to think I should be lost in that wilderness of a house. The great old house was a famous place for Mrs. Winchester. She made expeditions all over it, with me at her heels; all except the east wing, which was never opened, and whither we never thought of going. However, in the western and northern part was many a pleasant room; full of things that were curiosities to guests. The windows were darkened by the sweeping boughs of the trees, and ivy which had overgrown them: but, in the green gloom, we could manage to see old China jars and carved ivory boxes, and great heavy books, and, above all, the old pictures. They were all portraits of some of the Winchester family, though Mrs. Winchester could not tell us the names of every one. We had gone through most of the 180 rooms, when we came to the old state drawing-room over the all, and there was a picture of Mrs. Winchester. She was such a beauty! She had a dress on, the like of which I had never seen before. #RandolphHarris 17 of 20

Mrs. Winchester said there were some places about the house she was half frightened at. As winter drew closer and day grew shorter, I was sometimes almost certain that I heard noises as if someone was playing on the great organ in the hall. I did not hear it ever evening; but certainly, I did very often; usually when I was sitting with Mrs. Winchester. Even after she went to bed, I used to hear it booming and swelling in the distance. The first night I went down to my supper, I asked Mrs. Winchester who had been playing music, and the butler said very short that I was a gowk to take the wind soughing among the trees for music: but I saw Mrs. Winchester look at him very fearfully, and the kitchen-maid, said something beneath her breath, and went quite white. I saw they did not like my question. They had heard the very strange noise, and had heard it many a time, but most of all on winter nights, and before storms; and folks did say it was the old lord playing on the great organ in the hall, just as he used to do when he was alive. The days grew shorter and shorter; and the old lord, if it was he, played more and more stormily and sadly on the great organ. The doors in the east wing were always locked, and Mrs. Winchester always had the keys. I wondered what was hidden there. One fearful night, just after the New Year had come in, when the rain was thick and deep, and it was still falling—fast enough to blind anyone who might be out and abroad—there was a great and violent noise heard, and the old lord’s vice above all, cursing and swearing awfully—and the cries of a little child—and a fierce woman—the sound of a blow—and a dead stillness—and moans and wailings dying away. #RandolphHarris 18 of 20

Suddenly Mrs. Winchester went towards the door, and I durst not be left, though my heart almost stopped beating for fear. In the hall the screams were louder than ever; they sounded to come from the east wing—near and nearer—close on the other side of the locked-up doors—close behind them. Then I noticed that the great bonze chandelier seemed all alight, though the hall was dim, and that a fire was blazing in the vast in the vast hearth-place, though it gave no heat; and I shuddered up with terror. The east door shook, and Mrs. Winchester cried, “I must go! My little girl is there; I hear her; she is coming! I must go!”  As if torn open in a violent passion, all at once the east door gave way with a thundering crash and there came into that broad mysterious light, the figure of a tall man, with red hair and gleaming eyes. He drove before him, with many a restless gesture of abhorrence, a stern and beautiful woman, with a little baby in her arms. “It’s the lady! the lady from the garden; and my little girl is with her. They are drawing me to them I feel them—I feel them I must go!” cried Mrs. Winchester. Again she almost convulsed by her effort to go towards them; but I held her tighter and tighter, till I feared I should do her a hurt; but rather that then let her go towards those terrible phantoms. They passed along toward the great hall-door, where the winds howled and ravened for their prey. And Mrs. Winchester was torn by a power stronger than mine and writhed in my arms, and sobbed (for by this time the poor darling was growing faint). #RandolphHarris 19 of 20

“They want me to go with them—they are drawing me to them. Oh, my little girl!” said Mrs. Winchester. But just then I saw—we saw—another phantom shape itself, and grow clear out of the blue and misty light that filled the hall; we had not seen her till now, for it was another lady who stood by the man, with a look of relentless grief and triumphant scorn. That figure was very beautiful to look upon, with a soft white hat drawn down over the proud brows and a red and curling lip. It was dressed in a gown of blue stain. I had seen the figure before. It was the likeness of Mrs. Winchester in her youth; and the phantom moved on, regardless of Mrs. Winchester’s wild entreaty. But at that moment the dim lights, and the fire that gave no heat, went out of themselves, and Mrs. Winchester lay at my feet stricken down by the palsy—death stricken. Yes! She was carried to her bed that night never to rise again. She lay with her face to the wall muttering low but muttering alway; “Alas! alas! what is done in youth can never be undone in age! What is done in youth can never be undone in age!” In recognition to Mrs. Winchester’s contribution to San Jose and the Santa Clara Valley, the Winchester Mansion was designated California Register of Historic Place in 1974. The mansion was also designated a San Jose Historic Landmark in 1996. #RandolphHarris 20 of 20

Winchester Mystery House

Ever-changing and evolving, Mrs. Winchester’s Llanada Villa once stood seven-stories tall before the 1906 earthquake forced the top three floors to be removed. How do you think it felt to stand in the tower and look across the land that would eventually become a technology hub?

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