Anything short of God is not rational, anything more than God is not possible. If the human mind be in truth the triadic structure of impression, reflection, and reaction, we think the outset of this dynamic has allowed access to the spirit of God, which is the superb, the supreme act of truly great civilizations. Of all the creations that purport to link humanity with the divine, the soul stands virtually alone in accomplishing this mission. We always knew humans tried to achieve the impossible, that one was a proud, confused, and stubborn being and because of that got themselves into mischief. Humans want above all to endure and prosper, to achieve immortality in some way. Because humans know they are mortal, the things they want most to deny is their mortality. Mortality is connected to the natural, terrestrial side of existence; and so beings reach beyond and away from that side. So much so that people try to deny finitude completely. However, humans not only have a fear of death, but also a fear of life. There are called twin fears. Still humans do not actually live stretched openly on a rack of cowardice and terror; if they did, they could not continue on with such apparent equanimity and thoughtlessness. Human’s fears are buried deeply by repression, which gives to everyday life its tranquil façade; only occasionally does the desperation show through, and only for some people.  #RandolphHarris 1 of 17

You are today where your thoughts have brought you; you will be tomorrow where your thoughts take you. It is repression, then, that great discovery of psychoanalysis, that explains how well people can hide their basic motives even from themselves. However, people also live in a dimension of carefreeness, trust, hope, and joy which gives them a buoyancy beyond that which repression alone could give. In a general way, all educated people know what reflex action means. It means that the acts we perform are always the result of outward discharged from the nervous centres, and that these outward discharges are themselves the result of impression from the external World, carried in along one or another of our sensory nerves. The symbolic engineering of culture gives beings a new and durable life beyond that of the body. The dynamic of human misery on this planet all stems from humans trying to be other than one is, trying to deny their terrestrial nature. This is the cause of all psychic illness, sadism, and war. The mean of rational opinion, the centre of gravity of all attempts to solve the riddle of life—some falling below it by defect, some flying above it by excess, itself alone satisfying every mental need in strictly normal measure.  Our gain will thus in the first instance be psychological. #RandolphHarris 2 of 17

God may be called the normal object of the mind’s belief. Whether over and above this he be really the living truth is another question. If he is, it will show the structure of our mind to be in accordance with the nature of reality. Whether it be or not in such accordance is, it seems to me, one of those questions that belong to the province of personal faith to decide. Each one of us is entitled to either to doubt r to believe in the harmony between one’s faculties either to doubt or to believe in the harmony between one’s faculties and truth; and that, whether one doubt or believe, one does alike on one’s personal responsibility and risk. People so willingly give over their destiny to the state and a great leader because tit is the politician who promises to engineer the World, to raise beings above their natural destiny, and so beings put their whole true in them. The central power promised to give them unlimited immunities and prosperities. Humans have tried to avoid the natural plagues of existence by giving themselves over to structures which embody immunity power, but they only have succeeded in laying waste to themselves with the new plagues unleased by their obedience to the politicians. We describe politicians as political plague-mongers. They are the ones who lie to the people about the real possibility and launch humankind on impossible dream which take impossible tolls of real life. #RandolphHarris 3 of 17

The conceiving or theorizing faculty—the mind’s middle department—functions exclusively for the sake of ends that do not exist at all in the World of impression we receive by way of our senses, but are set by our emotional and practical subjectivity altogether. It is a transformer of the World of our impressions into a totally different World—the World of our conception: and the transformation is effected in the interest of our volitional nature, the definite subjective purposes, preferences, fondness for certain effects forms, orders, and not the slightest motive would remain for the brute order of our experience to be remodeled at all. But, as we have the elaborate volitional constitution we do have, the remodeling must be effected; there is no escape. The World’s contents are given to each of us in an order so foreign to our subjective interests that we can hardly by an effort of the imagination picture to ourselves what it is like. We have to break that order altogether—and by picking out from it the items which concern us, and connecting them with others far away, which we say “belong” with them, we are able to make out definite threads of sequence and tendency; to foresee particular liabilities and get ready for them; and to enjoy simplicity and harmony in place of what was chaos. #RandolphHarris 4 of 17

However, once you base your whole life-striving on a desperate lie and try to implement that lie, try to make the World just the opposite of what it is, then you instrument your own undoing. You are spoiling everything for yourself, contaminating your purity and brining disease and weakness into your vitality. Then you have a mandate to launch a political campaign to make the World pure. Hardly anyone knows the names of the real benefactors of humankind, whereas every child knows that name of the generals of the political plague. Natural science is constantly drilling into human’s consciousness that fundamentally one is a lower than a worm’s belly in the Universe. The political plague-monger is constantly harping on chaos and destruction, but has no ideas how to make life easier on the people. This is thrusting people into the shadow World. The shadow is the other side. It is the expression of our own imperfection and Earthliness, the negative which is incompatible with the absolute values. The shadow becomes a dark thing in one’s own psyche, an inferiority which none the less really exists even though dimly suspected. The person wants to get away from this inferiority, naturally; one wants to jump over one’s own shadow. The most direct way of doing this is by looking for everything dark, inferior, and culpable in others. #RandolphHarris 5 of 17

Humans are not comfortable with guilt, it strangles them, literally is the shadow that falls over their existence. The guilt-feeling is attributable to the apperception of the shadow. This guilt-feeling based on the existence of the shadow is discharged from the system in the same way both by the individual and the collective—that is to say, by the phenomenon of the projection of the shadow. The shadow, which is in conflict with the acknowledged values [for instance, the cultural façade over terrestrial being] cannot be accepted as a negative part of one’s own psyche and is therefore projected—that is, it is transferred to the outside World and experienced as an outside object. It is combated, punished, and exterminated as the alien out there instead of being dealt with as one’s own inner problem. We have the dynamic for the classic and age-old expedient for discharging the negative forces of the psyche and the guilt: scapegoating. It is precisely the split-off sense of inferiority and immoral which is projected onto the scapegoat and then destroyed symbolically with one. When people stigmatize others or hurt others for no reason all the many reasons adduced, there is one reason that goes right into the heart of mind of each person, and that is the projection of the shadow. #RandolphHarris 6 of 17

The principal and indeed the only thing that is wrong with the World is humans. Given what both the stigmatized and the normal introduce into mixed social situations, it is understandable that all will not go smoothly. We are likely to attempt to carry on as though in fact one is wholly fitted one of the types of persons naturally available to us in the situation, whether this means treating one as someone better than we feel one might be or someone worse than we feel one probably is. If neither of these tacks is possible, then people may try to act as if the individual were a non-person, and not present at all as someone of whom ritual notice is to be take. One, may in turn, is likely to go along with these strategies, at least initially. In consequence, attention is furtively withdrawn from its obligatory targets, and self-consciousness and other-consciousness occurs, expressed in the pathology of interaction—uneasiness. In social situations with an individual known or perceived to have stigma, we are likely, then, to employ categorizations that do not fit, and we and the stigmatized individual is likely to become the more adept at managing them. One who always wears the mask of a friendly being must at last gain a power over friendliness of disposition, without which the expression itself of friendliness is not to be gained—and finally friendliness of disposition gains the ascendancy over one—one is benevolent. #RandolphHarris 7 of 17

We all do a certain amount of acting. However, we may act in two ways. In the first way, we try to change how we outwardly appear. The action is the body language, the put-on sneer, the posed shrug, the controlled sigh. This is surface acting. The other way is deep acting. Here, display is a natural result of working on feeling; the actor does not try to seem happy or sad but rather expresses spontaneously a real feeling that has been self-induced. In deep acting and surface acting, feelings do not erupt spontaneously or automatically. In both cases the actor has learned to intervene—either in creating the inner shape of a feeling or in shaping the outward appearance of one. In surface acting, the expression on my face or the posture of my body feels put on. It is not part of me. In deep acting, my conscious mental work—the effort to imagine a tall surgeon looming over me, for example—keeps the feeling that I conjure up from being part of myself. Thus in either method, an actor may separate what it takes to act from the idea of a central self. However, whether the separation between “me” and my face or between “me” and my feeling counts as estrangement depends on something else—the outer context. In the World of the theater, it is an honorable art to make maximum use of the resources of memory and feeling in stage performance. In private life, the same resources can be used to advantage, though to a lesser extent. #RandolphHarris 8 of 17

However, when we enter the World of profit-and-loss statements, when the psychological costs of emotional labor are not acknowledged by the company, it is then that we look at these otherwise helpful separations of “me” from my face and my feeling as potentially estranging. In surface acting the actor does not really experience the World from an imperial viewpoint, but one works at seeming to. What is on the actor’s mind? The audience, which is the nearest mirror to one’s own surface. This type of art is less profound than beautiful. It is more immediately effective than truly powerful; [its] form is more interesting than its content. It acts more on your sense of sound and sight than on your soul. Consequently it is more likely to delight than to move you. You can receive great impressions through this art. But they will neither warm your soul nor penetrate deeply into it. Their effect is harp but not lasting. Your astonishment rather than your faith is aroused. Only what can be accomplished through surprising theatrical beauty or picturesque pathos lies within the bounds of this art. However, delicate and deep human feelings are not subject to such technique. They call for natural emotions at the very moment in which they appear before you in the flesh. They call for the direct cooperation of nature itself. #RandolphHarris 9 of 17

There are two ways of doing deep acting. One is by directly exhorting feeling, the other by making indirect use of a trained imagination. Only the second is true Method acting. However, in either case the acting of passions grows out of living in them. People sometimes talk as much about their efforts to feel (even if these efforts fail) as they do not about having feelings. In the flow of experience, there are occasional common but curious shades of will—will to evoke, will to suppress, and will to somehow allow a feeling, as in “I finally let myself feel sad about it.” Sometimes there is only a social custom in mind—as when a person wishes to feel sad at a funeral. However, other times there is a desperate inner desire to avoid pain. Some people fight against love, they fight against grief, they fight against anger. All of these emotions are linked. One man’s effort to prevent himself from feeling love made him remind himself when he touched, moved, overwhelmed by the sights and smell of her, or a sight and smell which recalled her, or passing their old house or eating their foods, or walking on their streets; do not do this, do not feel. First he succeeded in removing her from the struggle. He lost his love. He lost his anger. She became a limited idea, like a newspaper death notice. He did not lose her entirely, but chipped away at it: do not, do not, do not, he would remind himself in the middle of the night; do not feel; and then dream what he could. #RandolphHarris 10 of 17

There are almost like orders to a contrary horse (whoa, giddyup, steady now), attempts to exhort feelings as if feeling can listen when it is talked to. It also presupposes an aspiration to feel. The being who fought against love wanted to feel the same about his former wife as he thought she felt about him; if he was a limited idea to her, he wanted her to be that for him. A country lover in twelfth-century France or a fourteen-year-old American female rock fan might have been more disposed to aspire to one-sided love, to want it that way. Deep acting comes with its social stories about what we aspire to feel. Coaching our emotions only addresses the capacity to duck a signal, to turn away from what evokes feeling. It does not move to the home of the imagery, to that which gives power to a sight, a sound, or a smell. It does not involve the deeper work of retraining the imagination. Ultimately, direct prods to feeling are not based on a deep look into how feeling works, and for this reason people are not under any circumstances use action which is directed immediately at the arousing of feeling for its own sake. The man who wanted to fight off love for his former wide might have approached the situation differently. First, it may have been more effective to use emotion memory: he might consider remembering the times he had felt furious at his wife’s thoughtlessness or cruelty. #RandolphHarris 11 of 17

It might have helped the man forget his feelings for his wife if he focused on one most exasperating instance of this, reevoking all the circumstances. Perhaps she had forgotten his birthday, had made no effort to remember, and failed to feel badly about it afterwards. Then he would use the “if” supposition and say to himself: “How would I feel about her if this is what she really was like?” He would not prompt himself not to feel love; rather he would keep alive the cruel episode of the forgotten birthday and substation the “if.” He would not, then, fall naturally out of love. He would actively conduct himself out of love through deep acting. To store a wealth of emotion memories, the actor must remember experiences emotively. However, to remember experiences emotively, one must first experience them in that way too, perhaps with an eye to using the feelings later. The mind acts as a magnet to reusable feeling. So the conceiving of emotion memory as a noun, as something one has, brings with it a conceiving of memory and of spontaneous experience itself as also having the qualities of a useable, nounlike thing. Feeling—whether at the time, or as it is recalled, or as it is later evoked in acting—is an object. It may be a valuable object in a worthy pursuit, but it is an object nonetheless. Some feelings are more valuable object than others, for they are more richly associated with other memorable events: a terrifying train ride may recall a childhood fall or nightmare. #RandolphHarris 12 of 17

However, memory is not enough. The memory, like any image drawn to mind, must seem real now. The actor must believe that an imagined happening really is happening now. To do this, the actor makes up an “as if,” a supposition. One actively suspends the usual reality testing, as a child does at play, and allows a make-believe situation to seem real. Often the actor can manage only a precarious belief in all of an illusion, and so one breaks it up into sturdier small details, which take one by one are easier to believe: “if I ere in a terrible storm” is chopped up into “if my eyebrows were wet and if my shoes were soaked.” The big if is broken into many little ones. The furnishings of the physical stage—a straight horse-hair chair, a pointer leaning against the wall—are used to support the actor’s if. Their purpose is not to influence the audience, as in surface acting, but to help convince the person doing deep acting that the if events are really happening. You have got to get to the stage of life where going for it is more important than winning or losing. It appears that the goal the individual most wishes to achieve, the end which one knowingly and unknowingly pursues, is to become oneself. When people are facing troubles because of their unique combination of difficulties, it is important to make them feel free and safe. #RandolphHarris 13 of 17

To help others, we have to understand the way one feels in one’s own inner World, to accept one as he or she is, to create an atmosphere of freedom in which one can move in one’s thinking and feeling and being, in any direction one desires. How does the individual use this freedom? It is my experience that one uses it to become more and more oneself. One begins to drop the false fronts, or the masks, or the roles, with which one has a faced life. One appears to be trying to discover something more basic, something more truly oneself. At first one lays aside mask which one is to some degree aware of using. We can use our relationships to explore, to examine the various aspect of our own experience, to recognize and face up to the deep contradictions which one often discovers. One learns how much of this behavior even how much of the feeling one experiences, is not real, is not something which flows from the genuine reactions of one’s organism, but is a façade, a front, behind which one has been hiding. One discovers how much of one’s life is guided by what one thinks one should be, not by what one is. Often one discovers that one exists only in response to the demands of others, that one seems to have no self of one’s own, that one is only trying to think, and feel, and behave in the way that others believe one ought to think, and feel and behave. #RandolphHarris 14 of 17

The dilemma of the individual, the most common despair is to be in despair at not choosing, or willing, to be oneself; but that the deepest form of despair is to choose to be another than oneself. On the other hand to will to be that self which one truly is, is indeed the opposite of despair, and this choice is the deepest responsibility of humans. Exploring the reality of self is often a painful and troubling search. This exploration becomes even more disturbing when one finds oneself involved in removing the false faces which one had not known were false faces. One begins to engage in the frightening task of exploring the turbulent and sometimes violent feelings with in oneself. To remove a mask which one has thought was part of one’s real self can be a deeply disturbing experience, yet when there is freedom to think and feel and be, the individual moves toward such a goal. Many people who put up a false front, if the wall, the damn, is not maintained, then everything will be swept away in violence of the feelings that one discovers pent-up in one’s private World. Yet it also illustrates the compelling necessity which the individual feels to search for and become oneself. It also begins to indicate the way in which the individual determines the reality in oneself—that when one fully experiences the feelings which at an organize level one is, as one experiences self-pity, hatred, and love, then one feels an assurance that one is being a part of one’s real self. #RandolphHarris 15 of 17

We cannot simply repair people for more bad use of themselves. Every time a timid husband or a hardworking wife is helped to fuller functioning and changed ways, a tiny sector of society has been changed. Every time a son is released from morbid dependency upon his parents or slavish conformity to his father’s orders, a victory in the struggle for political freedom has been gained. If the father or mother can be enlightened, so much better. In such cases, the tyrannical government exists in the home; but the home is a microcosm of society at large. The purpose for which the society came into being is freedom, albeit responsible freedom. Whilst there are parts of our nature which remain still undeveloped, we are not complete humans. It is the wholeness of one’s bodily, mental, and spiritual being that humans must develop. Results will best prove the soundness of the integrated path, the effectiveness of the integrated personality. Humans are a many-sided being. One’s development must accordingly be correlated with this fact. The whole psyche of humans must get into this task of self-spiritualization. Feeling alone cannot do it, will alone cannot do it, thinking alone cannot do it, and initiating alone cannot do it. Every element must contribute to it and be shaped by it. #RandolphHarris 16 of 17

Let us have faith that right makes right; and in that faith let us to the end dare to do our duty as we understand it. O God, who by the light of Thy Word scatterest away the darkness of ignorance, increase in our hearts the power of faith which Thou hast given; that no temptations may avail to quench the fire which Thy grace hath caused to be enkindled; through Jesus Christ our Lord. We beseech Thee, O Lord, in Thy loving kindness, to pour Thy holy light into out souls; that we may ever be devoted to Thee, by Whose wisdom we were created, and by Whose providence we are governed; through Jesus Christ our Lord. Let our prayer, O Lord, come before Thee in the morning. Thou didst take upon Thee our feeble and suffering nature; grant us to pass this day in gladness; and peace, without stumbling and without stain; that reaching the eventide without any temptation, we may praise Thee the eternal King: though Thy mercy, O our God, Who art blessed, and dost live, and govern all things, World without end. In the evening, and mourning, and noonday, we praise Thee, we bless Thee, we thank Thee, and pray Thee, Master of all, to direct our prayers as incense before Thee; and let not our hearts turn away to words of thoughts of wickedness, but rescue us from all thing that hunt our souls. For to Thee, Lord, Lord our eyes look up, and our hope is Thee. Confound us not, O our God. #RandolphHarris 17 of 17

Cresleigh Homes

Mills Station at Cresleigh Ranch | Residence 3

This week, follow Abbie Johnson on a tour of #MillsStationResidence 3 at #CresleighRanch! This home is highly customizable, with 3-4 bedrooms, 3 & 1/2 bath, covered patio, extendable living space, and more! Visit our website to use the interactive blueprint tool, or schedule a tour with us to see this home for yourself! Link: https://cresleigh.com/mills-station/residence-3/

#CresleighHomes