The music was like the music of old, when all songs had been the songs of the body, and the songs of the mind had not yet been invented. As we begin to confront our destiny as a given, unchangeable series of events which, no matter how painful, needs to be acknowledged and accepted, we become able to experience the relief of one who was a slave and is now is free. The freedom of each of us is in proportion to the degree with which we confront and live in relation to our destiny. Unfortunately, the term destiny has been so used and misused by Hollywood films that the word has almost solely the connotation of inescapable catastrophe, secret doom, irrevocable ruin—all of which gives a curiously erotic flavor to the films, as though the secret urge to be carried off for pleasures of the flesh by Zeus camouflaged as bull were present in the subconscious of all of us, male as well as female. True, the definitions of destiny do include irrevocable fate, but they also include much more. The verb form of the word, destine, is defined as to ordain, to devote, to consecrate. Destiny is a cognate of the term destination, which implies moving toward a goal. We discern two trends in these different meanings: one the element of direction, and the other the sense of plan or design. These are all aspects of the human condition; our billiard balls have been left far being. #RandolphHarris 1 of 16

I define destiny as the pattern of limits and talents that constitutes the givens in life. These may be on a grand scale, like death, or on a minor scale like the gasoline shortage. As we shall see below, it is in the confronting of these limits that our creativity emerges. Our destiny cannot be canceled out; we cannot erase it or substitute anything else for it. However, we can choose how we shall respond, how we shall live out our talents which confront us. Destiny is a term that describes our condition prior to sociological and mortal judgments. One’s destiny is archetypal and ontological; the term refers to one’s original experience at each moment. It is the design of the Universe speaking through the design of each one of us. Destiny confronts us on different levels. There is our destiny on the cosmic level, like birth and death. We may postpone death slightly by giving up smoking, for example, or we may invite it by living; but all the while passing into Heaven stands there irrevocable waiting. Dylan Thomas’s poem on the death of his father is an impassioned and arresting creative work. However, it did not cancel out the fact that his father had to pass into Heaven. Also on this cosmic level are Earthquakes and volcanoes, or we can take our chances, remaining in the path of the eruptions. However, we cannot escape the fact that volcanoes and other such eruptions of the Universe do occur without the slightest concern for us. #RandolphHarris 2 of 16

When we admit these so-called destructive aspects of destiny, we also see that the beneficial wide of the pattern includes the pleasure in the pathless woods and the rapture by the lonely shore. There is a second group of givens genetic. Our destiny is expressed in our physical characteristics, like the color of our eyes and skin, the race we happened to be born into, whether we are male or female, and so on. Anatomy is destiny. One’s talents—such as special gifts for music, art, or mathematics—are part of this bundle. One feels possessed by them. There is no denying talents without penalty, and one name for the attempt at denial is neurosis. Third, there is the cultural aspect of destiny. At birth we are thrown into a family we did not pick, into a culture about which we knew nothing, and into a particular historical period about which we had no say. We may, and sometimes need to, fight our family, but there is no successful way of disowning this fount from which we sprang. Freedom’s great emotional potency is due to the fact that human life and indeed the pursuit of happiness depend upon the nature and the efficiency of these means which culture gives mortals in their struggle with the environment, with other human beings, and with Destiny herself. #RandolphHarris 3 of 16

A fourth groups of givens is circumstantial. The stock market rises and falls; a war is declared; Pearl Harbor is attacked. Once these happen, they cannot be reversed nor avoided nor ignored nor done over again. One can think of the different forms of destiny on a spectrum with various gradations. On the left-hand extreme position I would put what the philosophers call necessity and the poets call fate, like Earthquakes and volcanoes. These are scarcely at all susceptible to human change. Determinism I would place near this end also. In the middle I would place the unconscious function of the human mind, since this is partly determined and partly influenced by human activity. The cultural aspects of destiny I would place nearer the right end of the spectrum, since, though we have no voice in choosing our society or historical period, we have a good deal of freedom in how we use them. On the extreme right hand I would put talent, for though it is given in once sense, we have considerable freedom with respect to how we use it. There are also varying ways of relating to one’s destiny. One is to cooperate with it. The aspects of destiny assigned to every mortal is suited to one, and suits one to oneself. Another way is be aware of and to acknowledge one’s destiny. Most of us do this, at least superficially with physical size, anatomy, and death. #RandolphHarris 4 of 16

A fourth way is the outright confronting and challenging of one’s destiny. A fifth and most active response is encountering and rebelling against destiny. Rage, rage against the dying of the light is an example of this. These ways are not mutually exclusive, to be sure, and we all use all of them at different times. The role of talent as a form of destiny is shown in a letter Beethoven wrote when he was twenty-eight and becoming so hearing impaired that “others heard the shepherd singing and I heard nothing. Oh, if I were rid of this affliction I could embrace the World! I feel that my youth is just beginning and I not always been ill? Grant me but half freedom from my affliction and then—as a complete, ripe mortal I shall return to you and renew the old feelings of friendship. You must see me as happy as it is possible to be here below—not unhappy. No! I cannot endure it. I will take Fate by the throat; it shall wholly overcome me. Oh, it is so beautiful to live—to live a thousand times! I feel that I am not made for a quiet life.” We can, of course, spend our lives trying to falsify or flee from our destiny. F. Scott Fitzgerald’s The Great Gatsby is the story of a young man who tried to falsify his past. Gatsby changed his name, disowned his parents, cultivated a British accent, and spent the crucial years after the World war trying to win back Daisy, the rich young lady with who he had fallen in love when he was in military training. #RandolphHarris 5 of 16

In Fitzgerald’s words, “The truth was that Jay Gatsby of West Egg, Long Island, sprang from his platonic conception of himself. So he invented just the sort of Jay Gatsby that a seven-year-old boy would be likely to invent, and to this conception he was faithful to the end.” At the tragic ending, the fabulous dance orchestras were silenced, the last person had left the once-crowned parties, Gatsby’s big house was empty, Daisy had gone back to her rich husband. And Gatsby’s body floats dead in his own swimming pool. Fitzgerald sums up the tragedy and relates it to us all: “Gatsby had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that is no matter—tomorrow we will run faster, stretch out our arms father….And one fine morning—so we beat on, boats against the current, borne back ceaselessly into the past.” #RandolphHarris 6 of 16

With beautiful insight, Fitzgerald sees the human compulsion to repeat behavior: “tomorrow we will run faster.”  Id this not our universal hubris? “No man of woman born / Coward or brave, can shun one’s destiny,” Homer proclaimed centuries ago. We human beings beat on like boats against the current, while we are all the time borne back ceaselessly into the past. Fitzgerald rightly observed that each of us to some extent falsifies, denies, or dodges one’s destiny—to commit the errors is all too human. He himself was especially of this type, as imaginative writers often are, and his special difficulty with his own destiny, which obviously included his early fame, led to his alcoholism and early death. So he knows of what he speaks. Destiny is a vital design. This means that destiny is a destination, or the significant direction or conflict of directions each one of us senses within oneself. Our will is free to realize or not to realize this vital design which we ultimately are, but we cannot…change it, abbreviate it, or substitute anything for it. The environment we live in, the outside World we face, and our own character as it has developed up until that moment simply make this task easier or harder. Life means the inexorable necessity of realizing the design for an existence which each one of us is. The sense of life is nothing other than each one’s acceptance of one’s inexorable circumstance and, on accepting it, converting it into one’s own creation. #RandolphHarris 7 of 16

Destiny in this sense is that design in our lives that we spend our years trying to find, seeking and groping, trying this job and that one, loving this woman or man and that one, stumbling into this therapist’s office or that one, sometimes with success and sometimes with failure. The tendency, present especially in America, to believe that we can change everything at any time we wish, that nothing in character or existence is fixed or given (in Los Angeles not even death) and that now with psychotherapy or the cults we can remake our lives and personalities over the weekend is not only a misperception of life, but is also a desecration of it. Psychoanalysis and its offspring provide varied ways of trying to discover this vital design of each of us. Gurus—or other persons who claim to have some transterrestial connections—are so prized in our day because they presume to tell us what our vital design is. To the extent that we are able to live out or destiny, we experience a sense of gratification and achievement, a conviction that we are becoming what we were meant to become. It is an experience of authenticity, a feeling of being in accord with the Universe, a conviction of genuine freedom. The huge World that girdles us about puts all sorts of questions to us, and tests us in all sorts of ways. #RandolphHarris 8 of 16

Some of the test we meet by actions that are easy, and some of the questions we answer in articulately formulated words. However, the deepest question that is ever asked admits of no reply but the dumb turning of the will and tightening of our heartstrings as we say, “Ye, I will even have it so!” When the vital design is covered up and silenced, however, the sensitive person has the experience of acting like a prig—one feels unreal, ungenuine, inauthentic. This design is not an idea or plan thought up by the person involved, and freely chosen. The design is anterior to all the ideas one’s intellect forms, and to all the decisions of one’s will. Life is essentially a drama, because it is a desperate struggle—with things and even with our own character—to succeed in being in fact that which we are in design. Often our pressure to deny our destiny comes from such things as our insecurity, our dread of ostracism, our fear and anxiety, and our lack of courage to risk ourselves. These, in turn, come largely from the pressure to conform: it is safer to belike everybody else. The vital design, the authentic pattern to which we are called can then be left far behind. However, the tendency to deny our destiny may also come from a conflict between possibilities—between, say, being a scientist or a poet, as in Goethe’s life. #RandolphHarris 9 of 16

There is the conflict in classical tragedy, for example, between Orestes’ love and pity for his mother and his need to avenge his father, the love-hate dilemma that arises from a fundamental human conflict between desire and destiny. There is a tendency among us to separate that which has an evil connotation in destiny, which we generally call fate, from that which is constructive, which we call destiny. It is crucial to remember that the concept of destiny is prior to the moral criteria of good and evil. So let there be no confounding the ought to be of mortality, which inhabits mortal’s intellectual region, wit the vital imperative, the has to be of personal vocation, situated in the most profound and primary region of our being. We need to accept the negative fate element together with the beneficial destiny. Adolph Hitler developed his great power over the German people by his use of the destiny of the German people, he was using the term correctly no matter how destructive his campaigns turned out to be. “The devil can quote scripture” has a meaning far beyond what we normally assume. Destiny and freedom from a paradox, a dialectical relationship. By this I mean that they are opposites that need each other—like day and night, Summer and Winter, God and the devil. #RandolphHarris 10 of 16

Out of encountering of the forces of destiny come our possibilities, our opportunities. In the engaging of destiny our freedom is born, just as with the coming of the light day overcomes the night. Destiny, as we have declared, is not to be thought of as a ball and chain that afflict human beings. It is true that there is a divinity that shapes our ends, rough-hew them how we will. However, it is likewise true, as Shakespeare also points out, “The fault, dear Brutus, is not in our stars, but in ourselves, that we underlings.” These statements sounds like a clear contradiction. However, they are paradoxes instead.  Freedom is by no means the absence of destiny. If there were no destiny to confront—no death, no illness, no fatigue, no limitations of any sort and no talents to pose against these limitations—we would never develop any freedom. The meaning of the dialectical relation between freedom and destiny is that, even though they are opposites, they are still bound together. They imply each other. If destiny changes, freedom must change, and vice versa. First comes a thesis; this gives rise to its antithesis; and this, in turn, leads to a synthesis. Each not only makes the other possible; each stimulates activity in the other pole, gives power and energy to the other. Thus we can truly speak of destiny being born out of freedom and freedom being born out of destiny. #RandolphHarris 11 of 16

For freedom is honed in the struggle with destiny. The freedom that develops in our confronting our destiny produces the richness, the endless variety, the capacity to endure, the ecstasy, the imagination, and the imagination, and the other capacities that characterize the World and ourselves as conscious creatures, free but destined, moving in it. In this sense destiny is personal: Each of us suffers one’s own destiny. It is out of the dialectical relation of destiny and freedom that creativity and civilization are born. Thus freedom and necessity [destiny] meet and fuse not only in my present and future choices but in the very individuality of my existence. Each and every decision establishes a new foundation for the formation of my real historical self: I am bound by the decisive character of my choices; in virtue of these choices I have become what I wanted myself to be. Hence, there are all the paradoxical statements about freedom. We are doomed to be free by the very fact of being born. We are condemned to freedom. Mortals are the being condemned to translate necessity into freedom. Thus mortals begin to have some sense of that cosmic pathos of the I without as yet realizing this. The human body is the carrier of its sensations, from its environment. In this particularity the body learns to know and discriminate itself, but this discrimination remains on the plane where things are next to each other. #RandolphHarris 12 of 16

However, once the I of the relation has emerged and has become existent in tis detachment, it somehow eternalizes and functionalizes itself and enters into the natural fact of the discreteness of the body from its environment, awakening I-likeness in it. Only now can the conscious I-act, the first form of the basic word I-It, of experience by an I, come into being. The I that has emerged proclaims itself as the carrier of sensations and the environment as their object. Of course, this happens in a primitive and not in epistemological manner; yet once the sentence “I see the tree” has been pronounced in such a way that it no longer relates a relation between a human I and a tree You but the perception of the tree object by the human consciousness, it has erected the crucial barrier between subject and object; the basic word I-It, the word of separation has been spoken. If we are curious and interested enough to follow up correctly the clues and hints which life gives us sometimes; if we observe, study, analyse, and pray; and if we become sensitive enough, then we shall be driven to become pilgrims with no choice except engagement in a spiritual quest. Our supreme need and deep request is then inner work. When one wakes up to the suspicion that ordinary purposes of human life on Earth hide other much more important ones, and that one will have to find them by oneself, one may begin to seek out and study the teachings of those who have gone farther along this way. #RandolphHarris 13 of 16

Whether we are guided by human experience or superhuman revelation, by intuitive feeling or intellectual thinking, we must come in the end to the recognition of the great mystery which surrounds us. The mysterious enigmas of the spiritual life must sooner or later challenge the sleeping mind of mortals into wakeful thoughts. Our so-called intelligentsia, who played with political red fire until they painfully felt its destructiveness on their own persons, played at the same time with intellectual disdain for those who escaped from the World into ivory-towers of spiritual seeking. The second World war, however, began the process of making them feel the barrenness of their own fields and the stark coldness of their own outlooks. So quite a number of them have begun to peep into the ivory-towers and to find out what goes on there. The resultant discoveries are opening their eyes. The spirit’s beauty has lured mortals on a dream of unfound gold. For the heart of mortals has always seemed to me like a grey galleon moving on the green seas of thought and seeking this World of treasure. #RandolphHarris 14 of 16

Ineffable bliss and serene joy are at the heart of all things and that is one of the reasons why people seek God’s infinite happiness even though they are not all aware of this. Those who turn to the spiritual life for material benefits, such as better relations with other people and better physical healthy are entitled to do so. However, they should remember Jesus’ counsel: “Seek ye first the Kingdom of of Heaven,” for then not only will “all these things [material benefits] be added unto you” but they have a chance of gaining the kingdom whereas the other approach postpones such a glorious result. God must be sought for his own sake; otherwise the spiritual quest will not be found or else will be found only in fleeting glimpses. That is the goal, that is the final end. However, there are two others pairs of realities which may separate us from the love of God—height and depth, and things present and things to come. Everyone understands their meaning without guidance. However, it is hard to exhaust the richness of this meaning. Height and depth are the highest and lowest points in the movements of the stars; they are the points of their greatest and least influence, for good and for evil. Height and depth are the moments in which a life process reaches its strongest realization, in vitality and success and power, and in which it reaches its weakest realization, perhaps its end. #RandolphHarris 15 of 16

Height and depth are the moments of victory and defeat, of fulfillment and emptiness, of elevation and depression, of fascination and of anxiety. And both moments, heights as well as depth, try to separate us from the love of God, the one by its light, the other by its darkness, both making God invisible. Things present and things to come—the first pints to the impact which the present makes upon us. It points to the seductive power of the present, to our refusal to look back or ahead when we are held in the grip of the acute enjoyment or the acute pain of the present moment. And things to come means the expectation of the new, the joy of the unexpected, the courage of the risk. However, it also means the incalculable, the contingent, and the anxiety about the strange and unknown. If we prepare our hearts, feasting upon the words of Chris can happen at any time and on any occasion. Our Heavenly Father loves us. He has provided a perfect plan for us to enjoy his blessings. In this life, we are all invited to come unto Christ and receive the restored gospel of Jesus Christ, receiving the gift of the Holy Ghost, and faithfully living the gospel. We must commit to the strait and narrow path and press forward with a steadfastness in Christ. It is an experience of joy, nourishment, celebration, sharing, expressing love to families and loved ones, communicating our thanksgiving to God, and building relationships while enjoying abundant, incredibly delicious food. #RandolphHarris 16 of 16