The Cresleigh Homes house at Rocklin Trails is  so big and so grand and so solid, a house so shining with gold and whiteness, a house stretching to the right and to the left so far that it swept out of my mind anything I had ever seen in the rich city of Granite Bay, and the wonder of Eldorado Hills passed away from me, and my breath was taken out of me. A symbol’s function is to cover up and to reveal, to disguise and to disclose simultaneously. The connation of the term symbolic is precisely this artistic capacity to disguise and at the same moment to disclose, one being impossible without the other. A symbol in a dream cover up an immediate reality and at the same time discloses a deeper reality. It may be profitable first to attempt to discover what we mean by love. Describing love often seems like trying to capture the beauty of a rainbow in a test tube and attempting to analyze it, but perhaps something can be gained from the effort. It is probably necessary to talk of love in ideal terms, even while recognizing that no relationship will completely fulfill the definition. What would a fully loving experience be like? It would certainly include mutual enjoyment of each other’ presence. People who love each other find satisfaction in being with each other. Delicious feelings of warmth and aliveness flood through us when we are with someone we know loves us and whom we love. #RandolphHarris 1 of 11

One of the factors involved in this delight in a loved one’s presence is empathy. A process of unspoken communication seems to take place in which we sense how the other person feels and we respond with our own emotions. Empathy differs from sympathy. The sympathetic person feels the same feeling as the one with whom one sympathizes. The empathetic person picks up how the others feel but responds with his own emotional reaction. A sympathetic person, for example, might cry with someone who has suffered grief almost as though it were he himself who were grieving. An empathetic person, on the other hand, would understand the grief and respond with love, perhaps moving toward the person, holding him, and expressing his deeply felt desire to comfort. Genuine empathy does not include the game in which a person expects another person to be able to sense one’s needs (to be loved, to be comforted, to be taken care of, to be needed, to be encouraged and so forth) without his expressing them and then feels resentful when they are not met. The often-heard complaint “He ought to know how I feel without my having to say it” is often a rationalization of one who is afraid of the intimacy and vulnerability involved in expressing one’s needs. #RandolphHarris 2 of 11

Another mark of love is that it provides a mutual opportunity for growth as persons. Love gives the warmth and Sunshine that makes possible the maximum personality development. In an ideal parent-child relationship, for example, the child basks in the parents’ love and their enjoyment of him. With the confidence gained in feeling loved the child is freed to explore one’s World in ever-widening circles and is free to experience loving relationships with others. If his growth is inhibited by his parents’ attitudes, their love, while real, is contaminated by other qualities. A corollary mark of love is that a lover does not give or demand exclusive tenderness. This idea will be dealt with in detail later. Let it suffice here to say that possessiveness discourages the maximum experience of love, which is necessary for the fullest personality growth for those involved. Another quality of love that is mentioned frequently is that love is unconditional. Perhaps there is no better word to describe it, but this ideal is very slippery and frequently misunderstood. Often we translate it to mean “Unconditional love means that anything you do is O.K. with me, if I love you. Therefore if I really love you I will never become angry with you or express feelings of hurt to you about something you have done.” #RandolphHarris 3 of 11

Such a definition of unconditional love would see the lover as an impassive pillow upon which the loved one could vent his whims. This is not the picture of a very satisfying or exciting relationship for either person! Yet we often cling to this ideal of love, which is a caricature of the real thing. We speak of art as symbol and myth, for they are both means by which we perceive life; they are the frames through which we make sense of the kaleidoscopic activity about us and in us. The symbol and myth are not ways of getting a perspective; they are the perspective itself. No one would argue that we do not project the symbol and myth; we do. However, no one ought also to protest against the equally obvious fact that the objective World is present in the symbol and myth as stimulus, the setting of the problems we week to resolve, the data we try to assimilate and make meaningful. Hence, art, like all expressions of beauty, is subjective and objective at the same time. Unconditional love runs much deeper. It goes more like this: “Even though I get very angry with you sometimes, even though I sometimes feel hurt, or irritated, or withdrawn, or even bored, I cannot escape the fact that I am deeply involved with you in a caring relationship. That fact of love exists, whatever is happening between us at the moment.” #RandolphHarris 4 of 11

When two people know in their bones that they have this kind of relationship, then they are more free to fight openly, to express other emotions more only, and to love each other more openly and freely. Unconditional love, therefore, opens the door to freer relationships, rather than to more restricted and obligatory reactions as we often assume. It is readily apparent that these qualities of love are equally applied to parents’ feelings for their children and to friendships between persons either of the same or the opposite gender. There may be some truth in the contention of some personality theorists that love always involves some erotic feeling. However, be that as it may, the matter of practical significance to us here is that love is not limited to potential mates and that the nature of love is no different in our various affiliations. The symbol participates in the thing it symbolizes. The Christian cross is in actuality simply two sticks of wood placed at right angles to each other. However, symbolically its form means infinitely more. The cross is the vertical dimension crossing the horizontal; the spiritual and the Worldly levels crossing each  other, engaged in perpetual tension and hopefully producing creative religious ideas and actions as an expression of this tension. Take the symbol of water at St. Anne des Pres, in Quebec, the Canadian shrine of healing waters like Lourdes. The priests at St. Anne have placed signs at various places where the water springs out of the ground, explaining that it is the faith in God which heals you, of which the water is a symbol. #RandolphHarris 5 of 11

However, water is also a healing agent and has been one since time immemorial; it has cleansing, health-giving properties. Water participates in the healing process though it is God who performs the cure. Also, signs point out that you may be cured psychologically and spiritually without being cured physically. One can see the struggle the theologians have had to preserve the shrine from magic, and they do this by emphasizing the faith in God, with the water as a curative agent which is the symbol of the activity of God. He produces healing waters, symbolic and diabolic, just as he did at the time of Noah and the flood. The symbol points beyond itself. A symbol always transcends the one who makes use of it and makes one say in reality more than one is aware of expressing. This is partly because of the multitude of dimensions the symbol encompasses; one cannot help expressing more than one is conscious of. This is part of the functioning of the double symbolic dimension of art as revealing and disclosing. The reason for the prejudice against, or perhaps more accurately, the fear of, symbols and myths in art is that they disclose so much; thus I cannot know exactly what I am saying. I have a tiger by the tail, and I rightly fear being carried by this animal faster than it runs. This reminds me of a cartoon in The New Yorker. A society woman is taking a revolver out of her handbag as she gets up from the analyst’s cough. She is saying, “This has been very nice, Doctor, but you know too much.” #RandolphHarris 6 of 11

Art releases and stimulates imagination among others to whom you are talking to as well as yourself. And at the moment is it engaged it is a renunciation, and that is when it is pure. The mortal accepts to be diminished by concentrating on an expenditure of energy, which will not extend one’s own power but will only give existence to a being other than oneself, who will exist independent of one. Still, more to desire the existence of the other is to transport oneself into one by sympathy, and, as a result, to have a share in the state of inert matter which belongs to one. Through its symbols, art is energy-releasing. Drawing together into a meaningful circle the many data flooding in on us, the artistic symbol frees us from confusion; we are not continually overwhelmed by the kaleidoscopic bombardment of experience. One can either block off the experience—which is the solution on the side of apathy, self-protection, death; or one can organize these multitudinous events into meanings that can then be dealt with as symbols—which our capacity of symbol forming enables us to do. The symbol also draws out our need to will and to act. This part of its function in making experience meaningful. Once we are freed from the unbearable confusion, we see our experience in manageable forms; and we do exactly that, we manage it, we take some stand with respect to it. #RandolphHarris 7 of 11

We are able to see in that totality something we call its design—that is, the product. And we can recognize in the finished product the process of its organization and composition. The principles of design are usually discussed in terms of the qualities of balance, emphasis, proportion and scale, rhythm and repetition, and unity and variety. For example, Leonardo’s famous Illustration of Proportions of the Human Figure embodies all of them. The figure is perfectly balanced and is symmetrical. The very center of the composition is the figure’s belly button, a focal point that represents the source of life itself, the fetus’s connection by the umbilical cord to its mother’s womb. Each of the figure’s limbs appears twice, once to fit in the square, symbol of the finite, Earthly World, and once to fit in the circle, symbol of the Heavenly World, the infinite and the universal. Thus, all the various aspects of existence—mind and matter, the material and the transcendental—are unified by the design into a coherent whole. For many Jewish people, Hanukkah is the symbol not only of eternal light but of pogroms, painful experiences of relatives who suffered in many countries, personal struggles, hope and new possibilities. For many believers all these things not only are exceedingly meaningful but they require of the Jewish people some stand, which may be renewed consecration or resoluteness. One cannot let one’s self be grasped fully by a symbol without experiencing the feeling that a change in one’s life is necessary. #RandolphHarris 8 of 11

Thus the symbol gives wings to the imagination. It casts one loose as the young eagle is cast out the nest The function of the myth and symbol is seen in the writings of James Joyce like Ulysses: the different tenses are represented simultaneously; fantasy and actuality are mixed, as they re in immediate existence anyway. Each sentence some across like a cord on the piano: notes of a number of different pitches are encompassed into one harmony. That is why the sympathy of the weak for the strong is pure only if its sole object is the sympathy received from the other, when the other is truly generous. This is supernatural gratitude, which means gladness to the recipient of supernatural compassion. It leaves self-respect absolutely intact. The preservation of true self-respect in affliction is also something supernatural. Gratitude that is pure, like pure compassion, is essentially the acceptance of affliction. The afflicted person and one’s benefactor, between whom diversity of fortune places an infinite distance, are united in this acceptance. There is friendship between them in the sense of the Pythagoreans, miraculous harmony and equality. Both of them recognize at the same tie, with all of their soul, that it is better not to command wherever one has power to do so. If this thought fills the whole soul and controls the imagination, which is the source of our actions, it constitutes true faith. #RandolphHarris 9 of 11

It constitutes faith, for it places the Good outside this World, where are all the sources of power; it recognizes it as the archetype of the secret point that lies at the center of human personality and is the principle of renunciation. Even in art and science, though second-class work, brilliant or mediocre, there is an extension of the self; work of the very highest order, true creation, means self-loss. We do not perceive this truth, because fame confuses and covers with its glory achievements of the highest order and the most brilliant productions of the second class, often giving the advantage to the latter. Love for our neighbor, being made of creative attention, is analogous to genius. Creative attention means really giving our attention to what does not exist. Humanity does not exist in the anonymous flesh lying inert by the roadside. The Samaritan who stops and looks gives one’s attention all the same to this absent humanity, and the actions which follow prove that it is a question of real attention. Faith is the evidence of things not seen. In this moment of attention faith is present as much as love. Love sees what is invisible. God thought that which did not exist, and by this thought brought it into being. At each moment we exist only because God consents to think us into being, although really we have no existence. At any rate that is how we represent creation to ourselves, humanly and hence inadequately of course, but this imagery contains an element of truth. #RandolphHarris 10 of 11

God alone have this power, the power really to think into being that which does not exist. Only God, present in us, can really think the human quality into the victims of affliction, can really look at them with a look differing from that we give to things, can listen to their voice as we listen to spoken words. Then they become aware that they have a voice, otherwise they would not have occasion to notice it. The true end of Mortals is the highest and most harmonious development of their powers to complete and consistent whole. Freedom is the first and indispensable condition which the possibility of such a development presupposes. It is a startling fact that freedom has been considered, throughout human history, so precious that hundred of thousands of human beings have willingly died for it. This love of freedom is seen not only in venerated persons like Giordano Bruno, who died at the stake for his freedom of belief, and Galileo, who whispered to himself in the face of the Inquisition that the Earth does move around the Sun, but it is also true for hosts of people whose names are forever unsung and unknown. Freedom must have some profound meaning, some basic relation to the core of being human, to be the object of such devotion. #RandolphHarris 11 of 11